Joe Cuba
Born "Gilberto Miguel Calderón" in New York City, Cuba's parents moved from… Read Full Bio ↴Born "Gilberto Miguel Calderón" in New York City, Cuba's parents moved from Puerto Rico to New York City in the late 1920s and settled in Spanish Harlem, a Latino community located in Manhattan. Cuba was raised in an apartment building where his father had become the owner of a candy store located on the ground floor (street level floor). His father had organized a stickball club called the Devils. Stickball was the main sport activity of the neighborhood. After Cuba broke a leg he took up playing the conga and continued to practice with the conga between school and his free time. Eventually he graduated from high school and joined a band.[1]
[edit] Musical career
In 1950, when he was 19 years old, he played for J. Panama and also for a group called La Alfarona X. The group soon disbanded and Cuba enrolled in college to study law. While at college he attended a concert in which Tito Puente performed "Abaniquito". He went up to Tito and introduced himself as a student and fan and soon they developed what was to become a lifetime friendship. This event motivated Cuba to organize his own band. In 1954, his agent recommended that he change the band's name from the Jose Calderon Sextet to the Joe Cuba Sextet and the newly named Joe Cuba Sextet made their debut at the Stardust Ballroom.[1]
In 1962, Cuba recorded "To Be With You" with the vocals of Cheo Feliciano and Jimmy Sabater Sr.. The band became popular in the New York Latin community. The lyrics to Cuba's music used a mixture of Spanish and English, becoming an important part of the Nuyorican Movement.[2]
In 1965, the Sextet got their first crossover hit with the Latin and soul fusion of "El Pito (I Never Go Back To Georgia)" . The "Never Go Back To Georgia" chant was taken from Dizzy Gillespie's intro to the seminal Afro-Cuban tune, "Manteca". Sabater later revealed that "none of us had ever been to Georgia. [3]
Along with fellow Nuyorican artists such as Ray Barretto and Richie Ray, Cuba was at the forefront of the developing Latin soul sound in New York, merging American R&B styles with Afro-Cuban instrumentation. Cuba was one of the key architects behind the emerging Latin Boogaloo sound, which became a popular and influential Latin style in the latter half of the 1960s. In 1966, his band which included timbales, congas, sometimes bongos, bass, vibraphones, and the piano among its musical instruments, scored a "hit" in the United States National Hit Parade List with the song "Bang Bang" - which helped kick off the popularity of the boogaloo. He also had a #1 hit, that year in the Billboards with the song "Sock It To Me Baby". Charlie Palmieri, who was his musical director, died in 1988 of a heart attack upon his arrival to New York from Puerto Rico.[4]
[edit] Later years and death
On April 1999, Joe Cuba was inducted into the International Latin Music Hall of Fame. In 2004, he was named Grand Marshall of the Puerto Rican Day Parade celebrated in Yonkers, New York. He was also the director of the Museum of La Salsa, located in Spanish Harlem, Manhattan, New York.
Joe Cuba died on February 15, 2009 in New York City, after being removed from life support. He had been hospitalized for a persistent bacterial infection. Cuba's remains were cremated at Woodhaven Cemetery.[5] He is survived by his 2 adult children from his first wife (Nina, married in 1960), son Mitchell and daughter Lisa, 3 grandchildren Nicole, Alexis and Rebecca; and his second wife Maria (Married in 1994).
[edit] Discography
Among the songs recorded by Joe Cuba and his sextet are the following:[6]
* 1. Bang Bang
* 2. Cocinando
* 3. Ay Milagro
* 4. El Raton
* 5. Joe Cubas Latin Hustle
* 6. My Man Speedy
* 7. Quinto Sabroso
* 8. El Pito
* 9. Trip To Mamboland
* 10. Sock It To Me""
* 11. Y Tu Abuela Donde Esta
* 12. Oriza Oco
* 13. Psychedelic Baby
* 14. Pataquibiriquambambaram
* 15. Quires Volver
* 16. Yo Y Borinquen
* 17. Mi Salsa Buena
* 18. Bailadores
* 19. Joe Cubas Madness Pts 1 And 2
* 20. Oye Bien
* 21. Mujer Divina
* 22. La Tortilla
* 23. Talk About Love
* 24. Alafia
* 25. Ritmo De Joe Cuba
* 26. Hey Joe Hey Joe
* 27. Elube Chango
* 28. Wakini
* 29. No Coman Cuento
* 30. To Be With You
* 31. Mi Lindo Son
* 32. Oh Yeah
* 33. Flacos Cha Cha
* 34. La Malanga Brava
* 35. Contigo Aprendi
* 36. Ya Se Acabo
[edit] Musical career
In 1950, when he was 19 years old, he played for J. Panama and also for a group called La Alfarona X. The group soon disbanded and Cuba enrolled in college to study law. While at college he attended a concert in which Tito Puente performed "Abaniquito". He went up to Tito and introduced himself as a student and fan and soon they developed what was to become a lifetime friendship. This event motivated Cuba to organize his own band. In 1954, his agent recommended that he change the band's name from the Jose Calderon Sextet to the Joe Cuba Sextet and the newly named Joe Cuba Sextet made their debut at the Stardust Ballroom.[1]
In 1962, Cuba recorded "To Be With You" with the vocals of Cheo Feliciano and Jimmy Sabater Sr.. The band became popular in the New York Latin community. The lyrics to Cuba's music used a mixture of Spanish and English, becoming an important part of the Nuyorican Movement.[2]
In 1965, the Sextet got their first crossover hit with the Latin and soul fusion of "El Pito (I Never Go Back To Georgia)" . The "Never Go Back To Georgia" chant was taken from Dizzy Gillespie's intro to the seminal Afro-Cuban tune, "Manteca". Sabater later revealed that "none of us had ever been to Georgia. [3]
Along with fellow Nuyorican artists such as Ray Barretto and Richie Ray, Cuba was at the forefront of the developing Latin soul sound in New York, merging American R&B styles with Afro-Cuban instrumentation. Cuba was one of the key architects behind the emerging Latin Boogaloo sound, which became a popular and influential Latin style in the latter half of the 1960s. In 1966, his band which included timbales, congas, sometimes bongos, bass, vibraphones, and the piano among its musical instruments, scored a "hit" in the United States National Hit Parade List with the song "Bang Bang" - which helped kick off the popularity of the boogaloo. He also had a #1 hit, that year in the Billboards with the song "Sock It To Me Baby". Charlie Palmieri, who was his musical director, died in 1988 of a heart attack upon his arrival to New York from Puerto Rico.[4]
[edit] Later years and death
On April 1999, Joe Cuba was inducted into the International Latin Music Hall of Fame. In 2004, he was named Grand Marshall of the Puerto Rican Day Parade celebrated in Yonkers, New York. He was also the director of the Museum of La Salsa, located in Spanish Harlem, Manhattan, New York.
Joe Cuba died on February 15, 2009 in New York City, after being removed from life support. He had been hospitalized for a persistent bacterial infection. Cuba's remains were cremated at Woodhaven Cemetery.[5] He is survived by his 2 adult children from his first wife (Nina, married in 1960), son Mitchell and daughter Lisa, 3 grandchildren Nicole, Alexis and Rebecca; and his second wife Maria (Married in 1994).
[edit] Discography
Among the songs recorded by Joe Cuba and his sextet are the following:[6]
* 1. Bang Bang
* 2. Cocinando
* 3. Ay Milagro
* 4. El Raton
* 5. Joe Cubas Latin Hustle
* 6. My Man Speedy
* 7. Quinto Sabroso
* 8. El Pito
* 9. Trip To Mamboland
* 10. Sock It To Me""
* 11. Y Tu Abuela Donde Esta
* 12. Oriza Oco
* 13. Psychedelic Baby
* 14. Pataquibiriquambambaram
* 15. Quires Volver
* 16. Yo Y Borinquen
* 17. Mi Salsa Buena
* 18. Bailadores
* 19. Joe Cubas Madness Pts 1 And 2
* 20. Oye Bien
* 21. Mujer Divina
* 22. La Tortilla
* 23. Talk About Love
* 24. Alafia
* 25. Ritmo De Joe Cuba
* 26. Hey Joe Hey Joe
* 27. Elube Chango
* 28. Wakini
* 29. No Coman Cuento
* 30. To Be With You
* 31. Mi Lindo Son
* 32. Oh Yeah
* 33. Flacos Cha Cha
* 34. La Malanga Brava
* 35. Contigo Aprendi
* 36. Ya Se Acabo
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Joe Cuba Lyrics
A Las Seis (A las seis es la cita no te olvides de ir pa´bailar…
Bailadores Bailadores, bailadores, Yo quiero que ahora bailen con este …
Bang Bang bang bang Bang bang bang Is it the way that you're…
Bang ! Bang ! Bang bang bang Bang bang bang Is it the way that you're…
Bang Bang Bang bang bang Bang bang bang Is it the way that you're…
Bochinchosa La-la-la-la-la, la-la-la-la-la La-la-la-la-la, la-la-la-la-l…
Cachondea A fruko el bravo le dicen lo dejaron tirao como efecto de…
Como Rien como rien, todos enamorados alegres y encantados como rien,…
Do You Feel It do u feel it? yes i feel it i feel my beloved…
El Chichon Juan Ramón, oye, mira, ¡cuidado! Juan Ramón, diciéndoselo y …
El Hueso El domingo al amanecer Yo invité a juana para comer Lechón a…
El Pito Oye!, y ese pito? (Así se goza) Así es que la rumba…
El Pito (I'll Never Go Back To Georgia) Could have given me something You, my everything You left me…
El Ratón Mi gato se está quejando Que no puede vacilar. Si dondequier…
I 'm Insane Honey, ALL my friends tell me I shouldn't love you,…
La Lapa Ay, mi madre, qué lío me he buscado Si... Esto, esto está…
La Palomilla Por eso este ritmo sabroso lo pueden bailar Sonando los cuer…
Macorina Son las boricuas Son las mejores Son las boricuas Son las me…
Mambo Of The Times Listen to our theory Of this crazy fad And I hope our…
Mujer Sabararabaraba bao Sabararabaraba bao La primera noche que …
Oh Yeah We're going to a party Put your red dress on Ain't nothing…
Oriente Oye!, yo vengo de Oriente Con ritmo caliente Que te hace goz…
Oye Como Va Oye como va Me ritmo Bueno pa gozar Mulatta…
Te Adoro Te adoro Con un profundo cariño En mi alma Despiertas una il…
Temptation You came, I was alone I should have known you were…
To Be With You To Be WIth You One hour each lonley day? WIll there be…
Tremendo Coco Esa mujer, cómo va Esa mujer, cómo va (Tremendo coco Que si…
Tremendo Rumbon Se esta formando tremendo rumbon y ahora joe cuba la tumbado…
Tu Lo Sientes? Do u feel it? Yes i feel it I feel my…
Wabble-Cha Que todo lo que pide y quiere, Y eso mismo es…
Yo Vine Pa' Ver Oye yo vine pa'ver, Qué es lo que aquí está pasando, Que…