Kitty Wu
When Kitty Wu first stepped onto the Scandinavian indie scene with the rele… Read Full Bio ↴When Kitty Wu first stepped onto the Scandinavian indie scene with the release of their debut “Privacy”(2001), the band instantly drew attention from both critics and music fans alike.
The strong sense of urgency surrounding the band, and the honest, yet ambitious sound of the album was convincing and quite unexpected, coming from a first-time act. The album earned the Danish band rave reviews, as well as a prestigious spot on the Roskilde festival’s legendary main stage.
For their next album Kitty Wu teamed up with renowned producer Rob Ellis, known for his many years of collaboration with PJ Harvey. Ellis would prove to be a key character in the band’s storyline, and helped shape and sharpen the sound and identity of Kitty Wu.
With “The Rules of Transportation”(2003) Kitty Wu grew into their own and perfected their specific brand of poetic and alternative rock. The album also saw Robert Lund gaining a position as a deeply fascinating singer and songwriter.
Ellis returned to produce “Knives and Daggers”(2005), a detached diary of city living and the chilling culmination of Kitty Wu’s foray into dark minimalism.
Both albums were critically acclaimed and gave the band a loyal underground following, helped by a reputation as an exiting live act, earned through touring - both headlining as well as supporting acts like Brendan Benson and Muse.
Now Kitty Wu is back with “Someone Was Here”, an album that bares witness to the many changes that has taken place inside the band - changes that have pushed Kitty Wu into new sonic territory and created a hectic energy within their sound.
Since releasing their last album, Kitty Wu have parted ways with bass player Samuel Helles (who left for family reasons). The departure of Helles initially sent shockwaves through the tightly knit unit, but when the dust settled, they found that being forced to rethink the band, allowed them a new freedom which created a massive sense of electricity throughout the process.
“Someone Was Here” is the sound of conflict. Noise driven guitars and beatstructures are in a constant clash with Robert Lund’s atmospheric and ghostly vocals. This intentional fight creates a nervous, driven energy and a truly hypnotic soundscape, underlining the abstract and poetic lyrics about loss and departure.
Most of the self-produced album was recorded at Studio R, a converted warehouse in the industrial part of Copenhagen. Lund subsequently laid down the complex and evocative vocal arrangements by himself, during nightly sessions in the band’s own studio, Chapter 11. The vocals, which are a defining element of “Someone Was Here”, also draws a crooked line to some of the unorthodox influences behind the album - among them Simon and Garfunkel’s classic “Bookends”.
The album was mixed in London by Guy Fixsen (My Bloody Valentine, Breeders, etc).
“Someone Was Here” is Kitty Wu at their best and most ambitious, and places them at the forefront of a thriving and exciting Danish music movement. “Someone Was Here” is handled in Denmark by A:larm Music, whose roster includes Danish acts like Mew, Efterklang and Sune Wagner of Raveonettes.
The album is available on cd / limited vinyl / download
Kitty Wu is:
Robert Lund – Vocals/Guitars Allan Schøneberg – Bass Claus Bergmann – Drums
The strong sense of urgency surrounding the band, and the honest, yet ambitious sound of the album was convincing and quite unexpected, coming from a first-time act. The album earned the Danish band rave reviews, as well as a prestigious spot on the Roskilde festival’s legendary main stage.
For their next album Kitty Wu teamed up with renowned producer Rob Ellis, known for his many years of collaboration with PJ Harvey. Ellis would prove to be a key character in the band’s storyline, and helped shape and sharpen the sound and identity of Kitty Wu.
With “The Rules of Transportation”(2003) Kitty Wu grew into their own and perfected their specific brand of poetic and alternative rock. The album also saw Robert Lund gaining a position as a deeply fascinating singer and songwriter.
Ellis returned to produce “Knives and Daggers”(2005), a detached diary of city living and the chilling culmination of Kitty Wu’s foray into dark minimalism.
Both albums were critically acclaimed and gave the band a loyal underground following, helped by a reputation as an exiting live act, earned through touring - both headlining as well as supporting acts like Brendan Benson and Muse.
Now Kitty Wu is back with “Someone Was Here”, an album that bares witness to the many changes that has taken place inside the band - changes that have pushed Kitty Wu into new sonic territory and created a hectic energy within their sound.
Since releasing their last album, Kitty Wu have parted ways with bass player Samuel Helles (who left for family reasons). The departure of Helles initially sent shockwaves through the tightly knit unit, but when the dust settled, they found that being forced to rethink the band, allowed them a new freedom which created a massive sense of electricity throughout the process.
“Someone Was Here” is the sound of conflict. Noise driven guitars and beatstructures are in a constant clash with Robert Lund’s atmospheric and ghostly vocals. This intentional fight creates a nervous, driven energy and a truly hypnotic soundscape, underlining the abstract and poetic lyrics about loss and departure.
Most of the self-produced album was recorded at Studio R, a converted warehouse in the industrial part of Copenhagen. Lund subsequently laid down the complex and evocative vocal arrangements by himself, during nightly sessions in the band’s own studio, Chapter 11. The vocals, which are a defining element of “Someone Was Here”, also draws a crooked line to some of the unorthodox influences behind the album - among them Simon and Garfunkel’s classic “Bookends”.
The album was mixed in London by Guy Fixsen (My Bloody Valentine, Breeders, etc).
“Someone Was Here” is Kitty Wu at their best and most ambitious, and places them at the forefront of a thriving and exciting Danish music movement. “Someone Was Here” is handled in Denmark by A:larm Music, whose roster includes Danish acts like Mew, Efterklang and Sune Wagner of Raveonettes.
The album is available on cd / limited vinyl / download
Kitty Wu is:
Robert Lund – Vocals/Guitars Allan Schøneberg – Bass Claus Bergmann – Drums
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Kitty Wu Lyrics
Act Surprised When branches cut the trees down From their elbows to their…
Beggars And Choosers pretty as a picture stolen as a getaway car can i have…
Customer Straws of hair's been weaved into Safety nets to stumble th…
Dobbelgänger Are you a stranger in your home And your flowers' shadow…
Eva Braun All too many people in this room Occupying air Far too man…
Give In/Give Up Shy of Rapid Movement Where are you Going? We're not …
Gold Chain Get here alone Without company It will be safe there's no …
It's Been Arranged it's been arranged for me to disappear to carry out…
Keyhole Nothing On amateurs' command Sweaty nervous hands An armyless camp…
Love Letters leave me a message send me a postcard describe the waeathe…
Phonebooks are Dead Listening by the door I thought I heard a sound It wasn't…
Repeat It Cannot make it out Thought my sight was better It's your s…
Sleep Together Wake Apart Six feet to the bed Seven to door When this is over The…
Slow Dance This is the safest word in your mouth This is the…
Spending Black Time With You i will have you for an hour i'll keep you…
Superpowers Undercover with my lover, everyone but me Scan interiors fo…
There is a Red Light There is a red light I know Because I see it There is…
Those Who Got Away With It Is that dog still outside? I saw its teeth, I touched…
Threetwentyone Walking in a straight line Walking in a straight line No h…
Tonight It's On there is always a winner a loser will be crowned but at…
Trigger Aim it high, the wind will take it there Now control…
You Are Not The Driver You are not the driver Though you seem to think Engines do…
Zero Is Your Maximum black spots spread across your face they are bruises from…