Klaus Schulze
Klaus Schulze (born August 4, 1947 in Berlin, Germany) is a German electronic art music composer and musician. He has also used the alias Richard Wahnfried. He was briefly a member of the electronic band Tangerine Dream as well as cofounding Ash Ra Tempel before a pioneering and prolific solo career of 40+ albums (totalling 110+ CDs) in 30+ years.
In 1969, Klaus Schulze was the drummer of one of the early incarnations of Tangerine Dream for their debut album Electronic Meditation. Read Full BioKlaus Schulze (born August 4, 1947 in Berlin, Germany) is a German electronic art music composer and musician. He has also used the alias Richard Wahnfried. He was briefly a member of the electronic band Tangerine Dream as well as cofounding Ash Ra Tempel before a pioneering and prolific solo career of 40+ albums (totalling 110+ CDs) in 30+ years.
In 1969, Klaus Schulze was the drummer of one of the early incarnations of Tangerine Dream for their debut album Electronic Meditation. In 1970 he left this group to form Ash Ra Tempel with Manuel Göttsching. In 1971, he chose again to leave a newly-formed group after only one album, this time to mount a solo career.
In 1972, Schulze released his debut album Irrlicht with organ and a recording of an orchestra filtered almost beyond recognition. Despite the lack of synthesizers, this proto-ambient work is regarded as a milestone in electronic music. The follow up, Cyborg, was similar but added the EMS Synthi A synthesizer. Some highlights of his early career are Moondawn (1976), Mirage (1977) and Dune (1979). He often took aspects of German culture and history as a starting point in his compositions, particularly on his album "X" (the title signifying it was his tenth album) in 1978 which was subtitled 'Six Musical Biographies,' including such notables as Ludwig II of Bavaria, Friedrich Nietzsche, and Wilhelm Friedemann Bach. His use of the pseudonym Richard Wahnfried indicates his interest in Richard Wagner, which also informs other albums of his music, notably Timewind.
Throughout the 1970s he worked mostly in an improvised musical style similar to the above-mentioned Tangerine Dream, albeit with lighter sequencer lines and a more introspective, cosmic edge to pieces that also tended to develop more gradually and were of a longer duration, sometimes in excess of 30 minutes.
Klaus Schulze had a more eclectic sound than other electronic artists of the time. Often he would make use of non-electronic sounds such as acoustic guitar and a male operatic voice in Blackdance , or a cello in Dune and Trancefer . Schulze developed a Minimoog technique that sounds uncannily like an electric guitar, which is quite impressive in concert.
In the 1980s Schulze moved from analog to digital instruments, and his work accordingly became less experimental and more accessible. A highlight of this era was En=Trance with the dreamy cut 'FM Delight.' The album Miditerranean Pads marked the beginning of very complex percussion arrangements that continued into the next two decades.
Starting with Beyond Recall, the first half of the 1990s was a period when Schulze used a large sonic pallette of samples – such as screeching birds or sensuous female moans – in both his studio albums and live performances. The decade also saw the release of copious amounts of previously unreleased material, of varying quality, in several limited-edition boxed sets. Some live recordings were discovered on pristine but forgotten reels of tape which had been used to provide "echo" in concerts.
Schulze began incorporating elements of jazz and classical music, playing a more contemporary, techno/dance music, as well as creating an opera. Since the start of the millennium he has begun gradually re-releasing his classic solo albums, each containing bonus tracks of unreleased material, dating from same period as each of the original albums.
In 1969, Klaus Schulze was the drummer of one of the early incarnations of Tangerine Dream for their debut album Electronic Meditation. Read Full BioKlaus Schulze (born August 4, 1947 in Berlin, Germany) is a German electronic art music composer and musician. He has also used the alias Richard Wahnfried. He was briefly a member of the electronic band Tangerine Dream as well as cofounding Ash Ra Tempel before a pioneering and prolific solo career of 40+ albums (totalling 110+ CDs) in 30+ years.
In 1969, Klaus Schulze was the drummer of one of the early incarnations of Tangerine Dream for their debut album Electronic Meditation. In 1970 he left this group to form Ash Ra Tempel with Manuel Göttsching. In 1971, he chose again to leave a newly-formed group after only one album, this time to mount a solo career.
In 1972, Schulze released his debut album Irrlicht with organ and a recording of an orchestra filtered almost beyond recognition. Despite the lack of synthesizers, this proto-ambient work is regarded as a milestone in electronic music. The follow up, Cyborg, was similar but added the EMS Synthi A synthesizer. Some highlights of his early career are Moondawn (1976), Mirage (1977) and Dune (1979). He often took aspects of German culture and history as a starting point in his compositions, particularly on his album "X" (the title signifying it was his tenth album) in 1978 which was subtitled 'Six Musical Biographies,' including such notables as Ludwig II of Bavaria, Friedrich Nietzsche, and Wilhelm Friedemann Bach. His use of the pseudonym Richard Wahnfried indicates his interest in Richard Wagner, which also informs other albums of his music, notably Timewind.
Throughout the 1970s he worked mostly in an improvised musical style similar to the above-mentioned Tangerine Dream, albeit with lighter sequencer lines and a more introspective, cosmic edge to pieces that also tended to develop more gradually and were of a longer duration, sometimes in excess of 30 minutes.
Klaus Schulze had a more eclectic sound than other electronic artists of the time. Often he would make use of non-electronic sounds such as acoustic guitar and a male operatic voice in Blackdance , or a cello in Dune and Trancefer . Schulze developed a Minimoog technique that sounds uncannily like an electric guitar, which is quite impressive in concert.
In the 1980s Schulze moved from analog to digital instruments, and his work accordingly became less experimental and more accessible. A highlight of this era was En=Trance with the dreamy cut 'FM Delight.' The album Miditerranean Pads marked the beginning of very complex percussion arrangements that continued into the next two decades.
Starting with Beyond Recall, the first half of the 1990s was a period when Schulze used a large sonic pallette of samples – such as screeching birds or sensuous female moans – in both his studio albums and live performances. The decade also saw the release of copious amounts of previously unreleased material, of varying quality, in several limited-edition boxed sets. Some live recordings were discovered on pristine but forgotten reels of tape which had been used to provide "echo" in concerts.
Schulze began incorporating elements of jazz and classical music, playing a more contemporary, techno/dance music, as well as creating an opera. Since the start of the millennium he has begun gradually re-releasing his classic solo albums, each containing bonus tracks of unreleased material, dating from same period as each of the original albums.
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Aouss Al-Twaijry
Not Quran, those are Bible words or Christian prayor (sorry for my ignorance), saying in Arabic:
أبانا الذي في السموات
ليتقدس اسمك،
ليأت ملكوتك،
لتكن مشيئتك،
كما في السماء كذلك على الأرض،
اعطنا خبزنا كفاف يومنا،
واغفر لنا ذنوبنا و خطايانا،
كما نحن نغفر أيضآ لمن اخطأ واساء الينا،
ولا تدخلنا في التجربة،
ولكن نجنا من الشرير
https://ar.m.wikipedia.org/wiki/%D8%A7%D9%84%D8%B5%D9%84%D8%A7%D8%A9_%D8%A7%D9%84%D8%B1%D8%A8%D9%8A%D8%A9
Switch the language in Wikipedia to know which prayor is that.
dholl synth music
this is such a rush....ageless cosmic trance
Barbara B Lis
As for a break ,,,,from reality to another dimension this kind of music ,however from past could be an add into the future which I Am recommending as the addition being portrayed on my canvas .💙
Henk de Groot
Een van mijn eerste kennismakingen met synthesizer-muziek. Alweer 44 jaar geleden!
Het blijft een indrukwekkend muziekstuk dat wel nooit zal vervelen.
Het klinkt ook helemaal niet gedateerd.... Klasse!
Arie H
Luisterde ernaar op mijn kamer met vrienden en vriendinnen helemaal out van de stuff. NU 75 jaar en zonder stuff
Dirk Lyssens
Schitterend gewoon. Ik ben ondertussen al meer dan 40 jaar een heeeele grooooote EM lover, JMJ, Kraftwerk, Vangelis, Schiller, TD, KS, en ga zo maar door. Groetjes Dirk België.
Philippe Labbé
GRAND MAÎTRE SUPRÊME
COMME EDGAR FROESE ET FLORIAN SCHNEIDER 😍❤️👏🕊️👍
Dirk Lyssens
Indeed, TD and Kraftwerk are also my favorites. Greetings from Belgium. Dirk.
marcel bryssinckx
Meer dan 40 jaar geleden leerde ik dit FLOATING van Klaus Schulze kennen. Het beviel me onmiddellijk. Nu, 40 jaar later, boeit deze muziek , mij nog steeds.
Prachtig.
Dirk Lyssens
@marcel bryssinckx hoi Marcel, fijn om je terug te horen. Al deze namen ken ik ook en vind ik ook heel goed. Van Deuter heb ik wel wat lps, knap, ook van ashra tempel, enz. Zat vroeger altijd gekluisterd aan de radio op maandagavond voor muziek uit de kosmos met flor berckenbosch. Gr, Dirk Waasmunster.
marcel bryssinckx
Dank voor uw reactie. Zelf ben ik ook in hoge mate liefhebber van Deuter, Oliver Shanti, Terry Oldfield, David Parsons...In hun muziek zitten zeer vaak
Aziatische elementen en verwijzigingen naar Boeddhisme en Hindoeïsme. Ik heb zelf meer dan 60 individuele reizen naar Azië gemaakt.
Vriendelijke groeten. Marcel, Wilrijk (Antw.)