La Main Traumatique
After several experiences in the field of improvised and minimalist music, … Read Full Bio ↴After several experiences in the field of improvised and minimalist music, Joséphine Müller embarks now on a project of sound construction from the electro acoustic universe, always in improvisation.
The idea is to gather in a piece the manipulated concrete sounds and a possible embodiment of the jazzistic "swing". For that purpose, she counts with the cooperation of her sound companion for several years Ian L., who dedicates himself to the simple improvisation on common objects and guitar. La Main Traumatique represents Fleuret’s Autumn.
"Day after day the need imposes itself increasingly. It does not lend itself anymore to a detached consideration.
The functional character of the art without any action altering the situation. It is an evident tendency: the closed system and its immense fertility.
The applied stylistics is not the observation of the reality.
The hand stiffened by unchanging forced,
The traumatic hand."
Joséphine Müller
The idea is to gather in a piece the manipulated concrete sounds and a possible embodiment of the jazzistic "swing". For that purpose, she counts with the cooperation of her sound companion for several years Ian L., who dedicates himself to the simple improvisation on common objects and guitar. La Main Traumatique represents Fleuret’s Autumn.
"Day after day the need imposes itself increasingly. It does not lend itself anymore to a detached consideration.
The functional character of the art without any action altering the situation. It is an evident tendency: the closed system and its immense fertility.
The applied stylistics is not the observation of the reality.
The hand stiffened by unchanging forced,
The traumatic hand."
Joséphine Müller
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