Los Pericos
In 1986 a group of friends who used to get together to play music, became LOS PERICOS, the first REGGAE Rock band in Argentina.
Their first record, “LOS PERICOS” released in 1988 was the best selling album of the year, obtaining Triple Platinum Award for its 180 thousand units sold.
One year later, they recorded KING KONG, produced by Herbert Vianna (OS PARALAMAS DO SUCESSO). Immediately after, they launched Maxi ANFITREU, a vinyl disc that impacted because of its unique style. Read Full BioIn 1986 a group of friends who used to get together to play music, became LOS PERICOS, the first REGGAE Rock band in Argentina.
Their first record, “LOS PERICOS” released in 1988 was the best selling album of the year, obtaining Triple Platinum Award for its 180 thousand units sold.
One year later, they recorded KING KONG, produced by Herbert Vianna (OS PARALAMAS DO SUCESSO). Immediately after, they launched Maxi ANFITREU, a vinyl disc that impacted because of its unique style.
In 1990 LOS PERICOS launched their third studio record RAB A DAB STAIL and they went on tour, performing several live concerts around Argentina, highlighting the two shows at the LUNA PARK Stadium in Buenos Aires.
Their 4th album, BIG YUYO, was launched in 1993. In it PERICOS, showed a strongly predominant musical sound reflecting their own identity with songs such as: ME LATE, WAITIN, HACE LO QUE QUIERAS, etc. They caused a surge of popularity across Latin America countries chartering successfully.
That same year LOS PERICOS were invited to participate in the 6th INTERNATIONAL FESTIVAL REGGAE SUNSPLASH Edition, taking place annually in JAMAICA.
In 1994 they performed again in the INTERNATIONAL FESTIVAL REGGAE SUNSPLASH and closed the WORLD BEAT NIGHT. Rita Marley invited them to the TUFF GONG RECORDS studios, where BOB MARLEY used to record.
That July, they enthusiastically embarked on a tour through the United States including the cities of Miami, New York, Los Angeles, Chicago and Boston, after finishing the recording of their 5th album in that country.
With the released of PAMPAS REGGAE, tours across Latin America and the sales of their records continued to increase.
Their sales reached more than one million copies worldwide.
Their 6th album, YERBABUENA, was released simultaneously in every country of LATIN AMERICA, the UNITED STATES and SPAIN.
In March 1997, PERICOS was the only Latin America band invited to participate in the reggae tribute to The Police and recorded, together with STEWART COPELAND: DARKNESS, included in Regatta Mondatta album. They also participated in the latin tribute to The Police: Outlandos D´America.
On the 28th of December 1997, they celebrated their 10 years anniversary with a free live outdoor concert, supported by the GOBIERNO DE LA CIUDAD DE BUENOS AIRES, for more than 120,000 people.
1998 started with a couple of shows across Central America and Venezuela with a live concert in MARGARITA ISLAND for 140,000 people and a performance with a record audience of 180,000 people at the FESTIVAL EXPERIENCIA ROJA in CARACAS.
By mid July they started recording their next album at their own studio, ROBLEDO SOUND MACHINE. They travelled again to Caracas, but this time to the 50th anniversary celebration of the UNIVERSAL HUMAN RIGHTS DECLARATION (at La Carlota Airport), organised by AMNESTY INTERNATIONAL.
On 27th of November 1998, they released MYSTIC LOVE and the videoclip of its first cut, SIN CADENAS.
The presentation of MYSTIC LOVE was on AUGUST 31st and September 1st at the OPERA THEATRE, both performances were absolutely SOLD OUT without having the opportunity to add shows due to the theatre’s lack of available dates.
In November they started the 5th Mystic Love Tour including the cities of NEW JERSEY, QUEENS, MANHATTAN and MONTREAL. That was the first time an Argentinean band reached this Canadian City and obtained stunning reviews in TORONTO, where they presented a very hot show in spite of low temperature.
At the beginning of 2000, LOS PERICOS gave a show at RIVER PLATE STADIUM celebrating THE NEW MILENIUM for an audience of 75,000 people.
LOS PERICOS began mixing a new album, a tribute to the 1008 shows performed until such time, called: 1000 VIVOS.
During 2001 they continued with their shows across the continent and were invited to close the 2001 VIVE LATINO edition.
In 2004, the Argentinean band with 17 years of successful path, surprised its fans by changing their vocal scheme; with Juanchi Baleiron switching from lead guitar to vocals.
With a completely fresh approach, fuelled by the beginning of a new stage of change and challenge, they presented a live show with a more compact scheme, reinforcing their reggae-rock format.
More than two million records were sold and 1600 live shows performed, rocketing LOS PERICOS as one of the MOST IMPORTANT BANDS in the history of LATIN REGGAE/ROCK.
In August 2005 the band released its new album called "7" with performances across Latin America.
In 2006 the band went on one of its most important tours. They performed in México, Uruguay, Ecuador, Puerto Rico, USA, Venezuela, Canadá, Bolivia, Colombia, Chile, Salvador and Perú; more than 140 shows in a year.
2007 starts with the Argentinean summer tour , performing in this country’s most popular vacation destinations. In April they returned to Mexico for the Reggae Music Fest featuring Pato Banton in their set. During May they closed the International Festival of Veracruz, and had a show for 50,000 in Caracas Venezuela.
PERICOS is currently working on new material to be released this November.
Their first record, “LOS PERICOS” released in 1988 was the best selling album of the year, obtaining Triple Platinum Award for its 180 thousand units sold.
One year later, they recorded KING KONG, produced by Herbert Vianna (OS PARALAMAS DO SUCESSO). Immediately after, they launched Maxi ANFITREU, a vinyl disc that impacted because of its unique style. Read Full BioIn 1986 a group of friends who used to get together to play music, became LOS PERICOS, the first REGGAE Rock band in Argentina.
Their first record, “LOS PERICOS” released in 1988 was the best selling album of the year, obtaining Triple Platinum Award for its 180 thousand units sold.
One year later, they recorded KING KONG, produced by Herbert Vianna (OS PARALAMAS DO SUCESSO). Immediately after, they launched Maxi ANFITREU, a vinyl disc that impacted because of its unique style.
In 1990 LOS PERICOS launched their third studio record RAB A DAB STAIL and they went on tour, performing several live concerts around Argentina, highlighting the two shows at the LUNA PARK Stadium in Buenos Aires.
Their 4th album, BIG YUYO, was launched in 1993. In it PERICOS, showed a strongly predominant musical sound reflecting their own identity with songs such as: ME LATE, WAITIN, HACE LO QUE QUIERAS, etc. They caused a surge of popularity across Latin America countries chartering successfully.
That same year LOS PERICOS were invited to participate in the 6th INTERNATIONAL FESTIVAL REGGAE SUNSPLASH Edition, taking place annually in JAMAICA.
In 1994 they performed again in the INTERNATIONAL FESTIVAL REGGAE SUNSPLASH and closed the WORLD BEAT NIGHT. Rita Marley invited them to the TUFF GONG RECORDS studios, where BOB MARLEY used to record.
That July, they enthusiastically embarked on a tour through the United States including the cities of Miami, New York, Los Angeles, Chicago and Boston, after finishing the recording of their 5th album in that country.
With the released of PAMPAS REGGAE, tours across Latin America and the sales of their records continued to increase.
Their sales reached more than one million copies worldwide.
Their 6th album, YERBABUENA, was released simultaneously in every country of LATIN AMERICA, the UNITED STATES and SPAIN.
In March 1997, PERICOS was the only Latin America band invited to participate in the reggae tribute to The Police and recorded, together with STEWART COPELAND: DARKNESS, included in Regatta Mondatta album. They also participated in the latin tribute to The Police: Outlandos D´America.
On the 28th of December 1997, they celebrated their 10 years anniversary with a free live outdoor concert, supported by the GOBIERNO DE LA CIUDAD DE BUENOS AIRES, for more than 120,000 people.
1998 started with a couple of shows across Central America and Venezuela with a live concert in MARGARITA ISLAND for 140,000 people and a performance with a record audience of 180,000 people at the FESTIVAL EXPERIENCIA ROJA in CARACAS.
By mid July they started recording their next album at their own studio, ROBLEDO SOUND MACHINE. They travelled again to Caracas, but this time to the 50th anniversary celebration of the UNIVERSAL HUMAN RIGHTS DECLARATION (at La Carlota Airport), organised by AMNESTY INTERNATIONAL.
On 27th of November 1998, they released MYSTIC LOVE and the videoclip of its first cut, SIN CADENAS.
The presentation of MYSTIC LOVE was on AUGUST 31st and September 1st at the OPERA THEATRE, both performances were absolutely SOLD OUT without having the opportunity to add shows due to the theatre’s lack of available dates.
In November they started the 5th Mystic Love Tour including the cities of NEW JERSEY, QUEENS, MANHATTAN and MONTREAL. That was the first time an Argentinean band reached this Canadian City and obtained stunning reviews in TORONTO, where they presented a very hot show in spite of low temperature.
At the beginning of 2000, LOS PERICOS gave a show at RIVER PLATE STADIUM celebrating THE NEW MILENIUM for an audience of 75,000 people.
LOS PERICOS began mixing a new album, a tribute to the 1008 shows performed until such time, called: 1000 VIVOS.
During 2001 they continued with their shows across the continent and were invited to close the 2001 VIVE LATINO edition.
In 2004, the Argentinean band with 17 years of successful path, surprised its fans by changing their vocal scheme; with Juanchi Baleiron switching from lead guitar to vocals.
With a completely fresh approach, fuelled by the beginning of a new stage of change and challenge, they presented a live show with a more compact scheme, reinforcing their reggae-rock format.
More than two million records were sold and 1600 live shows performed, rocketing LOS PERICOS as one of the MOST IMPORTANT BANDS in the history of LATIN REGGAE/ROCK.
In August 2005 the band released its new album called "7" with performances across Latin America.
In 2006 the band went on one of its most important tours. They performed in México, Uruguay, Ecuador, Puerto Rico, USA, Venezuela, Canadá, Bolivia, Colombia, Chile, Salvador and Perú; more than 140 shows in a year.
2007 starts with the Argentinean summer tour , performing in this country’s most popular vacation destinations. In April they returned to Mexico for the Reggae Music Fest featuring Pato Banton in their set. During May they closed the International Festival of Veracruz, and had a show for 50,000 in Caracas Venezuela.
PERICOS is currently working on new material to be released this November.
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Pupilas Lejanas
Los Pericos Lyrics
Tiempo al tiempo
Tengo que esperar
Es la idea, y suele condenar
Tu mirada vuelve a penetrar
Mis pupilas lejanas
A ver si todo acaba aquí
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Veo tu sombra contra la pared
¿Donde estoy, a donde es mi lugar?
Paredon me vienes a buscar
Tu venganza me alcanza
A ver si todo acaba aquí
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Sé que ya de todo se ha dicho
Que mi andar ya no es igual
Que mis penas son tu condena
Que mis ojos son la frialdad
Sé que has dado justo en mi pecho
Munición a voluntad
Déjame salir de este encierro
No soy tu hombre ni tu verdad
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Tiempo al tiempo
Tengo que esperar
Esa idea suele condenar
En tu mirada vuelve a lastimar
Mis pupilas lejanas
A ver si todo acaba aquí
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Lyrics © Sony/ATV Music Publishing LLC
Written by: Ariel Fernando Raiman, Diego Jose Blanco, Fernando Javier Luis Hortal, Gaston Goncalves, Guillermo Luis Valentinis, Marcelo Carlos Blanco
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Alejandro Gamarra
Tiempo al tiempo tengo qué esperar
Esa idea y suele condenar
Tú mirada vuelve a penetrar
Mís pupilas lejanas
A ver se todo acaba aquí.
Uhh, no me dejes morir así,
Uhh, no me dejes caer en la trampa.
Veo tú sombra contra la pared
¿Dónde estoy y a dónde es mí lugar?
Paré dónde me vienes a buscar
Tú venganza me alcanza
A ver se todo acaba aquí.
Uhh, no me dejes morir así,
Uhh, no me dejes caer en la trampa.
Sé qué ya de todo se ha dicho
Qué mí andar ya no es igual
Qué mís penas son tú condena
Qué mís ojos son la frialdad.
Sé qué has dado justo en mí pecho
Munición a voluntad
Déjame salir de este encierro
No soy tú hombre ni tú verdad.
Uhh, no me dejes morir así,
Uhh, no me dejes caer en la trampa.
Tiempo al tiempo tengo qué esperar
Esa idea suele condenar
Tú mirada vuelve a lastimar
Mís pupilas lejanas.
A ver se todo acaba aquí
Uhh, no me dejes morir así,
Uhh, no me dejes caer en la trampa.
Maure
Tiempo al tiempo tengo que esperar
Es la idea y suele condenar
Tu mirada vuelve a penetrar mis pupilas lejanas
A ver si todo acaba aquí
Uh, no me dejes morir así
Uh, no me dejes caer en la trampa
Veo tu sombra contra la pared
¿Dónde estoy y a dónde es mi lugar?
Paré donde me vienes a buscar tu venganza me alcanza
A ver si todo acaba aquí
Uh, no me dejes morir así
Uh, no me dejes caer en la trampa
Sé que ya_ de todo se ha dicho
Que mi andar ya no es igual
Que mis penas son tu condena
Que mis ojos son la frialdad
Sé que has dado justo en mi pecho
Munición a voluntad
Déjame salir de este encierro
No soy tu hombre ni tu verdad
Uh, no me dejes morir así
Uh, no me dejes caer en la trampa
Uh, no me dejes morir así
Uh, no me dejes caer en la trampa
Tiempo al tiempo tengo que esperar
Esa idea suele condenar
Tu mirada vuelve a lastimar mis pupilas lejanas
A ver si todo acaba aquí
Uh, no me dejes morir así
Uh, no me dejes caer en la trampa
Uh, no me dejes morir así
Uh, no me dejes caer en la trampa
Uh, no me dejes morir así
Uh, no me dejes caer en la trampa
Uh, no me dejes morir así
Uh, no me dejes caer en la trampa
Leo Posso Cirque
Tiempo al tiempo tengo qué esperar
Esa idea y suele condenar
Tú mirada vuelve a penetrar
Mís pupilas lejanas
A ver se todo acaba aquí
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Veo tú sombra contra la pared
¿Dónde estoy y a dónde es mí lugar?
Paré dónde me vienes a buscar
Tú venganza me alcanza
A ver se todo acaba aquí
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Sé qué ya de todo se ha dicho
Qué mí andar ya no es igual
Qué mís penas son tú condena
Qué mís ojos son la frialdad
Sé qué has dado justo en mí pecho
Munición a voluntad
Déjame salir de este encierro
No soy tú hombre ni tú verdad
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Tiempo al tiempo tengo qué esperar
Esa idea suele condenar
Tú mirada vuelve a lastimar
Mís pupilas lejanas
A ver si todo acaba aquí
Uhh, no me dejes morir así
Uhh, no me dejes caer en la trampa
Mayra Mendoza
Tuve dos grandes amigos rastas hace 4 años murieron y cada ves que escucho esta canción se me achica el Corazón esta canción me lleva hacia ellos . Como reíamos y disfrutábamos aquellos ayeres tan hermosos que ya jamás volverán desearía tanto poder abrazarlos los sigo Amando mi kikis y mike
Makiwara
Recuerdos, con personas que no he vuelto a ver, recorriendo lugares que al pasar hoy me traen sentimientos de nostalgia, fumando a mansalva y la única preocupación era la de unos adolescentes pensando que hacer en el día.
La adolescencia es la plenitud de la vida, y nos marcará de por vida chicos si están en esa época disfruten, sin sobrepasarse, un consejo de un adulto que vive atrapado en el ayer... ¡Saludos!
Lucas Adauto Rios
grande los pericos con bahiano cantando.
Ale Nico
La estoy disfrutando fumando uno mientras escucho este temon!
Nilo Aviles
Ya somos dos 🤙
Miriam Martinez
2021 y aún está canción hace vibrar que recuerdos
saulhdz
xD
crisma castro
Mi esposo murió de cáncer el escuchaba esta rola ese día una y otra y otra vez sabía que se iba al cielo sabía que dejaría está carne este mundo donde quiera que esté lo extraño mucho... Y que hironia a mi hijo le gusta mucho esta rola gracias pericos por dejarme este bonito recuerdo 😓
Hugo E. Rios
Bendiciones a todos en esta cuarentena sólo musica como esta te llena el alma de esperanza😇✌
markless
A mi me da despecho esta rola jajaja