Ludovico Einaudi
Ludovico Einaudi (born 23 November 1955 in Turin, Italy) is an Italian composer and pianist particularly noted for the use of developing melodious phrases in his piano compositions.
He began his musical training at the Conservatorio Verdi in Milan, gaining a diploma in composition. Later, he studied with Luciano Berio. In 1982 he gained a scholarship to the Tanglewood Music Festival. He currently resides on a vineyard in the region of Piemonte. Read Full BioLudovico Einaudi (born 23 November 1955 in Turin, Italy) is an Italian composer and pianist particularly noted for the use of developing melodious phrases in his piano compositions.
He began his musical training at the Conservatorio Verdi in Milan, gaining a diploma in composition. Later, he studied with Luciano Berio. In 1982 he gained a scholarship to the Tanglewood Music Festival. He currently resides on a vineyard in the region of Piemonte.
Although Einaudi would prefer not to be labeled as any particular type of composer, he is generally considered a minimalist.
"In general I don't like definitions, but 'minimalist' is a term that means elegance and openness, so I would prefer to be called a minimalist than something else." - Ludovico Einaudi
Official website: http://www.ludovicoeinaudi.com
(2) Pianist and composer Ludovico Einaudi was born in Turin, November 23, 1955. His mother, also a pianist, would play for him as a young child, planting the seeds for what would become a fruitful, illustrious career. Einaudi studied under Luciano Berio at the Conservatory of Milan, graduating with a diploma in composition. In 1982 his talents would win him a scholarship to the Tanglewood Music Festival. The experience opened Einaudi's ears to new ideas like minimalism, world music influences, and aspects of pop music. He spent the next several years composing for the ballet, including Sul Filo d'Orfeo (1984), Time-Out (1988), and The Wild Man (1991). Einaudi turned a corner in 1996 with the release of his first collection of solo performances, entitled Le Onde. This record started Einaudi down the path toward becoming one of Europe's best-selling pianist/composers. 1999's Eden Roc and 2001's I Giorni, both for BMG, captured the solo piano world's attention, both remaining best-sellers for years to come. While seemingly at the top of the composition world, Einaudi ventured into the world of film composition, a journey punctuated by his Best Film Score award in 2002 for his work on Luce Dei Miei Occhi. Einaudi noted in interviews during that period that he missed concertizing, and began performing again regularly. New works blossomed from this effort, including 2004's Una Mattina and 2006's Diario Mali. 2007 welcomed Einaudi's seventh studio album, titled Divenire, where he was accompanied by the Royal Liverpool Philharmonic. The follow-up, 2009's Nightbook, was much more self-consciously reductionist, featuring solo piano minimally adorned with electronics, and saw Einaudi begin to be appreciated by fans of the "post-classical" school that he had arguably, at least in part, inspired. A double-disc best-of, Islands, was released in 2011, and at the beginning of 2013 he signed a new deal with Decca and unveiled the long-gestating In a Time Lapse, which had been recorded in a remote monastery near Verona and saw a return to a more "classical" chamber music sound. 2015 brought the release of Elements, which featured violinist Daniel Hope, the Amsterdam Sinfonietta, electronica's Robert Lippok, and Brazilian percussionist Mauro Refosco, among its several guest performers. Recorded at his home studio in Italy, it was inspired by nature, math, science, music, art, and how parts connect to form a whole. ~ Evan C. Gutierrez
He began his musical training at the Conservatorio Verdi in Milan, gaining a diploma in composition. Later, he studied with Luciano Berio. In 1982 he gained a scholarship to the Tanglewood Music Festival. He currently resides on a vineyard in the region of Piemonte. Read Full BioLudovico Einaudi (born 23 November 1955 in Turin, Italy) is an Italian composer and pianist particularly noted for the use of developing melodious phrases in his piano compositions.
He began his musical training at the Conservatorio Verdi in Milan, gaining a diploma in composition. Later, he studied with Luciano Berio. In 1982 he gained a scholarship to the Tanglewood Music Festival. He currently resides on a vineyard in the region of Piemonte.
Although Einaudi would prefer not to be labeled as any particular type of composer, he is generally considered a minimalist.
"In general I don't like definitions, but 'minimalist' is a term that means elegance and openness, so I would prefer to be called a minimalist than something else." - Ludovico Einaudi
Official website: http://www.ludovicoeinaudi.com
(2) Pianist and composer Ludovico Einaudi was born in Turin, November 23, 1955. His mother, also a pianist, would play for him as a young child, planting the seeds for what would become a fruitful, illustrious career. Einaudi studied under Luciano Berio at the Conservatory of Milan, graduating with a diploma in composition. In 1982 his talents would win him a scholarship to the Tanglewood Music Festival. The experience opened Einaudi's ears to new ideas like minimalism, world music influences, and aspects of pop music. He spent the next several years composing for the ballet, including Sul Filo d'Orfeo (1984), Time-Out (1988), and The Wild Man (1991). Einaudi turned a corner in 1996 with the release of his first collection of solo performances, entitled Le Onde. This record started Einaudi down the path toward becoming one of Europe's best-selling pianist/composers. 1999's Eden Roc and 2001's I Giorni, both for BMG, captured the solo piano world's attention, both remaining best-sellers for years to come. While seemingly at the top of the composition world, Einaudi ventured into the world of film composition, a journey punctuated by his Best Film Score award in 2002 for his work on Luce Dei Miei Occhi. Einaudi noted in interviews during that period that he missed concertizing, and began performing again regularly. New works blossomed from this effort, including 2004's Una Mattina and 2006's Diario Mali. 2007 welcomed Einaudi's seventh studio album, titled Divenire, where he was accompanied by the Royal Liverpool Philharmonic. The follow-up, 2009's Nightbook, was much more self-consciously reductionist, featuring solo piano minimally adorned with electronics, and saw Einaudi begin to be appreciated by fans of the "post-classical" school that he had arguably, at least in part, inspired. A double-disc best-of, Islands, was released in 2011, and at the beginning of 2013 he signed a new deal with Decca and unveiled the long-gestating In a Time Lapse, which had been recorded in a remote monastery near Verona and saw a return to a more "classical" chamber music sound. 2015 brought the release of Elements, which featured violinist Daniel Hope, the Amsterdam Sinfonietta, electronica's Robert Lippok, and Brazilian percussionist Mauro Refosco, among its several guest performers. Recorded at his home studio in Italy, it was inspired by nature, math, science, music, art, and how parts connect to form a whole. ~ Evan C. Gutierrez
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IValueSimplicity
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Winnie Wong
About a year ago, I remember coming across a video where someone was playing this piece. I remember thinking to myself when I heard it the 1st time...that I really wanted to learn it because I absolutely loved it. I feel like there's so many emotions in this piece and it's so unique because each person may have a different experience. For me, I hear sadness, darkness, loss, loneliness, struggles...but also I hear hope, that things will turn out okay.
At the time, I signed up for piano classes and was just starting my piano journey. For those of you out there who consider yourselves a beginner and want to learn this piece, but feel intimidated, I've been there. My online lessons went on for about a year before I decided to learn Nuvole Bianche.
I am so grateful to Rousseau for making this video. I used this to learn and I broke it up into small sections. When I first learn a section, I like to play it at 0.25x. I learn either the left hand or the right hand first and when I can play that section hands separately, I work on putting both hands together. I definitely got frustrated when my hands did not work together. BUT! Trust me, your hands will get it down the more you practice. It will start to click as you keep practicing. It will help to play slowly at first. Also! One great thing is that the left hand repeats the same notes, but plays a different pattern. This makes it a LOT easier as a whole, so don't let all the notes scare you.
I tracked my progress in my journal and wrote down the date I practiced, the amount of time, and what part I worked on. It took about 20 hours in a span of a month to learn the whole piece. I mean this as being able to play the piece from muscle memory, but I have a lot to improve on. For example, though I tried recording from beginning to end, I couldn't. I would make mistakes and things like that. So by 20 hours over a span of a month, I mean to say I learned all the sections and can play BUT, it's not at the level of being able to play through the whole piece from beginning to end at this tempo without any slip-ups. That would definitely require a lot more practicing.
If you want to learn this, GO FOR IT! This is such a beautiful piece by Ludovico Einaudi and I am so happy I got to learn it. So grateful for this video too :) Of course, it was intimidating at first, but take it step by step! You can do it!
Rousseau
Nuvole Bianche... in English "White Clouds", the title fits Ludovico's composition so well, tranquil, calm, effortless, floating. Ludovico receives a lot of negativity from the classical world due to his simplicity, though I think the simplicity of his work is also the beauty of his work. It's not trying too hard to evoke complex emotions or challenge audiences, it's creating a canvas for you to get lost in your own thoughts, and I think everyone needs a little bit of that sometimes. Hope you have an excellent Monday.
Chris Johnson
Yes we will my sub teacher after lunch she always plays this on youtube so i’ll never forget it 😊😊❤❤ I listen to it at night😴😴
jonnyutsa1
Perfect description. I agree. I bought the sheet music, and my 8 yo son is learning it for a recital. He can play Beethoven and Mozart, and he said this isn't an 'easy' piece.
Louis Kan-lacas
...reuhcirt nu se uT
徐正修
What music is that at 6:21
I want know it please 🙏
R3dShadqw
GG for Song
Marcus Veltri
You play so beautifully, amazing video!!! :)
samou hiou
The lyrical arabic version of it is so breath taking
Oli65
@Shaddy no
AndrewIRL
@Vince On The Piano it’s private