Lusine
Jeff McIlwain has been producing his visceral, melodic strain of abstract electronic music as Lusine for over 10 years now. Originally a Texas native, McIlwain met Shad Scott while living in LA and put out his self titled debut on Scott's imprint, Isophlux. He relocated to Seattle in late 2002 and began steadily releasing his music on Ghostly International. McIlwain has also contributed tracks to various compilations and remix releases on Mute, !K7, Kompakt, Asthmatic Kitty, and Shitkatapult. Read Full BioJeff McIlwain has been producing his visceral, melodic strain of abstract electronic music as Lusine for over 10 years now. Originally a Texas native, McIlwain met Shad Scott while living in LA and put out his self titled debut on Scott's imprint, Isophlux. He relocated to Seattle in late 2002 and began steadily releasing his music on Ghostly International. McIlwain has also contributed tracks to various compilations and remix releases on Mute, !K7, Kompakt, Asthmatic Kitty, and Shitkatapult. In 2009, he released the album, "A Certain Distance", which featured the single, “Two Dots.” His newest, critically acclaimed album, "The Waiting Room", was just recently released in 2013.
McIlwain has performed throughout the US and abroad, including the SXSW, Mutek, DEMF, and Sonar festivals, and sets at London’s esteemed Fabric nightclub, Tokyo's Unit, and Berlin's Berghain and Watergate nightclubs. He has been involved in the scoring of various film and commercial projects: co-scoring (with David Wingo) the 2008 film "Snow Angels" (with Kate Beckinsale and Sam Rockwell), and "The Sitter" (Jonah Hill) and scoring the 2009 film "Linewatch" (with Cuba Gooding Jr. and Omari Hardwick). McIlwain teamed up with David Wingo again this year to score the film "Joe" (Nicolas Cage) . He just recently wrapped up tours in Europe and Japan in 2013, and is prepping a new EP to be released sometime in 2014.
Texan Jeff McIlwain produces ambient/experimental techno that harks back to the era of classic early-'90s British techno (itself inspired by American sources in Detroit). Highly melodic though usually highly abrasive as well, his self-titled debut album was released in 1999 on the Isophlux label. He maintained a steady release schedule through 2003, with a full-length released each year -- in addition to an assortment of singles and EPs. Also performing under the name Lusine, in 2004 McIlwain signed to Ghostly for a series of releases including that year's Serial Hodgepodge, 2007's Podgelism, 2009's A Certain Distance, and 2013's Waiting Room. ~ John Bush, Rovi
McIlwain has performed throughout the US and abroad, including the SXSW, Mutek, DEMF, and Sonar festivals, and sets at London’s esteemed Fabric nightclub, Tokyo's Unit, and Berlin's Berghain and Watergate nightclubs. He has been involved in the scoring of various film and commercial projects: co-scoring (with David Wingo) the 2008 film "Snow Angels" (with Kate Beckinsale and Sam Rockwell), and "The Sitter" (Jonah Hill) and scoring the 2009 film "Linewatch" (with Cuba Gooding Jr. and Omari Hardwick). McIlwain teamed up with David Wingo again this year to score the film "Joe" (Nicolas Cage) . He just recently wrapped up tours in Europe and Japan in 2013, and is prepping a new EP to be released sometime in 2014.
Texan Jeff McIlwain produces ambient/experimental techno that harks back to the era of classic early-'90s British techno (itself inspired by American sources in Detroit). Highly melodic though usually highly abrasive as well, his self-titled debut album was released in 1999 on the Isophlux label. He maintained a steady release schedule through 2003, with a full-length released each year -- in addition to an assortment of singles and EPs. Also performing under the name Lusine, in 2004 McIlwain signed to Ghostly for a series of releases including that year's Serial Hodgepodge, 2007's Podgelism, 2009's A Certain Distance, and 2013's Waiting Room. ~ John Bush, Rovi
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Two Dots
Lusine Lyrics
two dots
joined by a line
might be detached
by a crime
who is responsible
when the line is stretched
who is responsible
when it becomes a triangle
how irresponsible
when the line is stretched
how irresponsible
when it becomes a triangle
Contributed by Alexis Y. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
Adem O'Byrne
two dots
joined by a line
they detach
by a crime
who is responsible
when the line is stretched
who is responsible
when it becomes a triangle
how irresponsible
when the line is stretched
how irresponsible
when it becomes a triangle
Adem O'Byrne
two dots
joined by a line
they detach
by a crime
who is responsible
when the line is stretched
who is responsible
when it becomes a triangle
how irresponsible
when the line is stretched
how irresponsible
when it becomes a triangle
Paweł Wawrzyniak
oh its ,,by a crime" not ,,party crime"? I throught this song is about murder at the party lmao
David S
Yeah I'm not convinced that these lyrics are accurate. The vocals are mostly chopped up and unintelligible. I don't know where you're getting "joined by a line", "they detach", or "by a crime" from
Coffeecup3863
blue has commited several warcrimes
they are forbidden to move
Adem O'Byrne
Thanks Ad, you are right
LuisGomune
Thank u :D
C. O.
:/ i think this song talks about a relationship not going well and then being distant and then being in a love triangle...
Merging Marky
So Fresh n Lovely
David Look
I'd be in an octangle with you
AJ Bee
Jorgen Emil I am in the position that the comment explained. It is such a taxing and difficult situation. I have spent so much time loving and now, who's responsible for when it became a triangle? I've known Lusine, but just discovered this song a few days ago. I can't stop listening, and somehow it feels like it's helping me... I hope all is well with you. Love and light