Lusine
Jeff McIlwain has been producing his visceral, melodic strain of abstract electronic music as Lusine for over 10 years now. Originally a Texas native, McIlwain met Shad Scott while living in LA and put out his self titled debut on Scott's imprint, Isophlux. He relocated to Seattle in late 2002 and began steadily releasing his music on Ghostly International. McIlwain has also contributed tracks to various compilations and remix releases on Mute, !K7, Kompakt, Asthmatic Kitty, and Shitkatapult. Read Full BioJeff McIlwain has been producing his visceral, melodic strain of abstract electronic music as Lusine for over 10 years now. Originally a Texas native, McIlwain met Shad Scott while living in LA and put out his self titled debut on Scott's imprint, Isophlux. He relocated to Seattle in late 2002 and began steadily releasing his music on Ghostly International. McIlwain has also contributed tracks to various compilations and remix releases on Mute, !K7, Kompakt, Asthmatic Kitty, and Shitkatapult. In 2009, he released the album, "A Certain Distance", which featured the single, “Two Dots.” His newest, critically acclaimed album, "The Waiting Room", was just recently released in 2013.
McIlwain has performed throughout the US and abroad, including the SXSW, Mutek, DEMF, and Sonar festivals, and sets at London’s esteemed Fabric nightclub, Tokyo's Unit, and Berlin's Berghain and Watergate nightclubs. He has been involved in the scoring of various film and commercial projects: co-scoring (with David Wingo) the 2008 film "Snow Angels" (with Kate Beckinsale and Sam Rockwell), and "The Sitter" (Jonah Hill) and scoring the 2009 film "Linewatch" (with Cuba Gooding Jr. and Omari Hardwick). McIlwain teamed up with David Wingo again this year to score the film "Joe" (Nicolas Cage) . He just recently wrapped up tours in Europe and Japan in 2013, and is prepping a new EP to be released sometime in 2014.
Texan Jeff McIlwain produces ambient/experimental techno that harks back to the era of classic early-'90s British techno (itself inspired by American sources in Detroit). Highly melodic though usually highly abrasive as well, his self-titled debut album was released in 1999 on the Isophlux label. He maintained a steady release schedule through 2003, with a full-length released each year -- in addition to an assortment of singles and EPs. Also performing under the name Lusine, in 2004 McIlwain signed to Ghostly for a series of releases including that year's Serial Hodgepodge, 2007's Podgelism, 2009's A Certain Distance, and 2013's Waiting Room. ~ John Bush, Rovi
McIlwain has performed throughout the US and abroad, including the SXSW, Mutek, DEMF, and Sonar festivals, and sets at London’s esteemed Fabric nightclub, Tokyo's Unit, and Berlin's Berghain and Watergate nightclubs. He has been involved in the scoring of various film and commercial projects: co-scoring (with David Wingo) the 2008 film "Snow Angels" (with Kate Beckinsale and Sam Rockwell), and "The Sitter" (Jonah Hill) and scoring the 2009 film "Linewatch" (with Cuba Gooding Jr. and Omari Hardwick). McIlwain teamed up with David Wingo again this year to score the film "Joe" (Nicolas Cage) . He just recently wrapped up tours in Europe and Japan in 2013, and is prepping a new EP to be released sometime in 2014.
Texan Jeff McIlwain produces ambient/experimental techno that harks back to the era of classic early-'90s British techno (itself inspired by American sources in Detroit). Highly melodic though usually highly abrasive as well, his self-titled debut album was released in 1999 on the Isophlux label. He maintained a steady release schedule through 2003, with a full-length released each year -- in addition to an assortment of singles and EPs. Also performing under the name Lusine, in 2004 McIlwain signed to Ghostly for a series of releases including that year's Serial Hodgepodge, 2007's Podgelism, 2009's A Certain Distance, and 2013's Waiting Room. ~ John Bush, Rovi
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Two Dots
Lusine Lyrics
two dots
joined by a line
might be detached
by a crime
who is responsible
when the line is stretched
who is responsible
when it becomes a triangle
how irresponsible
when the line is stretched
how irresponsible
when it becomes a triangle
Contributed by Alexis Y. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
Adem O'Byrne
two dots
joined by a line
they detach
by a crime
who is responsible
when the line is stretched
who is responsible
when it becomes a triangle
how irresponsible
when the line is stretched
how irresponsible
when it becomes a triangle
Media Artex
Lusine - "Two Dots" Lyrics - Testo
two dots
joined by a line
might be detached
by a crime
who is responsible
when the line is stretched
who is responsible
when it becomes a triangle
how irresponsible
when the line is stretched
how irresponsible
when it becomes a triangle
Daniel Rauch
Lusine stands as one of the most underrated, under-appreciated IDM artists, still putting out good material
mmobrowa
IDM is such a terrible term and is rejected by many of the artists that it attempts to categorize. Its also sorta implies that other dance music is somehow unintelligent which is pretty insulting.
rm2000
Aaron Harrisomnlj
Chris Santos
@Sally Isabel Boyer It stands for Intelligent Dance Music, like Lorn, Telefon Tel Aviv, Forest Swords, among others.
Natural Mystic
100%
Jake Robin'Son
I feel like these lyrics are deeper than they appear.
Ben McCann
Rally not that deep. Cheating is bad, that's about it.
Allie Howe
I love how there's 8 years between comment and reply! Song's still going strong.
Though as much as I'd love it to be about polyamory I feel like it's almost certainly about cheating in a relationship/marriage - "How irresponsible when it becomes a triangle" "May be detached by a crime"
Mark Beckett
Maybe something along the lines of (pardon the pun) two lovers joined then becoming distant, then along comes another to form a love triangle? Polygamy is born....
Terra_Byte
If educational films were animated like this, i would find them much more enjoyable.