Mariachi Vargas De Tecalitlan
Mariachi Vargas De Tecalitlán is a Mexican folk ensemble of mariachi music … Read Full Bio ↴Mariachi Vargas De Tecalitlán is a Mexican folk ensemble of mariachi music created in 1897 by Gaspar Vargas. From 1950 it has been under the artistic guidance of Rubén Fuentes. The group's musical direction has been the responsibility of Don Jose "Pepe" Martínez since 1975.
A minimum mariachi group has 2 violins, 2 trumpets, 1 guitarrón, 1 guitar, and 1 vihuela. Complete mariachi groups have a minimum of 12 members with the standard 6 violins, 3 trumpets, 1 guitarrón, 1 guitar and 1 vihuela. A 13th member is often a harp, an extra violin, or an extra guitar. The Vargas de Tecalitlán currently has thirteen members, distributed as follows:
Violins: Manuel Alcaraz Vargas, Alberto Alfaro, José "Pepe" Martínez (Director), José Martínez Jr., Daniel Martínez, and Andres Gonzalez
Trumpets: Federico Torres (member since 1966), Gustavo Alvarado (since 1991), and Fernando Valasquez (since 2007)
Guitarrón: Enrique de Santiago (member of the group since 1989)
Guitar: Arturo Vargas (member of the group since 2003 and originating in Jalisco)
Vihuela: Gilberto aguirre (part of the group since 2011, being the newest member of Mariachi Vargas de Tecalitlán)
Harp: Julio Martínez (member since 1996)
The history of Mariachi Vargas de Tecalitlán is divided into five phases (or generations); the first generation from 1897 to 1930, the second from 1931 to 1949, the third from 1950 to 1993, the fourth from 1994 to 2002 and the fifth since 2003 to date.
1st generation (1897–1930)
The Mariachi Vargas de Tecalitlán was born in a small city called Tecalitlán, to the south of Jalisco. Founded in 1897 by Don Gaspar Vargas the formation during those years was provided by the guitarra de golpe (or mariachera) played precisely by Don Gaspar, the wooden harp by Manuel Mendoza, and two violins played by Lino Quintero and Refugio Hernandez. The combination of these instruments established the "Sonido Tecalitlán" which distinguished from the "Sonido Cocula". (The Mariachi from Cocula utilized the guitarron and the vihuela in place of the harp and the guitarra de golpe aside from the two violins). In 1913, Don Gaspar introduced one trumpet to the group but it was not well accepted and, in later performances, its high-pitched sound was considered annoying. The cornet was replaced by another violin. The group consisted then of five elements. The son of Don Gaspar Vargas, Silvestre Vargas, joined as a violinist in 1921. From 1926 the group consisted of Gaspar Vargas - Guitarra de golpe, Manuel Mendoza - Harp, Silvestre Vargas, Trinidad Olivera and Nicolas Torres - Violins.
2nd generation (1931–1949)
In 1931 Gaspar Vargas turned the leadership of Mariachi Vargas de Tecalitlán over to his son, Silvestre. As the first step in his reorganization Silvestre decided to enlarge the group to eight musicians. He invited his compatriots, the Quintero brothers, Rafael and Jeronimo to join. One played a violin and the other a guitar. Later he would add another violin played by Santiago Torres. He moved Trinidad Olivera from the violin to the guitarron, although still preserving the wooden harp. It was Silvestre who possessed a dream that his group would one day be the greatest mariachi in all Mexico and he was relentless in his pursuit of fulfilling that dream. The Mariachi Vargas was something of an oddity in the early 1930s; the members were all dressed in charro suits, they showed up on time for performances, and they were sober.
In 1933 they won first place in a Mariachi contest celebrated in Guadalajara. Then again, in Mexico City, in 1934, they were awarded another first place prize. President Lázaro Cárdenas, who enjoyed the music of "Vargas", subsequently had the group hired as the official mariachi of the Mexico City Police Department and the group moved to Mexico City where they remained for 20 years. They provided music and entertainment for the capital city at its parks and gardens. Beginning in 1937, the Mariachi Vargas appeared in "Asi es mi Tierra", the first of its more than 200 motion pictures. They played in many of Pedro Infante's movies as well. In that same year they recorded their first record and signed an exclusive contract with RCA.
In 1941 they definitively integrated the trumpet into the musical interpretations of the group. Miguel Martínez was the first trumpet player for Mariachi Vargas de Tecalitlán. He is considered the creator of the mariachi-style trumpet and the best performer, teacher and example of the instrument. In 1944, Rubén Fuentes, a classical violinist with no background in mariachi music, was asked by Silvestre to join the group. He joined as a violinist and became music adjuster. Silvestre Vargas and Ruben Fuentas reorganized Mariachi Vargas de Tecalitlán and changed their image and sound. They demanded a professional presentation to overcome the unruly concept that the term "mariachis" had to the general public in those days.
3rd Generation (1950–1993)
Fuentes took complete responsibility for the group's musical direction, and enriched the evolution that for many years had conserved the primitive and unstudied qualities of mariachi. The changing sound of the Mariachi Vargas de Tecalitlán was redirected without the abandonment of its roots or traditions. The Huapangos and Sones (which were two very distinctive styles of the mariachi music) were being interpreted in many diverse and different ways. The Mariachi Vargas recorded the Sones with arrangements and adaptations as patterns for other groups. This stratagem promoted the concept that all mariachi groups could be unified to those versions by taking them as examples. The traditional songs and the original sound of the mariachi began to mature in the 1950s. It was during the recordings of the "Golden Age of the Huapangos" that the compositions, arrangements and musical direction of Rubén Fuentes, and the unequaled voice of Miguel Aceves Mejía, initiated a musical shift that would change the sound and instrumentation of the mariachi. Due to the fact they change mariachi from the start they choose to keep it in away that it would still be traditional.
Revolutionary new harmony
In 1955 Rubén Fuentes stopped performing in the group. However, to date he maintains his position as producer, musical arranger and musical director, assisted during this first age by Jesús Rodríguez de Hijar and, under both, the administrative and leadership skills of Silvestre Vargas. In 1966 Rubén Fuentes wrote "La Bikina", a song that was recognized as the epitome of this Revolutionary New Harmony and sound of the mariachi. He continues to write and produce music for Mariachi Vargas that takes is an emotional roller coaster from the height of happiness to the despair of a broken heart or a lost love. As much in Mexico as in foreign countries the Sones and Huapangos acquire new directions.
Mariachi conferences
In the 1970s interest in mariachi music was waning. But all that changed when San Antonio, Texas held its first international mariachi conference in September 1979. In 1975, Jose "Pepe" Martinez, Sr. became the musical director of Mariachi Vargas. He wrote many arrangements including "Violin Huapango" which individually showcase the different instruments and members in the group. In 1983, the Mariachi Vargas appeared for the first time at the Tucson International Mariachi Conference. A new movement began to grow and many other conferences began to develop. The Mariachi Vargas was often chosen as the headline performer.
In 1986, Linda Ronstadt appeared with the Mariachi Vargas at the Tucson International Mariachi Conference where she sang publicly in Spanish for the first time. In 1987 she released her "Canciones de mi Padre" album featuring Mariachi Vargas which won her a Grammy award for the album. She also went on a national tour with the group, giving greater international exposure to mariachi music than ever before and creating a new audience for mariachi music among non-Hispanics.
Classical mariachi
In 1989, the Mariachi Vargas released their "En Concierto" CD featuring some of the greatest renderings of classical music ever played by a mariachi group. They also accompanied Lucero in the 1990s as she rose in the ranks of contemporary musical stardom. The Mariachi Vargas de Tecalitlán initiated a series of solo recordings: Sones, Valses, Pasos Dobles, Bailes Regionales, Polkas, Clasico e International, etc. They have added more than 50 recordings of mariachi music interpreted by what has become "The Best Mariachi in the World."
4th generation (1994–2002)
It is known by all mariachi lovers that this generation was the most talented group of musicians performing since 100 years of their foundation.[citation needed] In their album "La fiesta del Mariachi", Mariachi Vargas de Tecalitlán, fourth generation, the group integrates to make a tribute to Jose "Pepe" Martínez, who besides his magnificent musical arrangements and direction of the group, inspired many as a composer. Their recordings on Polygram with this generation include are, "El Mariachi Vargas", "En Concierto", "Los sones Reyes", "La fiesta del Mariachi" and "50 anniversary of Rubén Fuentes". Rubén Fuentes's arrangements and music with the Mariachi Vargas de Tecalitlán are the first five recordings for the one-hundredth anniversary of the foundation of "Vargas" in 1997.
5th generation (2003–present)
In 2003 Mariachi Vargas de Tecalitlán began its fifth generation. Their latest recordings are, "5ta Generacion", "Sinfonico I", "Sinfonico II", and "Penas, Desengaños... Y Amores". Today the group is composed of two harps, one vihuela, one guitar, one guitarron, three trumpets and six violins. With the added instruments, a new sound has emerged that crosses all international borders. The music they play now ranges from the traditional sones to classical works as well as popurris that continue to delight audiences everywhere. In the 100 years since its foundation, the group has gone through some major changes. While there has been some departure from the tradition during that time, the group has maintained its roots through the playing of traditional Mexican sones. In 1997, "Mariachi Vargas de Tecalitlán" celebrated its first One Hundred years of foundation.
Discography
From 1937 until now (2009), the Mariachi Vargas has produced over 50 recordings, whose contents are Huastecos sones, waltzes, popurris, polkas, huapango, cumbias, among others.
Danzones (1964 RCA)
Mariachi *Colección Original (BMG Latin, 1999) –This is a recording recompilation made while 1958–1968 -.
Lo Mejor de lo Mejor (BMG Latin, 2000) –This is a recording recompilation made while 1958–1967 -.
Tradicionales de México Lindo Y Querido (LIDERES, 2001).
Sinfónico With Orquesta Filarmónica del Estado de Querétaro (2001) –Directed by Maestro José Guadalupe Flores-.
5ta. Generación (2002).
Sinfónico II With Orquesta Filarmónica del Estado de Querétaro (2002) Directed by Maestro José Guadalupe Flores-.
Penas, Desengaños Y Amores (2004).
Y aquí estamos (2008).
A minimum mariachi group has 2 violins, 2 trumpets, 1 guitarrón, 1 guitar, and 1 vihuela. Complete mariachi groups have a minimum of 12 members with the standard 6 violins, 3 trumpets, 1 guitarrón, 1 guitar and 1 vihuela. A 13th member is often a harp, an extra violin, or an extra guitar. The Vargas de Tecalitlán currently has thirteen members, distributed as follows:
Violins: Manuel Alcaraz Vargas, Alberto Alfaro, José "Pepe" Martínez (Director), José Martínez Jr., Daniel Martínez, and Andres Gonzalez
Trumpets: Federico Torres (member since 1966), Gustavo Alvarado (since 1991), and Fernando Valasquez (since 2007)
Guitarrón: Enrique de Santiago (member of the group since 1989)
Guitar: Arturo Vargas (member of the group since 2003 and originating in Jalisco)
Vihuela: Gilberto aguirre (part of the group since 2011, being the newest member of Mariachi Vargas de Tecalitlán)
Harp: Julio Martínez (member since 1996)
The history of Mariachi Vargas de Tecalitlán is divided into five phases (or generations); the first generation from 1897 to 1930, the second from 1931 to 1949, the third from 1950 to 1993, the fourth from 1994 to 2002 and the fifth since 2003 to date.
1st generation (1897–1930)
The Mariachi Vargas de Tecalitlán was born in a small city called Tecalitlán, to the south of Jalisco. Founded in 1897 by Don Gaspar Vargas the formation during those years was provided by the guitarra de golpe (or mariachera) played precisely by Don Gaspar, the wooden harp by Manuel Mendoza, and two violins played by Lino Quintero and Refugio Hernandez. The combination of these instruments established the "Sonido Tecalitlán" which distinguished from the "Sonido Cocula". (The Mariachi from Cocula utilized the guitarron and the vihuela in place of the harp and the guitarra de golpe aside from the two violins). In 1913, Don Gaspar introduced one trumpet to the group but it was not well accepted and, in later performances, its high-pitched sound was considered annoying. The cornet was replaced by another violin. The group consisted then of five elements. The son of Don Gaspar Vargas, Silvestre Vargas, joined as a violinist in 1921. From 1926 the group consisted of Gaspar Vargas - Guitarra de golpe, Manuel Mendoza - Harp, Silvestre Vargas, Trinidad Olivera and Nicolas Torres - Violins.
2nd generation (1931–1949)
In 1931 Gaspar Vargas turned the leadership of Mariachi Vargas de Tecalitlán over to his son, Silvestre. As the first step in his reorganization Silvestre decided to enlarge the group to eight musicians. He invited his compatriots, the Quintero brothers, Rafael and Jeronimo to join. One played a violin and the other a guitar. Later he would add another violin played by Santiago Torres. He moved Trinidad Olivera from the violin to the guitarron, although still preserving the wooden harp. It was Silvestre who possessed a dream that his group would one day be the greatest mariachi in all Mexico and he was relentless in his pursuit of fulfilling that dream. The Mariachi Vargas was something of an oddity in the early 1930s; the members were all dressed in charro suits, they showed up on time for performances, and they were sober.
In 1933 they won first place in a Mariachi contest celebrated in Guadalajara. Then again, in Mexico City, in 1934, they were awarded another first place prize. President Lázaro Cárdenas, who enjoyed the music of "Vargas", subsequently had the group hired as the official mariachi of the Mexico City Police Department and the group moved to Mexico City where they remained for 20 years. They provided music and entertainment for the capital city at its parks and gardens. Beginning in 1937, the Mariachi Vargas appeared in "Asi es mi Tierra", the first of its more than 200 motion pictures. They played in many of Pedro Infante's movies as well. In that same year they recorded their first record and signed an exclusive contract with RCA.
In 1941 they definitively integrated the trumpet into the musical interpretations of the group. Miguel Martínez was the first trumpet player for Mariachi Vargas de Tecalitlán. He is considered the creator of the mariachi-style trumpet and the best performer, teacher and example of the instrument. In 1944, Rubén Fuentes, a classical violinist with no background in mariachi music, was asked by Silvestre to join the group. He joined as a violinist and became music adjuster. Silvestre Vargas and Ruben Fuentas reorganized Mariachi Vargas de Tecalitlán and changed their image and sound. They demanded a professional presentation to overcome the unruly concept that the term "mariachis" had to the general public in those days.
3rd Generation (1950–1993)
Fuentes took complete responsibility for the group's musical direction, and enriched the evolution that for many years had conserved the primitive and unstudied qualities of mariachi. The changing sound of the Mariachi Vargas de Tecalitlán was redirected without the abandonment of its roots or traditions. The Huapangos and Sones (which were two very distinctive styles of the mariachi music) were being interpreted in many diverse and different ways. The Mariachi Vargas recorded the Sones with arrangements and adaptations as patterns for other groups. This stratagem promoted the concept that all mariachi groups could be unified to those versions by taking them as examples. The traditional songs and the original sound of the mariachi began to mature in the 1950s. It was during the recordings of the "Golden Age of the Huapangos" that the compositions, arrangements and musical direction of Rubén Fuentes, and the unequaled voice of Miguel Aceves Mejía, initiated a musical shift that would change the sound and instrumentation of the mariachi. Due to the fact they change mariachi from the start they choose to keep it in away that it would still be traditional.
Revolutionary new harmony
In 1955 Rubén Fuentes stopped performing in the group. However, to date he maintains his position as producer, musical arranger and musical director, assisted during this first age by Jesús Rodríguez de Hijar and, under both, the administrative and leadership skills of Silvestre Vargas. In 1966 Rubén Fuentes wrote "La Bikina", a song that was recognized as the epitome of this Revolutionary New Harmony and sound of the mariachi. He continues to write and produce music for Mariachi Vargas that takes is an emotional roller coaster from the height of happiness to the despair of a broken heart or a lost love. As much in Mexico as in foreign countries the Sones and Huapangos acquire new directions.
Mariachi conferences
In the 1970s interest in mariachi music was waning. But all that changed when San Antonio, Texas held its first international mariachi conference in September 1979. In 1975, Jose "Pepe" Martinez, Sr. became the musical director of Mariachi Vargas. He wrote many arrangements including "Violin Huapango" which individually showcase the different instruments and members in the group. In 1983, the Mariachi Vargas appeared for the first time at the Tucson International Mariachi Conference. A new movement began to grow and many other conferences began to develop. The Mariachi Vargas was often chosen as the headline performer.
In 1986, Linda Ronstadt appeared with the Mariachi Vargas at the Tucson International Mariachi Conference where she sang publicly in Spanish for the first time. In 1987 she released her "Canciones de mi Padre" album featuring Mariachi Vargas which won her a Grammy award for the album. She also went on a national tour with the group, giving greater international exposure to mariachi music than ever before and creating a new audience for mariachi music among non-Hispanics.
Classical mariachi
In 1989, the Mariachi Vargas released their "En Concierto" CD featuring some of the greatest renderings of classical music ever played by a mariachi group. They also accompanied Lucero in the 1990s as she rose in the ranks of contemporary musical stardom. The Mariachi Vargas de Tecalitlán initiated a series of solo recordings: Sones, Valses, Pasos Dobles, Bailes Regionales, Polkas, Clasico e International, etc. They have added more than 50 recordings of mariachi music interpreted by what has become "The Best Mariachi in the World."
4th generation (1994–2002)
It is known by all mariachi lovers that this generation was the most talented group of musicians performing since 100 years of their foundation.[citation needed] In their album "La fiesta del Mariachi", Mariachi Vargas de Tecalitlán, fourth generation, the group integrates to make a tribute to Jose "Pepe" Martínez, who besides his magnificent musical arrangements and direction of the group, inspired many as a composer. Their recordings on Polygram with this generation include are, "El Mariachi Vargas", "En Concierto", "Los sones Reyes", "La fiesta del Mariachi" and "50 anniversary of Rubén Fuentes". Rubén Fuentes's arrangements and music with the Mariachi Vargas de Tecalitlán are the first five recordings for the one-hundredth anniversary of the foundation of "Vargas" in 1997.
5th generation (2003–present)
In 2003 Mariachi Vargas de Tecalitlán began its fifth generation. Their latest recordings are, "5ta Generacion", "Sinfonico I", "Sinfonico II", and "Penas, Desengaños... Y Amores". Today the group is composed of two harps, one vihuela, one guitar, one guitarron, three trumpets and six violins. With the added instruments, a new sound has emerged that crosses all international borders. The music they play now ranges from the traditional sones to classical works as well as popurris that continue to delight audiences everywhere. In the 100 years since its foundation, the group has gone through some major changes. While there has been some departure from the tradition during that time, the group has maintained its roots through the playing of traditional Mexican sones. In 1997, "Mariachi Vargas de Tecalitlán" celebrated its first One Hundred years of foundation.
Discography
From 1937 until now (2009), the Mariachi Vargas has produced over 50 recordings, whose contents are Huastecos sones, waltzes, popurris, polkas, huapango, cumbias, among others.
Danzones (1964 RCA)
Mariachi *Colección Original (BMG Latin, 1999) –This is a recording recompilation made while 1958–1968 -.
Lo Mejor de lo Mejor (BMG Latin, 2000) –This is a recording recompilation made while 1958–1967 -.
Tradicionales de México Lindo Y Querido (LIDERES, 2001).
Sinfónico With Orquesta Filarmónica del Estado de Querétaro (2001) –Directed by Maestro José Guadalupe Flores-.
5ta. Generación (2002).
Sinfónico II With Orquesta Filarmónica del Estado de Querétaro (2002) Directed by Maestro José Guadalupe Flores-.
Penas, Desengaños Y Amores (2004).
Y aquí estamos (2008).
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Mariachi Vargas De Tecalitlan Lyrics
A Esa Mujer Se ha quedado en mi pensamiento un bello recuerdo de una…
Alejandra Punto intermedio entre un loco y un cuerdo Ahí me encuentro…
Alma Llanera Yo Yo Naci en una rivera del Arauca vibrador Soy hermano de…
Amaneci Otra Vez Probablemente ya De mí te te has olvidado Y sin embargo yo …
Amargo Adios Sé que es tarde ya Para pedir perdón Sé que es tarde…
Amo Esta Tierra Amo esta tierra mía que me dio la vida que…
Amor Ajeno Se nos está pasando el tiempo para amarnos, Se nos está…
Amor Del Alma Por qué te amargas la vida por qué no entiendes mi…
Azul Cielo Sólo sin tu cariño Voy caminando, voy caminando, Y no sé que…
Bésame Mucho Bésame, bésame mucho Como si fuera esta noche la última vez …
Bikina Solitaria, camina la bikina Y la gente se pone a…
Bonito Tecalitlan bonito tecalitlan con sus mujeres hermosas, cuando me sali a…
Camino De Guanajuato No vale nada la vida La vida no vale nada Comienza siempre…
Camino Real de Colima Camino real de colima, dicen que yo no lo sé. Camino…
Canción Mixteca Que lejos estoy del suelo. Donde he nacido. Inmensa nostalgi…
Carmentea Cantar del llano Cantar de briza del río ¡Ay! Carmentea Tu c…
Cascabel Dos Yo tenía mi cascabel Con una cinta morada Con una cinta mora…
Chapala Redes Redes que tienden Los pescadores En la laguna Redes q…
Cielito Lindo De la sierra morena Cielito lindo, vienen bajando Un par de …
Con los años que me queda Se que aun me queda una oportunidad Se que aun no…
Corazon Corazon Es inútil dejar de quererte Ya no puedo vivir sin tu…
Cuando Calienta El Sol Amor, estoy solo aqui en la playa Es el sol quien…
Cuando El Destino No vengo a pedirte amores ya no quiero tu cariño si una…
Cuando Sale la Luna Deja que salga la luna Deja que se meta el sol Deja…
Cuando Suena el Mariachi / MI País Ay, ay, ay, ay, viva Jalisco Ay, ay, ay, ay, viva…
Cucurrucucú Dicen que por las noches Nomas se le iba en puro…
El 7 Mares Soy marino vivo errante Cruzo por lo siete mares why como so…
El Arroyito Amaneció Y me encontré con que emprendiste un largo viaje El…
El Buque Fue en el buque de gran potencia Para arrojarme al fondo…
El Carretero El carretero se va ya se va para Sayula el carretero no…
El Carretero Se Va El carretero se va, ya se va para Sayula El carretero…
El Cascabel Yo tenía mi cascabel con una cinta morada, con una cinta…
El Cihualteco ¡Ah, ja-ja-ja-jay! ¡Éntrale, cansados! Arriba de Cihuatlán …
El Cuatro Este es el cuatro mentado... El rey de todo los sones, Este…
El Dos Negro MI historia es una ciencia Lo que canto son historias Histor…
El Gavilancillo Yo soy el gavilancillo que ando por aquí volando Yo soy el…
El Gusto Date gusto vida mia, que yo me dare otro tanto Que…
El Jarabe Tapatío En Jalisco se baila el Jarabe Como nadie lo sabe…
El Jinete Por la lejana montaña Va cabalgando un jinete Vaga solito en…
El Maracumbé Este es el Maracumbé, El rey de todos los sones, Querido de…
El Maríachi Al mariachi de mi tierra De mi tierra tapatía Voy a darle…
El Mariachi Loco El mariachi loco quiere bailar El mariachi loco quiere baila…
El Niño Perdido Fueron buscarlo todos juntos Y nomas no estaba por aquí Ni…
El Pastor Va el pastor con su rebaño Al despuntar la manaña Bajando …
El querreque Es buena la cervecita para el que esta desvelado, Para el…
El Relámpago Ay a zapatear todo el mundo Hola Amalia zapateale bien Ahh A…
El Rey Yo se bien que estoy afuera Pero el día que…
El Riflero Señora, soy un riflero, mi vida, que acabo de llegar Con…
El Son De La Negra Negrita de mis pesares Ojos de papel volando Negrita de…
El Son Del Gavilancillo Yo soy un gavilancillo que ando por aquí perdido yo soy…
El Son Gavilancillo El son de los aguacates ¡Sí señor!…
El Suchil Usted que conoce el suchil Y las hojas de laurel Usted que…
El Tecalitleco Birria caliente y gorda!!! Pasale acá está la birria Ora Cen…
El Terrequeteque Estando aserrando un palo si!! Haciendo terrequeteque no Sol…
El Tirador Soy tirador que a las aves les tiro en el…
El Toro Víejo ¡Órale, compadre! Ahí te va el toro viejo Por ahí viene…
El Tren Oigan señores el tren Que lejos me va llevando Oigan señores…
El viajero Ahí te voy México querido, ajajajai! Yo soy ese viajero que…
Ella Me cansé de rogarle Me cansé de decirle que, yo, sin…
Feria de las Flores Me gusta cantarle al viento Porque vuelan mis cantares Y …
Fiesta En Jalisco Saludos, esta es mi primera letra: D Y como en todo…
Fina Estampa Una veredita alegre Con luz de luna o de sol Tendida como…
Guadalajara Guadalajara, Guadalajara, Guadalajara, Guadalajara... Tiene…
Guadalajara - Remasterizado Guadalajara, Guadalajara Guadalajara, Guadalajara Tienes el …
Jalisco y Andalucía Yo soy como el mercader que vendió todo su placer Vendió…
Jarabe Tapatio En Jalisco se baila el Jarabe Como nadie lo sabe…
José Alfredo No quiero ni volver a oír tu nombre No quiero ni…
José Alfredo Enamorado No te vayas así Dame un poco de ti, te lo…
Jose Alfredo Jimenez Me canse, me canse de rogarle Me canse de decirle que…
La Bamba Para cantar la bamba Para cantar la bamba se necesita una po…
La Bikina Solitaria, camina la bikina Y la gente se pone a…
La Cucaracha Darbelio ¿Quién es el animalito más bonito? Ay Pepe, pues la…
La Derrota Por darle rienda suelta a mis antojos Por no tener conscienc…
La Feria De Las Flores Me gusta cantarle al viento Porque vuelan mis cantares Y di…
La fiesta del mariachi La fiesta va comenzar adornen esos portones, la fiesta va co…
La Gloria Eres Tú Eres mi bien, lo que me tiene extasiado ¿Por qué negar…
La Madrugada Era de madrugada cuando te empece a querer Un beso a la…
La Malagueña Que bonitos ojos tienes Debajo de esas dos cejas Debajo…
La Negra Negrita de mis pesares Ojos de papel volando Negrita de…
La Vaquilla Le diras a la vaquilla Que se baje para el plan Que…
Lágrimas Del Alma Por qué te amargas la vida por qué no entiendes mi…
Las Abajéñas Me gustan las abajeñas Por altas y presumidas Se bañan y se…
Las Coronelas Coronelas, coronelas Olei, olei, ay la-la-la-la-la Coronelas…
Las Golondrinas ¿A dónde irá veloz y fatigada La golondrina que de aquí…
Las Horas Negras Negrita de mis pesares Ojos de papel volando Negrita de…
Las Mañanitas Estas son las mañanitas Que cantaba el rey David Hoy por ser…
Las Olas Ay, ay, ay, ay, ay! Cuanto me gustan las olas Ay, ay,…
Los Arrieros ya los arrieros se van y yo que los voy siguiendo ya…
Los Fernandez Me dicen el tapatio porque yo me crié en jalisco entre prade…
Lupita Tenía a mi Lupe con su boquita risueña Me dio un…
Luz Hay amor de mis amores Te vengo a cantar mi copla Ando…
Luz de Luna Como un rayito de luna Entre la selva dormida Asi la luz…
Maite Lejos de aquel instante Lejos de aquel lugar Al corazón aman…
Maitechu Mía Buscando hacer fortuna como emigrante Se fue a otras tierras…
Malagueña Que bonitos ojos tienes Debajo de esas dos cejas Debajo…
Maldita Sea Mi Suerte Ahora les voy a cantar A las niñas por bonitas A las…
Mañanitas Estas son las mañanitas Que cantaba el rey David Hoy por ser…
María linda Linda mujer, escucha este pohema mi corazón lo invade una pe…
Mexican Hat Dance En Jalisco se baila el Jarabe, Como nadie lo sabe…
Mexico De Noche No quiero ni volver a oír tu nombre No quiero…
México Lindo Qué lindo mi México Jaja-jajai Voz de la guitarra mía Al de…
Mi Ciudad Mi ciudad es chinampa en un lago escondido, Es cenzontle que…
Mi Padre Un hombre de pelo blanco mira la vida con alegría recuerda q…
MI Reina y MI Tesoro Ay que hermosura de mujer he conocido Nunca en la vida…
Mi Tenampa Cuál cariño es el que dices Que te di con toda…
MI Verdad Hay mentiras en los labios Hay mentiras en la piel Qué dolor…
Motivos De rosa Pintada de azul Es un motivo, Una simple estrellita …
Muriendo de Amor Me estoy muriendo, me estoy muriendo Porque tú no estás conm…
Negra Negrita de mis pesares Ojos de papel volando Negrita de…
No Se Tu No sé tú pero yo no dejo de pensar ni un minuto…
Pajarillo Pitu pitu pitu pitu papam (3 vc.) pitu pitu pitu pitu pitu…
Paloma Negra Ya me cansé de llorar y no amanece Ya no sé…
Pelea de Gallos Silencio, señores Entren a la partida Llamen a corredores Za…
Popurri "Las Mañanitas" Estas son las mañanitas Que cantaba el rey David A las muc…
Popurri: Las Mañanitas Estas son las mañanitas Que cantaba el rey David. Hoy por se…
Por Ti Volare Cuando vivo solo sueño un horizonte falto de palabras. En la…
Por Un Beso Amarte como te amo es complicado Pensar como te pienso es…
Prometo Prometo darte el sol todos los días Prometo este idilio toda…
Que bonito amor Que bonito amor Que bonito cielo Que bonita luna Que bonito …
Que chulada de mujer que chulos ojos, los que tiene esa linda joven que estoy mir…
Quiero Abrazarte Tanto Siento tu mano fria Correr despacio sobre mi piel, Y tu pech…
Recuerdos De Ypacarai Una noche tibia nos conocimos Junto al lago azul de Ypacaraí…
Sabes una Cosa... Sabes una cosa Tengo algo de decirte Y no sé como empezar A…
Se Me Olvidó Otra Vez Probablemente ya de mí te has olvidado Y mientras tanto, yo…
Sentimiento siempre en linea sigo siendo el peluche que en tu cama…
Serenata huasteca Canto al pie de tu ventana Pa que sepas que te…
Si Nos Dejan Me equivoqué contigo Me equivoqué a lo macho Como muy pocas …
Somos Novios Somos novios Pues los dos sentimos mutuo amor profundo Y con…
Són De La Negra Negrita de mis pesares Ojos de papel volando Negrita de…
Son De Mi Tierra Y como dijo Vargas: "no te rajes, Jalisco" Uh-ah, ja, ja,…
Son Del Palmero Palmero, sube a la palma Sube a la palma, palmero Palmero, s…
Tiempo Sabia virtud de conocer el tiempo A tiempo amar y desatarse…
Un Mundo Raro Cuando te hablen de amor y de ilusiones Y te ofrezcan…
Veracruz Balajú se fue a la guerra Y no me quiso llevar Y…
Violín Huapango Ay la la la la la la lai la la Huapango...…
Viva el mariachi ay yayay viva jalisco!! ay yayay viva el mariachi!! cuando s…
Viva Veracruz Por aqui pasó volando, una calandria amarilla. Una calandr…
Vuélveme a Querer Que nada dura para siempre Es una frase común Que suele ser…
Ya Ya es muy tarde Para remediar todo lo que ha pasado Ya…
Yo Se Que Te Acordaras Yo se que te acordarás plenamente estoy seguro Vemos otro am…
Yo Vendo unos Ojos Negros Yo vendo unos ojos negros Quien me los quiere comprar Los ve…
Gildardo Nuñez
on El Suchil
para todos mis amigos del facebook, dis fruten de musica de un buen mariachi, aqui lo tienen¡¡¡