Mumford & Sons
Mumford & Sons are an English folk rock band formed in London in 2007.[2] The ba… Read Full Bio ↴Mumford & Sons are an English folk rock band formed in London in 2007.[2] The band consists of Marcus Mumford (lead vocals, electric guitar, acoustic guitar, drums), Ben Lovett (vocals, keyboards, piano), and Ted Dwane (vocals, bass guitar, double bass). Banjo player Winston Marshall left the band in 2021.
Mumford & Sons have released four studio albums: Sigh No More (2009), Babel (2012), Wilder Mind (2015), and Delta (2018). Sigh No More peaked at number two on the UK Albums Chart and the Billboard 200 in the US, with Babel and Wilder Mind both debuting at number one in the UK and US, the former becoming the fastest-selling rock album of the decade and leading to a headline performance at Glastonbury Festival in 2013. The band has also issued two live albums: Live at Shepherd's Bush Empire (2011) and The Road to Red Rocks (2012).
Mumford & Sons were formed in December 2007 by multi-instrumentalists Marcus Mumford, Ben Lovett, Winston Marshall and Ted Dwane. Band members play acoustic guitar, drums, keyboard instruments, bass guitar, and traditional folk instruments such as banjo, mandolin and resonator guitar. The band name originates from the fact that Marcus Mumford was the most visible member, organizing the band and their performances. Lovett indicated that the name was meant to invoke the sense of an "antiquated family business name".
A handful of similar bands were increasing their visibility in West London around the same time, giving rise to the label "West London folk scene". Mumford downplays that characterisation as an exaggeration—Mumford & Sons and a few other folk acts just happened to be operating in the same general area at the time. In an interview with the Herald Sun, Marcus Mumford said, "It's not folk really. Well, some of it is, and it's certainly not a scene. Someone got over-excited about a few bands who live in a hundred-mile radius and put it in a box to sell it as a package. It's a community, not a scene. It's not exclusive." Having developed in the same musical and cultural environment, Mumford & Sons' sound has been compared to that of artists such as Noah and the Whale, Johnny Flynn and Laura Marling, whose backing band had included Marshall, Mumford, and Dwane.
In early 2008 the band began working with manager Adam Tudhope, who, as part of management company Everybody's, also represents Keane and Laura Marling. It was through Tudhope's connection that Mumford & Sons were exposed to their future A&R at Island, Louis Bloom, who began monitoring the band. Bloom told HitQuarters that they were still at a fledgling state and not yet ready for a label deal: "There was no one there for it, just a few friends, and they needed time to develop. Over the next six months I kept going to see them and they were literally picking up fans every time."
In February 2008, the band completed an extensive UK tour with support from Alessi's Ark, Sons of Noel and Adrian, Peggy Sue and others. June 2008 marked the band's first appearance at the Glastonbury Festival. They also toured Australia with Laura Marling, whose disinclination to interact with audiences encouraged Mumford into the spotlight. The experience helped inform his attitude towards Mumford & Sons audiences, which is to interact frequently and to try to create a comfortable, casual atmosphere. Mumford & Sons' first project was an EP entitled Love Your Ground which took a year to complete and was released in November 2008 on Chess Club Records.
The band began by using bluegrass and folk instrumentation, with the core instruments of acoustic guitar, banjo, piano and a double bass, played with a rhythmic style based in alternative rock and folk. In the documentary Big Easy Express, Marcus Mumford recognizes the Old Crow Medicine Show influence: "I first heard Old Crow’s music when I was, like, 16, 17, and that really got me into, like, folk music, bluegrass. I mean, I’d listened to a lot of Dylan, but I hadn’t really ventured into the country world so much. So Old Crow were the band that made me fall in love with country music." Mumford acknowledges that "the band inspired them to pick up the banjo and start their now famous country nights in London." Ketch Secor, Old Crow front-man, concurs: "Those boys took the message and ran with it.
Much of Mumford & Sons' lyrical content has a strong literary influence, its debut album name deriving from William Shakespeare's Much Ado About Nothing. The track "Sigh No More" includes lines from the play such as Serve God love me and mend, For man is a giddy thing, and One foot in sea and one on shore. The title of the song "Roll Away Your Stone" is an allusion to Macbeth; the song includes the line Stars hide your fires/ And these here are my desires which borrows and pares down Macbeth's line in act 1, scene 4: Stars, hide your fires,/ Let not light see my black and deep desires. Additionally, "The Cave" includes several references to The Odyssey, in particular the sirens that Odysseus encounters on his journey home. The song also contains many references to G.K. Chesterton's book, St. Francis of Assisi, in which Chesterton uses Plato's Cave as a way of explaining how St. Francis views the world from God's perspective. "Little Lion Man" appears to be a retelling in dramatic monologue form of Chretien de Troyes' Yvain, the Knight of the Lion, which is the story of a knight who goes mad after betraying a promise to his wife to return to her. Both "Timshel" and "Dust Bowl Dance" draw heavily from the John Steinbeck novels Of Mice and Men, East of Eden and The Grapes of Wrath.
The band's change in sound on their third album was described by Lovett as a "natural departure." At the end of the Babel tour Winston Marshall traded his banjo for electric guitar in sound checks and Mumford started playing more drums as the band jammed on heavy instrumentals and even some Radiohead tunes. Banjo does not feature on the record, an instrument that had become synonymous with the band. NME reported that the band's sound is "More expansive than ever and decidedly heavier, thanks to the shift in instrumentation." The group also employed a full drumkit instead of kick drum. "We've had our standard line-up of instruments for the last six years and we felt like that was our palette, [but] we started picking up other stuff," said Lovett. "It's a very natural departure from some of that rootsier stuff."
Lovett told NME that working with James Ford for Wilder Mind was part of trying something new. "We felt a need for change. Not from Markus [Dravs], but he was so closely attached to those first two records that as we had taken that time off, we wanted to try doing something new. It felt like, if we do our third record with Markus, does that mean we do our ninth and 10th records with Markus? At some point you have to try different things, as we collectively felt like it was time to try other stuff. Markus knows that we might well make the next record with him. We definitely haven't broken up [with Dravs], we're just playing the field!".
The band have won a number of music awards throughout their career, with Sigh No More earning the band the Brit Award for Best British Album in 2011 and six overall Grammy Award nominations. The live performance at the 2011 Grammy ceremony with Bob Dylan and The Avett Brothers led to a surge in popularity for the band in the US. The band received eight total Grammy nominations for Babel and won the Grammy Award for Album of the Year. The band also won the Brit Award for Best British Group in 2013.
Mumford & Sons have released four studio albums: Sigh No More (2009), Babel (2012), Wilder Mind (2015), and Delta (2018). Sigh No More peaked at number two on the UK Albums Chart and the Billboard 200 in the US, with Babel and Wilder Mind both debuting at number one in the UK and US, the former becoming the fastest-selling rock album of the decade and leading to a headline performance at Glastonbury Festival in 2013. The band has also issued two live albums: Live at Shepherd's Bush Empire (2011) and The Road to Red Rocks (2012).
Mumford & Sons were formed in December 2007 by multi-instrumentalists Marcus Mumford, Ben Lovett, Winston Marshall and Ted Dwane. Band members play acoustic guitar, drums, keyboard instruments, bass guitar, and traditional folk instruments such as banjo, mandolin and resonator guitar. The band name originates from the fact that Marcus Mumford was the most visible member, organizing the band and their performances. Lovett indicated that the name was meant to invoke the sense of an "antiquated family business name".
A handful of similar bands were increasing their visibility in West London around the same time, giving rise to the label "West London folk scene". Mumford downplays that characterisation as an exaggeration—Mumford & Sons and a few other folk acts just happened to be operating in the same general area at the time. In an interview with the Herald Sun, Marcus Mumford said, "It's not folk really. Well, some of it is, and it's certainly not a scene. Someone got over-excited about a few bands who live in a hundred-mile radius and put it in a box to sell it as a package. It's a community, not a scene. It's not exclusive." Having developed in the same musical and cultural environment, Mumford & Sons' sound has been compared to that of artists such as Noah and the Whale, Johnny Flynn and Laura Marling, whose backing band had included Marshall, Mumford, and Dwane.
In early 2008 the band began working with manager Adam Tudhope, who, as part of management company Everybody's, also represents Keane and Laura Marling. It was through Tudhope's connection that Mumford & Sons were exposed to their future A&R at Island, Louis Bloom, who began monitoring the band. Bloom told HitQuarters that they were still at a fledgling state and not yet ready for a label deal: "There was no one there for it, just a few friends, and they needed time to develop. Over the next six months I kept going to see them and they were literally picking up fans every time."
In February 2008, the band completed an extensive UK tour with support from Alessi's Ark, Sons of Noel and Adrian, Peggy Sue and others. June 2008 marked the band's first appearance at the Glastonbury Festival. They also toured Australia with Laura Marling, whose disinclination to interact with audiences encouraged Mumford into the spotlight. The experience helped inform his attitude towards Mumford & Sons audiences, which is to interact frequently and to try to create a comfortable, casual atmosphere. Mumford & Sons' first project was an EP entitled Love Your Ground which took a year to complete and was released in November 2008 on Chess Club Records.
The band began by using bluegrass and folk instrumentation, with the core instruments of acoustic guitar, banjo, piano and a double bass, played with a rhythmic style based in alternative rock and folk. In the documentary Big Easy Express, Marcus Mumford recognizes the Old Crow Medicine Show influence: "I first heard Old Crow’s music when I was, like, 16, 17, and that really got me into, like, folk music, bluegrass. I mean, I’d listened to a lot of Dylan, but I hadn’t really ventured into the country world so much. So Old Crow were the band that made me fall in love with country music." Mumford acknowledges that "the band inspired them to pick up the banjo and start their now famous country nights in London." Ketch Secor, Old Crow front-man, concurs: "Those boys took the message and ran with it.
Much of Mumford & Sons' lyrical content has a strong literary influence, its debut album name deriving from William Shakespeare's Much Ado About Nothing. The track "Sigh No More" includes lines from the play such as Serve God love me and mend, For man is a giddy thing, and One foot in sea and one on shore. The title of the song "Roll Away Your Stone" is an allusion to Macbeth; the song includes the line Stars hide your fires/ And these here are my desires which borrows and pares down Macbeth's line in act 1, scene 4: Stars, hide your fires,/ Let not light see my black and deep desires. Additionally, "The Cave" includes several references to The Odyssey, in particular the sirens that Odysseus encounters on his journey home. The song also contains many references to G.K. Chesterton's book, St. Francis of Assisi, in which Chesterton uses Plato's Cave as a way of explaining how St. Francis views the world from God's perspective. "Little Lion Man" appears to be a retelling in dramatic monologue form of Chretien de Troyes' Yvain, the Knight of the Lion, which is the story of a knight who goes mad after betraying a promise to his wife to return to her. Both "Timshel" and "Dust Bowl Dance" draw heavily from the John Steinbeck novels Of Mice and Men, East of Eden and The Grapes of Wrath.
The band's change in sound on their third album was described by Lovett as a "natural departure." At the end of the Babel tour Winston Marshall traded his banjo for electric guitar in sound checks and Mumford started playing more drums as the band jammed on heavy instrumentals and even some Radiohead tunes. Banjo does not feature on the record, an instrument that had become synonymous with the band. NME reported that the band's sound is "More expansive than ever and decidedly heavier, thanks to the shift in instrumentation." The group also employed a full drumkit instead of kick drum. "We've had our standard line-up of instruments for the last six years and we felt like that was our palette, [but] we started picking up other stuff," said Lovett. "It's a very natural departure from some of that rootsier stuff."
Lovett told NME that working with James Ford for Wilder Mind was part of trying something new. "We felt a need for change. Not from Markus [Dravs], but he was so closely attached to those first two records that as we had taken that time off, we wanted to try doing something new. It felt like, if we do our third record with Markus, does that mean we do our ninth and 10th records with Markus? At some point you have to try different things, as we collectively felt like it was time to try other stuff. Markus knows that we might well make the next record with him. We definitely haven't broken up [with Dravs], we're just playing the field!".
The band have won a number of music awards throughout their career, with Sigh No More earning the band the Brit Award for Best British Album in 2011 and six overall Grammy Award nominations. The live performance at the 2011 Grammy ceremony with Bob Dylan and The Avett Brothers led to a surge in popularity for the band in the US. The band received eight total Grammy nominations for Babel and won the Grammy Award for Album of the Year. The band also won the Brit Award for Best British Group in 2013.
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Mumford & Sons Lyrics
"Where Are You Now" It came to the end it seems you had heard. As…
03. Winter Winds As the winter winds litter London with lonely hearts Oh the…
04 Roll Away Your Stone 1 Roll away your stone I will roll away mine Together we…
05. White Blank Page Can you lie next to her And give her your heart,…
06-I Gave You All 1 Rip the earth in two with your mind Seal the urge…
143. I Will Wait Well I came home Like a stone And I fell heavy into…
176. I Will Wait Well I came home Like a stone And I fell heavy into…
31. Little Lion Man Weep for yourself, my man, You'll never be what is in…
42 Where do I turn to when there's no choice to…
9. Hopeless Wanderer You heard my voice, I came out of the woods…
After the Storm And after the storm, I run and run as the rains…
Awake Me Soul How fickle my heart and how woozy my eyes I struggle…
Babel I know the time has numbered my days, And I'll go…
Banjolin Song She stole my heart and made me sing She tore me…
Believe You may call it in this evening But you've only lost…
BELIEVE (3FM MEGAHIT) You may call it in this evening But you've only lost…
Believe. You may call it in this evening But you've only lost…
Beloved Sit enthroned in white grandeur But tired and shift A whispe…
Below My Feet You were cold as the blood through your bones And the…
Blank Page Can you lie next to her And give her your heart,…
Blood Blood of my blood, come rushing in Fast as lightning you…
Broad-Shouldered Beasts Broad-shouldered beasts fill the sky Manhattan beats at the …
Broken Crown Touch my mouth And hold my tongue I'll never be your chosen…
Cave the It's empty in the valley of your heart The sun, it…
Cold Arms Weekend wreckers take the streets With abandon in their eyes…
Dance The young man stands on the edge of his porch The…
Darkness Visible There to dwell In adamantine chains and penal fire Who durs…
Delta Do not lie to us Don't hide your eyes from us I…
Devil In Your Eye She was darkened but light-headed, a daydream Earning from h…
Devil's Spoke / Sneh Ko Marg I might be apart of this Ripple on water from a…
Devil's Spoke/Sneh Ko Marg I might be apart of this Ripple on water from a…
Ditmas And in time As one reminds the other of past A life…
Dust Bowl Dance The young man stands on the edge of his porch The…
Feel The Tide She sits him down in a stiff chair Rubs his back…
For Those Below Helpless she lies across the stairs Haunting your days, cons…
Forever I know I've had you troubled And I know I've seared…
Friend of the Devil I lit out from Reno I was trailed by twenty hounds Didn′t…
Ghost That We Knew You saw my pain, washed out in the rain Broken glass,…
Guiding Light One, two, three We're on the permanent red The glaze on my…
Hold On I I can't promise you that I won't let you down And…
Holland Road So I was lost, go count the cost, Before you go…
Home I was young when i left home An' I been out…
Hopeless Wanderer You heard my voice, I came out of the woods…
Hot Gates There is no great thing, to stop and sing Waiting for…
I Gave You All Rip the earth in two with your mind Seal the urge…
I Will Wait Well I came home Like a stone And I fell heavy into…
If I Say I came here without a choice I'm sorry I could never…
Just Smoke Tell my thoughts to resign And lift you from my mind I'm…
La La La Salseros Les habla DJ Marlong Son A la la lele la la…
Liar I know that things are broken And though there's too many…
Little Lion Man Weep for yourself, my man You'll never be what is in…
Lover of the Light In the middle of the night, I may watch you…
Lover's Eye's Love was kind for a time But now just aches and…
Mehendi Rachi Perhaps I'll be a bird one day if I am…
Monster So we were up Throwin' dice in the dark I saw you…
Mumford and Sons-I Gave You All Rip the earth in two with your mind Seal the urge…
Not with Haste Your eyes, they tie me down so hard. I'll never learn…
Nothing is Written I came home Like a stone And I fell heavy into…
October Skies In the silver light I just made out Your silhouette Through …
Only Love Loneliness and all I was stuck to the spot without a…
Picture You If I could tell you "no" I thought it best you…
Reminder Don't let me darken your door It's not what I came…
Roll Away The Stone Roll away your stone I will roll away mine Together we…
Rose of Sharon Fold your hair behind your ears Roll your questions across t…
Sigh No More Serve God love me and mend This is not the end Live…
Sign No More Serve God, love me and mend This is not the end Live…
Sister There's a chip on your shoulder, girl And by God it'll…
Slip Away No more questions no more lies Do and deal for no…
Snake Eyes You hold it, in your hands And let it flow, this…
Tessellate Bite chunks out of me You're a shark and I'm swimming My…
The Banjolin Song She stole my heart and made me sing She tore me…
The Boxer I am just a poor boy Though my story's seldom told I…
The Cave It's empty in the valley of your heart The sun, it…
The Enemy Give me hope in silence It's easier; It's kinder Tell me n…
The Wild We saw birth and death Can't we be still What makes you…
The Wolf Wide-eyed with a heart made full of fright Your eyes follow…
There will be time [Baaba Maal in Pulaar] [Baaba Maal in Pulaar] [Baaba Maal i…
Thistle & Weeds Spare me your judgments and spare me your dreams 'Cause rece…
Timshel Cold is the water It freezes your already cold mind Already …
To Darkness There to dwell In adamantine chains and penal fire Who durs…
To Darkness / Kripa Take my eye and my whole my heart in your hands in your…
To Darkness/ Broken Crown Touch my mouth And hold my tongue I'll never be your chosen…
To Darkness/Kripa Take my eye and my whole my heart in your hands in your…
Tompkins Square Park Oh babe, meet me in Tompkins Square Park I wanna hold…
Unfinished Business Just give me a second, darling, to clear my head. Just…
Untitled 1, 2, 3 Well, I came home, like a stone And I…
Where Are You Now It came to the end it seems you had heard. As…
Whispers in the Dark You hold your truth so purely Swerve not through the minds…
White Blank Page Can you lie next to her And give her your heart,…
Wild Heart Mortal once again Making out, watch me pretend And you whisp…
Wilder Mind It's in my blood, it's in my water You try to…
Winter Winds As the winter winds litter London with lonely hearts Oh the…
Woman Woman Caught behind those burning eyes Tangled up in morning…
We have lyrics for these tracks by Mumford:
Believe You may call it in this evening But you've only lost…
I Will Wait Well I came home Like a stone And I fell heavy into…
There will be time In the cold light, I live to love and adore…
Tompkins Square Park Oh babe, meet me in Tompkins Square Park I wanna hold…
Wona You don't wanna turn away this time Then why don't you…
We have lyrics for these tracks by Sons:
Bag O' Downers Okay, okay, okay Halisson son, 2021 Modus Operandi domino o …
Believe In Something How long have you been praying that someday God will answer…
Caution The ones that carry never back down. I want to be…
Doubt It's a full throttle train, an existential bane It's only gr…
Ghosts Jacobite yae came sae faur Let them feel yir steel Through m…
Holland Road So I was lost, go count the cost, Before you go…
I Need A Gun My defender My provider My healer I need you My defender My …
Kings So long to the red river valley, My ropin' and wranglin'…
Nothing Hello world Waking up like B it's yo world Wish I believed…
Skin Her hands can't do the things That yours used to do…
Waiting On My Own The bellow of a bluebird's call The whisper of a…
Whispers in the Dark You hold your truth so purely Swerve not through the minds…
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