Nino Ferrer
Nino Ferrer (born Nino Agostino Arturo Maria Ferrari in Genua, Italy, Augus… Read Full Bio ↴Nino Ferrer (born Nino Agostino Arturo Maria Ferrari in Genua, Italy, August 15, 1934. Died in Quercy Blanc, Saint-Cyprien Lot, Montcuq, August 13, 1998) was a famous French - Italian singer, actor and jazz musician.
From prehistory to jazz
The son of bourgeois parents, an Italian father and a French mother, Nino declared having had a pleasant childhood in a cultivated art-loving family. He spent the first five years of his life in New Caledonia where his father, an engineer, worked in a nickel mine. On holiday in France in 1939, Nino and his mother were unable to leave Europe because of the WWII. While his father carried on working in New Caledonia, they spent difficult years stuck and penniless in Italy, where Nino’s mother was considered the wife of an enemy.
In 1947, the family, re-united and moved to France. Nino was sent to the best colleges in Paris and earned a degree in ethnology and prehistoric archaeology. As a student, much of his free time was spent on archaeological digs and his first job was at the Musée de l'Homme with André Leroi-Gourhan.
Alongside his passion for history, he developed numerous other interests. He became a keen painter, and remained so until his death. Above all, he learned to play several instruments (piano, guitar, clarinet, trombone and trumpet) and composed, wrote lyrics and became a fervent jazz lover.
When he finished his studies, his grandmother offered him a trip to New Caledonia, a gift he took advantage of by going round the world on a cargo ship and taking part in archaeological work on the Isle des Pins in Melanesia. On his return to Paris, he tried several jobs, but everything was uninteresting and poorly paid. Already thinking about a career in music, he finally took the plunge and began accompanying jazz musicians, first of all Richard Bennett and the Dixiecats, then Bill Coleman.
From jazz to rhythm ’n’ blues
At the beginning of the 60s, he worked for several years with American singer Nancy Holloway as her guitarist, continuing at the same time to write gospel-inspired songs which received only refusals from most of the record companies. Hearing Otis Redding, Sam Cooke and Sam and Dave for the first time was a musical revelation and transformed his writing style.
Although already spotted by the Barclay record label, he had to wait until 1963 to record his first release, "Pour oublier qu’on s’est aimé". He was 29, whereas most of the young stars of the time were hardly 20. It was a four-track EP, written in a fairly classical vein, and did not sell well in France. However, one of the tracks, "l’Irréparable, was a hit in some European countries, in Japan and even in the Middle East, where he did a week of concerts in Beyrouth.
Having left Barclay for a small label, Bel Air, Nino was still unknown in France. In 1964, he started a gospel group, Reverend Nino and the Jubilees, but it broke up before recording anything worth being released. Nino went on to bring out several solo singles without success.
From "Mirza" to "Je veux être noir"
After so many lean years, the big break came unexpectedly in 1965 when Nino returned to Barclay, who gave him the chance to record his new material. After a few unsuccessful trials, a new artistic director, Richard Bennett, gave Nino free rein to record his compositions as he wanted.
And so Nino Ferrer recorded "Mirza", an effective cocktail of rhythm ‘n’ blues and caustic lyrics. The song was immediately a huge hit. His record company called for more songs in the same vein. His records sold very well and from one day to another, the young singer became an idol. Now the zany singer in vogue, he followed "Mirza" up with "Les Cornichons" and "Oh! Hé! Hein! Bon". Although he was now very popular, his success was founded on material with which he never felt really comfortable. Nevertheless, hit followed hit and he lived his new life as a star at breakneck rhythm. In 1966, he gave 195 live performances and made nearly thirty TV appearances. He soon grew tired of his deliberately blasé and provocative seducer image of which people compared to Jacques Dutronc.
In 1966 he released "le Téléfon", another hit which people are still dancing to thirty years later. However, despite his success, Ferrer, a straightforward, uncomplicated person, grew disenchanted with show business. Little disposed to compromise, he left Paris for Italy where, at the same time, his song "Je veux être noir", was a success of an entirely different kind.
A change of direction
Smothered by his own success, Nino stayed about three years in Italy, from 1967 to 1970. In France, his releases continued to sell well. His lyrics became increasingly iconoclastic, even politicised, while remaining just as sarcastic or even cynical. In 1967, he brought out "Mao et Moa" and "Mon copain Bismarck" and in 1968, "le Roi d’Angleterre", with biting lyrics echoing his irritation with show business and society in general. Around this time, Nino hired a young organist from Cameroon, Manu Dibango, later to become famous as a saxophonist.
In Italy, Nino became notorious in 1969 as the presenter of the satirical TV variety show, "Io, Agata e tu" with Raffaella Carrà. Then, after a brief love affair with Brigitte Bardot, he decided to return to France in 1970.
Determined now to conduct his career as he alone saw fit, he took up residence in the Quercy region in the South West of France and began breeding horses. But music remained his first love and his meeting with Englishman Mickey Finn, a guitarist who had played with T. Rex, Eric Clapton and the Rolling Stones, changed his attitude towards his work. With Finn, Nino launched into rock music and began to write darker, more personal lyrics.
Albums and hits
1972 saw the release of the "Métronomie" album, considered by Ferrer to be his first ‘real’ album. Very much in the style of the time, the album was conceived as an ‘experience’, with the music accompanied by sound effects, but included a new version of his very first release, "Pour oublier qu’on s’est aimé". However, it was not the album which sold but one of its tracks, "la Maison près de la fontaine". Very different from the rest of the album, the single sold more than 500,000 copies. Yet again, the red carpet was unrolled for Nino which only redoubled his contempt for show business.
Ferrer continued to bring out almost an album per year. One hit track was enough to enable him to carry on doing more or less what he wanted, even if commercially the albums were seldom successful. In 1973, Nino started a part-time group with Mickey Finn and other musicians. Together, they recorded "Nino and Leggs", an entirely rock and roll album. The disc did not sell and Nino left the Barclay label for CBS. The following year, he released an album entirely in English, "Nino and Radiah". Radiah Frye is the young American singer on the album sleeve. Only one track was in French: "le Sud", one of Ferrer’s biggest hits. Now a standard of the French repertoire, "le Sud" is in fact only one version of a song originally written in English. When it was released, it was a huge hit, selling over a million copies. But Nino was not satisfied. Once again, the success of one track had overshadowed all the hard work on the rest of the album.
The following year, Nino Ferrer brought out a new album, "Suite en œuf", a commercial flop. The same was true of "Véritables vérités verdâtres, released in 1977 and which marked his departure from CBS.
Return and retirement
The success of "le Sud" nevertheless enabled Ferrer to buy a house in the Quercy region. In 1976, he moved into a 15th century fortress at Lataillade, where he installed a recording studio and continued raising horses and painting. In 1978, he married Jacqueline Monestier, known as Kinou.
Now without a record company, Ferrer released each new album on a different label. In 1979, he brought out "Blanat" on a small independent label, Free Bird. A very gospel inspired, even jazz orientated, the album had both English and French lyrics, as often before. The same year, Ferrer met Jacques Higelin, and went on tour with him. The rock singer’s crazy imagination and powerful personality seduced Ferrer and encouraged him to perform live again, a practice he had abandoned a long time before. Following this tour, he played in Paris at the Bataclan with Paul Personne’s backing group.
The 1981 album, on the WEA label, "la Carmencita", was mostly made up of old material. In contrast, the following release, "Ex-Libris", was entirely new and written as a tribute to his father. 1981 was a year both of return and departure. Ferrer brought out another rock and roll album in the Leggs vein, "Rock ‘n’ roll cowboy", and sang at l’Olympia, the most prestigious of the Paris music venues. Yet, that same year, Ferrer slammed the door on show business definitively.
Nevertheless, he appeared the following year in a stage musical for children, "L’Arche de Noé", at the Théâtre de l’Unité in Paris. Composer of the music, he also played God in this moderately successful show. From the end of 1984 until 1986, Ferrer totally disappeared from the music scene. He retired to his castle where he painted, had several exhibitions and brought up his two sons, Pierre and Arthur. Nevertheless, he recorded an album in 1986, soberly entitled, "13ème album", and whose release went almost unnoticed.
Final chapter
It was on the new FNAC label that Ferrer made his come-back in 1993. That year, he released an album of entirely original material, recorded for the most part at Lataillade and mixed in Toulouse. The sleeve and the lyrics were illustrated by the singer’s own paintings. Co-written with Mickey Finn, the album, as its title "La Désabusion" (a play on the words désabuser and illusion) suggests, marked only a half-hearted, morose return.
For around two years after "La Désabusion", Ferrer popped up in the news here and there. In 1994, he had an exhibition in Paris, published a collection of his writings and continued to promote the album. Then, from April to June 1995, he went on tour for the first time in years, with his faithful group, the Leggs. He was a guest at the Francofolies festival in la Rochelle in July. Also that year, he released a small ten-track album of original material recorded at home. A genuine family effort, recorded between 1987 and 1992, it includes versions of old hits such as "Mirza" and "le Sud", traditional folk songs ("Il pleut bergère", "Besame Mucho"), all of them sung by his wife Kinou, his son Arthur, Mickey Finn and numerous other musicians.
But after this media interlude, Ferrer was glad to return to his house, his animals, his family and his mother, Mounette, who had moved in with them. There followed another period of silence spent in the company of family and friends and helping Arthur, now a student like his brother, to prepare a début album. In July 1998, Mounette’s death left a vacuum in his life. A month later, on August 13th, Ferrer shot himself in the heart in the middle of a cornfield a few kilometres from his home, two days before his 64th birthday.
An unpredictable, moody character, Ferrer refused artistic compromise. But this unwillingness to compromise produced songs as different as "les Cornichons" and "le Sud." He left behind several indelible traces in French musical heritage, not forgetting numerous songs now hardly known.
From prehistory to jazz
The son of bourgeois parents, an Italian father and a French mother, Nino declared having had a pleasant childhood in a cultivated art-loving family. He spent the first five years of his life in New Caledonia where his father, an engineer, worked in a nickel mine. On holiday in France in 1939, Nino and his mother were unable to leave Europe because of the WWII. While his father carried on working in New Caledonia, they spent difficult years stuck and penniless in Italy, where Nino’s mother was considered the wife of an enemy.
In 1947, the family, re-united and moved to France. Nino was sent to the best colleges in Paris and earned a degree in ethnology and prehistoric archaeology. As a student, much of his free time was spent on archaeological digs and his first job was at the Musée de l'Homme with André Leroi-Gourhan.
Alongside his passion for history, he developed numerous other interests. He became a keen painter, and remained so until his death. Above all, he learned to play several instruments (piano, guitar, clarinet, trombone and trumpet) and composed, wrote lyrics and became a fervent jazz lover.
When he finished his studies, his grandmother offered him a trip to New Caledonia, a gift he took advantage of by going round the world on a cargo ship and taking part in archaeological work on the Isle des Pins in Melanesia. On his return to Paris, he tried several jobs, but everything was uninteresting and poorly paid. Already thinking about a career in music, he finally took the plunge and began accompanying jazz musicians, first of all Richard Bennett and the Dixiecats, then Bill Coleman.
From jazz to rhythm ’n’ blues
At the beginning of the 60s, he worked for several years with American singer Nancy Holloway as her guitarist, continuing at the same time to write gospel-inspired songs which received only refusals from most of the record companies. Hearing Otis Redding, Sam Cooke and Sam and Dave for the first time was a musical revelation and transformed his writing style.
Although already spotted by the Barclay record label, he had to wait until 1963 to record his first release, "Pour oublier qu’on s’est aimé". He was 29, whereas most of the young stars of the time were hardly 20. It was a four-track EP, written in a fairly classical vein, and did not sell well in France. However, one of the tracks, "l’Irréparable, was a hit in some European countries, in Japan and even in the Middle East, where he did a week of concerts in Beyrouth.
Having left Barclay for a small label, Bel Air, Nino was still unknown in France. In 1964, he started a gospel group, Reverend Nino and the Jubilees, but it broke up before recording anything worth being released. Nino went on to bring out several solo singles without success.
From "Mirza" to "Je veux être noir"
After so many lean years, the big break came unexpectedly in 1965 when Nino returned to Barclay, who gave him the chance to record his new material. After a few unsuccessful trials, a new artistic director, Richard Bennett, gave Nino free rein to record his compositions as he wanted.
And so Nino Ferrer recorded "Mirza", an effective cocktail of rhythm ‘n’ blues and caustic lyrics. The song was immediately a huge hit. His record company called for more songs in the same vein. His records sold very well and from one day to another, the young singer became an idol. Now the zany singer in vogue, he followed "Mirza" up with "Les Cornichons" and "Oh! Hé! Hein! Bon". Although he was now very popular, his success was founded on material with which he never felt really comfortable. Nevertheless, hit followed hit and he lived his new life as a star at breakneck rhythm. In 1966, he gave 195 live performances and made nearly thirty TV appearances. He soon grew tired of his deliberately blasé and provocative seducer image of which people compared to Jacques Dutronc.
In 1966 he released "le Téléfon", another hit which people are still dancing to thirty years later. However, despite his success, Ferrer, a straightforward, uncomplicated person, grew disenchanted with show business. Little disposed to compromise, he left Paris for Italy where, at the same time, his song "Je veux être noir", was a success of an entirely different kind.
A change of direction
Smothered by his own success, Nino stayed about three years in Italy, from 1967 to 1970. In France, his releases continued to sell well. His lyrics became increasingly iconoclastic, even politicised, while remaining just as sarcastic or even cynical. In 1967, he brought out "Mao et Moa" and "Mon copain Bismarck" and in 1968, "le Roi d’Angleterre", with biting lyrics echoing his irritation with show business and society in general. Around this time, Nino hired a young organist from Cameroon, Manu Dibango, later to become famous as a saxophonist.
In Italy, Nino became notorious in 1969 as the presenter of the satirical TV variety show, "Io, Agata e tu" with Raffaella Carrà. Then, after a brief love affair with Brigitte Bardot, he decided to return to France in 1970.
Determined now to conduct his career as he alone saw fit, he took up residence in the Quercy region in the South West of France and began breeding horses. But music remained his first love and his meeting with Englishman Mickey Finn, a guitarist who had played with T. Rex, Eric Clapton and the Rolling Stones, changed his attitude towards his work. With Finn, Nino launched into rock music and began to write darker, more personal lyrics.
Albums and hits
1972 saw the release of the "Métronomie" album, considered by Ferrer to be his first ‘real’ album. Very much in the style of the time, the album was conceived as an ‘experience’, with the music accompanied by sound effects, but included a new version of his very first release, "Pour oublier qu’on s’est aimé". However, it was not the album which sold but one of its tracks, "la Maison près de la fontaine". Very different from the rest of the album, the single sold more than 500,000 copies. Yet again, the red carpet was unrolled for Nino which only redoubled his contempt for show business.
Ferrer continued to bring out almost an album per year. One hit track was enough to enable him to carry on doing more or less what he wanted, even if commercially the albums were seldom successful. In 1973, Nino started a part-time group with Mickey Finn and other musicians. Together, they recorded "Nino and Leggs", an entirely rock and roll album. The disc did not sell and Nino left the Barclay label for CBS. The following year, he released an album entirely in English, "Nino and Radiah". Radiah Frye is the young American singer on the album sleeve. Only one track was in French: "le Sud", one of Ferrer’s biggest hits. Now a standard of the French repertoire, "le Sud" is in fact only one version of a song originally written in English. When it was released, it was a huge hit, selling over a million copies. But Nino was not satisfied. Once again, the success of one track had overshadowed all the hard work on the rest of the album.
The following year, Nino Ferrer brought out a new album, "Suite en œuf", a commercial flop. The same was true of "Véritables vérités verdâtres, released in 1977 and which marked his departure from CBS.
Return and retirement
The success of "le Sud" nevertheless enabled Ferrer to buy a house in the Quercy region. In 1976, he moved into a 15th century fortress at Lataillade, where he installed a recording studio and continued raising horses and painting. In 1978, he married Jacqueline Monestier, known as Kinou.
Now without a record company, Ferrer released each new album on a different label. In 1979, he brought out "Blanat" on a small independent label, Free Bird. A very gospel inspired, even jazz orientated, the album had both English and French lyrics, as often before. The same year, Ferrer met Jacques Higelin, and went on tour with him. The rock singer’s crazy imagination and powerful personality seduced Ferrer and encouraged him to perform live again, a practice he had abandoned a long time before. Following this tour, he played in Paris at the Bataclan with Paul Personne’s backing group.
The 1981 album, on the WEA label, "la Carmencita", was mostly made up of old material. In contrast, the following release, "Ex-Libris", was entirely new and written as a tribute to his father. 1981 was a year both of return and departure. Ferrer brought out another rock and roll album in the Leggs vein, "Rock ‘n’ roll cowboy", and sang at l’Olympia, the most prestigious of the Paris music venues. Yet, that same year, Ferrer slammed the door on show business definitively.
Nevertheless, he appeared the following year in a stage musical for children, "L’Arche de Noé", at the Théâtre de l’Unité in Paris. Composer of the music, he also played God in this moderately successful show. From the end of 1984 until 1986, Ferrer totally disappeared from the music scene. He retired to his castle where he painted, had several exhibitions and brought up his two sons, Pierre and Arthur. Nevertheless, he recorded an album in 1986, soberly entitled, "13ème album", and whose release went almost unnoticed.
Final chapter
It was on the new FNAC label that Ferrer made his come-back in 1993. That year, he released an album of entirely original material, recorded for the most part at Lataillade and mixed in Toulouse. The sleeve and the lyrics were illustrated by the singer’s own paintings. Co-written with Mickey Finn, the album, as its title "La Désabusion" (a play on the words désabuser and illusion) suggests, marked only a half-hearted, morose return.
For around two years after "La Désabusion", Ferrer popped up in the news here and there. In 1994, he had an exhibition in Paris, published a collection of his writings and continued to promote the album. Then, from April to June 1995, he went on tour for the first time in years, with his faithful group, the Leggs. He was a guest at the Francofolies festival in la Rochelle in July. Also that year, he released a small ten-track album of original material recorded at home. A genuine family effort, recorded between 1987 and 1992, it includes versions of old hits such as "Mirza" and "le Sud", traditional folk songs ("Il pleut bergère", "Besame Mucho"), all of them sung by his wife Kinou, his son Arthur, Mickey Finn and numerous other musicians.
But after this media interlude, Ferrer was glad to return to his house, his animals, his family and his mother, Mounette, who had moved in with them. There followed another period of silence spent in the company of family and friends and helping Arthur, now a student like his brother, to prepare a début album. In July 1998, Mounette’s death left a vacuum in his life. A month later, on August 13th, Ferrer shot himself in the heart in the middle of a cornfield a few kilometres from his home, two days before his 64th birthday.
An unpredictable, moody character, Ferrer refused artistic compromise. But this unwillingness to compromise produced songs as different as "les Cornichons" and "le Sud." He left behind several indelible traces in French musical heritage, not forgetting numerous songs now hardly known.
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Nino Ferrer Lyrics
4 X 4 Voilà le 4 x 4 noir Cabossé de toutes parts Et ses…
AGATA Je me ronge les ongles depuis que j'ai cessé d'fumer Je…
Alcina De Jesus ALCINA DE JESUS Son pays c’est tellement loin Au bout du co…
Alexandre Qui qu'a cassé le cocotier? Qui qu'a caché les allumettes?…
Anne Anne a la peau mauve et bleue Ses yeux sont…
Arriba Santana Maracas merengue Mariachi marimba Arriba Santana El Porom…
Au Bout De Mes Vingt Ans Au bout de mes vingt ans, la route est vide Et…
Barberine Elle dort profondément Et je suis allongé près d'elle Et l…
Bésame mucho Bésame, bésame mucho, Como si fuera esta noche la última vez…
Bloody Flamenco I've come from Spain It was all in vain Nothing remains E…
Blues De La Fin Du Monde Pendant la fin du monde Il est recommandé De suivre…
Blues Des Chiens C'est elle qui est venue vers moi quand on s'est…
Blues En Fin Du Monde Pendant la fin du monde Il est recommandé De suivre…
Boogie On You're cruising down the highway And you're feeling gone T…
C'est irréparable Je sais que c'est fini Je sais mais je t'en…
C'est irréparable (Un an d'amour) Je sais que c'est fini Je sais mais je t'en prie Ecoute-moi…
Cannabis La crasse et le vide La gueule et l'angoisse La guerre aux…
Carmencita Où et quand viendra Celle que j'attends ? Je l'attends pou…
Ce Que Tu As Fait De Moi Oh regarde un peu Ce que tu as fait de moi En…
CEst Irréparable Je sais que c'est fini Je sais mais je t'en…
Chanson Pour Nathalie La vie c'est comme de l'eau Qui coule d'une fontaine Mais…
Chanson Pour Petit Bout Fais dodo, mon petit bout Mon robinet, mon Peter pou Fais d…
Chita Chita Je suis amoureux D'une petite guenon Qui fait... hou... ho…
Cinq Bougies Bleues Cinq bougies bleues pour le cinquième Pour le neuvième, la c…
Claire Comme le temps est loin déjà Te souviens-tu de ce jour-là ?…
Daddy Tarzan Si tu veux monter dans mon dirigeable On ira faire un…
Diane De Montrouge Diane de Montrouge, sur sa mobylette orange Avec son intégr…
Fallen Angels Fallen angels Fallen on the highways On the streets of the…
Fratelli e cosi' sia Svegliarsi un giorno senza niente In una casa sconosciuta In…
Homlet La philosophie de l'être et le hasard de naître Et de…
Hot Toddy It is a rainy sunday afternoon Drinking Hot toddy in the…
Il baccalà Quella mattina ci siamo svegliati alle sei Per fare la gita…
Il me faudra ... Natacha Il me faudra te quitter Nos routes vont se séparer Il me…
Il Pleut Bergère Quand elle était petite fille Elle habitait dans le vieux Su…
Introduction 95 J'ai pas la main pleine Pas le cœur gros Je crois que…
Isabelle Isabelle, qu'est-ce que tu as fait hier soir ? Je t'interdis…
Je Cherche Une Petite Fille Je cherche une petite fille qui voudrait bien Me pendre…
Je Vais Te Dire Adieu Je vais te dire adieu La belle vie Ça ne m'intéresse pas Je…
Je Vends Des Robes Je vends des robes Des pulls et des manteaux, des bas,…
Je veux Hey hey hey, Monsieur Wilson Picket Hey hey hey, toi Monsieu…
Je Vous Dis Bonne Chance Ça fait bientôt vingt siècles Qu'ils cherchent la terre prom…
Joseph Joseph A certain maid I know, is so afraid her boy Will…
Justine Elle n'a pas eu de chance, quand on y pense,…
Kinou Voilà, c'est le moment, tu t'en vas Vers une autre vie…
L'An 2000 Devant ce que maintenant tu sais Tu n'as pas trente-six solu…
L'Angleterre L'Angleterre Ou l'automne L'avenir Qu'est-ce que ça peut …
L'Année De La Comète L'année de la comète a commencé par un feu Dans…
L'Année Mozart Il n'y a rien à faire il est bien trop…
L'Arbre Noir Ce grand arbre noir Ce ciel plein de fumée Devant ma fenêt…
L'Arche De No D'abord avançaient les girafes Et puis les vaches et les che…
L'Homme Qui A Vu L'Homme Qui A Vu L'Homme Qui A Vu Le Blues Un blues calibre douze Est braqué dans mes reins Dans le b…
L'Inexpressible Quelle âge que t'as ma jolie Pour t'attifer de cette manièr…
L'Innocence L'innocence L'insouciance L'impatience La vérité L'inconscie…
La Bande A Ferrer Le grand-père De mon batteur Est chef de gare À…
La Blondinette Mon arrière-arrière-grand-mère Était fille d'un marin-pêche…
La Danse De La Pluie La danse de la pluie, c'est sans espoir mais danse quand…
La Désabusion Elle se réveille à midi Pour déjeuner dans son lit Paresse…
La maison pr La maison près de la fontaine Couverte de vignes vierges Et…
La Maison Tontaine Et Tonton Au quatre-vingt-quinze de la rue Championnet Tu pousses la …
La Pelle Nera Ehi, ehi, ehi dimmi Wilson Pickett Ehi, ehi, ehi dimmi tu…
La Révolution Pendant la Révolution J'irai voir la mer que je ne connais…
La Rua Madureira Non, je n'oublierai jamais la baie de Rio La couleur du…
LArbre Noir Ce grand arbre noir Ce ciel plein de fumée Devant…
Le blues anti bourgeois Moi, j'ai pas envie de travailler Je n'aime pas les congés…
Le Blues Des Rues Désertes Je ne peux plus supporter ces petits matins froids Dans tout…
Le Bonheur À quelques kilomètres à l'ouest Près d'une station-service …
Le Look Plouc Un critique de rock Journaliste mondain Doit se choisir un…
Le Millionnaire Hier encore je vivais comme un millionnaire J'avais des dol…
Le Plan De Rome " Bon voilà ton plan ", dit-elle " Tu vas te…
Le Roi d'Angleterre Le roi d'Angleterre Déclare la guerre Sur mer et sur terre A…
Le sud C'est un endroit Qui ressemble à la Louisiane À l'Italie Il …
Le T Bernadette, elle est très chouette Et sa cousine, elle est d…
Le Telefon Bernadette, elle est trá¨s chouette Et sa cousine, elle e…
Les Cornichons On est parti, samedi, dans une grosse voiture Faire tous ens…
Les Enfants De La Patrie La-la-la-la La-la-la-la La-la-la-la, la-la La-la-la-la La-la…
Les hommes à tout faire Qu'est-ce qu'il faut faire Quand on ne sait rien faire? On d…
Les Morceaux De Fer Elle te tendra les bras Quand tu le voudras Quand il…
Les Petites Jeunes Filles De Bonne Famille Certains aiment les filles Et leur chantent à tous les vents…
Les petites jeunes filles de bonnes famille Certains aiment les filles Et leur chantent à tous les vent…
Les Yeux De Laurence J'ai rencontré Laurence un soir Dans je ne sais quelle galer…
LInnocence L'innocence L'insouciance L'impatience La vérité L'inconscie…
Listen To The Master Come on everybody, it's nearly six o'clock It's time for yo…
Little Lili Little Lili is sitting on the top of the tower Waiting…
Looking for You I'm looking for you I'm looking for you Don't know where to…
Ma Vie Pour Rien Mon père, il était ingénieur Ma mère ne faisait rien C'était…
Madame Robert Mon père est un homme de bien Il possède des magasins D'obje…
Mamadou Mémé Quand j'étais planteur à la Jamaïque Y avait des grenouilles…
Mao Et Moa Si je suis rapide et rusé Quand je fais mes Mao…
Marcel Et Roger Marcel et Roger Ferdinand, Sébastien ,Basile, Armand, Raymo…
Michael And Jane Il voyageait d'est en ouest en prenant quelques risques Son …
Michael Et Jane Il voyageait d'est en ouest en prenant quelques risques Son…
Micky Micky Micky m'a dit: " Nino, file-moi donc 500 balles J'ai mal…
Mint Julep Sipping Mint Julep Rocking in my rocking-chair Waiting for t…
Mirza Z'avez pas vu Mirza? Oh, la-la-la-la-la Z'avez pas vu Mirza?…
Moby Dick Le port de Nantucket A la douceur d'un lit Et l'habitude y…
Mon Copain Bismark Il y a longtemps déjà Que j'ai pas vu mon copain…
Monsieur Machin Vous êtes assis toute la journée le cul dans un…
Moon Il y a quelque chose Qui ne tourne pas rose Dans le…
Moses Moses You better slow down your pace You know sometimes,…
Na Na Song There's a crack in my ceiling A damn bigger hole in…
New York Got to go to New York See what's going on today What…
New York 85 Pendant que tu voles sur l'Atlantique Vers les États-Unis d…
Notre Chère Russie Tchekhov Lermontov Khrouchtchev Brejnev Spoutnick Bolchevic…
Oerythia OERYTHIA Une fille aux cheveux blonds Toute nue sur la pla…
Oh ! Hé ! Hein ! Bon ! Oh! Hé! Hein! Bon! Qu'est-ce que j'ai fait de mes clés? …
Oh He Hein Bon Qu'est-ce que j'ai fait de mes clés, Mes lunettes et mes…
Oh H� Hein Bon Oh, hé, hein, bon Qu'est-ce que j'ai fait de mes clés? Mes…
On dirait le sud C'est un endroit qui ressemble à la Louisiane À l'Italie Il …
On Passe Trop De Temps On passe trop de temps Avec des choses pas importants On n…
Oui Mais Ta Mère N'est Pas D'accord C’est moi qu’on appelle Don Juan Du côté d’Aubervilliers Je …
Papagayo Frog Papagayo Frog What are you doing today You better go your …
Petite Lili Petite Lili toute seule tout en haut de la tour Attend…
Piano Jazzy Le ciel est noir, il se fait tard J'en ai marre…
Play Boy Scout Tous mes amants sont ridicules Ils font de longs conciliabul…
Pour oublier qu'on s'est aimé POUR OUBLIER QU'ON S'EST AIMÉS Combien de temps faut-il ma…
Povero cristo Gesù Cristo sulla montagna Solo come un cane, solo con noi R…
Prelude Et Mort De Mirza Z′avez pas vu Mirza? Oh la la la la la…
Riz Complet Dans cette ville où tout est triste Je suis un escargot…
Rock N' Roll Cow-Boy Ils sont assis comme des veaux parmi les papiers gras Ils…
Rondeau Au fil de l'eau les jours s'en vont Un jour, un…
Scopa I'm talking to the lady of the land She's the last…
Semiramis Je suis fou d'une belle Qui habite juste à côté Dans le…
Shake Shake Ferrer Ah shake it, baby, come on now Shake it, baby,…
Si Tu M'Aimes Encore Dis, si tu m'aimes encore Dis, si tu m'aimes encore Ne me…
Sigaro Blu Qu'est-ce qu'il a dit, qu'est-ce qu'il a fait ? Qu'est-ce q…
Sodome Et Gomorrhe Depuis quelque temps des bruits courent Des signes apparais…
South Between the big trees The flowers and the green grass The …
Southern Feeling I've got that old Southern Feeling I feel it deep down…
Souviens-Toi Un peu de brume, un peu d'automne Presque personne dans les…
Sud Express Le train numéro 1 vient de partir Le temps à l'air…
Tchouk ou tchouk Si tu veux me quitter, tu sais plus rien ne…
Tchouk-Ou-Tchouk Si tu veux me quitter tu sais plus rien ne…
Télé Libre Il faut que toutes les musiques Et que toutes les opinions …
The Garden I ran to the garden And a rose touched my nose And…
Trapèze Volant Je voudrais te faire une chanson d'amour Mais je ne trouve…
Ulysse Ulysse était un jeune homme fort et beau Qui voulait voir…
Un An D'Amour Je sais que c'est fini Je sais mais je t'en…
Un homme à l'espace Je suis un homme à l'espace Je peux tout voir de…
Un Mot Qui Tue La souffrance de notre corps Est une très vieille sorcière …
Un Premier Jour Sans Toi Un peu de brume, un peu d'automne Presque personne dans les…
Valentin Je pense à elle depuis longtemps Mais on n'est pas sur…
Viens je t'attends Il est passé Le temps pour moi Tu as oublié Tout ça…
Viens tous les soirs C'était en l'année mille neuf cent cinquante et un C'était a…
Vivent Les Moules Les cris des oiseaux pétrifiés A base de cristaux liquides …
Vomitation Maybe I will Maybe I won't Maybe I'll do it Maybe…