Omar & The Howlers
A gritty, veteran boogie-blues band from Texas, Omar and the Howlers have b… Read Full Bio ↴A gritty, veteran boogie-blues band from Texas, Omar and the Howlers have been delivering their soulful, original songs to dedicated fans in Europe and the U.S. South for more than a generation.
Austin, besides being the Texas state capital, is home to much of the best in American roots music. Since the 1970s, ballsy blues players, renegade country pickers, and raw-voiced rockers have mixed & matched their musical styles in Austin’s thriving club scene. And that’s where Kent “Omar” Dykes holds court too. And it’s also where he’s recorded his latest Ruf album, Boogie Man, working with some of his adopted hometown’s most famous songwriters and musicians.
He hails from McComb, Miss., a town with the curious distinction of being home turf for both Bo Diddley and Britney Spears. It’s well established that Omar started playing guitar at seven, took to hanging out in edge-of-town juke joints at 12, joined his first band at 13 – the next youngest player being 50 – and played the sort of music where somebody bustin’ a cap at somebody else was just added percussion.
He was still Kent Dykes in those days, but by the time he hit 20 he had hooked up with a crazy-assed party band, called the Howlers, who specialized in playing frat parties. Looking back, he says, “We had two saxophone players on baritone and tenor who wore Henry Kissinger masks. They were called the Kissinger brothers. Not on every song, mind you. Sometimes it was Dolly Parton playing saxophone. Or Cher. And we had these cardboard cutouts from record stores for skits.” They even did fake ads for Sunshine Collard Greens and Howlers’ Fried Chicken – “for that old-fashioned taste that tastes just like Grandma.”
It was a crazy time, but a helluva lot of fun too, with the rough & tumble Howlers playing R&B, R&R and even the occasional polka and western swing tune. A decade earlier and 250 miles north of McComb, Steve Cropper and Duck Dunn had learned their chops exactly the same way as members of the Memphis party band the Mar-Keys.
But Kent Dykes mostly just wanted to play blues. And by then the other Howlers had taken to calling him “Omar Overtone” because he tended to let his guitar feed back on stage while he dropped to the floor to spin on his back in a spontaneous, Big & Tall Store take on break-dancing. As he says, those performances were “sometimes fueled by, a-hmm, alcohol.”
By 1976, the Howlers decided they were ready to bust a big move and relocate to Austin, where such clubs as the Soap Creek Saloon, the Broken Spoke, the Armadillo World Headquarters and Antone’s had created a haven for renegade music. “We worked out of Austin for about a year,” Omar says, “but a lot of the guys decided they weren’t cut out to play music full-time for the rest of their lives. They headed back to Mississippi and Arkansas, and I decided to keep the name. Nobody objected.” And as Dykes says, Omar & the Howlers works better than Kent & the Howlers. Of such decisions are careers made.
Fronting a new lineup, Dykes honed a band capable of the sort of raw, rowdy, rambunctious blues that made Howlin’ Wolf and Hound Dog Taylor legends and inspired Don Van Vliet to become Captain Beefheart.
By then the Fabulous Thunderbirds were also getting started in Austin and T-Bird member Jimmie Vaughan’s kid brother, Stevie Ray, had formed Triple Threat with Lou Ann Barton, future Double Trouble-r Chris Layton and Jackie Newhouse (LeRoi Brothers). The T-Birds were the first to record, cutting their debut in 1979, but Omar wasn’t far behind with Big Leg Beat in 1980. His second, I Told You So, in 1984 made them the big men on the block – or at least along Austin’s famed Sixth Street – earning them consecutive Austin band-of-the-year awards in 1985-1986.
The following year Omar signed with Columbia Records and cut Hard Times in the Land of Plenty (1987), which sold in excess 500,000 copies, and Wall of Pride (1988). Since then there have been another dozen albums, all of them featuring Omar’s guitar and baritone voice, which reviewers describe as a cross between Howlin’ Wolf in his prime and the warning growl of a large primate. Hyperbole aside, the big man’s talents have earned an international following, prestigious awards and induction into the Texas musicians’ Hall of Fame.
For Boogie Man, his newest release on the Ruf label, Omar has brought in some of the songwriter friends he’s made in the 27 years since he left Mississippi for Texas. Ten of the 11 tracks on the 55-minute disc are collaborations. “Co-writing at this point in my life is a lot of fun. To me it’s like free songs. These are ones that I wouldn’t have had the patience to sit down and write on my own. But when you get with friends and drink coffee, tell jokes and stories, and then write something, it always turns out to be something different than what you might have done on your own.”
Plus it’s not exactly heavy lifting to work with such Texas icons as Ray Wyle Hubbard, Darden Smith, Alejandro Escovedo and Stephen Bruton. “Some of them I hadn’t seen for a while,” Omar says, “because like me they’re in bands and on the road. So when we got together, we end up reminiscing a lot. For instance, I’ve known Ray Wyle off and on for 20 years – acquaintances for a long time but pretty good friends now. In the old days, he was busy drinking and partying on his own, and I had my own party going on too.”
Besides the songwriting collaborators, Omar also brought some friends into the recording studio, including guitarists Chris Duarte and Jon Dee Graham (True Believers), Chris Layton and Tommy Shannon of Stevie Ray Vaughan’s Double Trouble, George Rains (Sir Douglas Quintet and house drummer on scores of Antone’s label releases) and his frequent running-mates Terry Bozzio (Missing Persons, Jeff Beck, Frank Zappa) and Malcolm “Papa Mali” Welbourne.
About the recording process, Omar says, “I played out for seven and a half months, with only a few days off, and I’d spend those cutting in the studio. I would have liked to take the time off to relax, but it was a lot of satisfaction writing and recording with my friends too. This was an album I’ve wanted to do for a long, long time.”
As for future plans, Omar says he’ll be back on the road soon. “I still do 150-160 shows a year, and with travel days that adds up to a lot of time away from home. It always seems like we’re on a plane headed somewhere.” Omar is touring currently with bassist Barry Bihm and drummer Jon Hahn.
Or as he sums things up in “That’s Just My Life”:
It’s a long way from Pittsburgh down to Knoxville, Tenn.,
But I’m in it for the long haul, and that’s all right with me.
Night-time keeps me in the roadhouse, daylight’s burning up the miles,
The blacktop goes forever, I was born a highway child.
Credit http://www.omarandthehowlers.com/home.html and Copyright to the parties where in the weblink-Bermont/follower of the Howlers
See Also: http://www.last.fm/music/+noredirect/Omar+and+The+Howlers
Austin, besides being the Texas state capital, is home to much of the best in American roots music. Since the 1970s, ballsy blues players, renegade country pickers, and raw-voiced rockers have mixed & matched their musical styles in Austin’s thriving club scene. And that’s where Kent “Omar” Dykes holds court too. And it’s also where he’s recorded his latest Ruf album, Boogie Man, working with some of his adopted hometown’s most famous songwriters and musicians.
He hails from McComb, Miss., a town with the curious distinction of being home turf for both Bo Diddley and Britney Spears. It’s well established that Omar started playing guitar at seven, took to hanging out in edge-of-town juke joints at 12, joined his first band at 13 – the next youngest player being 50 – and played the sort of music where somebody bustin’ a cap at somebody else was just added percussion.
He was still Kent Dykes in those days, but by the time he hit 20 he had hooked up with a crazy-assed party band, called the Howlers, who specialized in playing frat parties. Looking back, he says, “We had two saxophone players on baritone and tenor who wore Henry Kissinger masks. They were called the Kissinger brothers. Not on every song, mind you. Sometimes it was Dolly Parton playing saxophone. Or Cher. And we had these cardboard cutouts from record stores for skits.” They even did fake ads for Sunshine Collard Greens and Howlers’ Fried Chicken – “for that old-fashioned taste that tastes just like Grandma.”
It was a crazy time, but a helluva lot of fun too, with the rough & tumble Howlers playing R&B, R&R and even the occasional polka and western swing tune. A decade earlier and 250 miles north of McComb, Steve Cropper and Duck Dunn had learned their chops exactly the same way as members of the Memphis party band the Mar-Keys.
But Kent Dykes mostly just wanted to play blues. And by then the other Howlers had taken to calling him “Omar Overtone” because he tended to let his guitar feed back on stage while he dropped to the floor to spin on his back in a spontaneous, Big & Tall Store take on break-dancing. As he says, those performances were “sometimes fueled by, a-hmm, alcohol.”
By 1976, the Howlers decided they were ready to bust a big move and relocate to Austin, where such clubs as the Soap Creek Saloon, the Broken Spoke, the Armadillo World Headquarters and Antone’s had created a haven for renegade music. “We worked out of Austin for about a year,” Omar says, “but a lot of the guys decided they weren’t cut out to play music full-time for the rest of their lives. They headed back to Mississippi and Arkansas, and I decided to keep the name. Nobody objected.” And as Dykes says, Omar & the Howlers works better than Kent & the Howlers. Of such decisions are careers made.
Fronting a new lineup, Dykes honed a band capable of the sort of raw, rowdy, rambunctious blues that made Howlin’ Wolf and Hound Dog Taylor legends and inspired Don Van Vliet to become Captain Beefheart.
By then the Fabulous Thunderbirds were also getting started in Austin and T-Bird member Jimmie Vaughan’s kid brother, Stevie Ray, had formed Triple Threat with Lou Ann Barton, future Double Trouble-r Chris Layton and Jackie Newhouse (LeRoi Brothers). The T-Birds were the first to record, cutting their debut in 1979, but Omar wasn’t far behind with Big Leg Beat in 1980. His second, I Told You So, in 1984 made them the big men on the block – or at least along Austin’s famed Sixth Street – earning them consecutive Austin band-of-the-year awards in 1985-1986.
The following year Omar signed with Columbia Records and cut Hard Times in the Land of Plenty (1987), which sold in excess 500,000 copies, and Wall of Pride (1988). Since then there have been another dozen albums, all of them featuring Omar’s guitar and baritone voice, which reviewers describe as a cross between Howlin’ Wolf in his prime and the warning growl of a large primate. Hyperbole aside, the big man’s talents have earned an international following, prestigious awards and induction into the Texas musicians’ Hall of Fame.
For Boogie Man, his newest release on the Ruf label, Omar has brought in some of the songwriter friends he’s made in the 27 years since he left Mississippi for Texas. Ten of the 11 tracks on the 55-minute disc are collaborations. “Co-writing at this point in my life is a lot of fun. To me it’s like free songs. These are ones that I wouldn’t have had the patience to sit down and write on my own. But when you get with friends and drink coffee, tell jokes and stories, and then write something, it always turns out to be something different than what you might have done on your own.”
Plus it’s not exactly heavy lifting to work with such Texas icons as Ray Wyle Hubbard, Darden Smith, Alejandro Escovedo and Stephen Bruton. “Some of them I hadn’t seen for a while,” Omar says, “because like me they’re in bands and on the road. So when we got together, we end up reminiscing a lot. For instance, I’ve known Ray Wyle off and on for 20 years – acquaintances for a long time but pretty good friends now. In the old days, he was busy drinking and partying on his own, and I had my own party going on too.”
Besides the songwriting collaborators, Omar also brought some friends into the recording studio, including guitarists Chris Duarte and Jon Dee Graham (True Believers), Chris Layton and Tommy Shannon of Stevie Ray Vaughan’s Double Trouble, George Rains (Sir Douglas Quintet and house drummer on scores of Antone’s label releases) and his frequent running-mates Terry Bozzio (Missing Persons, Jeff Beck, Frank Zappa) and Malcolm “Papa Mali” Welbourne.
About the recording process, Omar says, “I played out for seven and a half months, with only a few days off, and I’d spend those cutting in the studio. I would have liked to take the time off to relax, but it was a lot of satisfaction writing and recording with my friends too. This was an album I’ve wanted to do for a long, long time.”
As for future plans, Omar says he’ll be back on the road soon. “I still do 150-160 shows a year, and with travel days that adds up to a lot of time away from home. It always seems like we’re on a plane headed somewhere.” Omar is touring currently with bassist Barry Bihm and drummer Jon Hahn.
Or as he sums things up in “That’s Just My Life”:
It’s a long way from Pittsburgh down to Knoxville, Tenn.,
But I’m in it for the long haul, and that’s all right with me.
Night-time keeps me in the roadhouse, daylight’s burning up the miles,
The blacktop goes forever, I was born a highway child.
Credit http://www.omarandthehowlers.com/home.html and Copyright to the parties where in the weblink-Bermont/follower of the Howlers
See Also: http://www.last.fm/music/+noredirect/Omar+and+The+Howlers
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Omar & The Howlers Lyrics
Ain I wanna tell you woman what's on my mind …
Automatic Boy I got that tick like a Breitling My niggas bet…
Bad Seed You know I've always been a bad seed Drifted any way…
Bamboozled I been hoodwinked I been bamboozled I been left for dead I b…
Big Chief Pontiac I bought a Big Chief Pontiac …
Big Round World Everybody's talkin' bout the clothes you wear …
Border Girl Omar & The Howlers Border Girl The day is long and…
Daddy Daddy Ya I love to help Mommy I love to help Daddy Let us…
Dimestore Hoo Doo Dime store hoo doo, Five and Ten voodoo …
Don In this dirty old part of the city Where the sun…
Don't You Know Get To Know You OMAR WILSON Featuring Angie Stone Wishing o…
Drowning In Love She say she independent and got a habit for spending She…
East Side Blues Come here, pretty baby …
Enough Is Enough What's the motion the real emotion Shit hit different when y…
Everywhere I Go You whipped me, I'm hurting Abused me for certain And…
False Faces We′re wearin' false faces And it ain′t even halloween We're …
Fire In The House I've got this fire in me And it won't let me…
Firewalker I'm a firewalker holy ghost talker I'll walk the coals to…
Hey Joe Hey Joe, where you goin' with that gun of your…
Highway 49 Well I´m gonna get up in the morning Hit the Highway…
Hoo Doo Dime store hoo doo, Five and Ten voodoo …
Hoo Doo Ball Born in Mississippi in the dust of a cotton patch…
Hoy hoy hoy Ya no... hoy será el día en que te olvidé Ya…
I I got a pink sport coat, alligator shoes …
I Want You Baby, I want you around And baby, I want you around I'm…
I'm Gone I got a pink sport coat, alligator shoes …
I'm Mad Again T-TOT: Hey, Omar O-cat-daddy! OMAR: Uh, yeah, R J Doogally T…
Ice cold woman You can call me ugly You can call me fat…
Jumpin' The Gun I was wrong to think that you were right But now…
Leave Here Running Leave here runnin' I ain't got time to lose …
Lee Anne Lee Anne I want to be your special man Lee Anne…
Life Is Just a Circle The world´s not picture perfect And the streets ain´t paved …
Life Without You It that time of year To be of good cheer It's that…
Lone star blues Mighty or small We're gonna have a ball Do the Boogie Do the…
Loud Mouth Woman Kept me jumpin' turned me to a nervous wreck …
Magic Man Long ago and far away I was born on my…
Midnight Ramblin Man When the moon is full late at night …
Mississippi Hoo Doo Man Born in Mississippi in the dust of a cotton patch…
Monkey Land I'm a monkey's uncle …
Moon Bit Fool You can make my coffin from the finest wood Polish it…
Muddy Springs Road I hate to hear that screen door slammin' Hard for me…
Rattlesnake Shake I got hell hounds on my trail Bad luck and trouble…
Rose Tattoo Old enough to know Too young to drink champagne Old enough t…
Shake for me Shake for me. Come on and set me free …
Special Love I'm so glad I have found a special love …
Tears Like Rain Your mind and your experience call to me You have lived…
That Looking out the window seeing what's there It's not really m…
We Gotta Get Out Of This Place In this dirty old part of the city Where the…
What Can I Do HOOK If I Did What niggas do to me They'd call me c monster…
Yellow Coat A forty-gallon hat, a pair of polka-dot shoes Tomato pickin'…
You Ain't Foolin' Nobody I wanna tell you woman what's on my mind …
We have lyrics for these tracks by Omar:
1000 Malibù Che ci fai anche tu Come mai da ste parti? Sei con…
4 vor 8 Weißt du? Ich war als Junge schon weg Wär ich 'ne…
911 Oochie Jeg danser alene, sammen med fremmede mennesker Jeg …
A Day With You It's a lovely night Full of colored lights And all the stars…
Abisso Non ricordo neanche il mare Che sapore ha Non c'è…
Alain Vieles passiert, seit du weg bist Lange Zeit her, dass wir…
All For Me How many days Can I go without seeing your face? Not…
Ana مسكين انا مسكين ذاب قلبي من فراق المحبين لا لا…
As Long as You Believe It's very clear as the rising sun The prophets gave…
BABY WEIN Baby, wein, Baby, wein Da-da, da-da Baby, wein, Baby, wein D…
BALLERMANN Ballermann scharf am Sipp, in der Hood, ich bin hart…
Be Thankful Though you may not drive a great big Cadillac Gangster white…
Bendo Komm' aus der Siedlung, hoch aus'm Block Aus dem tiefsten He…
Bereuen Das Leben lieben war nie so mein Ding Warum auch, wenn…
Big Chief Pontiac I bought a Big Chief Pontiac …
big round world Everybody's talkin' bout the clothes you wear …
BIN DA WO DU NICHT BIST Tek-tek im Viertel, pass mir den Jibbit, es ist Viele wollen…
BLACK ON BLACK (COLLEGE) (Black on black, black on black) ey, ey (Black on …
Butterfly Yeah LLO 4 I had to hustle up the money Had some dues I…
Camomilla Mangio troppe caramelle Ma la vita ha sempre un gusto amaro …
Can't Get Nowhere Can't get over you Can't get over you Your skin feels like…
Ci risiamo Vago scalza dentro casa Ho per caso il cuore rotto Ci…
Close Your Eyes I know Life is no fairytale Even if it's not real You are Yo…
Colors El color de tus ojos Despertó mi interés Y solo…
Come On (Yeah) G-force while the gravity is pullin' my skin I try to…
Come On Pretty Baby Come on, pretty baby …
Come On Speak To Me Now the topic of the day is: How do I,…
Dancing Oh yeah In my heart, love and longing Freedom flies, ego's c…
DEALER (COLLEGE) Das geht an jeden Blockjungen auf der Straße mit …
Déjà vu Swear it feels like It’s Deja Vu Swear it feels like…
Demi Ich leg' ihr Flex auf das Apple-Display (Mmh) Lass ficken, o…
DEPRESSIONEN Mein einziges Feature, auf meinem Album Black on Black, ist…
Destiny what if i never knew what if i never found you i'd…
Disco Rotto La radio suona ancora Tu piangi da mezz'ora Sarà la primaver…
Dreck (JUMPA, make it jump!) Ich hab' Rast im Herz, nicht Liebe,…
DRITTE WELT Ich-ich-ich komm' mit Haschplatten aus der Dritten Welt an F…
Essensual Baby I I just want to hold your hand Maybe then you'll…
Feeds My Mind Yeah Think of something now And close your eyes now It's tim…
Feeling You Ooh ooh ooh, yeah yeah, ooh ooh ooh Ooh ooh ooh,…
Feeling You - Henrik Schwarz Remix Talking of summer days enjoy in so many ways Taking time…
Fine Yea you know you're so fine You know that you right Every…
Fire in the Jungle I've got this fire in me And it won't let me…
Firewalker I'm a firewalker holy ghost talker I'll walk the coals to…
Fuck War Make Love I don't want to play by your rules Nothing to gain…
Get It Together And when she turns away from me I don't know where…
Get To Know You Better Get To Know You OMAR WILSON Featuring Angie Stone Wishing o…
Ghana Emotion Everywhere I look around I see history The birth of man…
Habiba (Jumpa make it jump) Fügen wurd' zu dreckig geworden für mi…
HABIBI Drü-drü-drück Menge, klein oder groß, Wegmachgeld, gib ihm (…
HAZE (COLLEGE) Ich komm' von Dreißig-Kilo-Anklage zu rappen bei C…
HIER IM VIERTEL Hier im Viertel sind die Blocks hoch Kinder haben Gift in…
High Hey man! Aye man, aye yo you Come here man, come here…
High Heels 3'oclock in the morning Where could you be You said you come…
History Fell asleep meditating Had to start all over again, he…
HÖR NIE AUF Bruder, die Sorgen, die du grade hast, sind hart Das Leben…
HOT Ey, e-ey, ja Mister Dardy (COLLEGE), Omar Ich war schon fit…
I I'm feeling good don't kill my high Man what you talking…
I Can Listen Yeah Yeah Are you receiving me I'm talking loud and clear Ba…
I Know I Know you are somewhere out there I Know you are…
I Want It I Celebrate to be Our love is hot like tea Only you…
I'm In Love She say she independent and got a habit for spending She…
IM BLOCK Ich erinner' mich an Tage, wo der Hunger größer war…
Intro Ey, ich fing mit Baggys im Park an Noch weit, weit…
Is This Love Why are we here? Why are we wasting all of this…
It's Nothing Like This Sip a glass of cold champagne wine The rug that we…
It's So Oh no Oh no, no, no I can see the light that…
It's So... I can see the light that shines on me, I…
Jackson Hvem er du til at gøre det så'n her Min stil…
Ka Du Ik Paidmen Alt det, vi har, det misted' jeg troen til stille…
KARMA Así empecé esto lo e echo desde que era pequeño Empezó…
Kein Empfang „Alo?“ „Alo, Omar?“ „Nein, Tante, das Handy ist heute bei mi…
Kiss It Right Lots a people faking, I don't really mind Cause as plain…
Ku Ku Ya Allah hanya padaMu ku bersujud Matikan lah aku dalam keim…
La Parte Migliore Di Noi Dimmi se fa male Ogni volta che mi guardi Se ti ricordi…
Ladida Shag-shag-shagger-shagger-shagger Hun vil hyg', hun vil gern…
Lay It Down Wait hold a minute Slow it down My brother in a loop…
Leave Here Running Leave here runnin' I ain't got time to lose …
Let's Go Back (Song Produced by Kyle Goodman) Yea, if you tell me go,…
Lets Go Back featuring Omar I've been broken so many times Trying to face the world…
Lights Bismillah What if it was all easy? I was an A+…
Little Boy El camino que lleva a Belén Baja hasta el valle que…
Lluvia De nuevo soñé, que estábamos los dos. y cuando desperté, tod…
Lost I need more dreams, more friends, more ways to defeat…
Loud Mouth Woman Kept me jumpin' turned me to a nervous wreck …
lover man I got me a gal named Bessie Got two gals named…
Lullaby Do you remember that old lullaby? That we used to sing…
MAMA WEISS (College) Nicht ohne Grund hab' ich Dämonenaura Das Hase, w…
Mille ricordi Che mai vuol dire amor Oggi lo posso capire In questa vita…
Miracolo Non l'ho mai ammesso Che muoio dentro Ma so che Passo dopo p…
Monkey Land I'm a monkey's uncle …
Moon Bit Fool You can make my coffin from the finest wood Polish it…
Music Why, am I up late? Trynna talk to God, I'm…
Ne faccio un dramma Non resto calma Ho due secondi prima dell'addio per congelar…
Need You Bad Please don't run away from the world when the world…
Nero Dimmi se Hai mai corso così tanto Che quasi ti mancava…
Never Let Go I said I tried to use what I know But you…
NICHT TRAUEN (COLLEGE) Ich komm' von da, wo Träume platzen, Bruder, Lebe…
NOCH EIN DREHEN (College) Ich werd' empfangen in der Zelle mit 'nem Handy u…
Nostalgia di te Primera vez que yo te vi me enamoraste Te di todo…
NWP Ich hab' es gehasst, die Pakete zu packen Guck, ich wurde…
On Stage With Me Vibe with me Rock with you Rock with me Start sipping Go diz…
Ordinary Day I'd just like to say my love has grown. I've got…
Outside When you feel that you've had enough And the times are…
Over and Over Again Summers over, fall through Summers over, make room Summer ov…
PANISCH Leben planlose Tage auf Jack bis dreizehn Uhr Kalt wie der…
PARANOIA (COLLEGE) Ich zünd' den Torba an und schieb' Filme Denk' mi…
Passage into Midnight (instrumental song)…
PAUSE Leben war nicht immer leicht, mit der Erfahrung bleiben Narb…
Playlist Sie sagt: „Du wirst mich vergessen, wenn du fame bist“ Als…
PUSH MEIN PACK (COLLEGE) Pow, pow, pow (krr) Black on Black, Black on Blac…
Reality You've been telling me to come home tonight, but I…
RENN! (Pah) Ich bin von da, wo Menschen brechen Probe belesch komm…
Ricominciare Hey, come stai? Ho fatto un incubo stanotte E ci ho provato…
Ride With Me Sometimes I think we cross the line You can release me,…
Rose Tattoo Old enough to know Too young to drink champagne Old enough t…
Sabbie Mobili Scusa ma ora non ci penso piu A quanto mi…
Saturday Well, if you've ever been down to New Orleans Then…
Say Nothin' Ol' Dirty Bastard (Omar)] Yo, Yo, Yo, Yo No I ain't sayin'…
SEGEN UND FLUCH (COLLEGE) Sind paar Jahre vergangen Immer noch ist meine Se…
Simplify All at once I see something in your eyes I wanna…
Sing When things get right on top of you, its time…
Soledad Anoche shorty me salio picua Me le puse duro y la…
Sòledad Se canso de llorar Y condeno su corazón a una celda (The…
Stichnarben Ey, bevor du mein'n Matt siehst Will ich dein Geld sehen…
Stylin I can see that you're cool, got something I want I…
Syleste Doo doo doo doo No no no no no Na na na…
TEK TEK In der Zeit, wo Mama nachts am Heulen war Lief ich…
Tell Me Please, tell me how How can I stop from wanting you…
That Ain't It Now That I Got YOUR cttention It's only right that I…
The Earth And lately I been stressing by myself I got problems that…
The Man I can love you with my eyes closed I don't lose…
There I know you're holding some tears They haunt your new memorie…
There Is Nothing Like This Sip a glass of cold champagne wine The rug that we…
There`s Nothing Like This Sip a glass of cold champagne wine The rug that we…
There’s Nothing Like This Sip a glass of cold champagne wine The rug that we…
This Is Not A Love Song This is not a love song This is not a love…
To Be Alone Yeah, I keep a prison bible Looking for the money, I…
To The Top Top Warrior, concen donde estamos Te esperamos en el barrio …
Too Much Ella empezó despacio Ganándome terreno Y yo que no necesito …
TOPBOY (COLLEGE) (Drück' aufs Gas) (Ich hab' die Cops im Nacken, wa…
Unity I hear a song, that delivers me from my wrongs…
UNSER SONG (COLLEGE) Und immer wenn ich mit roten Augen nach Hause komm…
Use Me My friends feel it's their appointed duty They keep trying …
Vicky's Tune I've got to learn to take my time Always making moves…
VILLA Ma-ma-mach' die Scheiße nicht umsonst, Bro Wenn dich einer f…
WECHSEL DIE SIM Ey Meine Mucke bleibt gleich wie das Taş im Block bleibt…
Wine Headed Woman Wine headed woman …
Winner Kki jom burijima neo ttaeme nan maeilmaeil buranhae Oneuldo …
WINTER (COLLEGE) Ich bring' die Mucke für den Winter Für Kinder mi…
WINTERNACHT Winternacht, Punkt Mitternacht, ich Liege wach und kann nich…
World Of You Please don't run away from the world when the world…
You and I My second place raged your first I am a human being I…
You And Me (Hello my lovely, I'm actually able to do more stuff…
You Didn't Call Me (He don't love me no more) (He don't love) (He don't love…
you need me (Hello my lovely, I'm actually able to do more stuff…
You've Got to Move Though you may not drive a great big Cadillac Gangster white…
Your Loss My Gain Back again for round two, we're still not done, we've…
Your Mess One night I was talking to a friend of mine He…
We have lyrics for these tracks by The Howlers:
Cowboys Don't Cry Time won't make it Easier to come to terms with.…
El Dorado In the city you will find, You're not the only one…
Further Down The Line I was told the grass was always green, on the…
How Long How long, Has this been going on I don't want…
I Need Your Love I don't mind what you do, But this town ain't big…
Lady Luck I tried to tell you where I stand But you never…
Nothing To Lose You've got me running, and I don't know why. But…
On The Run Run run baby Run as fast as you can Only get…
Once Again Lord I'm looking up at all the clouds hanging round…
Take It Easy Oh don't you keep me waiting. You know that just…
The Howlers That's was a chicken with diarrhea Yes, sir, we've just abou…
To Make A King Every single place you go, And every other person you know, …
Wanting Waiting Wishing I don't know where to begin, Now that I've seen the…
When The Flowers Bloom Again Just because you've had enough, doesn't mean you've won. I…