Orlando Silva
Orlando Silva (Orlando Garcia da Silva - 10/3/1915 Rio de Janeiro - 8/7/19… Read Full Bio ↴Orlando Silva (Orlando Garcia da Silva - 10/3/1915 Rio de Janeiro - 8/7/1978 Rio de Janeiro) is regarded by many as the best Brazilian singer of all times. Certainly he was fundamental in the process of modernization of Brazilian popular music, through his subtle rhythmic facility allied to an intelligent interpretation and a flexible phrasing. It was Silva who introduced a new way of singing, in which his perfect diction, uncanny voice control, precise intonation, and creative use of rhythm produced a vigorous school that ultimately influenced João Gilberto, the whole bossa nova, the tropicália, and the MPB styles. Orlando Silva was also the first idol of the masses in Brazil. In his prime -- from the mid-'30s to the mid-'40s -- he was the most popular Brazilian artist ever. His live performances used to attract so many people that he soon became known as "O Ídolo das Multidões" (The Idol of the Multitudes). The adoration of the crowds reached extremes that would only be repeated, several years later, around the Frank Sinatra phenomenon. After 1945, though, Silva's voice was clearly signaling that years of heavy substance abuse were charging their price; he lost the clarity of his high-range, the cleanness of his timbre. He entered a period of obscurity, but he somehow managed to carry on with his wonderful interpretations even if his instrument was not the same anymore. Silva continued to sing professionally until 1975, when he recorded his last LP, Hoje (RCA Victor), completing 40 years of career.
From a poor family, Silva lost his father at three. Soon he was engaged in several different small jobs for a living. In 1934 he was invited by Francisco Alves to sing in his program at the Rádio Cajuti. In the same year he debuted in the radio under the pseudonym of Orlando Navarro and recorded his first album, through Columbia, with the samba "Olha a Baiana" (Kid Pepe/Germano Augusto) and the march "Ondas Curtas" (Kid Pepe/Zeca Ivo). In 1936, Silva participated in the inauguration of the Rádio Nacional, interpreting "Caprichos do Destino" (Pedro Caetano/Claudionor Cruz), the song that would become a hit in his rendition. Silva was the first to host an exclusive show in that broadcasting station, and it was a massive success. In the same year, he had another hit with "Dama do Cabaré" (Noel Rosa), followed by "Lábios que Beijei" (J. Cascata/Leonel Azevedo), "Carinhoso" (he was the launcher of this all-time classic by Pixinguinha/João de Barro), and "Rosa" (Pixinguinha/Otávio de Souza) in 1937. In 1938 he appeared in the film Banana da Terra, interpreting "A Jardineira" (Benedito Lacerda/Humberto Porto), which was a huge hit in the Carnival of 1939. Another success of his was "Página de Dor" (Índio/Pixinguinha), also recorded in 1938. The samba "A Primeira Vez" (Bide/Marçal) was recorded by Silva in 1940 and was one of the several songs (like "Preconceito" by Wilson Batista/Marino Pinto, "Curare" by Bororó, and "Aos Pés da Cruz" by Marino Pinto/Zé da Zilda) turned into classics by him that were re-recorded by his disciple João Gilberto. His everlasting influence, though, is present and clearly audible in Brazilian music -- one could say that it is immortal.
From a poor family, Silva lost his father at three. Soon he was engaged in several different small jobs for a living. In 1934 he was invited by Francisco Alves to sing in his program at the Rádio Cajuti. In the same year he debuted in the radio under the pseudonym of Orlando Navarro and recorded his first album, through Columbia, with the samba "Olha a Baiana" (Kid Pepe/Germano Augusto) and the march "Ondas Curtas" (Kid Pepe/Zeca Ivo). In 1936, Silva participated in the inauguration of the Rádio Nacional, interpreting "Caprichos do Destino" (Pedro Caetano/Claudionor Cruz), the song that would become a hit in his rendition. Silva was the first to host an exclusive show in that broadcasting station, and it was a massive success. In the same year, he had another hit with "Dama do Cabaré" (Noel Rosa), followed by "Lábios que Beijei" (J. Cascata/Leonel Azevedo), "Carinhoso" (he was the launcher of this all-time classic by Pixinguinha/João de Barro), and "Rosa" (Pixinguinha/Otávio de Souza) in 1937. In 1938 he appeared in the film Banana da Terra, interpreting "A Jardineira" (Benedito Lacerda/Humberto Porto), which was a huge hit in the Carnival of 1939. Another success of his was "Página de Dor" (Índio/Pixinguinha), also recorded in 1938. The samba "A Primeira Vez" (Bide/Marçal) was recorded by Silva in 1940 and was one of the several songs (like "Preconceito" by Wilson Batista/Marino Pinto, "Curare" by Bororó, and "Aos Pés da Cruz" by Marino Pinto/Zé da Zilda) turned into classics by him that were re-recorded by his disciple João Gilberto. His everlasting influence, though, is present and clearly audible in Brazilian music -- one could say that it is immortal.
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Orlando Silva Lyrics
A Jardineira O jardineira por que estas tão triste Mas o que foi…
Aliança Partida Nossa casinha que foi bem construída Em um jardim todo em…
Amigo Leal Escute meu grande amigo Preste atenção no que digo Vim despe…
Aos Pés da Cruz Aos pés da santa cruz Você se ajoelhou E em nome de…
Apoteose Do Amor Deus, só Deus Sabe que os olhos teus São para mim Dois farói…
Atire A Primeira Pedra Covarde sei que me podem chamar Porque não calo no peito…
Carinhoso Meu coração Não sei porque Bate feliz Quando te vê E os …
Céu Moreno Vem ó musa, vem cantar... As glórias do Senhor Elestra o est…
Chora Cavaquinho Chora cavaquinho, chora Chora violão também Que o nosso amor…
Errei, Erramos - 1997 - Remaster; Eu na verdade Indiretamente sou culpado Da tua infelicidade …
Fuga Para mim só existe um caminho a seguir É fugir de…
Gloria Quando a briza espalha A essência de uma flor, Bela imagem s…
Juramento Falso Um juramento falso faz a gente sofrer Um sorriso fingindo do…
Labios Que Beijei Lábios que beijei Mãos que afaguei Numa noite de luar, assim…
Lágrimãs Ai, deixa-me chorar para suavizar O que eu não sei dizer,…
Lero-Lero No Tirol, só se canta assim: Lero-Lero, lero-lero, lero-lero…
Mágoas De Caboclo Cabocla teu olhar está me dizendo Que você está me querendo …
Malandrinha A lua vem surgindo cor de prata No alto da montanha…
Meu Romance Embaixo daquela jaqueira que fica la do alto majestosa de …
Número Um Passaste hoje a meu lado Vaidosa de braço dado Com outro que…
Preconceito Eu nasci num clima quente Você diz a toda gente Que eu…
Quando a saudade apertar Quando a saudade apertar E o remorso em teu peito cruel Se…
Rosa Tu és, divina e graciosa, estátua majestosa do amor Por Deus…
Saudade Tudo acontece na vida Tudo acontece a todos nós Sempre uma…
Sertaneja Sertaneja se eu pudesse se papai do céu me desse O espaço…
Sorrisos Sorrisos são poemas de contentamento Mas que também traduzem…
Súplica Aço frio de um punhal Foi o teu adeus para mim Não…