Otis Redding & Carla Thomas
Otis Ray Redding, Jr. (September 9, 1941 – December 10, 1967 in Dawson, Georgia) was an American soul singer. He is renowned for an ability to convey strong emotion through his voice. According to the website of the Rock and Roll Hall of Fame (where he was inducted in 1989), Redding's name is "synonymous with the term soul, music that arose out of the black experience in America through the transmutation of gospel and rhythm and blues into a form of funky, secular testifying. Read Full BioOtis Ray Redding, Jr. (September 9, 1941 – December 10, 1967 in Dawson, Georgia) was an American soul singer. He is renowned for an ability to convey strong emotion through his voice. According to the website of the Rock and Roll Hall of Fame (where he was inducted in 1989), Redding's name is "synonymous with the term soul, music that arose out of the black experience in America through the transmutation of gospel and rhythm and blues into a form of funky, secular testifying.
He died on December 10, 1967 in a plane crash.
Carla Thomas (born December 21, 1942, in Memphis, Tennessee) is often referred to as the Queen of Memphis Soul . Her parents, the late Rufus and Lorene Thomas, brought three musically gifted children into this world: Carla, Marvell and Vaneese. Despite growing up in the projects, the Thomas family lived in close proximity to the locally celebrated Palace Theater on world-famous Beale Street, as Rufus was the theater’s emcee for their amateur shows.[1] This access not only gave Thomas her first taste of the music world but it also provided a springboard for her transformation into the Queen of the Memphis Sound.
He died on December 10, 1967 in a plane crash.
Carla Thomas (born December 21, 1942, in Memphis, Tennessee) is often referred to as the Queen of Memphis Soul . Her parents, the late Rufus and Lorene Thomas, brought three musically gifted children into this world: Carla, Marvell and Vaneese. Despite growing up in the projects, the Thomas family lived in close proximity to the locally celebrated Palace Theater on world-famous Beale Street, as Rufus was the theater’s emcee for their amateur shows.[1] This access not only gave Thomas her first taste of the music world but it also provided a springboard for her transformation into the Queen of the Memphis Sound.
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Tramp
Otis Redding & Carla Thomas Lyrics
(Tramp!)
What you call me? (tramp!)
No you didn't! (you don't wear continental clothes, or Stetson hats)
Well, I tell you one doggone thing
It makes me feel good to know one thing, I know I am a lover
(Matter of opinion) that's all right, mama was, papa too
And I'm the only child, lovin' is all I know to do
(You know what, Otis?) what? (you're country)
That's all right (you straight from the Georgia woods) that's good!
(You know what, you wear overalls)
(And big old brogan shoes)
And you need a haircut, tramp (haircut, woman, you foolin', ooh, I'm a lover)
Mama was, grandmama, papa too, boogaloo, all that stuff
And I'm the only son-of-a-gun this side of the Sun
Tramp! (yeah, that's what you are)
(You know what, Otis? I don't care what you say, you're still a tramp) what?
(That's right, you haven't even got a fat bankroll in your pocket)
(You probably haven't even got twenty-five cents)
I got six Cadillacs, five Lincolns, four Fords
Six Mercuries, three T-Birds, Mustangs, ooh, I'm a lover
My mama was, my papa too
I'm gonna tell you one thing (well, tell me)
I'm the only son-of-a-gun this side of the sun.
(You're a tramp, Otis) (no I'm not)
(I don't care what you say, you're still a tramp) what's wrong with that?
(Lookee here, ou ain't got no money) I got everything
(You can't buy me all those minks and sables and all that stuff I want)
I can buy you minks, rats, frogs, squirrels, rabbits, anything you want, woman
(Look, you can go out in the Georgia woods and catch them, baby)
Oh, you goofy, now (no, you're still a tramp) that's all right
(Tramp, Otis, you just a tramp) that's all right, that's all right
You wear overalls, you need a haircut, baby
Cut off some of that hair off your head
You think you a lover, huh?
Lyrics © BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: JIMMY MCCRACKLIN, LOWELL FULSOM
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
That AMC Guy
@Gerald Abraham Stax was not the most well-equipped studio even into the 1970's. If memory serves me, they shelled out the big money for an AMPEX 8-track tape machine in 1965 or '66.... but they used that machine well into the 70's. I don't think they had the money to go 16-track until sometime in 1971. The Shaft Soundtrack by Isaac Hayes was probably one of their first - if not THE first 16-track session at Stax.
For comparison, the big boy studios controlled by the likes of RCA or Columba were 16-track by the fall of 1968. Even some of the independent studios like the Record Plant in New York or American Sound in LA were 16-track no later than 1970.
Recording vocals is no easy task. You also had to consider distortion. Are you familiar with the Beatles song "Revolution"? EMI engineers originally told the boys they could not cut that record. The needle would jump out of the groove!
Otis' voice would cause lots of distortion if his voice weren't toned-down a bit when he gets loud.
So many things to consider in this case.... his vocal mike.... how many takes they tried to do, what the booth sounded like..... the recording process in the 60's was pretty difficult.
swtv1754
I just heard this on Satellite radio in my car. Never knew that this was actually a song that was sampled for Salt N Pepper's version of Tramp. How did it take my decades to hear this song? I love it!
greeneggsandzam
Ditto I've been listening to SnP's Tramp since it came out and never new it was based on this. A little disappointed now!
Julie Fearn
His voice expresses emotions without words its genius
Patrick Braz
This drummer's ghost notes is just INSANE!
David Val
Never heard this before. This is one of the best records I ever heard. It was three minutes and could have gone on for twenty minutes. It was that good. The groove the sound and chemistry between the two singers and the entire production was amazing.
charlessavarese
No "canned" music, over-dubs, or studio affects. Straight-up live musicians, bass, guitar, drums, keyboard, vocals, and horns.
Dennis Warren
Recorded in Memphis
Jack
Funky beats, groove, soul, and much more...
Jack
The whole package in just 3:01 min.
canonet17
@Carl O. Sr it's the memphis horns