Palantir
** Please note: the album "Secrets of the Arcane" presented on this page is… Read Full Bio ↴** Please note: the album "Secrets of the Arcane" presented on this page is NOT by Palantir (= Christian Schimmöller). It's by an US based prog-rock artist who decided to use the same name. **
"Palantír" is the name of a project by the composer and artist Christian Schimmöller from Munich, who publishes albums since 1991 using this name. The name is taken from the well known book by the english author J.R.R. Tolkien. In Tolkien's fantasy world "Palantír" is translated as "what glances at the very distant" and is the name for an ancient crystal ball that can be used to look at distant lands and things and for telepathical communication with other persons far away.
"Palantir" has published several albums on the "Spheric Music" label. The artist webpage can be found at http://www.circleofsounds.de
The musical "roots" of Palantír, among others, can be found in the music of the so-called "Berliner Schule"(Berlin School), a style invented in the 70s by artists like Tangerine Dream, Klaus Schulze or Ashra. The intention of this music was to break free from the clutching rules and old structures of music styles. The long tracks of this music used repeated sequences (patterns, that were slightly varied, similar to the methods of "Minimal Music") to create an effect of trance and meditation. Mostly instrumental, these tracks also discovered new worlds in sound by the use (and development!) of electronic sound-generators such as synthesizers, sequencers and digital samplers.
From these "roots" in Electronic Music Christian Schimmöller developed his own musical style, without sticking to the "rules" of dedicated genres. Therefore the music of Palantír cannot easily be put into one of the common genre-drawers such as New-Age, Ambient, Pop, Jazz, Avantgarde, Classical or Electronic. For Christian Schimmöller the search for new forms of musical expression and sounds is a vital part in creating new music. To achieve this, every tool is welcome to Palantír, be it electronic or acoustic, natural or artificial, analogue or digital. Next to the elements rhythm, melodie or harmony, the sound is equally part of the composition. On the search for new musical sounds and structures one thing is especially important for Palantír's music: the music should be accessible to the listener, touching his emotions. In many parts of Avantgarde or New Instrumental Music the main purpose of music moves too far into the background. Music is made for listening to, it must have a meaning. The listener must be able to emotionally experience the music, otherwise the music becomes insignificant, meaningless, becomes mere noise.
"Palantír" is the name of a project by the composer and artist Christian Schimmöller from Munich, who publishes albums since 1991 using this name. The name is taken from the well known book by the english author J.R.R. Tolkien. In Tolkien's fantasy world "Palantír" is translated as "what glances at the very distant" and is the name for an ancient crystal ball that can be used to look at distant lands and things and for telepathical communication with other persons far away.
"Palantir" has published several albums on the "Spheric Music" label. The artist webpage can be found at http://www.circleofsounds.de
The musical "roots" of Palantír, among others, can be found in the music of the so-called "Berliner Schule"(Berlin School), a style invented in the 70s by artists like Tangerine Dream, Klaus Schulze or Ashra. The intention of this music was to break free from the clutching rules and old structures of music styles. The long tracks of this music used repeated sequences (patterns, that were slightly varied, similar to the methods of "Minimal Music") to create an effect of trance and meditation. Mostly instrumental, these tracks also discovered new worlds in sound by the use (and development!) of electronic sound-generators such as synthesizers, sequencers and digital samplers.
From these "roots" in Electronic Music Christian Schimmöller developed his own musical style, without sticking to the "rules" of dedicated genres. Therefore the music of Palantír cannot easily be put into one of the common genre-drawers such as New-Age, Ambient, Pop, Jazz, Avantgarde, Classical or Electronic. For Christian Schimmöller the search for new forms of musical expression and sounds is a vital part in creating new music. To achieve this, every tool is welcome to Palantír, be it electronic or acoustic, natural or artificial, analogue or digital. Next to the elements rhythm, melodie or harmony, the sound is equally part of the composition. On the search for new musical sounds and structures one thing is especially important for Palantír's music: the music should be accessible to the listener, touching his emotions. In many parts of Avantgarde or New Instrumental Music the main purpose of music moves too far into the background. Music is made for listening to, it must have a meaning. The listener must be able to emotionally experience the music, otherwise the music becomes insignificant, meaningless, becomes mere noise.
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Palantir Lyrics
Escaping Reality Here we are Trapped within these concrete walls Bound by the…
Revival I'm lying down in my bed And the pain is coming…
To Valhalla Here I stand, alone again Upon the battlefield With sword in…
War of the Worlds A shadow appears up in the sky And a beam of…
Warriors of the Sun A village plagued with anguish Who would make the demons per…