Ramin Djawadi
Ramin Djawadi (born 19 July 1974) is a German film score composer, conducto… Read Full Bio ↴Ramin Djawadi (born 19 July 1974) is a German film score composer, conductor, and record producer. He is known for his scores for the HBO series Game of Thrones, for which he was nominated for Grammy Awards in 2018 and 2020. He is also the composer for the HBO Game of Thrones prequel series, House of the Dragon (2022–present). He has scored films such as Clash of the Titans, Pacific Rim, Warcraft, A Wrinkle in Time, Iron Man and Eternals, television series including Prison Break, Person of Interest, Jack Ryan, and Westworld, and video games such as Medal of Honor, Gears of War 4, and Gears 5. He won two consecutive Emmy Awards for Game of Thrones, in 2018 for the episode "The Dragon and the Wolf" and in 2019 for "The Long Night".
Djawadi was born in Duisburg to an Iranian father and a German mother. He went to Krupp Gymnasium in Duisburg, West Germany and studied at Berklee College of Music. After graduating from Berklee College of Music in 1998, Djawadi garnered the attention of Hans Zimmer, who recruited him to Remote Control Productions. Djawadi moved to Los Angeles and worked as an assistant to Klaus Badelt. From there on he made additional music and arrangements for Badelt and Zimmer movies, such as Pirates of the Caribbean: The Curse of the Black Pearl, The Time Machine, and the Academy Award-nominated film Something's Gotta Give.
Djawadi is married to Jennifer Hawks, a music executive in the film industry. They are parents of twins. According to Djawadi, he experiences the perceptual phenomenon known as synesthesia whereby he may "associate colours with music, or music with colours", and it allows him to visualize music.
Djawadi was born in Duisburg to an Iranian father and a German mother. He went to Krupp Gymnasium in Duisburg, West Germany and studied at Berklee College of Music. After graduating from Berklee College of Music in 1998, Djawadi garnered the attention of Hans Zimmer, who recruited him to Remote Control Productions. Djawadi moved to Los Angeles and worked as an assistant to Klaus Badelt. From there on he made additional music and arrangements for Badelt and Zimmer movies, such as Pirates of the Caribbean: The Curse of the Black Pearl, The Time Machine, and the Academy Award-nominated film Something's Gotta Give.
Djawadi is married to Jennifer Hawks, a music executive in the film industry. They are parents of twins. According to Djawadi, he experiences the perceptual phenomenon known as synesthesia whereby he may "associate colours with music, or music with colours", and it allows him to visualize music.
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Ramin Djawadi Lyrics
A Lannister Always Pays His Debts And who are you, the proud lord said, that I must…
Canceling the Apocalypse Well done Ramin, well done Why you keep reading this? Enjoy …
Nameless Order Dàfēng qǐ xī yún fēiyáng Wēi jiā hǎinèi xī guī gùxiāng ān…
Prologue Satte Haisdrum Sette Hechi Dekke Savvo Nusa Uchi Y a Sette…
The Rains of Castamere "And who are you?" The proud Lord said "That I must…
Muhammad Lawal Badamasi
on Nameless Order
I always wondered why this film never got the positive reviews it deserves, in spite of the ludicrous whitewash clause placed on it by the reviewers. If Apocalypse Now could garner such commendation for a soldier's sojourn to the south east Asian country, why would this be a whitewash? The scenes, props, costumes and sets were astonishing as they were colourful, and the portrayal of the indigenous people's courage and bravery in the face of daunting odds, which by the way, earned the visitors' respect, makes the film a blockbuster.
Somehow, it reveals the inherent risks and dangers of acquisition of 'black powder' as a weapon, somewhat like the way we stockpile lethal weapons of mass destruction in the hope of achieving greatness.
My only hope is the film was not given a bad review as against the shape of water, for political reasons.
Muhammad Lawal Badamasi
on Nameless Order
I always wondered why this film never got the positive reviews it deserves, in spite of the ludicrous whitewash clause placed on it by the reviewers. If Apocalypse Now could garner such commendation for a soldier's sojourn to the south east Asian country, why would this be a whitewash? The scenes, props, costumes and sets were astonishing as they were colourful, and the portrayal of the indigenous people's courage and bravery in the face of daunting odds, which by the way, earned the visitors' respect, makes the film a blockbuster.
Somehow, it reveals the inherent risks and dangers of acquisition of 'black powder' as a weapon, somewhat like the way we stockpile lethal weapons of mass destruction in the hope of achieving greatness.
My only hope is the film was not given a bad review as against the shape of water, for political reasons.