Robert Schumann
Born in 1810 in Zwickau, Robert Schumann was a German romantic Composer of the 19th century. His main focus was the piano, an instrument for which he composed numerous masterworks. Starting piano lessons around the age of ten, Schumann never acquired the level of skill comparable to his contemporaries such as Frédéric Chopin and Franz Liszt or his wife, Clara Schumann, due to an injured right hand, thought to be the result of either a syphilis treatment, or a surgery to increase the strength and reach of his fingers. Read Full BioBorn in 1810 in Zwickau, Robert Schumann was a German romantic Composer of the 19th century. His main focus was the piano, an instrument for which he composed numerous masterworks. Starting piano lessons around the age of ten, Schumann never acquired the level of skill comparable to his contemporaries such as Frédéric Chopin and Franz Liszt or his wife, Clara Schumann, due to an injured right hand, thought to be the result of either a syphilis treatment, or a surgery to increase the strength and reach of his fingers. Music was also a passion that he started later in his life than most great composers. He first focused on publishing and then law, before pursuing his love of music, "Poetry vs. Prose", as he put it. Around 1840 Schumann began to venture beyond the piano and write more diversely instrumented works. He composed 4 symphonies, several concerti, hundreds of songs, as well as notable chamber music, including 3 string quartets and a piano Quintet. He died in 1856 in a mental institution 2 years after attempting suicide by leaping into the Rhine. It is still debated whether his mental breakdown was caused by syphilis or a bipolar disease. There is strong evidence on both sides of the argument.
Throughout his life Schumann was a notable music critic and writer, publishing many works. He was noted for attempting to revive the music of the 18th century, that of Johann Sebastian Bach, Joseph Haydn and Ludwig van Beethoven which had taken a back seat to the Romantic "liberation" of which he himself was a large proponent. His wife Clara Schumann was talented composer and pianist as well, composing a body of works. She was in fact such a great pianist (superior to Robert) that she sometimes inspired great jealousy and anger in her husband, especially when she played his compositions. Despite his mental breakdown and jealous temper, Robert Schumann’s legacy is that of one of the champion of Romantic and programmatic music. With the effort of his wife Clara and his friend Johannes Brahms, much of his work was published and promoted throughout Europe preserving him in history as one of the greats.
Throughout his life Schumann was a notable music critic and writer, publishing many works. He was noted for attempting to revive the music of the 18th century, that of Johann Sebastian Bach, Joseph Haydn and Ludwig van Beethoven which had taken a back seat to the Romantic "liberation" of which he himself was a large proponent. His wife Clara Schumann was talented composer and pianist as well, composing a body of works. She was in fact such a great pianist (superior to Robert) that she sometimes inspired great jealousy and anger in her husband, especially when she played his compositions. Despite his mental breakdown and jealous temper, Robert Schumann’s legacy is that of one of the champion of Romantic and programmatic music. With the effort of his wife Clara and his friend Johannes Brahms, much of his work was published and promoted throughout Europe preserving him in history as one of the greats.
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Traumerei
Robert Schumann Lyrics
We have lyrics for 'Traumerei' by these artists:
Claude Thornhill For the life of me I never thought that it could…
Claude Thornhill & His Orchestra For the life of me I never thought that it could…
Gene Bertoncini Maybe I should have saved those left over dreams Funny, but…
Lisa 奪って スローモーション倒れ込んだ夜 ギユッとした僕の胸から磨り減ったリズム 残像と彷徨いながら手に入れた眼は 透明な…
Lynn Harrell For the life of me I never thought that it could…
We have lyrics for these tracks by Robert Schumann:
Dreaming For the life of me I never thought that it could…
The lyrics can frequently be found in the comments below or by filtering for lyric videos.
Lilo Ukulele
@berlay Grade 3 piano generally corresponds with your fifth year of piano as a kid (oftentimes the start of the third year of piano as an adult, depending on how hard you work).
Preparatory, Grade 1 and grade 2 piano are all about the beginner stages. You learn how to read notes and rhythms with increasing complexity. Once you finish this level, you should be comfortable with most notes on the staff, interval identification should be quick, and you should be reasonably skilled with the most common rhythms.
In grade 1 and 2, you start developing hand independence and style – like the ability to pull off louds and softs in an emotive way, or play staccatos and accents.
So once that’s out of the way, we hit grade 3, which is the first intermediate level. Grade 3 is considered “early intermediate”, and everything between levels 3-6 is considered intermediate. Once you hit Grade 7, that’s when things start getting advanced.
Basically, by Grade 3, you should be comfortable with all the basics. So in Grade 3 piano, instead of drilling rhythms and note reading, we get to start spending more time on theory, history, and interpretation.
LYDIA
This piece played a huge role in "Do you like Brahms?". Schumann's Träumerei is really a masterpiece.
Scriabinist
AMONGUS!
Soundarya Gopalamurthy
Same
KRITAGYA
Same here
Parhana Nuraliyah
@maya same
lol
@maya same 👋
Kirion J.A.W
I came here because of Schumann, Horowitz, and my dedication to understand how to interprete this great piece.
Farhan Fahrezi
@Lilo Ukulele what's the highest level? Could u also please explain each level in 3-6?
Manne
Me too..
Lilo Ukulele
@berlay Grade 3 piano generally corresponds with your fifth year of piano as a kid (oftentimes the start of the third year of piano as an adult, depending on how hard you work).
Preparatory, Grade 1 and grade 2 piano are all about the beginner stages. You learn how to read notes and rhythms with increasing complexity. Once you finish this level, you should be comfortable with most notes on the staff, interval identification should be quick, and you should be reasonably skilled with the most common rhythms.
In grade 1 and 2, you start developing hand independence and style – like the ability to pull off louds and softs in an emotive way, or play staccatos and accents.
So once that’s out of the way, we hit grade 3, which is the first intermediate level. Grade 3 is considered “early intermediate”, and everything between levels 3-6 is considered intermediate. Once you hit Grade 7, that’s when things start getting advanced.
Basically, by Grade 3, you should be comfortable with all the basics. So in Grade 3 piano, instead of drilling rhythms and note reading, we get to start spending more time on theory, history, and interpretation.