Robert Valentine
Born into a family of musicians in Leicester between 1671 and 1674, he set … Read Full Bio ↴Born into a family of musicians in Leicester between 1671 and 1674, he set up house in Rome sometime before 1701, and lived there until his death in 1747. Valentine was known in Italy by the name of Roberto Valentini, or Valentino, often with the addition of Inglese to distinguish him from the Florentine violinist and composer Giuseppe Valentini, also active in Rome during these years, and at one time a colleague in the service of the Marquis Ruspoli. His identity laboured under this homonymy, and he found it difficult to integrate himself with the competitive musical milieu in Rome at the time. Alongside his instrumental performing, Valentine taught the recorder, and possibly also the transverse flute, but he dedicated himself chiefly to instrumental composition, leaving behind a large body of work. For the recorder alone he wrote no less than sixty sonatas with basso continuo, as well as numerous sonatas for two recorders without bass, for two recorders with bass, as well as a concerto for recorder, two violins and basso continuo.
Corelli clearly served as the model for the first collections, and he may have been the reason Valentine made the voyage from England: if he entertained a desire to study with the master, we don't know whether it was ever fulfilled or not. Over time, Valentine displayed more of his eclectic side, following the dominant musical trends, and approaching the galant style by adopting the more theatrical, pathetic gestures of the Neapolitan composers. Valentine's success in amateur circles is due principally to his capacity for combining writing that, while melodic, pleasing and brilliant, remains comfortably playable, even at speed, with slow movements that manage to sustain the interest of both player and listener through an abundance of pleasant and evocative melodies.
Corelli clearly served as the model for the first collections, and he may have been the reason Valentine made the voyage from England: if he entertained a desire to study with the master, we don't know whether it was ever fulfilled or not. Over time, Valentine displayed more of his eclectic side, following the dominant musical trends, and approaching the galant style by adopting the more theatrical, pathetic gestures of the Neapolitan composers. Valentine's success in amateur circles is due principally to his capacity for combining writing that, while melodic, pleasing and brilliant, remains comfortably playable, even at speed, with slow movements that manage to sustain the interest of both player and listener through an abundance of pleasant and evocative melodies.
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05Recorder Sonata in E Minor (Arr. J. Hotteterre for 2 Viola da gambas): I. AdagioRobert ValentineRobert Valentine
07Recorder Sonata in E Minor (Arr. J. Hotteterre for 2 Viola da gambas): IV. Giga. AllegroRobert ValentineRobert Valentine
08Recorder Sonata in E Minor (Arr. J. Hotteterre for 2 Viola da gambas): II. AllegroRobert ValentineRobert Valentine
10Recorder Sonata in E Minor (Arr. J. Hotteterre for 2 Viola da gambas): III. AdagioRobert ValentineRobert Valentine
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