Sarah Schachner
Sarah Schachner is an American musician who has composed scores for film, television and video games. Schachner not only composes and arranges scores, but she also performs in them.
Schachner grew up in the suburbs of Philadelphia. When she was five, she first started playing piano and then started playing the violin. She kept learning other instruments, such as viola and cello, and played with both family and in the orchestra and jazz band.
Schachner went to the Berklee College of Music and then moved to Los Angeles. Read Full BioSarah Schachner is an American musician who has composed scores for film, television and video games. Schachner not only composes and arranges scores, but she also performs in them.
Schachner grew up in the suburbs of Philadelphia. When she was five, she first started playing piano and then started playing the violin. She kept learning other instruments, such as viola and cello, and played with both family and in the orchestra and jazz band.
Schachner went to the Berklee College of Music and then moved to Los Angeles. She began to work with composer, Brian Tyler, who worked in film and then started writing video game music. Tyler first brought Schachner in to work on Call of Duty: Modern Warfare 3. Schachner said, "I started doing music on the games for him and I realized how much I loved working on games." Schachner began to incorporate synthesizers with her work on string instruments.
In 2016, Ted Cruz's presidential campaign used one of Schachner's songs, Lens, without permission.[5][6] As the composer, she and the performer, along with a licensing firm, sued the Cruz campaign in May of 2016 for copyright infringement.
Schachner also contributed to the Cassini Finale Music Project, a commemoration of the Cassini mission to Saturn.
Combining her dynamic talents as an accomplished multi-instrumentalist and modular synth artist/programmer, International Film Music Critics Award nominated composer Sarah Schachner has developed a reputation as a bold new force in film and video game scoring for blockbuster titles such as Call Of Duty and Assassin's Creed. Hailed as "A rising star in the soundtrack world" (Game Informer), Schachner's widely acclaimed Baroque classical-action score infused with analog pulses for Assassin's Creed Unity was nominated for Best Original Video Game Score by the International Film Music Critics Association and her evocative theme "Rather Death Than Slavery" featured in HBO's Game of Thrones Season 5 trailer. Schachner also previously collaborated with Ubisoft providing additional music on Far Cry 3 and Assassin's Creed IV: Black Flag, nominated for a 2014 BAFTA Award for Best Original Music.
In addition to her video game work, Schachner has written music for films, trailers, commercials, and TV shows. She has a long-standing relationship with composer Brian Tyler, with whom she wrote additional music and arranging on films such as Iron Man 3, The Expendables 2, Now You See Me, and the indie thriller John Dies At The End, as well as a host of video games including Assassin's Creed IV: Black Flag, Call of Duty: Modern Warfare 3, Far Cry 3, Need For Speed: The Run, and Army of Two: The Devil's Cartel. Schachner made her solo debut into film composition with 2015's The Lazarus Effect, starring Olivia Wilde, Mark Duplass, and Donald Glover.
Schachner grew up in the suburbs of Philadelphia. When she was five, she first started playing piano and then started playing the violin. She kept learning other instruments, such as viola and cello, and played with both family and in the orchestra and jazz band.
Schachner went to the Berklee College of Music and then moved to Los Angeles. Read Full BioSarah Schachner is an American musician who has composed scores for film, television and video games. Schachner not only composes and arranges scores, but she also performs in them.
Schachner grew up in the suburbs of Philadelphia. When she was five, she first started playing piano and then started playing the violin. She kept learning other instruments, such as viola and cello, and played with both family and in the orchestra and jazz band.
Schachner went to the Berklee College of Music and then moved to Los Angeles. She began to work with composer, Brian Tyler, who worked in film and then started writing video game music. Tyler first brought Schachner in to work on Call of Duty: Modern Warfare 3. Schachner said, "I started doing music on the games for him and I realized how much I loved working on games." Schachner began to incorporate synthesizers with her work on string instruments.
In 2016, Ted Cruz's presidential campaign used one of Schachner's songs, Lens, without permission.[5][6] As the composer, she and the performer, along with a licensing firm, sued the Cruz campaign in May of 2016 for copyright infringement.
Schachner also contributed to the Cassini Finale Music Project, a commemoration of the Cassini mission to Saturn.
Combining her dynamic talents as an accomplished multi-instrumentalist and modular synth artist/programmer, International Film Music Critics Award nominated composer Sarah Schachner has developed a reputation as a bold new force in film and video game scoring for blockbuster titles such as Call Of Duty and Assassin's Creed. Hailed as "A rising star in the soundtrack world" (Game Informer), Schachner's widely acclaimed Baroque classical-action score infused with analog pulses for Assassin's Creed Unity was nominated for Best Original Video Game Score by the International Film Music Critics Association and her evocative theme "Rather Death Than Slavery" featured in HBO's Game of Thrones Season 5 trailer. Schachner also previously collaborated with Ubisoft providing additional music on Far Cry 3 and Assassin's Creed IV: Black Flag, nominated for a 2014 BAFTA Award for Best Original Music.
In addition to her video game work, Schachner has written music for films, trailers, commercials, and TV shows. She has a long-standing relationship with composer Brian Tyler, with whom she wrote additional music and arranging on films such as Iron Man 3, The Expendables 2, Now You See Me, and the indie thriller John Dies At The End, as well as a host of video games including Assassin's Creed IV: Black Flag, Call of Duty: Modern Warfare 3, Far Cry 3, Need For Speed: The Run, and Army of Two: The Devil's Cartel. Schachner made her solo debut into film composition with 2015's The Lazarus Effect, starring Olivia Wilde, Mark Duplass, and Donald Glover.
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Assassin’s Creed Origins Main Theme
Sarah Schachner Lyrics
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The lyrics can frequently be found in the comments below, by filtering for lyric videos or browsing the comments in the different videos below.
The Gaming Spartan
Assassin's Creed: Origins has been my favorite Assassin's Creed since the Desmond series ended. And this music, even before I got into the game for my very first time, blew me so far off my seat and captivated me for endless hours on end. If I could experience Assassin's Creed: Origins for the very first time again, I would. I loved it so much. I felt so much attachment to the characters.
I hated how Odyssey had you choose between two bland characters with equally bland origins in a baron world with hardly any historical ties to Assassin's Creed since it came before Origins.
I love when a game gives you a protagonist and supporting characters to actually care about. I felt Bayek's urge for revenge for the death of his son. I felt Aya growing distant from Bayek. I went through his pain, his suffering, his sorrow. I felt good when I killed someone as Bayek knowing I was avenging the death of his son. I went through HIS story. That's what I want. I want THEIR stories in Assassin's Creed. Not mine. I hate Odyssey and will continue to hate Odyssey probably forever. Maybe even for that reason alone. It's so boring and lifeless, not to mention the voice acting hurts so bad it rips me out of what little immersion I had.
I wish it was a new trilogy about Bayek or the Assassins to come immediately after Bayek. As, I think Bayek, was always intended to be forgotten. For his journey ended. Buried beneath the sands of time. To watch the Assassins come to be based off Bayek's life was so...fulfilling. It truly felt full circle. The leap of faith Bayek's father taught to him, and then almost Bayek to his son became a staple in Assassin history as how they leap off tall structures and monuments. Bayek losing his ring finger on accident due to mishandling of the hidden blade, becoming a staple in Assassin history as a signet of bondage to the Creed but to also allow the blade to more easily pass through the fingers of an Assassin. And the little bird skull outline in the sand when dropped. The icon of the Assassins. It. Was. Perfect.
And then Odyssey came in and killed all hope and wonder, and as far as I'm concerned it's non-canonical garbage.
EnceladusXD
This made me not want to press start
Nah 465
Same here
Quinten White
lol
Jemange Dupain
hahahah saaame
#Neo gamer Omega#
U should hear odyssey's main menu song, u start the game with full bars of adrenaline for yourself!
Jay B
@Dante Ch you played on 30fps? OUCH!
Lord Skara
Origins > Odyssey
Annalisa Dance
@Rogue FBI Agent Mendez
It's not just that. It's a genuinely poorly designed RPG and a bad AC game. I hope Valhalla improves on it.
Annalisa Dance
@mrArchduke
U knowing Greece personally doesn't make odyssey equal. I think origins is better but I've been to the Minotaur's labyrinth irl, and never to Egypt
T-Yay*Way
alias youre nothing to judge him lol , and youre not ubisoft to say this