Screamin' Jay Hawkins
Screamin' Jay Hawkins (Jalacy Hawkins, July 18, 1929 – February 12, 2000) was an American musician, singer, and actor, famed for his powerful, operatic vocal delivery and wildly theatrical performances of songs such as "I Put a Spell on You" and "Frenzy".
Born and raised in Cleveland, Ohio, Hawkins studied classical piano as a child and learned guitar in his twenties. His initial goal was to become an opera singer (Hawkins has cited Paul Robeson as his musical idol in interviews) Read Full BioScreamin' Jay Hawkins (Jalacy Hawkins, July 18, 1929 – February 12, 2000) was an American musician, singer, and actor, famed for his powerful, operatic vocal delivery and wildly theatrical performances of songs such as "I Put a Spell on You" and "Frenzy".
Born and raised in Cleveland, Ohio, Hawkins studied classical piano as a child and learned guitar in his twenties. His initial goal was to become an opera singer (Hawkins has cited Paul Robeson as his musical idol in interviews), but when his initial ambitions failed he began his career as a conventional blues singer and pianist.
Hawkins was an avid and formidable boxer. In 1949, he was the middleweight boxing champion of Alaska.
In 1951, Hawkins joined guitarist Tiny Grimes's band, and was subsequently featured on some of Grimes's recordings. When Hawkins became a solo performer, he often performed in a stylish wardrobe of leopard skins, red leather and wild hats.
His most successful recording, "I Put a Spell on You" (1956), was selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. According to the AllMusic Guide to the Blues, "Hawkins originally envisioned the tune as a refined ballad." The entire band was intoxicated during a recording session where "Hawkins screamed, grunted, and gurgled his way through the tune with utter drunken abandon." The resulting performance was no ballad but instead a "raw, guttural track" that became his greatest commercial success and reportedly surpassed a million copies in sales, although it failed to make the Billboard pop or R&B charts.
The performance was mesmerizing, although Hawkins himself blacked out and was unable to remember the session. Afterward he had to relearn the song from the recorded version. Meanwhile the record label released a second version of the single, removing most of the grunts that had embellished the original performance; this was in response to complaints about the recording's overt sexuality. Nonetheless it was banned from radio in some areas.
Soon after the release of "I Put a Spell on You", radio disc jockey Alan Freed offered Hawkins $300 to emerge from a coffin onstage. Hawkins accepted and soon created an outlandish stage persona in which performances began with the coffin and included "gold and leopard skin costumes and notable voodoo stage props, such as his smoking skull on a stick – named Henry – and rubber snakes." These props were suggestive of voodoo, but also presented with comic overtones that invited comparison to "a black Vincent Price."
He continued to tour and record through the 1960s and 1970s, particularly in Europe, where he was very popular. He appeared in performance (as himself) in the Alan Freed bio-pic American Hot Wax in 1978. Subsequently, filmmaker Jim Jarmusch featured "I Put a Spell on You" on the soundtrack – and deep in the plot – of his film Stranger Than Paradise (1983) and then Hawkins himself as a hotel night clerk in his Mystery Train and in roles in Álex de la Iglesia's Perdita Durango and Bill Duke's adaptation of Chester Himes' A Rage in Harlem.
His 1957 single "Frenzy" (found on the early 1980s compilation of the same name) was included in the compilation CD, Songs in the Key of X: Music from and Inspired by the X-Files, in 1996. This song was featured in the show's Season 2 episode "Humbug". It was also covered by the band Batmobile. "I Put a Spell on You" was featured during the show and over the credits of Episode 303 of The Simpsons.
In 1983, Hawkins relocated to the New York area. In 1984 and 1985, Hawkins collaborated with garage rockers The Fuzztones, resulting in "Screamin' Jay Hawkins and The Fuzztones Live" album recorded at Irving Plaza in December 1984. They perform in the 1986 movie Joey.
In July 1991, Hawkins released his album Black Music for White People. The record features covers of two Tom Waits compositions: "Heart Attack and Vine" (which, later that year, was used in a European Levi's advertisement without Waits' permission, resulting in a lawsuit), and "Ice Cream Man" (which, contrary to popular belief, is a Waits original, and not a cover of the John Brim classic). Hawkins also covered the Waits song, "Whistlin' Past the Graveyard", for his album Somethin' Funny Goin' On. In 1993, his version of "Heart Attack and Vine" became his only UK hit, reaching #42 on the UK singles chart.
When Dread Zeppelin recorded their "disco" album, It's Not Unusual in 1992, producer Jah Paul Jo asked Hawkins to guest. He performed the songs "Jungle Boogie" and "Disco Inferno".
Hawkins also toured with The Clash and Nick Cave during this period, and not only became a fixture of blues festivals, but appeared at many film festivals as well, including the Telluride Film Festival premier of Mystery Train.
Hawkins died on February 12, 2000 after surgery to treat an aneurysm. He left behind many children by many women; an estimated 55 at the time of his death, and upon investigation, that number "soon became perhaps 75 offspring".
Although Hawkins was not a major success as a recording artist, his highly theatrical performances from "I Put a Spell On You" onward earned him a steady career as a live performer for decades afterward, and influenced subsequent acts. He opened for Fats Domino, Tiny Grimes and the Rolling Stones. This exposure in turn influenced rock groups such as The Cramps, Screaming Lord Sutch, Black Sabbath, Arthur Brown, Dread Zeppelin, The Horrors, Marilyn Manson, Tom Waits, Alice Cooper and Glenn Danzig.
Born and raised in Cleveland, Ohio, Hawkins studied classical piano as a child and learned guitar in his twenties. His initial goal was to become an opera singer (Hawkins has cited Paul Robeson as his musical idol in interviews) Read Full BioScreamin' Jay Hawkins (Jalacy Hawkins, July 18, 1929 – February 12, 2000) was an American musician, singer, and actor, famed for his powerful, operatic vocal delivery and wildly theatrical performances of songs such as "I Put a Spell on You" and "Frenzy".
Born and raised in Cleveland, Ohio, Hawkins studied classical piano as a child and learned guitar in his twenties. His initial goal was to become an opera singer (Hawkins has cited Paul Robeson as his musical idol in interviews), but when his initial ambitions failed he began his career as a conventional blues singer and pianist.
Hawkins was an avid and formidable boxer. In 1949, he was the middleweight boxing champion of Alaska.
In 1951, Hawkins joined guitarist Tiny Grimes's band, and was subsequently featured on some of Grimes's recordings. When Hawkins became a solo performer, he often performed in a stylish wardrobe of leopard skins, red leather and wild hats.
His most successful recording, "I Put a Spell on You" (1956), was selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. According to the AllMusic Guide to the Blues, "Hawkins originally envisioned the tune as a refined ballad." The entire band was intoxicated during a recording session where "Hawkins screamed, grunted, and gurgled his way through the tune with utter drunken abandon." The resulting performance was no ballad but instead a "raw, guttural track" that became his greatest commercial success and reportedly surpassed a million copies in sales, although it failed to make the Billboard pop or R&B charts.
The performance was mesmerizing, although Hawkins himself blacked out and was unable to remember the session. Afterward he had to relearn the song from the recorded version. Meanwhile the record label released a second version of the single, removing most of the grunts that had embellished the original performance; this was in response to complaints about the recording's overt sexuality. Nonetheless it was banned from radio in some areas.
Soon after the release of "I Put a Spell on You", radio disc jockey Alan Freed offered Hawkins $300 to emerge from a coffin onstage. Hawkins accepted and soon created an outlandish stage persona in which performances began with the coffin and included "gold and leopard skin costumes and notable voodoo stage props, such as his smoking skull on a stick – named Henry – and rubber snakes." These props were suggestive of voodoo, but also presented with comic overtones that invited comparison to "a black Vincent Price."
He continued to tour and record through the 1960s and 1970s, particularly in Europe, where he was very popular. He appeared in performance (as himself) in the Alan Freed bio-pic American Hot Wax in 1978. Subsequently, filmmaker Jim Jarmusch featured "I Put a Spell on You" on the soundtrack – and deep in the plot – of his film Stranger Than Paradise (1983) and then Hawkins himself as a hotel night clerk in his Mystery Train and in roles in Álex de la Iglesia's Perdita Durango and Bill Duke's adaptation of Chester Himes' A Rage in Harlem.
His 1957 single "Frenzy" (found on the early 1980s compilation of the same name) was included in the compilation CD, Songs in the Key of X: Music from and Inspired by the X-Files, in 1996. This song was featured in the show's Season 2 episode "Humbug". It was also covered by the band Batmobile. "I Put a Spell on You" was featured during the show and over the credits of Episode 303 of The Simpsons.
In 1983, Hawkins relocated to the New York area. In 1984 and 1985, Hawkins collaborated with garage rockers The Fuzztones, resulting in "Screamin' Jay Hawkins and The Fuzztones Live" album recorded at Irving Plaza in December 1984. They perform in the 1986 movie Joey.
In July 1991, Hawkins released his album Black Music for White People. The record features covers of two Tom Waits compositions: "Heart Attack and Vine" (which, later that year, was used in a European Levi's advertisement without Waits' permission, resulting in a lawsuit), and "Ice Cream Man" (which, contrary to popular belief, is a Waits original, and not a cover of the John Brim classic). Hawkins also covered the Waits song, "Whistlin' Past the Graveyard", for his album Somethin' Funny Goin' On. In 1993, his version of "Heart Attack and Vine" became his only UK hit, reaching #42 on the UK singles chart.
When Dread Zeppelin recorded their "disco" album, It's Not Unusual in 1992, producer Jah Paul Jo asked Hawkins to guest. He performed the songs "Jungle Boogie" and "Disco Inferno".
Hawkins also toured with The Clash and Nick Cave during this period, and not only became a fixture of blues festivals, but appeared at many film festivals as well, including the Telluride Film Festival premier of Mystery Train.
Hawkins died on February 12, 2000 after surgery to treat an aneurysm. He left behind many children by many women; an estimated 55 at the time of his death, and upon investigation, that number "soon became perhaps 75 offspring".
Although Hawkins was not a major success as a recording artist, his highly theatrical performances from "I Put a Spell On You" onward earned him a steady career as a live performer for decades afterward, and influenced subsequent acts. He opened for Fats Domino, Tiny Grimes and the Rolling Stones. This exposure in turn influenced rock groups such as The Cramps, Screaming Lord Sutch, Black Sabbath, Arthur Brown, Dread Zeppelin, The Horrors, Marilyn Manson, Tom Waits, Alice Cooper and Glenn Danzig.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
I Put a Spell on You
Screamin' Jay Hawkins Lyrics
I put a spell on you
Because you're mine
Stop the things you do
Watch out
I ain't lyin'
Yeah, I can't stand
No runnin' around
I can't stand
No put me down
I put a spell on you
Because you're mine, ohh yeah
Stop the things you do
Watch out
I ain't lyin'
Ohh, oh
I love you
I love you
I love you, anyhow
I don't care if you don't want me
I'm yours right now
I put a spell on you
Because you're mine
Ohh, oh, whoa, ooh, ah
Lyrics © DistroKid, Sony/ATV Music Publishing LLC
Written by: Jay Hawkins
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
PDMF
[Verse 1]
I put a spell on youBecause you're mine
Stop the things you dell)Watch outI ain't lyin', yeah
I can't stand
No runnin' around
I can't stand
I can't stand No put me down
[Chorus]
I put a spell on youBecause you're mine (oh yeah)
[Instrumental]
[Verse 2]
Stop the things you do
Watch out, Watch out
I ain't lyin'
I love youI love youI love you, yeah...
I don't care if you don't want meI'm yours right now[Chorus]I put a spell on youBecause you're mine
Dave Vd
Maybe because he was a bit of a weirdo ? Only reason I found SJH is because my stephfather told me a story about how he was.
My stephfather is one of the organisers of a festival in my country.
He told me how one of his volunteers picked up SJH from the airport. In a van with black tinted windows as Jay didn't want to see any daylight.
They drove the van inside the tent he burst out screaming PRAISE DA LAWDDD.
After his show Jay went back into the van...And that volunteer was so damn sick of him. He drove to a local naturepark and went on a 2 hour hike with the keys. Jay was stuck in the van hahahaha.
Absolutely brilliant.
Drippy Frank
Fun fact: This song was originally supposed to be a blues ballad but before recording, the producer brought in and I quote "chicken and beer and got everyone drunk" causing the absolute masterpiece that is this. And entire genre created by accident.
KandyTexasHippieVet
@John Peterman shock/thrill rock
John Peterman
Drippy, What is the genre created?
Joey Guerra
No not at all, the man was clearly possessed. Traveling eye did you catch that? The masonic eye = satanic agenda This had nothing to do with beer and chicken. Yeshua is the way, the truth and the life!
KandyTexasHippieVet
Yes this is a fact
W. S. Lewis Piano Music
This man invented a whole music genre and gets absolutely no credit.
Let's fix this shit.
paulo delorios
@A God Voodoo Rock!
pheonix 5
@Tre Angle Well, I've never heard any member of Bauhaus mention this guy in any interview or anything. And I certainly don't see it or hear it in either their music or their performances or their image. Bauhaus are more arty and elegant and this guy is really campy and kitchy.
sloan costella
@Tre Angle Well, the guy I replied to simply said "Goth". He didn't specify "Rock".
Tre Angle
@pheonix 5 Bauhaus has cited Jay as a major influence. Just stop it lol