Shirley & Lee
This New Orleans-based duo comprised Shirley Goodman (b. 19th June 1936, New Orleans, Louisiana, U.S.A. d. 5th July 2005, Cedar Sinai Hospital, Los Angeles, California, U.S.A.) and Leonard Lee (b. 29th June 1936, d. 23rd October 1976).
After singing in church choirs, Shirley recorded her first demo with a group of friends in 1950. Some months later, her solo voice caught the attention of Aladdin Records owner Eddie Messner, who tracked her down and paired her as a duo with a school friend, Leonard Lee. Read Full BioThis New Orleans-based duo comprised Shirley Goodman (b. 19th June 1936, New Orleans, Louisiana, U.S.A. d. 5th July 2005, Cedar Sinai Hospital, Los Angeles, California, U.S.A.) and Leonard Lee (b. 29th June 1936, d. 23rd October 1976).
After singing in church choirs, Shirley recorded her first demo with a group of friends in 1950. Some months later, her solo voice caught the attention of Aladdin Records owner Eddie Messner, who tracked her down and paired her as a duo with a school friend, Leonard Lee.
As "Shirley & Lee," they recorded their debut single "I’m Gone," produced by Cosimo Matassa, which reached #2 on the Billboard R&B charts in 1952. The record contrasted Goodman’s soprano with Leonard's baritone, in a way in which subsequent songwriters have suggested was influential on the development of ska and reggae.
In their early songs, they pretended as if they were sweethearts and were dubbed "the Sweethearts of the Blues." However, they changed style in 1956 and recorded "Let the Good Times Roll," which became their biggest hit reaching #1 on the R&B chart and #20 on the Billboard Hot 100 chart. Although the follow-up, "Feel So Good" also made the charts, the duo’s later releases were less successful, and Goodman and Leonard split up in 1962. Leonard made some subsequent solo records with little success.
In the mid 1960s, Shirley Goodman moved to California, where she worked as a session singer on records by Sonny and Cher, Dr. John and others, and also formed a duo for a time with Jessie Hill. She sang backing vocals on The Rolling Stones’ Exile On Main Street album, but then briefly retired from the music industry.
Later in 1974, as Shirley Goodman Pixley, she was contacted by her friend Sylvia Robinson, previously of the duo Mickey and Sylvia and now co-owner of the All Platinum record label, and was persuaded to record the lead vocal on a dance track, "Shame, Shame, Shame." Credited to Shirley & Company, the record became an international pop hit, reaching #12 on the Billboard chart and presaging the disco boom. After a few further recordings and tours, Goodman finally retired from the music industry after returning to New Orleans in the late 1970s.
After singing in church choirs, Shirley recorded her first demo with a group of friends in 1950. Some months later, her solo voice caught the attention of Aladdin Records owner Eddie Messner, who tracked her down and paired her as a duo with a school friend, Leonard Lee. Read Full BioThis New Orleans-based duo comprised Shirley Goodman (b. 19th June 1936, New Orleans, Louisiana, U.S.A. d. 5th July 2005, Cedar Sinai Hospital, Los Angeles, California, U.S.A.) and Leonard Lee (b. 29th June 1936, d. 23rd October 1976).
After singing in church choirs, Shirley recorded her first demo with a group of friends in 1950. Some months later, her solo voice caught the attention of Aladdin Records owner Eddie Messner, who tracked her down and paired her as a duo with a school friend, Leonard Lee.
As "Shirley & Lee," they recorded their debut single "I’m Gone," produced by Cosimo Matassa, which reached #2 on the Billboard R&B charts in 1952. The record contrasted Goodman’s soprano with Leonard's baritone, in a way in which subsequent songwriters have suggested was influential on the development of ska and reggae.
In their early songs, they pretended as if they were sweethearts and were dubbed "the Sweethearts of the Blues." However, they changed style in 1956 and recorded "Let the Good Times Roll," which became their biggest hit reaching #1 on the R&B chart and #20 on the Billboard Hot 100 chart. Although the follow-up, "Feel So Good" also made the charts, the duo’s later releases were less successful, and Goodman and Leonard split up in 1962. Leonard made some subsequent solo records with little success.
In the mid 1960s, Shirley Goodman moved to California, where she worked as a session singer on records by Sonny and Cher, Dr. John and others, and also formed a duo for a time with Jessie Hill. She sang backing vocals on The Rolling Stones’ Exile On Main Street album, but then briefly retired from the music industry.
Later in 1974, as Shirley Goodman Pixley, she was contacted by her friend Sylvia Robinson, previously of the duo Mickey and Sylvia and now co-owner of the All Platinum record label, and was persuaded to record the lead vocal on a dance track, "Shame, Shame, Shame." Credited to Shirley & Company, the record became an international pop hit, reaching #12 on the Billboard chart and presaging the disco boom. After a few further recordings and tours, Goodman finally retired from the music industry after returning to New Orleans in the late 1970s.
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Let the Good Times Roll
by Shirley & Lee
Come on baby, let the good times roll
Come on baby, let me thrill your soul
Come on baby, let the good times roll
Roll all night long
Come baby, yes, this is
This is something I just can't miss
Come on baby, let the good times roll
Roll all night long
Come on baby, while the thrill is on
Come on baby, let us have some fun
Come on baby, let the good times roll
Roll all night long
Come on baby, just close the door
Come on baby, let's rock some more
Come on baby, let the good times roll
Roll all night long
Feel so good
When you're home
Come on baby, rock me all night long
Come on baby, let the good times roll
Come on baby, let me thrill your soul
Come on baby, let the good times roll
Roll all night long
Feel so good
When you're home
Come on baby, rock me all night long
Come on baby let the good times roll
Come on baby, let me thrill your soul
Come on baby, let the good times roll
Roll all night long
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG Rights Management
Written by: Leonard Lee, Shirley Goodman
Lyrics Licensed & Provided by LyricFind
by Shirley & Lee
Come on baby, let the good times roll
Come on baby, let me thrill your soul
Come on baby, let the good times roll
Roll all night long
Come baby, yes, this is
This is something I just can't miss
Come on baby, let the good times roll
Roll all night long
Come on baby, while the thrill is on
Come on baby, let us have some fun
Come on baby, let the good times roll
Roll all night long
Come on baby, just close the door
Come on baby, let's rock some more
Come on baby, let the good times roll
Roll all night long
Feel so good
When you're home
Come on baby, rock me all night long
Come on baby, let the good times roll
Come on baby, let me thrill your soul
Come on baby, let the good times roll
Roll all night long
Feel so good
When you're home
Come on baby, rock me all night long
Come on baby let the good times roll
Come on baby, let me thrill your soul
Come on baby, let the good times roll
Roll all night long
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG Rights Management
Written by: Leonard Lee, Shirley Goodman
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Bruce Farris
I'll be 72 in September and I was blessed to be there at the start of greatest music genre---R&R!!!!!!
hankecris
and i'm a white girl
hankecris
randys records used to play the good stuff h-bday bruce
hankecris
me too
323 333
your 77 now ima youngster and love this type of music.
Thomas SalaS
Every generation says that! I say 90s has the best music!
John Rollino
Love it. Banned from every Catholic school dance in the 50's
Mario Rabello
Not from my Catholic High. It was the opening song at the school dance by our area band, The Accents.
john hughes
@You Who Too Right
You Who
Too bad they weren't banning the priests instead.