Shirley Horn
Shirley Valerie Horn (May 1, 1934 – October 20, 2005) was an American jazz singer and pianist. She collaborated with many jazz greats including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as "like having two heads" Read Full BioShirley Valerie Horn (May 1, 1934 – October 20, 2005) was an American jazz singer and pianist. She collaborated with many jazz greats including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as "like having two heads", and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as "like clothing, as she seduces you with her voice". Although she could swing as strongly as any straight-ahead jazz artist, Horn's reputation rode on her exquisite ballad work.
Shirley Horn was born and raised in Washington, D.C.. Encouraged by her grandmother, an amateur organist, Horn began piano lessons at the age of four. Aged 12, she studied piano and composition at Howard University, later graduating from there in classical music. Horn was offered a place at the Juilliard School, but her family could not afford to send her there. Horn formed her first jazz piano trio when she was 20. Horn's early piano influences were Erroll Garner, Oscar Peterson and Ahmad Jamal, and moving away from her classical background, Horn later said that "Oscar Peterson became my Rachmaninov, and Ahmad Jamal became my Debussy." She then became enamored with the famous U Street jazz area of Washington (largely destroyed in the 1968 riots), sneaking into jazz clubs before she was of legal age.
Horn first achieved fame in 1960, through her association with Miles Davis. Davis' praise had particular resonance in two respects: because he was so highly respected as a musician, and because he rarely offered public praise for fellow musicians at that time. Horn had, though, recorded several songs with violinist Stuff Smith in 1959 both as a pianist and a singer. After her discovery by Davis, she recorded albums on different small labels in the early 1960s, eventually landing contracts with larger labels Mercury Records and Impulse Records. She was popular with jazz critics, but did not achieve significant popular success.
Quincy Jones attempted to make Horn into a pure vocalist in several recording sessions, something he later hinted may have been a mistake. Horn was also disturbed by the changes in popular music in the 1960s following the arrival of The Beatles. Largely rejecting efforts to remake her into a popular singer, she stated: "I will not stoop to conquer."[4] From the late-1960s, she concentrated on raising her daughter Rainy with her husband, Shepherd Deering (whom she had married in 1955), and largely limited her performances to her native Washington, D.C.
Miles Davis made a rare appearance as a sideman on Horn's 1991 album You Won't Forget Me. Although she preferred to perform in small settings, such as her trio, she also recorded with orchestras, as on the 1992 album Here's to Life, the title song (lyrics by Phyllis Molinary, music by Artie Butler) of which became her signature song. A video documentary of Horn's life and music was released at the same time as "Here's To Life" and shared its title. At the time, arranger Johnny Mandel commented that Horn's piano skill was comparable to that of the noted jazz great Bill Evans. A follow-up was made in 2001, named You're My Thrill.
Horn worked with the same rhythm section for 25 years: Charles Ables (bass) and Steve Williams (drums). Don Heckman wrote in the Los Angeles Times (February 2, 1995) about "the importance of bassist Charles Ables and drummer Steve Williams to Horn's sound. Working with boundless subtlety, following her every spontaneous twist and turn, they were the ideal accompanists for a performer who clearly will tolerate nothing less than perfection".
Her albums Here's to Life, Light Out of Darkness (A Tribute to Ray Charles) and I Love You, Paris all reached number one on the Billboard jazz charts.
Due to health problems in the early 2000s, Horn had to cut back on her performances. After 2002, a foot amputation (from complications of diabetes) led her to leave the piano playing to pianist George Mesterhazy. In late 2004, Horn felt able to play piano again, and recorded a live album for Verve, at Manhattan's Au Bar with trumpet player Roy Hargrove, which did not satisfy her.[citation needed] It remains unreleased except for tracks on But Beautiful - The Best of Shirley Horn.
A breast cancer survivor, she had been battling diabetes when she died of complications from the condition, aged 71. She is interred at Ft. Lincoln Cemetery in Washington, D.C.
Horn was nominated for nine Grammy Awards during her career, winning the Grammy Award for Best Jazz Vocal Performance at the 41st Grammy Awards for I Remember Miles, a tribute to her friend and mentor (the album's cover featuring a Miles Davis drawing of them both).
She was officially recognized by the 109th US Congress for "her many achievements and contributions to the world of jazz and American culture", and performed at The White House for several U.S. presidents. Horn was awarded an honorary Doctor of Music degree from the Berklee College of Music in 2002.
She was awarded the National Endowment for the Arts Jazz Masters Award in 2005 (the highest honors that the United States bestows upon jazz musicians).
Shirley Horn was born and raised in Washington, D.C.. Encouraged by her grandmother, an amateur organist, Horn began piano lessons at the age of four. Aged 12, she studied piano and composition at Howard University, later graduating from there in classical music. Horn was offered a place at the Juilliard School, but her family could not afford to send her there. Horn formed her first jazz piano trio when she was 20. Horn's early piano influences were Erroll Garner, Oscar Peterson and Ahmad Jamal, and moving away from her classical background, Horn later said that "Oscar Peterson became my Rachmaninov, and Ahmad Jamal became my Debussy." She then became enamored with the famous U Street jazz area of Washington (largely destroyed in the 1968 riots), sneaking into jazz clubs before she was of legal age.
Horn first achieved fame in 1960, through her association with Miles Davis. Davis' praise had particular resonance in two respects: because he was so highly respected as a musician, and because he rarely offered public praise for fellow musicians at that time. Horn had, though, recorded several songs with violinist Stuff Smith in 1959 both as a pianist and a singer. After her discovery by Davis, she recorded albums on different small labels in the early 1960s, eventually landing contracts with larger labels Mercury Records and Impulse Records. She was popular with jazz critics, but did not achieve significant popular success.
Quincy Jones attempted to make Horn into a pure vocalist in several recording sessions, something he later hinted may have been a mistake. Horn was also disturbed by the changes in popular music in the 1960s following the arrival of The Beatles. Largely rejecting efforts to remake her into a popular singer, she stated: "I will not stoop to conquer."[4] From the late-1960s, she concentrated on raising her daughter Rainy with her husband, Shepherd Deering (whom she had married in 1955), and largely limited her performances to her native Washington, D.C.
Miles Davis made a rare appearance as a sideman on Horn's 1991 album You Won't Forget Me. Although she preferred to perform in small settings, such as her trio, she also recorded with orchestras, as on the 1992 album Here's to Life, the title song (lyrics by Phyllis Molinary, music by Artie Butler) of which became her signature song. A video documentary of Horn's life and music was released at the same time as "Here's To Life" and shared its title. At the time, arranger Johnny Mandel commented that Horn's piano skill was comparable to that of the noted jazz great Bill Evans. A follow-up was made in 2001, named You're My Thrill.
Horn worked with the same rhythm section for 25 years: Charles Ables (bass) and Steve Williams (drums). Don Heckman wrote in the Los Angeles Times (February 2, 1995) about "the importance of bassist Charles Ables and drummer Steve Williams to Horn's sound. Working with boundless subtlety, following her every spontaneous twist and turn, they were the ideal accompanists for a performer who clearly will tolerate nothing less than perfection".
Her albums Here's to Life, Light Out of Darkness (A Tribute to Ray Charles) and I Love You, Paris all reached number one on the Billboard jazz charts.
Due to health problems in the early 2000s, Horn had to cut back on her performances. After 2002, a foot amputation (from complications of diabetes) led her to leave the piano playing to pianist George Mesterhazy. In late 2004, Horn felt able to play piano again, and recorded a live album for Verve, at Manhattan's Au Bar with trumpet player Roy Hargrove, which did not satisfy her.[citation needed] It remains unreleased except for tracks on But Beautiful - The Best of Shirley Horn.
A breast cancer survivor, she had been battling diabetes when she died of complications from the condition, aged 71. She is interred at Ft. Lincoln Cemetery in Washington, D.C.
Horn was nominated for nine Grammy Awards during her career, winning the Grammy Award for Best Jazz Vocal Performance at the 41st Grammy Awards for I Remember Miles, a tribute to her friend and mentor (the album's cover featuring a Miles Davis drawing of them both).
She was officially recognized by the 109th US Congress for "her many achievements and contributions to the world of jazz and American culture", and performed at The White House for several U.S. presidents. Horn was awarded an honorary Doctor of Music degree from the Berklee College of Music in 2002.
She was awarded the National Endowment for the Arts Jazz Masters Award in 2005 (the highest honors that the United States bestows upon jazz musicians).
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Here's To Life
Shirley Horn Lyrics
No complaints and no regrets
I still believe in chasing dreams and placing bets
But I had learn that all you give is all you get
So give it all you got
I had my share
I drank my fill
And even though I'm satisfied
I'm hungry still
To see what's down another road beyond the hill
And do it all again
So here's to life
And every joy it brings
So here's to life
To dreamers and their dreams
Funny how the time just flies
How love can go from warm hellos
To sad goodbyes
And leave you with the memories you've memorized
To keep your winters warm
For there's no yes in yesterday
And who knows what tomorrow brings or takes away
As long as I'm still in the game
I want to play
For laughs for life for love
So here's to life
And every joy it brings
Here's to life
For dreamers and their dreams
May all your storms be weathered
And all that's good get better
Here's to life
Here's to love
Here's to you
May all your storms be weathered
And all that's good get better
Here's to life
Here's to love
Here's to you
Lyrics © DOMINANT JEANS MUSIC, Universal Music Publishing Group, Peermusic Publishing
Written by: PHYLLIS JEAN MOLINARY, ARTIE BUTLER
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Татьяна Бекетова
За жизнь
No complaints and no regrets
I still believe in chasing dreams and placing bets
For I have learned that all you give is all you get
So give it all you've got
I had my share, I drank my fill
And even though I'm satisfied, I'm hungry still
To see what's down another road, beyond the hill
And do it all again
So here's to life and all the joy it brings
Yes, here's to life and dreamers and their dreams
Funny, funny how the time just flies
How love can go from warm hello's
to sad goodbyes
And leave you with the memories you memorize
To keep your winters warm
But there's no yes in yesterday
And who knows what tomorrow brings or takes away
As long as I'm still in the game I wanna play
For laughs, for life, for love
So here's to life and all the joy it brings
Yes, here's to life and dreamers and their dreams
May all your storms be weathered
And all that's good get better
Here's to life, here's to love, here's to you
Ни упрёков, ни сожалений,
Я всё ещё верю в риск и погоню за мечтой,
Ибо я поняла: что отдаёшь, то и получаешь.
Так отдай всё, что имеешь.
Чашу, дарованную мне судьбой, я выпила до дна,
И хотя я всем довольна, я всё ещё жажду
Узнать, что же там – на другой дороге, за тем холмом,
И всё повторить.
Так (поднимем бокал)1 за жизнь, и все её радости,
За жизнь, за мечтателей и их мечты.
Забавно, как быстро летит время.
Как любовь может превратить тёплое «Привет»
в грустное «Прощай».
И оставить тебя с воспоминаниями,
Которые согреют тебя зимой.
Но нельзя принять решение вчерашним днём,
И никто не знает, что принесёт или отнимет день завтрашний,
И пока у меня есть силы, я буду действовать
Ради улыбок, ради жизни, ради любви.
Так (поднимем бокал) за жизнь, и все её радости,
Да, за жизнь, за мечтателей и их мечты.
Пусть все твои проблемы исчезнут без следа,
И всё хорошее станет ещё лучше.
За жизнь, за любовь, за тебя
Tanya James
This song is so profound...Shirley Horn makes every word felt. Yes Shirley Here's to life and every joy it brings.....
monique cavard
and every pain too...so we enjoy good moments more..
Michael Bliss
Agreed just magic every word . ✨
Robert L. Gonzales
Please listen to my niece who obviously felt this song deeply Sonia Harrison Sings Here's To Life
franco savadori
25 years from the first version. This song entered in my heart and surely will stay there all life long. I bought that record at that time, and it was, from the first time I heard this track, a great standard. A timeless classic, especially because of this incredible arrangement. Thank you Johnny Mandel. The lyric is so philosophycally deep, poignant, total. Everybody can recognize himself in this song. It is a poetic portrait of human life, written with simple but meaningful words, so meaningful to become trascendent. This is the reason why who listens for this song will never forget it. It's a small /big miracle of absolute beauty. Something else. Surely Shirley understood it immediately. After this song our life enriched and became happier. Thanks to Shirley, Artie and the late lyricist.Thanks to music.
Kevin Boone
Here's to you, Franco Savadori: Yes, Yes, Yes. What you wrote!
Carol Vaughan Davis
A very nice read...thank you for sharing.
RodneyCSK
franco savadori every word you wrote is filled with the emotion this song provides to all who choose to really listen. Thank you. And thank Shirley Horn.
Quick Works
Yes, that Johnny Mandel arrangement!
Jack Gunderson
I recorded this song in 1998, after falling in love with Shirley's exquisite rendition. It's on my album "After Hours," with my old friend, Jimmy Martin, on piano.