Silverchair
Silverchair was formed in 1992 in Newcastle, New South Wales. In 1994, at the age of 15, Silverchair got their big break when the band won a national competition called "Pick Me" with the demo of their song, "Tomorrow". The demo became one of the most played songs in the history of the Australian station Triple J, and they played that year's Big Day Out as part of the prize for their win.
From their third album (Neon Ballroom) onward, the band have tried to experiment with slightly more complex song structures Read Full BioSilverchair was formed in 1992 in Newcastle, New South Wales. In 1994, at the age of 15, Silverchair got their big break when the band won a national competition called "Pick Me" with the demo of their song, "Tomorrow". The demo became one of the most played songs in the history of the Australian station Triple J, and they played that year's Big Day Out as part of the prize for their win.
From their third album (Neon Ballroom) onward, the band have tried to experiment with slightly more complex song structures, pop influences, and the usage of orchestral backing on a few songs, most notably on their fourth album Diorama with composer Van Dyke Parks contributing to three of the tracks. This change is shown on their performance in their only live album "Live At Faraway Stables" where the band plays two sets - the first comprising newer material where they are backed by two keyboardists to simulate orchestral arrangements, and the second containing their earlier material.
2007 saw the release of the band's latest album Young Modern, featuring the lead single Straight Lines; the song reached number one on the ARIA singles charts. The album was supported by a full tour of North America (their first since 1999), and an extensive tour of Australia and New Zealand with fellow Aussie post-grunge rockers Powderfinger, entitled "Across the Great Divide."
To quote Daniel Johns, "I've been thinking a lot since we finished [[album artist=Silverchair]Young Modern] about where this fits into the other stuff we've done. The way I see it, the first album was naivete, the second one was anger, the third one was depression and the last one was escapism. Young Modern is all about acceptance."
The band announced an indefinite hiatus in May 2011:
"We formed Silverchair nearly 20 years ago when we were just 12 years old. Today we stand by the same rules now as we did back then ... if the band stops being fun and if it's no longer fulfilling creatively, then we need to stop. [...] Despite our best efforts over the last year or so, it's become increasingly clear that the spark simply isn't there between the three of us at the moment. Therefore after much soul searching we wanted to let you know that we're putting Silverchair into "indefinite hibernation" and we've decided to each do our own thing for the foreseeable future".
—Daniel, Ben and Chris, chairpage.com (Silverchair Official Website), 25 May 2011.
Members:
* Daniel Johns (vocals, guitar)
* Chris Joannou (bass)
* Ben Gillies (drums)
Albums:
* Tomorrow (EP) (1994)
* Frogstomp (1995)
* Freak Show (1997)
* Neon Ballroom (1999)
* The Best Of - Volume One (2000)
* Diorama (2002)
* Rarities 1994-1999 (2002)
* Live From Faraway Stables (2CD & DVD) (2003)
* Young Modern (2007)
From their third album (Neon Ballroom) onward, the band have tried to experiment with slightly more complex song structures Read Full BioSilverchair was formed in 1992 in Newcastle, New South Wales. In 1994, at the age of 15, Silverchair got their big break when the band won a national competition called "Pick Me" with the demo of their song, "Tomorrow". The demo became one of the most played songs in the history of the Australian station Triple J, and they played that year's Big Day Out as part of the prize for their win.
From their third album (Neon Ballroom) onward, the band have tried to experiment with slightly more complex song structures, pop influences, and the usage of orchestral backing on a few songs, most notably on their fourth album Diorama with composer Van Dyke Parks contributing to three of the tracks. This change is shown on their performance in their only live album "Live At Faraway Stables" where the band plays two sets - the first comprising newer material where they are backed by two keyboardists to simulate orchestral arrangements, and the second containing their earlier material.
2007 saw the release of the band's latest album Young Modern, featuring the lead single Straight Lines; the song reached number one on the ARIA singles charts. The album was supported by a full tour of North America (their first since 1999), and an extensive tour of Australia and New Zealand with fellow Aussie post-grunge rockers Powderfinger, entitled "Across the Great Divide."
To quote Daniel Johns, "I've been thinking a lot since we finished [[album artist=Silverchair]Young Modern] about where this fits into the other stuff we've done. The way I see it, the first album was naivete, the second one was anger, the third one was depression and the last one was escapism. Young Modern is all about acceptance."
The band announced an indefinite hiatus in May 2011:
"We formed Silverchair nearly 20 years ago when we were just 12 years old. Today we stand by the same rules now as we did back then ... if the band stops being fun and if it's no longer fulfilling creatively, then we need to stop. [...] Despite our best efforts over the last year or so, it's become increasingly clear that the spark simply isn't there between the three of us at the moment. Therefore after much soul searching we wanted to let you know that we're putting Silverchair into "indefinite hibernation" and we've decided to each do our own thing for the foreseeable future".
—Daniel, Ben and Chris, chairpage.com (Silverchair Official Website), 25 May 2011.
Members:
* Daniel Johns (vocals, guitar)
* Chris Joannou (bass)
* Ben Gillies (drums)
Albums:
* Tomorrow (EP) (1994)
* Frogstomp (1995)
* Freak Show (1997)
* Neon Ballroom (1999)
* The Best Of - Volume One (2000)
* Diorama (2002)
* Rarities 1994-1999 (2002)
* Live From Faraway Stables (2CD & DVD) (2003)
* Young Modern (2007)
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Tomorrow
Silverchair Lyrics
It's twelve o'clock, and it's a wonderful day
I know you hate me, but I'll ask anyway
Won't you come with me, to a place in a little town
The only way to get there's to go straight down
There's no bathroom, and there is no sink
The water out of the tap is very
Hard to drink
Very hard to drink
You, wait til tomorrow
You, wait til tomorrow
You say that money, isn't everything
But I'd like to see you live without it
You think you can keep on going living like a king
Ooh babe, but I strongly doubt it
Very hard to drink
Very hard to drink
You gonna wait til, fat boy
Fat boy, wait til tomorrow
You gonna wait til, fat boy
Fat boy, wait til tomorrow
You, wait til tomorrow
You, wait til tomorrow
You gonna wait til, fat boy
Fat boy, wait til tomorrow
You gonna wait til, fat boy
Fat boy, wait until tomorrow
Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Written by: Daniel Paul Johns, Benjamin David Gillies
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
The-Art-of-Guitar
Almost every girl I liked had a crush on the singer so I got mad and would say he looked like Helen Hunt. I was pretty petty.
Jerry4050
LOL even now he looks more like Helen Hunt
Logan Stroganoff
You weren't lying
Dixie Smith
I was just scrolling through the comments thinking, "he's so good looking!" Lol!
orig6redwings -
@The-Art-of-Guitar - Love to seeing ya here, Mike!! Been a sub of yours for years!!
Bill Daniels
truth hurts :-)
Bob Schneider
Keep in mind they were 15 years old when they recorded this song. 15 years old. And it's still a great fucking song. It's still held-up after 27 years and counting now.
tcphll
Absolutely. I remember when this song came out and I was amazed how good this song was on it's on merit, let alone how young these guys were. Decades later, it's aged quite well. Youth doesn't mean you can't make great music, art or literature. Mary Shelley was 18 years old when she wrote Frankenstein, for instance.
J M
Impressive!
David Hutchinson
They actually made music when they were 3 weeks old