Stéphane Grappelli
Stéphane Grappelli (26 January, 1908 – 1 December, 1997) was a pioneering j… Read Full Bio ↴Stéphane Grappelli (26 January, 1908 – 1 December, 1997) was a pioneering jazz violinist who founded with Django Reinhardt in 1934 the "Quintette du Hot Club de France", it was one of the first all-string jazz bands. He has been called "the grandfather of jazz violinists" and continued playing concerts around the world well into his 80s.
For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to "Grappelli" in 1969. The latter, Italian, spelling is now used almost universally when referring to the violinist – even on reissues of his early work.
Grappelli was born in France at Paris' Hôpital Lariboisière, and was christened with the name Stéfano. His Italian father, marquess Ernesto Grappelli, was born in Alatri, Lazio, and his French mother, Anna Emilie Hanoque, was from St-Omer. Ernesto was a scholar who taught Italian, sold translations, and wrote articles for local journals. Stéfano's mother died when he was four, leaving his father to care for him. Though he was living in France when World War I broke out, Ernesto was still an Italian citizen, and was drafted to fight in 1914. Ernesto had written an article about dancer Isadora Duncan during his time as a journalist, and turned to her when he needed someone to care for his son. Stéfano enrolled in Duncan's dance school at the age of six, and it was here that he learned to love French Impressionist music. With the war encroaching, Duncan was forced to flee the country and turn over her château to be used as a military hospital. Ernesto, having nowhere else to turn to, entrusted Stéfano to a Catholic orphanage. Grappelli is quoted “I look back at it as an abominable memory…The Place was supposed to be under the eye of the government, but the government looked elsewhere. We slept on the floor, and often were without food. There were many times when I had to fight for a crust of bread,” and claimed that he once tried eating flies as a means of easing his hunger. Stéfano stayed at the orphanage until his father returned from the war in 1918 and brought him to live in an apartment in Barbès. Ernesto was sickened by all things Italian after serving his time in the military, so, on July 28, 1919, he brought Stéfano to city hall, pulled two witnesses off the street, and had his son nationalized as a Frenchman. Stéfano was changed to Stéphane.
Stéphane began playing the violin at age 12 after his father pawned his suit to buy him a three-quarter size violin. Ernesto sent his son to proper violin lessons, but Stéphane preferred to learn on his own. Grappelli said that "“My first lessons were in the streets, watching how other violinists played…The first violinist that I saw play was at the Barbès métro station, sheltered under the overhead metro tracks. When I asked how one should play, he exploded in laugher. I left, completely humiliated with my violin under my arm.” After learning independently for a brief period of time, Ernesto enrolled Stéphane at the Conservatoire de Paris on December 31, 1920 where he would learn music theory, ear-training, and solfeggio; Stéphane graduated in 1923 with a second-tier medal. Ernesto announced that he would be remarrying a woman by the name of Anna Fuchs and moving to Strasbourg during Stéphane's final year of schooling. Though he was invited to come with them, Stéphane chose to stay behind as he despised his father's new bride.
At the age of 15, Grappelli began busking full-time to support himself financially. Grappelli's playing caught the attention of an elderly violinist who invited him to accompany silent films in the pit orchestra at the Théâtre Gaument. Stéphane played here for six hours every day over the course of a two-year period. During orchestra breaks, Grappelli would visit a local brasserie, Le Boudon, where he would listen to songs from an American proto-jukebox. It was here that Grappelli was first introduced to jazz music. Stéphane was playing in the orchestra at the Ambassador in 1928 when Paul Whiteman headlined with Joe Venuti. Jazz violinists were rare, and, though Venuti played mainly commercial jazz themes and seldom improvised, Grappelli was intrigued by his bowing when he played Louis Armstrong's "Dinah." This led Stéphane to begin developing his own jazz-influenced play style.
Grappelli was living with a classically trained violinist named Michel Warlop, and, while Warlop admired Stéphane's jazzy playing, Grappelli envied Warlop's income. After experimenting with piano, he gave up violin, choosing simplicity, new sound, and paid gigs over familiarity. Stéphane began playing piano in a big band led by a musician who went by the name of Grégor. After a night of drinking in 1929, Grégor learned that Grappelli had originally played violin. Grégor borrowed a violin and had Stéphane improvise over "Dinah." Grégor was delighted by Grappelli's jazz playing, and insisted that he begin playing violin once more.
In 1930, Grégor ran into financial trouble and was involved in a deadly automobile accident that forced him to flee to South America to avoid arrest. Grégor's band reunified as a true jazz ensemble under the leadership of pianist Alain Romans and saxophonist Ekyan. It was while playing with this band that Stéphane first met Django Reinhardt in 1931. Django told Grappelli that he was looking for a violinist such as himself to play with, and invited him to play at the caravan he was living in. Though the two played for hours that afternoon, their commitments to their respective bands prevented them from pursuing a career together. Three years later, in 1934, the two encountered each other at Claridge's, and it was then that their partnership truly began. Pierre Nourry, the secretary of the Hot Club de France invited Reinhardt and Grappelli to form the Quintette du Hot Club de France with Joseph Reinhardt and Roger Chaput joining Django on guitar, and Louis Vola on bass.
In 1937, the American jazz singer Adelaide Hall opened a nightclub in Montmartre along with her husband Bert Hicks and called it 'La Grosse Pomme.' She entertained there nightly and hired the Quintette as one of the house bands at the club. Also in the neighborhood was the artistic salon of R-26, at which Grappelli and Reinhardt performed regularly. For the first three decades of his musical career, Grappelli was billed as Stéphane Grappelly. Grappelli's own explanation for the changed spelling was that he was tired of people mispronouncing his last name as "Grappell-eye". His early fame came playing with the Quintette du Hot Club de France with Django Reinhardt, which disbanded in 1939 at the outbreak of World War II. In 1940, a little-known jazz pianist by the name of George Shearing made his debut as a sideman in Grappelli's band. Shearing went on to enjoy a long career.
In 1949, Reinhardt and Grappelli reunited for a brief tour of Italy, during which time they made a series of recordings with an Italian rhythm group. The two recorded roughly 50 tracks together during this time, and about half of them would be later compiled for the album Djangology.
Grappelli appeared on hundreds of recordings including sessions with Duke Ellington, jazz pianists Oscar Peterson, Michel Petrucciani and Claude Bolling, jazz violinist Jean-Luc Ponty, jazz violinist Stuff Smith, Indian classical violinist L. Subramaniam, vibraphonist Gary Burton, pop singer Paul Simon, mandolin player David Grisman, classical violinist Yehudi Menuhin, orchestral conductor André Previn, guitar player Bucky Pizzarelli, guitar player Joe Pass, cello player Yo Yo Ma, harmonica and jazz guitar player Toots Thielemans, jazz guitarist Henri Crolla, bassist Jon Burr and fiddler Mark O'Connor. He also collaborated extensively with the British guitarist and graphic designer Diz Disley, recording 13 record albums with him and his trio (which included Denny Wright in its early years), and with now renowned British guitarist Martin Taylor. His Parisian trio of many years included guitarist Marc Fosset and bassist Patrice Carratini.
During the 1960s he played for cocktail hour at the Paris Hilton.
Grappelli recorded a solo for the title track of Pink Floyd's 1975 album Wish You Were Here. This was made almost inaudible in the mix, and so the violinist was not credited, according to Roger Waters, as it would be "a bit of an insult". A remastered version, with Grappelli's contribution fully audible, can be found on the 2011 Experience & Immersion versions of Wish You Were Here.
Grappelli made a cameo appearance in the 1978 film King of the Gypsies, along with noted mandolinist David Grisman. Three years later they performed together in concert, which was recorded live and released to critical acclaim.
In the 1980s he gave several concerts with the young British cellist Julian Lloyd Webber.
In 1997, Grappelli received the Grammy Lifetime Achievement Award. He is an inductee of the Down Beat Jazz Hall of Fame.
He died in Paris after undergoing a hernia operation. He is buried in the city's famous Père Lachaise Cemetery.
For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to "Grappelli" in 1969. The latter, Italian, spelling is now used almost universally when referring to the violinist – even on reissues of his early work.
Grappelli was born in France at Paris' Hôpital Lariboisière, and was christened with the name Stéfano. His Italian father, marquess Ernesto Grappelli, was born in Alatri, Lazio, and his French mother, Anna Emilie Hanoque, was from St-Omer. Ernesto was a scholar who taught Italian, sold translations, and wrote articles for local journals. Stéfano's mother died when he was four, leaving his father to care for him. Though he was living in France when World War I broke out, Ernesto was still an Italian citizen, and was drafted to fight in 1914. Ernesto had written an article about dancer Isadora Duncan during his time as a journalist, and turned to her when he needed someone to care for his son. Stéfano enrolled in Duncan's dance school at the age of six, and it was here that he learned to love French Impressionist music. With the war encroaching, Duncan was forced to flee the country and turn over her château to be used as a military hospital. Ernesto, having nowhere else to turn to, entrusted Stéfano to a Catholic orphanage. Grappelli is quoted “I look back at it as an abominable memory…The Place was supposed to be under the eye of the government, but the government looked elsewhere. We slept on the floor, and often were without food. There were many times when I had to fight for a crust of bread,” and claimed that he once tried eating flies as a means of easing his hunger. Stéfano stayed at the orphanage until his father returned from the war in 1918 and brought him to live in an apartment in Barbès. Ernesto was sickened by all things Italian after serving his time in the military, so, on July 28, 1919, he brought Stéfano to city hall, pulled two witnesses off the street, and had his son nationalized as a Frenchman. Stéfano was changed to Stéphane.
Stéphane began playing the violin at age 12 after his father pawned his suit to buy him a three-quarter size violin. Ernesto sent his son to proper violin lessons, but Stéphane preferred to learn on his own. Grappelli said that "“My first lessons were in the streets, watching how other violinists played…The first violinist that I saw play was at the Barbès métro station, sheltered under the overhead metro tracks. When I asked how one should play, he exploded in laugher. I left, completely humiliated with my violin under my arm.” After learning independently for a brief period of time, Ernesto enrolled Stéphane at the Conservatoire de Paris on December 31, 1920 where he would learn music theory, ear-training, and solfeggio; Stéphane graduated in 1923 with a second-tier medal. Ernesto announced that he would be remarrying a woman by the name of Anna Fuchs and moving to Strasbourg during Stéphane's final year of schooling. Though he was invited to come with them, Stéphane chose to stay behind as he despised his father's new bride.
At the age of 15, Grappelli began busking full-time to support himself financially. Grappelli's playing caught the attention of an elderly violinist who invited him to accompany silent films in the pit orchestra at the Théâtre Gaument. Stéphane played here for six hours every day over the course of a two-year period. During orchestra breaks, Grappelli would visit a local brasserie, Le Boudon, where he would listen to songs from an American proto-jukebox. It was here that Grappelli was first introduced to jazz music. Stéphane was playing in the orchestra at the Ambassador in 1928 when Paul Whiteman headlined with Joe Venuti. Jazz violinists were rare, and, though Venuti played mainly commercial jazz themes and seldom improvised, Grappelli was intrigued by his bowing when he played Louis Armstrong's "Dinah." This led Stéphane to begin developing his own jazz-influenced play style.
Grappelli was living with a classically trained violinist named Michel Warlop, and, while Warlop admired Stéphane's jazzy playing, Grappelli envied Warlop's income. After experimenting with piano, he gave up violin, choosing simplicity, new sound, and paid gigs over familiarity. Stéphane began playing piano in a big band led by a musician who went by the name of Grégor. After a night of drinking in 1929, Grégor learned that Grappelli had originally played violin. Grégor borrowed a violin and had Stéphane improvise over "Dinah." Grégor was delighted by Grappelli's jazz playing, and insisted that he begin playing violin once more.
In 1930, Grégor ran into financial trouble and was involved in a deadly automobile accident that forced him to flee to South America to avoid arrest. Grégor's band reunified as a true jazz ensemble under the leadership of pianist Alain Romans and saxophonist Ekyan. It was while playing with this band that Stéphane first met Django Reinhardt in 1931. Django told Grappelli that he was looking for a violinist such as himself to play with, and invited him to play at the caravan he was living in. Though the two played for hours that afternoon, their commitments to their respective bands prevented them from pursuing a career together. Three years later, in 1934, the two encountered each other at Claridge's, and it was then that their partnership truly began. Pierre Nourry, the secretary of the Hot Club de France invited Reinhardt and Grappelli to form the Quintette du Hot Club de France with Joseph Reinhardt and Roger Chaput joining Django on guitar, and Louis Vola on bass.
In 1937, the American jazz singer Adelaide Hall opened a nightclub in Montmartre along with her husband Bert Hicks and called it 'La Grosse Pomme.' She entertained there nightly and hired the Quintette as one of the house bands at the club. Also in the neighborhood was the artistic salon of R-26, at which Grappelli and Reinhardt performed regularly. For the first three decades of his musical career, Grappelli was billed as Stéphane Grappelly. Grappelli's own explanation for the changed spelling was that he was tired of people mispronouncing his last name as "Grappell-eye". His early fame came playing with the Quintette du Hot Club de France with Django Reinhardt, which disbanded in 1939 at the outbreak of World War II. In 1940, a little-known jazz pianist by the name of George Shearing made his debut as a sideman in Grappelli's band. Shearing went on to enjoy a long career.
In 1949, Reinhardt and Grappelli reunited for a brief tour of Italy, during which time they made a series of recordings with an Italian rhythm group. The two recorded roughly 50 tracks together during this time, and about half of them would be later compiled for the album Djangology.
Grappelli appeared on hundreds of recordings including sessions with Duke Ellington, jazz pianists Oscar Peterson, Michel Petrucciani and Claude Bolling, jazz violinist Jean-Luc Ponty, jazz violinist Stuff Smith, Indian classical violinist L. Subramaniam, vibraphonist Gary Burton, pop singer Paul Simon, mandolin player David Grisman, classical violinist Yehudi Menuhin, orchestral conductor André Previn, guitar player Bucky Pizzarelli, guitar player Joe Pass, cello player Yo Yo Ma, harmonica and jazz guitar player Toots Thielemans, jazz guitarist Henri Crolla, bassist Jon Burr and fiddler Mark O'Connor. He also collaborated extensively with the British guitarist and graphic designer Diz Disley, recording 13 record albums with him and his trio (which included Denny Wright in its early years), and with now renowned British guitarist Martin Taylor. His Parisian trio of many years included guitarist Marc Fosset and bassist Patrice Carratini.
During the 1960s he played for cocktail hour at the Paris Hilton.
Grappelli recorded a solo for the title track of Pink Floyd's 1975 album Wish You Were Here. This was made almost inaudible in the mix, and so the violinist was not credited, according to Roger Waters, as it would be "a bit of an insult". A remastered version, with Grappelli's contribution fully audible, can be found on the 2011 Experience & Immersion versions of Wish You Were Here.
Grappelli made a cameo appearance in the 1978 film King of the Gypsies, along with noted mandolinist David Grisman. Three years later they performed together in concert, which was recorded live and released to critical acclaim.
In the 1980s he gave several concerts with the young British cellist Julian Lloyd Webber.
In 1997, Grappelli received the Grammy Lifetime Achievement Award. He is an inductee of the Down Beat Jazz Hall of Fame.
He died in Paris after undergoing a hernia operation. He is buried in the city's famous Père Lachaise Cemetery.
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Stéphane Grappelli Lyrics
'S Wonderful 'S wonderful, 's wonderful 'S marvelous, 's marvelous That y…
A Cottage for Sale Our little dream castle with every dream gone, Is lonely and…
A Foggy Day I was a stranger in the city Out of town were…
A Night in Tunisia In the still of the night As I gaze out of…
After You Now won't you listen honey, while I say, How could…
After You've Gone Now won't you listen honey, while I say, How could…
Ain't Misbehavin' No one to talk with All by myself No one to walk…
All God's Children Got Rhythm Chillun', listen here to me This is my philosophy To see me…
All God's Chillun Got Rhythm Chillun', listen here to me This is my philosophy To see m…
Anything Goes Times have changed And we've ofter rewound the clock Since t…
Autumn Leaves The falling leaves drift by the window The autumn leaves of…
Birth Of The Blues Oh! they say some people long ago Were searching for a…
Blue Moon Blue moon you saw me standing alone Without a dream in…
Blues I hate to see that evening sun go down I hate…
Body and Soul My heart is sad and lonely For you I sigh, for…
But Not For Me Old man sunshine listen you Never tell me dreams come true J…
Button Up Your Overcoat Listen, big boy Now that you got me made Goodness, but I'm…
Bye Bye Blackbird No one here can love or understand me Oh, what hard…
California Here I Come When the wintry winds start blowing And the snow is starting…
Caravan Night and stars above that shine so bright The myst'ry…
Danny Boy Oh, Danny boy, the pipes, the pipes are calling From glen…
Didn't We This time we almost made the pieces fit Didn't we? This time…
Dinah Carolina Gave me Dinah I'm the proudest one Beneath the Di…
Do You Know What It Means To Miss New Orleans Do you know what it means to miss New Orleans And…
Don Ever since the lucky night I found you I've hung around…
Don't Get Around Much Anymore Missed the Saturday dance Heard they crowded the floor Could…
Don't Worry 'Bout Me Don't worry 'bout me I'll get along Forget about me Just be …
Easy To Love I know too well that I'm just wasting precious time In…
Embraceable You Embrace me, my sweet embraceable you! Embrace me, you irrepl…
Exactly Like You I used to have a perfect sweetheart Not a real one,…
Fascinating Rhythm Got a little rhythm, a rhythm, a rhythm That pit-apats thro…
Fine and Dandy Please forgive this platitude But I like your attitude You a…
Here There And Everywhere To lead a better life I need my love to be…
Honeysuckle Rose Every honey bee fills with jealousy, When they see you out…
Hot Lips There's a boy that's in our band And how he blows…
How About You When a girl meets boy Life can be a joy But the…
How High The Moon Somewhere there's music How faint the tune Somewhere there's…
I Can I've flown around the world in a plane I've settled revoluti…
I Can't Believe That You're In Love With Me Yesterday you came my way, And when you smiled at me, In…
I Can't Get Started I've flown around the world in a plane I've settled revoluti…
I Can't Give You Anything But Love Gee, but it's tough to be broke, kid. It's not a…
I Cant Believe That Youre In Love With Me Yesterday you came my way, And when you smiled at me, In…
I Can’t Get Started I've flown around the world in a plane I've settled revolut…
I Get A Kick Out Of You I get no kick from champagne, Mere alcohol, Doesn't thrill…
I Got It Bad Though folks with good intentions Tell me to save my tears W…
I Let A Song Go Out Of My Heart I let a song go out of my heart It was…
I Never Knew I'll never be the same Stars have lost their meaning for…
I Want To Be Happy I'm a very ordinary man Trying to work out life's happy…
I Won't Dance I won't dance, don't ask me I won't dance, don't ask…
I'll Remember April This lovely day will lengthen into evening We'll sigh goodby…
I've Got Rhythm I've got you under my skin. I've got you deep in…
If I Had You I could show the world how to smile I could be…
If I Were a Bell Ask me how do I feel, Now that we're cosy and…
In a Sentimental Mood In A Sentimental Mood I can see the stars come…
In The Mood I'm in the mood for love Simply because you're near me. Funn…
In The Still Of The Night In the still of the night As I gaze out of…
Isn't She Lovely Isn't she lovely Isn't she wonderful Isn't she precious L…
It Don't Mean A Thing It don't mean a thing If it ain't got that swing (doo…
It Had To Be You It had to be you, it had to be you. I…
It Might As Well Be Spring I'm as restless as a willow in a windstorm I'm as…
It's Only A Paper Moon Say, it's only a paper moon Sailing over a cardboard sea B…
It's Only Paper Moon Say, it's only a paper moon Sailing over a cardboard sea But…
It's You or No One How did I know that the warmth of the glow…
It’s Only A Paper Moon Say, it's only a paper moon Sailing over a cardboard sea But…
Just A Gigolo I'm just a gigolo Everywhere I go People know the part I'm p…
Just You Just Me Just you, just me Let's find a cozy spot To cuddle and…
Lady Be Good Listen to my tale of woe, It's terribly sad but…
Laura You know the feeling of something half remembered Of somethi…
Let's Do It Do you know what it means to miss New Orleans And…
Light Listen to the melody entrancing Blending in a soft and sweet…
Like Someone In Love Lately, I find myself out gazing at stars, Hearing guitars…
Long Ago And Far Away Long ago and far away I dreamed a dream one day And…
Looking at You When it happened, Something Snapped inside me Made me wanna…
Love For Sale I'm in the mood for love Simply because you're near me. Funn…
Love is here to stay It's very clear, our love is here to stay Not for…
Lover You went away I let you We broke the ties that bind I…
Lullaby of birdland Lullaby of Birdland, that's what I Always hear when you…
Medley: 'S Wonderful / Someone To Watch Over Me / I Got Rhythm Don't mind telling you, in my humble fash That you thrill…
Misty Look at me I'm as helpless as a kitten up a…
Moon Glow It must have been moonglow, way up in the blue It…
Moonglow It must have been moonglow, way up in the blue It…
More Whether you are here or yonder, Whether you are false…
My Foolish Heart The night is like a lovely tune Beware my foolish heart How…
My Heart Stood Still I laughed at sweethearts I met at schools All indiscreet hea…
My One And Only Love The very thought of you makes my heart sing Like an…
Nice Work If You Can Get It The man who only lives for making money Lives a life…
Night and Day It's been a hard day's night, and I been working…
Nuages Missed the Saturday dance Heard they crowded the floor Cou…
Oh Lady Be Good Listen to my tale of woe, It's terribly sad but…
Oh! Lady Be Good Listen to my tale of woe, It's terribly sad but…
On the Sunny Side of the Street Walked with no one and talked with no one And I…
Over the Rainbow Somewhere over the rainbow, way up high There's a land that…
Pennies From Heaven Every time it rains, it rains pennies from heaven Don't you…
Pick Yourself Up Please teacher, teach me something, Nice teacher, teach me s…
Rose Room I want to take you to a little room A little…
Round About Midnight It begins to tell, 'round midnight, midnight. I do pretty we…
S Wonderful 'S wonderful, 's wonderful 'S marvelous, 's marvelous That y…
S'posin' S'posin' I should fall in love with you Do you think…
She Once she dressed in silks and lace, Owned a Rolls…
Sheik of Araby "I'm the Sheik of Araby, Your love belongs to me. At…
Skylark Skylark Have you anything to say to me? Won't you tell me…
Smiles: Time On My Hands When the day fades away into twilight The moon is my…
Smoke Gets In Your Eyes They asked me how I knew My true love was true I…
Solitude In my solitude You haunt me With dreadful ease Of days gone …
Someone To Watch Over Me There's a saying old says that love is blind Still were…
St Louis Blues I hate to see that evening sun go down I hate…
St. Louis Blues I hate to see that evening sun go down I hate…
Star Dust And now the purple dusk of twilight time Steals across the…
Star Eyes Star eyes, That to me is what your eyes are, Soft as…
Stardust And now the purple dusk of twilight time Steals across the…
Sunny Skies Sunny Skies sleeps in the morning He doesn't know when to…
Sweet Georgia Brown Well let me tell you well no chick made Could be…
Takin' a Chance On Love Here I go again, I hear those trumpets blow again. All…
That Old Black Magic Old black magic has me in its spell Old black magic…
The Birth of Blues Oh! they say some people long ago Were searching for a…
The Folks On The Hill Someday we'll build a home On a hilltop high, you…
The Girl From Ipanema Tall and tan and young and lovely The girl from Ipanema…
The Man I Love I'm in the mood for love Simply because you're near me. Funn…
The Nearness Of You Its not the pale moon that excites me That thrills and…
The Sheik of Araby "I'm the Sheik of Araby, Your love belongs to me. At…
Them Their Eyes I was just minding my business Life was a beautiful song Did…
These foolish things Oh! Will you never let me be? Oh! Will you never…
This Can't Be Love This can't be love Because I feel so well No sobs, no…
Thou Swell Thou swell, thou witty Thou sweet, thou grand Wouldst kiss…
Three O'Clock In The Morning It's three o'clock in the morning We've danced the whole ni…
Tiger Rag Where's that tiger! Where's that tiger! Where's that tiger!…
Time on My Hands When the day fades away into twilight The moon is my…
Vous Qui Passez Sans Me Voir Vous, qui passez sans me voir Sans même me dire bonsoir Donn…
Weep No More My Lady When my heart hurts no more and the flame's just…
What Are You Doing the Rest of your Life I want to see your face in every kind of…
When I Look At You I was just a lonely Melisande, Pity pity me. Came a…
Willow Weep For Me Yes, willow weep for me Willow weep for me Bend your branc…
You It had to be you, it had to be you. I…
You Are The Sunshine Of My Life You are the sunshine of my life That's why I'll always…
You Better Go Now You better go now Because I like you much, too much You…
You Go To My Head You go to my head And you linger like a haunting…
You Make Me Feel So Young You make me feel so young You make me feel as…
You Took Advantage of Me When a girl has the heart of a mother It must…
You'd Be So Nice To Come Home To You'd be so nice to come home to You'd be so…
You're the Cream in My Coffee You're the cream in my coffee You're the salt in my…
You're The Top At words poetic, I'm so pathetic That I always have found…
You've Got A Thing It don't mean a thing If it ain't got that swing (doo…