Steel Pulse
Steel Pulse is a British roots reggae band from Birmingham, England. They were the first non-Jamaican act to win the Grammy Award for Best Reggae Album for their 1986 album Babylon The Bandit.
Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and comprised David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).
However, it is Hinds who, as songwriter, has always been the engine behind Steel Pulse Read Full BioSteel Pulse is a British roots reggae band from Birmingham, England. They were the first non-Jamaican act to win the Grammy Award for Best Reggae Album for their 1986 album Babylon The Bandit.
Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and comprised David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).
However, it is Hinds who, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards. Formed in 1975, their debut release, 'Kibudu, Mansetta And Abuku" arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with 'Nyah Love' for Anchor.
Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism 1 organisation, they chose to tour instead with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing".
Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Their first release for Island was the 'Ku Klux Klan' 45 rpm, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage.
By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nesbitt (drums), Fonso Martin (vocals, percussion) and Michael Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British reggae.
However, despite critical and moderate commercial success over three albums, the relationship with Island had soured by the advent of Caught You (released in the US as Reggae Fever). They switched to Elektra, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garveyeulogising 'Rally Around' cut.
A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon Bandit was consequently weakened, but did contain the anthemic 'Not King james Version', which was a powerful indictment on the omission of black people and history from certain versions of the Bible.
Their next move was id Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums.
Rastafari Centennial was recorded live at the Elysee Montmarte in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Fonso Martin, leaving the trio of David Hinds, Steve Nisbett and Selwyn Brown.
While they still faced inverted snobbery at the hands of British reggae fans, in America their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York Taxi and Limousine Commission in the Supreme High Court, asserting that their cab drivers discriminated against black people in general and Rastas in particular.
Drummer Steve "Grizzly" Nisbett (15 March 1948 – 18 January 2018) died in 2018.
The band are still recording and touring.
Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and comprised David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).
However, it is Hinds who, as songwriter, has always been the engine behind Steel Pulse Read Full BioSteel Pulse is a British roots reggae band from Birmingham, England. They were the first non-Jamaican act to win the Grammy Award for Best Reggae Album for their 1986 album Babylon The Bandit.
Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and comprised David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).
However, it is Hinds who, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards. Formed in 1975, their debut release, 'Kibudu, Mansetta And Abuku" arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with 'Nyah Love' for Anchor.
Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism 1 organisation, they chose to tour instead with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing".
Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Their first release for Island was the 'Ku Klux Klan' 45 rpm, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage.
By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nesbitt (drums), Fonso Martin (vocals, percussion) and Michael Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British reggae.
However, despite critical and moderate commercial success over three albums, the relationship with Island had soured by the advent of Caught You (released in the US as Reggae Fever). They switched to Elektra, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garveyeulogising 'Rally Around' cut.
A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon Bandit was consequently weakened, but did contain the anthemic 'Not King james Version', which was a powerful indictment on the omission of black people and history from certain versions of the Bible.
Their next move was id Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums.
Rastafari Centennial was recorded live at the Elysee Montmarte in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Fonso Martin, leaving the trio of David Hinds, Steve Nisbett and Selwyn Brown.
While they still faced inverted snobbery at the hands of British reggae fans, in America their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York Taxi and Limousine Commission in the Supreme High Court, asserting that their cab drivers discriminated against black people in general and Rastas in particular.
Drummer Steve "Grizzly" Nisbett (15 March 1948 – 18 January 2018) died in 2018.
The band are still recording and touring.
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Handsworth Revolution
Steel Pulse Lyrics
I say the people of Handsworth, know that
One hand wash the other so they say
So let's join hands my bredren
Make the way for our children (our children, our children)
And their children (their children, their children)
Ensuring that they get life's fair share of
Equality
Doesn't justice stand for all
Doesn't justice stand for all
Doesn't justice stand for all mankind
We find society putting us down
Crowning us, crowning us, crowning us, crowning us
A place of Evil, oh, oh
Handsworth means us the Black People
Handsworth means us the Black People
We're taiklng now. Speaking Jah Jah language!
It's a long, long way we're coming from
To send this message across, across
Its been hidden, forbidden, concealed, unrevealed
Its got to come out In the open that -
BABYLON IS FALLING
BABYLON IS FALLING
It was foolish to build It on the sand
Handsworth shall stand, firm - like Jah rock
- fighting back
We once beggars are now choosers
No intention to be losers
Striving forward with ambition
And if it takes ammunition
We rebel in Handsworth revolution
Dread town, dread town, dread town,
Dread town, dread town, dread town,
Dread we are for a cause
Deprived of many things
Experienced phoney laws
Hatred Babylon brings
We know what we got to offer
We know what's going on
Don't want no favours
Cause there is still hunger
Innocent convicted
Poor wage, hard labour
Only Babylon prospers
And humble suffer
They are brothers in south of Africa
One Black represent all, all over the world
Can't bear it no longer
Blessed wlththe power
Of Jah Creator
We will get stronger
And we will conquer
And forward ever, and backward never
Handsworth Revolution
Handsworth Revolution
Handsworth Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Lyrics © O/B/O APRA AMCOS
Written by: ALPHONSO MARTIN, BASIL GLENDON GABBIDON, DAVID ROBERT HINDS, MICHAEL RILEY, RONNIE MCQUEEN, SELWYN DELRAINZE BROWN, STEPHEN VINCENT NISBETT
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Karen Moukoukenoff
say the people of Handsworth, know that
One hand wash the other so they say
So let's join hands my bredren
Make the way for our children (our children, our children)
And their children (their children, their children)
Ensuring that they get life's fair share of...
Equality...
Doesn't justice stand for all
Doesn't justice stand for all
Doesn't justice stand for all mankind
We find society putting us down
Crowning us, crowning us, crowning us, crowning us
A place of Evil, OH, OH
Handsworth means us the Black People
Handsworth means us the Black People
We're taiklng now. Speaking Jah Jah language!
It's a long, long way we're coming from
To send this message across, across
Its been hidden, forbidden, concealed, unrevealed
Its got to come out In the open that -
BABYLON IS FALLING
BABYLON IS FALLING
It was foolish to build It on the sand
Handsworth shall stand, firm - like Jah rock
- fighting back
We once beggars are now choosers
No intention to be losers
Striving forward with ambition
And if it takes ammunition
We rebel in Handsworth revolution
Dread town, dread town, dread town,
Dread town, dread town, dread town,
Dread we are for a cause
Deprived of many things
Experienced phoney laws
Hatred Babylon brings
We know what you've got to offer
We know what's going on
Don't want no favours
Cause there is still hunger
Innocent convicted
Poor wage, hard labour
Only Babylon prospers
And humble suffer
They are brothers in south of Africa
One Black represent all, all over the world
Can't bear it no longer
Blessed wlththe power
Of Jah Creator
We will get stronger
And we will conquer
And forward ever, and backward never
Handsworth Revolution
Handsworth Revolution
Handsworth Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Raskolnificacion
I say the people of Handsworth, know that
One hand wash the other so they say
So let's join hands my bredren
Make the way for our children (our children, our children)
And their children (their children, their children)
Ensuring that they get life's fair share of...
Equality...
Doesn't justice stand for all
Doesn't justice stand for all
Doesn't justice stand for all mankind
We find society putting us down
Crowning us, crowning us, crowning us, crowning us
A place of Evil, OH, OH
Handsworth means us the Black People
Handsworth means us the Black People
We're taiklng now. Speaking Jah Jah language!
It's a long, long way we're coming from
To send this message across, across
Its been hidden, forbidden, concealed, unrevealed
Its got to come out In the open that -
BABYLON IS FALLING
BABYLON IS FALLING
It was foolish to build It on the sand
Handsworth shall stand, firm - like Jah rock
- fighting back
We once beggars are now choosers
No intention to be losers
Striving forward with ambition
And if it takes ammunition
We rebel in Handsworth revolution
Handsworth revolution
Handsworth yeah yeah revolution
Handsworth revolution
Revolution
Dread town, dread town, dread town
Dread town, dread town, dread town
Dread we are for a cause
Deprived of many things
Experienced phoney laws
Hatred Babylon brings
We know what we got to offer
We know what's going on
Don't want no favours
Cause there is still hunger
Innocent convicted
Poor wage, hard labour
Only Babylon prospers
And humble suffer
They are brothers in south of Africa
One Black represent all, all over the world
Can't bear it no longer
Blessed wlththe power
Of Jah Creator
We will get stronger
And we will conquer
And forward ever, and backward never
Handsworth Revolution
Handsworth Revolution
Handsworth Yeah, Yeah Yeah, Revolution
Handsworth Yeah, Yeah Yeah, Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Revo- Revo- Revolution
Coriander
I say the people of Handsworth, know that
One hand wash the other so they say
So let's join hands my bredren
Make the way for our children (our children, our children)
And their children (their children, their children)
Ensuring that they get life's fair share of...
Equality...
Doesn't justice stand for all
Doesn't justice stand for all
Doesn't justice stand for all mankind
We find society putting us down
Crowning us, crowning us, crowning us, crowning us
A place of Evil, OH, OH
Handsworth means us the Black People
Handsworth means us the Black People
We're taiklng now. Speaking Jah Jah language!
It's a long, long way we're coming from
To send this message across, across
Its been hidden, forbidden, concealed, unrevealed
Its got to come out In the open that -
BABYLON IS FALLING
BABYLON IS FALLING
It was foolish to build It on the sand
Handsworth shall stand, firm - like Jah rock
- Fighting back
We once beggars are now choosers
No intention to be losers
Striving forward with ambition
And if it takes ammunition
We rebel in Handsworth revolution
Dread town, dread town, dread town
Dread town, dread town, dread town
Dread we are for a cause
Deprived of many things
Experienced phoney laws
Hatred Babylon brings
We know what we got to offer
We know what's going on
Don't want no favours
Cause there is still hunger
Innocent convicted
Poor wage, hard labour
Only Babylon prospers
And humble suffer
They are brothers in south of Africa
One Black represent all, all over the world
Can't bear it no longer
Blessed wlththe power
Of Jah Creator
We will get stronger
And we will conquer
And forward ever, and backward never
Handsworth Revolution
Handsworth Revolution
Handsworth Revolution
Damian Keenan
Remember buying this back in 78, still sounds magnificent, has lost none of its power. Handsworth is now everywhere. Rise up!
Damian Keenan
@GEOFF H Yes, LKJ is excellent too. No more heroes any more!
GEOFF H
None of it, LKJ also
Neil Cottom
The band from where I was born. The band I listened to after The Wailers. Hugely influential. This album is a British Music Masterpiece. Big ups and blessings.
whelanmaurice087
@Christopher Jones Dude, are you like, 12, or something?!😂
Christopher Jones
@whelanmaurice087 you can’t be leaving comments to the reggae community calling Bob Marley a sellout. Bottom line. Especially when asked why u said google it and got an attitude. You got you’re information from Babylon’s system of lies. Straight up. And then spoke on it. Wake up. Babylon makes the rules and you following them that seek to trap and enslave us. Wake up. Ask Jah for eyes to see the truth. Who’s the real sellout? Ya dun know nothin about Bob except whah Babylon told yah. Bumba Ras Klot!
Christopher Jones
@whelanmaurice087 go google something dumbass. 🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣
whelanmaurice087
@Christopher Jones 😂😂O.M.F.G. You still giving orders? How's that going for you??🤣🤣 You'll slap what?!🤣🤣🤣
Either way, you ain't got one clue what your on about, but we're getting a good laugh out of you, so keep writing!
Personally, i think your a dick, but hey, what do I know? Someone here thinks your hilarious.🤣 No accounting for some people's taste, is there?
P.S. don't bother replying.🤣🤣P.P.S. You shouldn't be nasty to people ..
Christopher Jones
@whelanmaurice087 google is definitely you’re problem. Don’t comment on YouTube if you don’t want ppl checkin u on it. BTW just cuz reggae is about peace and love don’t mean I won’t bitch slap ur punk ass. Stop googling all ur info and read books
Warren Doris
Still just as powerful as it was back then! I still have the vinyl given to me when i visited Island UK. I remember their great A&R guy Julian ! To David grizzly and the whole crew! Much BLESSINGS!