Steel Pulse
Steel Pulse is a British roots reggae band from Birmingham, England. They were the first non-Jamaican act to win the Grammy Award for Best Reggae Album for their 1986 album Babylon The Bandit.
Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and comprised David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).
However, it is Hinds who, as songwriter, has always been the engine behind Steel Pulse Read Full BioSteel Pulse is a British roots reggae band from Birmingham, England. They were the first non-Jamaican act to win the Grammy Award for Best Reggae Album for their 1986 album Babylon The Bandit.
Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and comprised David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).
However, it is Hinds who, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards. Formed in 1975, their debut release, 'Kibudu, Mansetta And Abuku" arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with 'Nyah Love' for Anchor.
Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism 1 organisation, they chose to tour instead with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing".
Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Their first release for Island was the 'Ku Klux Klan' 45 rpm, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage.
By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nesbitt (drums), Fonso Martin (vocals, percussion) and Michael Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British reggae.
However, despite critical and moderate commercial success over three albums, the relationship with Island had soured by the advent of Caught You (released in the US as Reggae Fever). They switched to Elektra, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garveyeulogising 'Rally Around' cut.
A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon Bandit was consequently weakened, but did contain the anthemic 'Not King james Version', which was a powerful indictment on the omission of black people and history from certain versions of the Bible.
Their next move was id Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums.
Rastafari Centennial was recorded live at the Elysee Montmarte in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Fonso Martin, leaving the trio of David Hinds, Steve Nisbett and Selwyn Brown.
While they still faced inverted snobbery at the hands of British reggae fans, in America their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York Taxi and Limousine Commission in the Supreme High Court, asserting that their cab drivers discriminated against black people in general and Rastas in particular.
Drummer Steve "Grizzly" Nisbett (15 March 1948 – 18 January 2018) died in 2018.
The band are still recording and touring.
Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and comprised David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).
However, it is Hinds who, as songwriter, has always been the engine behind Steel Pulse Read Full BioSteel Pulse is a British roots reggae band from Birmingham, England. They were the first non-Jamaican act to win the Grammy Award for Best Reggae Album for their 1986 album Babylon The Bandit.
Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and comprised David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).
However, it is Hinds who, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards. Formed in 1975, their debut release, 'Kibudu, Mansetta And Abuku" arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with 'Nyah Love' for Anchor.
Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism 1 organisation, they chose to tour instead with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing".
Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Their first release for Island was the 'Ku Klux Klan' 45 rpm, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage.
By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nesbitt (drums), Fonso Martin (vocals, percussion) and Michael Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British reggae.
However, despite critical and moderate commercial success over three albums, the relationship with Island had soured by the advent of Caught You (released in the US as Reggae Fever). They switched to Elektra, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garveyeulogising 'Rally Around' cut.
A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon Bandit was consequently weakened, but did contain the anthemic 'Not King james Version', which was a powerful indictment on the omission of black people and history from certain versions of the Bible.
Their next move was id Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums.
Rastafari Centennial was recorded live at the Elysee Montmarte in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Fonso Martin, leaving the trio of David Hinds, Steve Nisbett and Selwyn Brown.
While they still faced inverted snobbery at the hands of British reggae fans, in America their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York Taxi and Limousine Commission in the Supreme High Court, asserting that their cab drivers discriminated against black people in general and Rastas in particular.
Drummer Steve "Grizzly" Nisbett (15 March 1948 – 18 January 2018) died in 2018.
The band are still recording and touring.
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Ku Klux Klan
by Steel Pulse
Walking along just kicking stones
Minding my own business
I come face to face, with my foe
Disguised In violence from head to toe
I holla and I bawl (Ku Klux Klan)
But dem naw let me go now
To let me go was not dem intention
Dem seh one nigga the less
The better for the show
Stand strong black skin and take your blow
It's the Ku, the Ku Klux Klan
Here to stamp out blackman yah
The Ku, the Ku Klux Klan heh!
To be taught a lesson not to walk alone
I was waiting for the Good Samaritan
But waiting was hopeless
It was all in vain
The Ku Klux Klan back again
I holla and I bawl (Ku Klux Klan)
Dem naw let me go now
Dem seh one nigga the less
The better the show
Stand strong blackskin and take your blow
The Ku, Ku Klux Klan
Rape, lynch, kill and maim
Things can't remain the same yah no!
Blackman do unto the Klan
AS they would do to you
In this case hate they neighbour
Those cowards only kill who they fear
That's why they hide behind
The hoods and cloaks they wear
I holla and I bawl, Ku Klux Klan
Dem naw let me go no, Ku Klux Klan
Oh no, oh no
Here to stamp out black man yah
Rape, lynch, kill and maim
Things can't remain the same yah
No, no, no, no
Lyrics © O/B/O APRA AMCOS
Written by: DAVID ROBERT HINDS
Lyrics Licensed & Provided by LyricFind
by Steel Pulse
Walking along just kicking stones
Minding my own business
I come face to face, with my foe
Disguised In violence from head to toe
I holla and I bawl (Ku Klux Klan)
But dem naw let me go now
To let me go was not dem intention
Dem seh one nigga the less
The better for the show
Stand strong black skin and take your blow
It's the Ku, the Ku Klux Klan
Here to stamp out blackman yah
The Ku, the Ku Klux Klan heh!
To be taught a lesson not to walk alone
I was waiting for the Good Samaritan
But waiting was hopeless
It was all in vain
The Ku Klux Klan back again
I holla and I bawl (Ku Klux Klan)
Dem naw let me go now
Dem seh one nigga the less
The better the show
Stand strong blackskin and take your blow
The Ku, Ku Klux Klan
Rape, lynch, kill and maim
Things can't remain the same yah no!
Blackman do unto the Klan
AS they would do to you
In this case hate they neighbour
Those cowards only kill who they fear
That's why they hide behind
The hoods and cloaks they wear
I holla and I bawl, Ku Klux Klan
Dem naw let me go no, Ku Klux Klan
Oh no, oh no
Here to stamp out black man yah
Rape, lynch, kill and maim
Things can't remain the same yah
No, no, no, no
Lyrics © O/B/O APRA AMCOS
Written by: DAVID ROBERT HINDS
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Josh Featherstone
As a southern white man I want to say that the Klan is a huge embarrassment to most of us. Hate will never prevail. Respect to Steel Pulse.
Snowy Peak
@Denny LF Why are you so full of hate? And what are you basing that he's a racist on? That he's white and lives in the south? You represent the hate that the kkk thrives on.
8:16 am
People only care about their kids. We are all the same. Get over it
Michiel vd Vlies
i dont know much about the klan but why is their book called the kloran?
Tate Buquoi fishing
Did I ask for ur opinion??
Luis Martinez
The Ku Klux Klan. The enforcement wing of the Democratic Party. How ironic that most minorities feel the Democrats have their best interests in mind.
Cj Turner
I lost my shit when they played this live. Reggae has an ability to help you groove to a song that is about evil men. God bless my people of all colors, keep loving and vibing that's all we here for in this world
Lucas Ferreira
Cj Turner. Hi, how are you? Here in Brazil, reggae is an expression for social revolt just like rap and hiphop. I truly admire the courage of those guys singing how they fight one of the many faces of racism around the world - they truly have a Steel Pulse and that is what it takes to fight racism.
The joys Of life
I'll second that , with love to all
Eugene Morice
Amen to all of that my friend! !