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Tamer Abu Ghazaleh
Is a composer of alternative Arabic music, and an Oud, Buzuq, and vocal performer.
The lyrics in his compositions are in formal (fus-ha), Palestinian, or Egyptian dialect, written by himself or by Arab poets. The lyrics, in general, are not directed towards a specific theme; they express an array of human experience that is not defined by time or place: love, challenge, insecurity, boredom, thrill, frustration, etc. Tamer's music absorbs the lyrics Read Full BioIs a composer of alternative Arabic music, and an Oud, Buzuq, and vocal performer.
The lyrics in his compositions are in formal (fus-ha), Palestinian, or Egyptian dialect, written by himself or by Arab poets. The lyrics, in general, are not directed towards a specific theme; they express an array of human experience that is not defined by time or place: love, challenge, insecurity, boredom, thrill, frustration, etc. Tamer's music absorbs the lyrics, chews them, re-arranges their perspective, and bursts them as expressive originals that are certainly defined by time and place; the current time; Palestine. If the lyrics speak of love and passion, the music speaks of love separated by the Apartheid Wall and passion under siege. This link seems inevitable for any honest musical expression throughout the Palestinian musical scene, even if it is not evident at the first glance.
The lyrics in his compositions are in formal (fus-ha), Palestinian, or Egyptian dialect, written by himself or by Arab poets. The lyrics, in general, are not directed towards a specific theme; they express an array of human experience that is not defined by time or place: love, challenge, insecurity, boredom, thrill, frustration, etc. Tamer's music absorbs the lyrics Read Full BioIs a composer of alternative Arabic music, and an Oud, Buzuq, and vocal performer.
The lyrics in his compositions are in formal (fus-ha), Palestinian, or Egyptian dialect, written by himself or by Arab poets. The lyrics, in general, are not directed towards a specific theme; they express an array of human experience that is not defined by time or place: love, challenge, insecurity, boredom, thrill, frustration, etc. Tamer's music absorbs the lyrics, chews them, re-arranges their perspective, and bursts them as expressive originals that are certainly defined by time and place; the current time; Palestine. If the lyrics speak of love and passion, the music speaks of love separated by the Apartheid Wall and passion under siege. This link seems inevitable for any honest musical expression throughout the Palestinian musical scene, even if it is not evident at the first glance.
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Takhabot
by Tamer Abu Ghazaleh
مشمس كان هداك اليوم
مع انه الشمس شربت كاس
ونسيت تطلع ونسيت تنزل
ليلة امبارح جاني نوم
مع انه الشمس والقلقاس
واحنا لسة ف أول ليلة
حلموا والسحابة بتدحل
حلموا فيّ بقشر ببصل
واخلط مع حبة قلقاسة
قشرة بصلة وزيت مسخن
ومربع كلمة تتمايل
مع كلمة ف زاوية تتهرب
تتربع كلمة مزوية
ف بوسة بصل لشخصي الأكرم
قام البصل هدر فجأة والسحابة لسة بتدحل
وحرقتني الشمس
قام المطر شرب قطرة والسحابة برضه بتدحل
وحرقتني الشمس
Contributed by Muhammad Y. Suggest a correction in the comments below.
by Tamer Abu Ghazaleh
مشمس كان هداك اليوم
مع انه الشمس شربت كاس
ونسيت تطلع ونسيت تنزل
ليلة امبارح جاني نوم
مع انه الشمس والقلقاس
واحنا لسة ف أول ليلة
حلموا والسحابة بتدحل
حلموا فيّ بقشر ببصل
واخلط مع حبة قلقاسة
قشرة بصلة وزيت مسخن
ومربع كلمة تتمايل
مع كلمة ف زاوية تتهرب
تتربع كلمة مزوية
ف بوسة بصل لشخصي الأكرم
قام البصل هدر فجأة والسحابة لسة بتدحل
وحرقتني الشمس
قام المطر شرب قطرة والسحابة برضه بتدحل
وحرقتني الشمس
Contributed by Muhammad Y. Suggest a correction in the comments below.
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