Warren G
Warren Griffin III (born November 10, 1970 in Long Beach, California), better known simply as Warren G, is a Grammy award nominated American West Coast rapper, singer, DJ and producer signed to his own label, G-Funk Entertainment. In 1990, Warren G formed the group 213 with Nate Dogg and Snoop Dogg, and in 1994 he exploded onto the Long Beach rap scene with the smash single "Regulate," a duet with Nate Dogg, and its accompanying album, Regulate... Read Full BioWarren Griffin III (born November 10, 1970 in Long Beach, California), better known simply as Warren G, is a Grammy award nominated American West Coast rapper, singer, DJ and producer signed to his own label, G-Funk Entertainment. In 1990, Warren G formed the group 213 with Nate Dogg and Snoop Dogg, and in 1994 he exploded onto the Long Beach rap scene with the smash single "Regulate," a duet with Nate Dogg, and its accompanying album, Regulate...G Funk Era. He has since released a further 8 albums on Death Row Records. He grew up in Long Beach listening to his parents' extensive collection of jazz, soul and funk records, also frequently hanging out at the local record store. As a teenager, he and his friends Nate Dogg and future superstar Snoop Dogg formed a rap group called 213, after their area code. Unfortunately, all three had brushes with the law and spent time in jail, which motivated them to get jobs, also working on their music on the side. Eventually, the V.I.P. record store allowed the trio to practice and record in a back room. It was here that Snoop cut the demo "Super Duper Snooper," which G played for his half-brother Dr. Dre at a party. Dre invited all three to his studio and wound up collaborating with Snoop on The Chronic. While G also made several contributions, he opted to develop his talents mostly outside of Dre's shadow. He honed his musical skills while producing such artists as MC Breed and 2Pac. A break came when his vocal collaboration with Mista Grimm, "Indo Smoke," appeared on the Poetic Justice soundtrack. Soon after that, G recorded his debut album for Death Row. "Regulate" appeared on the Above the Rim soundtrack and was released as a single. It quickly became a massive hit, peaking at #2 on the Billboard charts and pushing the album up to the same position. The album eventually went triple platinum, with "This D.J." becoming his second Top 10 hit.
Warren G took nearly three years to complete his second album, returning in the spring of 1997 with Take A Look Over Your Shoulder, which was greeted with decidedly mixed reviews and weak sales. I Want It All followed in 1999 with The Return of the Regulator appearing two years later. In 2005 he signed with Lightyear Enterntainment and released In the Mid-Nite Hour.
Warren G took nearly three years to complete his second album, returning in the spring of 1997 with Take A Look Over Your Shoulder, which was greeted with decidedly mixed reviews and weak sales. I Want It All followed in 1999 with The Return of the Regulator appearing two years later. In 2005 he signed with Lightyear Enterntainment and released In the Mid-Nite Hour.
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Regulate
Warren G Lyrics
Regulators
We regulate any stealin' of his property
We're damn good too, but you can't be any geek off the street
You gotta be handy with the steel, if you know what I mean
Earn your keep
Regulators, mount up
It was a clear black night, a clear white moon
Warren G was on the streets, trying to consume
Some skirts for the eve, so I can get some phones
Rollin' in my ride, chillin' all alone
Just hit the eatside of the LBC
On a mission tryna find Mr. Warren G
Seen a car full of girls, ain't no need to tweak
All you skirts know what's up with 213
So I hooks a left on the 21 and Lewis
Some brothers shootin' dice, so I said, "Let's do this"
I jumped out the ride and said, "What's up?"
Some brothers pulled some gats, so I said, "I'm stuck"
Since these girls peepin' me I'ma glide and swerve
These hookers lookin' so hard they straight hit the curb
Onto bigger, better things than some horny tricks
I see my homie and some suckas all in his mix
I'm gettin' jacked, I'm breakin' myself
I can't believe they taking Warren's wealth
They took my rings, they took my Rolex
I looked at the brother said, "Damn, what's next?"
They got my homie hemmed up and they all around
Can't none of them see him if they going straight pound for pound
They wanna come up real quick before they start to clown
I best pull out my strap and lay them busters down
They got guns to my head
I think I'm going down
I can't believe it's happenin' in my own home town
If I had wings I would fly, let me contemplate
I glanced in the cut and I see my homie Nate
Sixteen in the clip and one in the hole
Nate Dogg is about to make some bodies turn cold
Now they droppin' and yellin', it's a tad bit late
Nate Dogg and Warren G had to regulate
I laid all them busters down, I let my gat explode
Now I'm switching my mind back into freak mode
If you want skirts, sit back and observe
I just left a gang of hoes over there on the curb
Now Nate got the freaks and that's a known fact
Before I got jacked I was on the same track
Back up, back up, 'cause it's on
N-A-T-E and me, the Warren to the G
Just like I thought, they were in the same spot
In need of some desperate help
The Nate Dogg and the G child
Were in need of something else
One of them dames was sexy as hell
I said, "Ooh I like your size"
She said "My car's broke down and you seem real nice, would you let me ride?"
I got a car full of girls and it's going real swell
The next stop is the Eastside Motel
I'm tweaking into a whole new era
G-funk, step to this, I dare ya
Funk on a whole new level
The rhythm is the bass and the bass is the treble
Chords, strings, we brings melody
G-funk, where rhythm is life and life is rhythm
If you know like I know
You don't wanna step to this
It's the G-funk era, funked out with a gangster twist
If you smoke like I smoke
Then you're high like everyday
And if your ass is a buster
213 will regulate
Lyrics © OLE MEDIA MANAGEMENT LP, Sony/ATV Music Publishing LLC, Royalty Network, Warner Chappell Music, Inc.
Written by: Jerry Leiber, Mike Stoller, Nathaniel Hale, Warren Iii Griffin
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Unknown Raider guy
Let me add on the list
*no skinny jeans
*No boat shoes
*No fake gangsta rappers
*No rainbow color hair rappers
*No snitching
*No showing love to thots
*When listening to the radio was fun
*When summer jam was fun
*When if your music was trash you wouldn’t even have a record deal
*When you had to go to tower records and warehouse music to get ya music
*When watching bet rap city was fun
*When watching mtv was fun
*When you had to go to blockbuster video to rent movies
*When parties and clubs played slow jams and everyone slow danced to the music
*When everyone use to use your momma jokes
*When block parties was fun
*When little homies respected the big homies (OGs)
Mydoom.A
0:19
On a cool, clear night (typical to Southern California) Warren G travels through his neighborhood, searching for women with whom he might initiate sexual intercourse. He has chosen to engage in this pursuit alone.
*Nate Dogg, having just arrived in Long Beach, seeks Warren. Ironically, Nate passes a car full of women who are excited to see him. He insists to the women that there is no cause for excitement. *
Warren makes a left at 21st Street and Lewis Ave, where he sees a group of young men enjoying a game of dice together. He parks his car and greets them. He is excited to find people to play with, but to his chagrin, he discovers they intend to relieve him of his material possessions. Once the hopeful thieves reveal their firearms, Warren realizes he is in a considerable predicament. *
Meanwhile, Nate passes the women, as they are low on his list of priorities. His primary concern is locating Warren. After curtly casting away the strumpets (whose interest in Nate was such that they crashed their automobile), he serendipitously stumbles upon his friend, Warren G, being held up by the young miscreants. *
Warren, unaware that Nate is surreptitiously observing the scene unfold, is in disbelief that he's being robbed. The perpetrators have taken jewelry and a name brand designer watch from Warren, who is so incredulous that he asks what else the robbers intend to steal. This is most likely a rhetorical question. *
Observing these unfortunate proceedings, Nate realizes that he may have to use his firearm to deliver his friend from harm. *
The tension crescendos as the robbers point their guns to Warren's head. Warren senses the gravity of his situation. He cannot believe the events unfolding could happen in his own neighborhood. As he imagines himself escaping in a surreal fashion, he catches a glimpse of his friend, Nate. *
Nate has seventeen cartridges (sixteen residing in the pistol's magazine, with a solitary round placed in the chamber and ready to be fired) to expend on the group of robbers. Afterward, he generously shares the credit for neutralizing the situation with Warren, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them. *
Warren recalls that it was the promise of copulation that coaxed him away from his previous activities, and is thankful that Nate knows a way to satisfy these urges. Nate quickly finds the women who earlier crashed their car on Nate's account. He remarks to one that he is fond of her physical appeal. The woman, impressed by Nate's singing ability, asks that he and Warren allow her and her friends to share transportation. Soon, both friends are driving with automobiles full of women to the East Side Motel, presumably to consummate their flirtation in an orgy. *
The third verse is more expository, with Warren and Nate explaining their G Funk musical style. Warren displays his bravado by daring anyone to approach the style. There follows a brief discussion of the genre's musicological features, with special care taken to point out that in said milieu the rhythm is not in fact the rhythm, as one might assume, but actually the bass. Similarly the bass serves a purpose closer to that which the treble would in more traditional musical forms. Nate displays his bravado by claiming that individuals with equivalent knowledge could not even attempt to approach his level of lyrical mastery. Nate goes on to note that if any third party smokes as he does, they would find themselves in a state of intoxication almost daily (from Nate's other works, it can be inferred that the substance referenced is marijuana). Nate concludes his delineation of the night by issuing a threat to "busters," suggesting that he and Warren will further "regulate" any potential incidents in the future (presumably by engaging their antagonists with small arms fire).*
Ian Honour
On a cool, clear night (typical to Southern California) Warren G travels through his neighborhood, searching for women with whom he might initiate sexual intercourse. He has chosen to engage in this pursuit alone.
Nate Dogg, having just arrived in Long Beach, seeks Warren. Ironically, Nate passes a car full of women who are excited to see him. He insists to the women that there is no cause for excitement.
Warren makes a left at 21st Street and Lewis Ave, where he sees a group of young men enjoying a game of dice together. He parks his car and greets them. He is excited to find people to play with, but to his chagrin, he discovers they intend to relieve him of his material possessions. Once the hopeful thieves reveal their firearms, Warren realizes he is in a considerable predicament.
Meanwhile, Nate passes the women, as they are low on his list of priorities. His primary concern is locating Warren. After curtly casting away the strumpets (whose interest in Nate was such that they crashed their automobile), he serendipitously stumbles upon his friend, Warren G, being held up by the young miscreants.
Warren, unaware that Nate is surreptitiously observing the scene unfold, is in disbelief that he’s being robbed. The perpetrators have taken jewelry and a name brand designer watch from Warren, who is so incredulous that he asks what else the robbers intend to steal. This is most likely a rhetorical question.
Observing these unfortunate proceedings, Nate realizes that he may have to use his firearm to deliver his friend from harm.
The tension crescendos as the robbers point their guns to Warren’s head. Warren senses the gravity of his situation. He cannot believe the events unfolding could happen in his own neighborhood. As he imagines himself escaping in a surreal fashion, he catches a glimpse of his friend, Nate.
Nate has seventeen cartridges to expend (sixteen residing in the pistol’s magazine, with a solitary round placed in the chamber and ready to be fired) on the group of robbers, and he uses many of them. Afterward, he generously shares the credit for neutralizing the situation with Warren, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them.
Warren recalls that it was the promise of copulation that coaxed him away from his previous activities, and is thankful that Nate knows a way to satisfy these urges.
Nate quickly finds the women who earlier crashed their car on Nate’s account. He remarks to one that he is fond of her physical appeal. The woman, impressed by Nate’s singing ability, asks that he and Warren allow her and her friends to share transportation. Soon, both friends are driving with automobiles full of women to the East Side Motel, presumably to consummate their flirtation in an orgy.
The third verse is more expository, with Warren and Nate explaining their G Funk musical style. Warren displays his bravado by claiming that individuals with equivalent knowledge could not even attempt to approach his level of lyrical mastery. There follows a brief discussion of the genre’s musicological features, with special care taken to point out that in said milieu the rhythm is not in fact the rhythm, as one might assume, but actually the bass. Similarly the bass serves a purpose closer to that which the treble would in more traditional musical forms. Nate goes on to note that if any third party smokes as he does, they would find themselves in a state of intoxication daily (from Nate’s other works, it can be inferred that the substance referenced is marijuana). Nate concludes his delineation of the night by issuing a vague threat to “busters,” suggesting that he and Warren will further “regulate” any potential incidents in the future (presumably by engaging their enemies with small arms fire).
Lovelyti TV
still can't believe it's been 20years since pac was killed and 22yrs since this song came out, damn how time flies! i STILL remember rapping this song word for word on the play ground, you couldn't tell us we was a part of 213 lol.
"and if your ass is a busta, 213 will regulateeeee!"🎵
R.I.P. Nate Dogg & 2Pac the game ain't the same, and thanks Warren G for everything you contributed to hiphop as well!🙌
Ac Ramirez
Same to you
Jimmy K
Much luv! 2020
Ac Ramirez
@Peachy Googles what's up
Alicia Plumley
Uuiuuhuoio
ZionTopSound / TheSoleCabinet @Instagram
And 4 years since your comment... Damn... 90s child 80s baby... Bless yall
WalkingCane
Dear 1990s... we miss you so so much.
jesse warr
Nah had some good music but modern rap is the best
Nicholas Loots
@Cody Wohlfeil back in 1994 there was no youtube, someone put it on later
Nicholas Loots
@TacaTacaMacarena keep rockin them🎶🎶📢📢