Wim Mertens
Wim Mertens (b. Neerpelt, Belgium, May 14, 1953) is a Belgian composer, countertenor vocalist, pianist, guitarist, and musicologist.
Mertens studied social and political science at the University of Leuven (graduating in 1975) and musicology at Ghent University; he also studied music theory and piano at the Royal Conservatories of Ghent and Brussels.
In 1978, he became a producer at the then BRT (Belgian Radio and Television). For Radio 2 (Radio Brabant) he produced concerts by Philip Glass Read Full BioWim Mertens (b. Neerpelt, Belgium, May 14, 1953) is a Belgian composer, countertenor vocalist, pianist, guitarist, and musicologist.
Mertens studied social and political science at the University of Leuven (graduating in 1975) and musicology at Ghent University; he also studied music theory and piano at the Royal Conservatories of Ghent and Brussels.
In 1978, he became a producer at the then BRT (Belgian Radio and Television). For Radio 2 (Radio Brabant) he produced concerts by Philip Glass, Steve Reich, Terry Riley, Meredith Monk, Urban Sax, and others, and hosted a program called Funky Town together with Gust De Meyer (with whom he recorded the experimental CD For Amusement Only).
Known primarily as a composer since the late 1970s, Mertens is best known for his opus "Struggle for Pleasure", which was chosen as an anthem in advertisements for the Belgian mobile phone operator Proximus. He is also well known for his piece "Maximizing the Audience", which was composed for Jan Fabre's play The Power of Theatrical Madness, which premiered in 1984 in Venice, Italy.
Mertens' style, while continually evolving during the course his prolific output, touches veins of minimalist, ambient and avant-garde, usually however preserving a melodic fundament to the forays that he makes into the worlds that he is exploring.
Mertens' music was used in the 1987 Peter Greenaway film The Belly of an Architect, along with that of Glenn Branca. It was also the soundtrack to "Nós Que Aqui Estamos por Vós Esperamos" (Here We Are Waiting for You) directed by Marcelo Masagão, winning the Best Music category at the 2000 Miami Brazilian Film Festival.
Mertens also recorded under the name "Soft Verdict", and is the author of American Minimal Music, which looks at the school of American repetitive music.
In March 1998 Mertens became the Cultural Ambassador of Flanders.
For him language is a very important influence on musicians or artists in general. Born in Belgium only a few people would have understood his songs, so they do not contain any language spoken, he invented his own. So people who listen to his music feel his intentions and not his language
Mertens studied social and political science at the University of Leuven (graduating in 1975) and musicology at Ghent University; he also studied music theory and piano at the Royal Conservatories of Ghent and Brussels.
In 1978, he became a producer at the then BRT (Belgian Radio and Television). For Radio 2 (Radio Brabant) he produced concerts by Philip Glass Read Full BioWim Mertens (b. Neerpelt, Belgium, May 14, 1953) is a Belgian composer, countertenor vocalist, pianist, guitarist, and musicologist.
Mertens studied social and political science at the University of Leuven (graduating in 1975) and musicology at Ghent University; he also studied music theory and piano at the Royal Conservatories of Ghent and Brussels.
In 1978, he became a producer at the then BRT (Belgian Radio and Television). For Radio 2 (Radio Brabant) he produced concerts by Philip Glass, Steve Reich, Terry Riley, Meredith Monk, Urban Sax, and others, and hosted a program called Funky Town together with Gust De Meyer (with whom he recorded the experimental CD For Amusement Only).
Known primarily as a composer since the late 1970s, Mertens is best known for his opus "Struggle for Pleasure", which was chosen as an anthem in advertisements for the Belgian mobile phone operator Proximus. He is also well known for his piece "Maximizing the Audience", which was composed for Jan Fabre's play The Power of Theatrical Madness, which premiered in 1984 in Venice, Italy.
Mertens' style, while continually evolving during the course his prolific output, touches veins of minimalist, ambient and avant-garde, usually however preserving a melodic fundament to the forays that he makes into the worlds that he is exploring.
Mertens' music was used in the 1987 Peter Greenaway film The Belly of an Architect, along with that of Glenn Branca. It was also the soundtrack to "Nós Que Aqui Estamos por Vós Esperamos" (Here We Are Waiting for You) directed by Marcelo Masagão, winning the Best Music category at the 2000 Miami Brazilian Film Festival.
Mertens also recorded under the name "Soft Verdict", and is the author of American Minimal Music, which looks at the school of American repetitive music.
In March 1998 Mertens became the Cultural Ambassador of Flanders.
For him language is a very important influence on musicians or artists in general. Born in Belgium only a few people would have understood his songs, so they do not contain any language spoken, he invented his own. So people who listen to his music feel his intentions and not his language
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giiiiiiiirl94
Sottofondo dei momenti più tristi di Flor! Stupenda *____*
Discobitch
This song makes me think of a goodbye between friends...or two people who had a great adventure, had happy and sad times together and shared many memories, but in the end they have to part ways.
Maybe they'll never see eachother again...but the memories will remain.
"Goodbye...I will never forget you.
Until we meet again, someday, somewhere."
burbinggarry
You are absolutely right.I fell in love with this tune when I lived in Belgium in 1984.. The friends I made there gave me the album as a going away present. It a huge wrench for me and I was very very sad to have to leave. We are now all in contact again, through Facebook. I plan to visit them all in 2024.
KO6JAY
well said, well said
neptunauta
Ever since I first saw Floricienta, in 2004 when I was 11 years old, I wanted so bad to know where to find this. It's one of the most beautiful pieces of music in the world. So touching and sad.
Λαμπρινή Κουτσοθόδωρου
I feel you from Greece ❤️! I heard it for the first time in the "rebelde way" and after in "Floricienta"
Benoit Vanhees
At least one good thing that came out of my country...
Lucienne Rivai
everytime I hear this song, tears roll over my cheeks, spontaneously, what a beautiful, song from the heart!! thank you Wim Mertens
Miljana Todorovic
Brilliant music, made forever like all instrumental classic songs, music for soul.
paulo cesar silva oliveira
Um grande compositor contemporâneo! Magnífico!