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"Traditional African music is symbolic, an expression and validation of psychic energy."
W. Komla Amoakua



In traditional Africa, music is an integral part of life and is linked with the worldview of the society in which it is produced. It has social, ritual, and ceremonial functions as well as some purely recreational purposes. Traditional art forms, including music, are rooted in mythology, legends, and folklore, and are associated with gods, ancestors and heroes. Musical activities are ritualized and intended to link the visible world with the invisible. Dancing is often an important part of the ritual and spiritual aspect of music.

Percussion instruments are the most popular instrument in African societies. Rattles, friction sticks, bells, clappers, and cymbals are popular. Many groups also use the sansa and xylophones. Numerous types of drums are also used. Various wind instruments are made out of tusks, horns, conch shells, wood or gourds. Styles of vocal music vary from area to area. This is due partly to the different languages spoken in different areas. Most African languages are tonal languages which are reflected in the singing.

Traditional African music does not have a written tradition. This makes it difficult to notate the music using the Western staff. The pitches and subtle differences in intonation do not translate easily. The Western scale patterns that relate most closely to African music are tetratonic, pentatonic, hexatonic or heptatonic arrangements. Melodic patterns are affected by intonation patterns of the language.

The rhythmic aspect of African music unites the music of various groups and areas. Rhythm is made of patterns; similar patterns are found throughout all of Africa. Harmonization is typically created through singing in thirds, fourths and fifths, parallel to the main melody.

While drumming is very popular in Africa and is more important than melodic music in some societies, melodic music is important in others. The mbira is one of the most popular melodic instruments in Africa. Different cultures use the mbira in different ways. Also, the mbira exists in different forms in different cultures. Some mbira are used for entertainment and others for religious ceremonies. Often, the people who can own and play the mbira are restricted to chiefs or other important people, especially when it is being played for religious purposes.
Enter the Ninja
by Die Antwoord

I, I, I
I am your butterfly
I need your protection
Be my samurai
I, I, I
I am your butterfly
I need your protection
Need your protection

I'm a ninja, yo
My life is like a video game
I maintain when I'm in the zone
One player, one life on the mic limited time (Yo Ninja, go!)
No fucking around I'm cutting down anyone in my path
Trying to fuck with my game with razor sharp lyrical throw stars
Here my flow's hot
Hosstyle
Wild, out of control
Ninja skop befokte rof taal
Rough rhymes, tough times
Met fokol kos, skraal
Till I hit triple seven at the ATM
Straight famine or feast
When you living on the razor edge
Stay sharp sharp
Rolling with the $0$
High energy
You never seen Zef so fresh
Uh! When we mic check Hi-Tek flows flex
Yo we optimistic, not fuckin' depressed
We not like the rest
My style is UFO
Totally unknown
You can't fuck with my new Zef flow
I'm hard to miss
"You can't do this, you can't do that"
Yo, fuckin' who said so?
I do what I like
Too hot to handle
Too cold to hold
You can't fuck with the chosen one
I-I-I-I-I want the knife
Yo I'm a Ninja

I, I, I
I am your butterfly
I need your protection
Be my samurai
I, I, I
I am your butterfly
I need your protection
Need your protection

I, I, I
I am your butterfly
I need your protection
Be my samurai
I, I, I
I am your butterfly
I need your protection
Need your protection

Ninja is poes cool
But don't fuck with my game, boy
Or I'll poes you
Life is tough when I get stuck
And my time is up I push through
Till I break-break-break on through to the other side
Fantastically poor with patience like a stalker
Ninja is hardcore
Been cut so deep, feel no pain it's not sore
Don't ask for kak or you'll get what you ask for
I'm like a wild animal in the corner
Waiting for the break of dawn
Trying to get through the night
Just a man with the will to survive
My blades swing free
Decapitate a hater
With amazing ease
This is not a game, boy
Don't play with me
I work my mic-saber like a wild fucking savage from the dark side danger!
Yin to the yang
Totally Hi-Tek, Ninja's motherfucking big in Japan
I seen the future but I never got nothing in my hand
Except a microphone, big dreams, and a plan
Fly-talking, sky-walking
Like a ninja

I, I, I
I am your butterfly
I need your protection
Be my samurai
I, I, I
I am your butterfly
I need your protection
Need your protection

I, I, I
I am your butterfly
I need your protection
Be my samurai
I, I, I
I am your butterfly
I need your protection
Need your protection





Fuck this is like
The coolest song I ever heard in my whole life
Fuck all of you who said I wouldn't make it
They said I was a loser
They said I was a no-one
They said I was a fucking psycho
But look at me now, all up in the interweb, world wide
2009, futuristic
Enter the Ninja
Yo-Landi Visser
DJ Hi-Tek
Die fokken Antwoord
Dis mooi ne? (I'm a ninja!)

I, I, I
I am your butterfly
I need your protection
Be my samurai (yo I'm a ninja!)
I, I, I
I am your butterfly
I need your protection
Need your protection (yo I'm a ninja!)

I, I, I
I am your butterfly
I need your protection
Be my samurai (a motherfucking ninja!)
I, I, I
I am your butterfly
I need your protection
Need your protection

Lyrics © Sony/ATV Music Publishing LLC
Written by: ANRI DU TOIT, ANRI VISSER, JUSTIN DE NOBREGA, RAWI ASRAOUI, REX ASRAOUI, ROBERT UHLMANN, WATKIN JONES, WATKIN TUDOR JONES

Lyrics Licensed & Provided by LyricFind
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