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Diamonds And Rust
Joan Baez Lyrics


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Well, I'll be damned
Here comes your ghost again
But that's not unusual
It's just that the moon is full
And you happened to call
And here I sit
Hand on the telephone
Hearing a voice I'd known
A couple of light years ago
Heading straight for a fall

As I remember your eyes
Were bluer than robin's eggs
My poetry was lousy you said
Where are you calling from?
A booth in the midwest
Ten years ago
I bought you some cufflinks
You brought me something
We both know what memories can bring
They bring diamonds and rust

Well, you burst on the scene
Already a legend
The unwashed phenomenon
The original vagabond
You strayed into my arms
And there you stayed
Temporarily lost at sea
The Madonna was yours for free
Yes, the girl on the half-shell
Could keep you unharmed

Now I see you standing
With brown leaves falling all around
And snow in your hair
Now you're smiling out the window
Of that crummy hotel
Over Washington Square
Our breath comes out white clouds
Mingles and hangs in the air
Speaking strictly for me
We both could have died then and there

Now you're telling me
You're not nostalgic
Then give me another word for it
You who are so good with words
And at keeping things vague
'Cause I need some of that vagueness now
It's all come back too clearly
Yes, I loved you dearly
And if you're offering me diamonds and rust
I've already paid

Overall Meaning

The song "Diamonds And Rust" by Joan Baez is a reflection of her past relationship with Bob Dylan, who was a famous folk artist in the 1960s. The song tells the story of their relationship, starting with her receiving a phone call from Dylan after ten years of not hearing from him. The fact that the moon is full is used as a metaphor for the emotional intensity of the moment. Baez recalls how Dylan had criticized her poetry in the past, and how their relationship had ended with him straying away from her into the arms of other lovers. The chorus repeats the phrase "diamonds and rust" which symbolizes the bitterness and nostalgia that comes with memories of lost love.


The bridge of the song is a reflection of the present moment. Baez is reminded of the passage of time as she sees Dylan years later, looking older and with "snow in his hair". Despite the love they shared in the past, Baez is no longer interested in rekindling their romance, asking Dylan to remember her "sweetheart" while acknowledging that their time has passed.


Line by Line Meaning

Well, I'll be damned
I'm surprised to see you again


Here comes your ghost again
You're a representation of my past that keeps haunting me


But that's not unusual
It's not unexpected for me to feel this way


It's just that the moon is full
The current situation is amplifying my emotions


And you happened to call
Your presence makes the situation even more intense


And here I sit
I'm currently in this emotional state


Hand on the telephone
I'm holding the phone you just called me on


Hearing a voice I'd known
Your voice is familiar to me


A couple of light years ago
It feels like it's been an incredibly long time since we were together


Heading straight for a fall
This conversation will lead to heartbreak


As I remember your eyes
I recall how your eyes looked


Were bluer than robin's eggs
Your eyes were a stunning shade of blue


My poetry was lousy you said
You criticized my poems


Where are you calling from?
I'm curious about your current location


A booth in the midwest
You're calling me from a phone booth in the Midwest


Ten years ago
It's been a full decade since we last spoke


I bought you some cufflinks
I purchased cufflinks for you as a gift


You brought me something
You also gave me a gift


We both know what memories can bring
Memories can bring up strong emotions


They bring diamonds and rust
Memories can bring both joy and pain


Well, you burst on the scene
You appeared suddenly and made an impact


Already a legend
You were already well-known and famous


The unwashed phenomenon
You were a countercultural figure


The original vagabond
You were a wanderer at heart


You strayed into my arms
You came into my life


And there you stayed
You remained in my life for a while


Temporarily lost at sea
You were going through a difficult time


The Madonna was yours for free
You could have anyone you wanted


Yes, the girl on the half-shell
You found someone special


Could keep you unharmed
You felt safe with that person


Now I see you standing
I see you in my mind's eye


With brown leaves falling all around
It's autumn in my memory


And snow in your hair
You're getting older, and your hair is turning white


Now you're smiling out the window
You're happy, looking out at the world


Of that crummy hotel
You're not in the best place


Over Washington Square
You're looking at a famous landmark


Our breath comes out white clouds
It's cold out


Mingles and hangs in the air
Our breath is a visual representation of our conversation


Speaking strictly for me
This is my personal opinion


We both could have died then and there
We were so in love, we could have died happily in that moment


Now you're telling me
You're currently informing me


You're not nostalgic
You don't feel a longing for the past


Then give me another word for it
But there must be another word for how you're feeling


You who are so good with words
You're eloquent and articulate


And at keeping things vague
But you're also skilled at avoiding a direct answer


'Cause I need some of that vagueness now
I need you to be vague because I can't handle the truth


It's all come back too clearly
My memories of you are very vivid


Yes, I loved you dearly
I loved you very much


And if you're offering me diamonds and rust
If you're trying to make a grand gesture, it's too late


I've already paid
I've already moved on and let go of the past




Lyrics © O/B/O APRA AMCOS
Written by: Joan Baez

Lyrics Licensed & Provided by LyricFind
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Most interesting comments from YouTube:

@gilfavor1river

There is several words of brilliance, in this song, as Paddington Brown says this is not poetry it is pure unadulterated LOVE she is singing a massive deep love song , to Bob and when she sings certain lines and her voice and how she drops down to lower notes I am emotionally knocked out, always brings tears with its magnificent unbelievable emotion , I love music amd a million songs , but some do something to you, that hit a deep spot. And these peope with the genius to write the words and music amaze me, especially about someone we think we know.
Now another song that I would call a massive love song is "Let Her Cry" by Hootie and the Blowfish, not the same song style but the same power of love song , listen to the lyrics, and see what heart wrenching things the singer is telling in this music story.
Last but not least , it is 2023,\.

WHERE HAS THE DEEP QUALITY AND EMOTIONAL UPLIFTING MUSIC GONE???
I appreciate new styles but the feel is dying , the tune is going , there is no structure , songs are like Ads sometimes, so YOUTUBE thanks for a spot I can get lost in with my earphones.
Words with meaning and put to good music and with feelings from the heart.

And it is an older song and to David Vergari, you sir are spot on the mark, this song really does move people, deeply. Genius in fact.



@reizadessyaprianty7870

Well, I'll be damned
Here comes your ghost again
But that's not unusual
It's just that the moon is full
And you happened to call
And here I sit
Hand on the telephone
Hearing a voice I'd known
A couple of light years ago
Heading straight for a fall
As I remember your eyes
Were bluer than robin's eggs
My poetry was lousy you said
Where are you calling from?
A booth in the Midwest
Ten years ago I bought you some cuff links
You brought me something
We both know what memories can bring
They bring diamonds and rust
Well you burst on the scene
Already a legend
The unwashed phenomenon
The original vagabond
You strayed into my arms
And there you stayed
Temporarily lost at sea
The Madonna was yours for free
Yes, the girl on the half-shell
Could keep you unharmed
Now I see you standing
With brown leaves falling all around
And snow in your hair
Now you're smiling out the window
Of that crummy hotel
Over Washington Square
Our breath comes out white clouds
Mingles and hangs in the air
Speaking strictly for me
We both could have died then and there
Now you're telling me
You're not nostalgic
Then give me another word for it
You who are so good with words
And at keeping things vague
'Cause I need some of that vagueness now
It's all come back too clearly
Yes, I loved you dearly
And if you're offering me diamonds and rust
I've already paid



All comments from YouTube:

@zognowak2842

I saw her about 10 years ago in Durham NC, where I was sitting on the 3rd row. She was fantastic, but she didn't do this song for the entire regular concert. On her first encore, she still didn't sing it so I stood and called for "Diamonds and Rust".....Her second encore ended the same way, and on her third encore, she looked and pointed at me and said "this is for you". :) I still get goose bumps thinking about this.

@seansmith1303

What a cool story. :)

@zognowak2842

@@seansmith1303 Thanks. I'll always remember that.

@emptyface4095

How lucky you are...

@rukanthsameera8563

amazing

@paulkeith61

Since she wrote it for Bob Dylan she probably did not want to sing it. It was over.

242 More Replies...

@magistra137

This is one of the most poignant and poetic songs. I love the juxtaposition of quoting him telling her that her poetry wasn’t good while she is weaving one of the most beautiful love songs, both in poetry and melody. To me, this is just one of those pieces of magic that the world blesses us with sometimes. Thank you, Joan.

@poom641

Seems to have come from the heart for sure, occasionally hearing this song brings tears to my eyes

@camillesolange182

It was too good for him! She was too good for him too :-)

@user-ok9ft1iv4x

I call her the Queen of American Folk Music!

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