West Savannah
OutKast Lyrics
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I'm back off in this bitch
One more time, to drop this rhyme
'Bout where my roots at
Yeah, Westside is in the house
Frazier Homes is in the house
Cloverdale is in the house
And Savannah, GA is in the house, so check it
February 1st, 1975 it happened
Was born in West Savannah way before I started rappin'
My mamma had a nigga at the age of fifteen
My daddy was sellin' that sack, now he's gots responsibilities
Stayed at me granny's while me mammy was at work
And she couldn't watch my every move so shit I started servin'
Around Frazier Home, down in the West Side projects
Changin' over foodstamps, and hittin' a lick was next see
I'm just a playa like that, my jeans was sharply creased
I got a fresh white t-shirt and my cap is slightly pointed East
So flyin', or floatin', a Brougham is what I'm sportin'
Sade is in my tape deck, I'm movin' in slow motion boi
So meet me deep in the streets that's where I learned the capers
Us lickin' blunts, lickin' leaves, rollin' reefer papers
I'm slightly slouched, in the seats off in my bucket
But the niggas around the ave. and the hoes, they love me
They wanna be me and my family too
Because the money that I make be puttin' cable off in every room
So follow the fiends, follow my lead through the nooks and crannies
It's everyday life off in my hood so come and holla at me
But go 'head on, with that foolishness bitch
Let me get lovely with my swerve because I'm true to this shit
And if you comin with eight dollars, you shit out of luck
Because the West Side ain't takin no shorts on the dime
So fire it up
Now, now, now, nine in my hand, ounce in my crotch
Diggin' the scene with a gangsta slouch, mmm, hmm
(Like that now, like this, and it don't quit, and it don't stop)
Nine in my hand, ounce in my crotch
Diggin' the scene with a gangsta slouch, mmm, hmm
(And it don't stop, and it don't quit, it's like that and ah)
See, niggas in the South wear gold teeth and gold chains
Been doin it for years, so these niggas ain't gone change
They comin' around the ghetto so you might call 'em soul
Been wearin' furry Kangol's, so that shit is old
You might slang a rock or two just to pay the rent
Five dollars for a table dance so now your money's spent
You listen to that booty shake music in your trunk
As long as there's that "tic tic" followed by that bump
I'm down to stick a ho if she got a G-string
'Cause the niggas in the Point ain't changed, mane
You might call us country, but we's only Southern
And I don't give a fuck, P-Funk spot to spark another
Now, now, now, nine in my hand, ounce in my crotch
Diggin' the scene with a gangsta slouch, mmm, hmm
(Like that now, like this, and it don't quit, and it don't stop)
Nine in my hand, ounce in my crotch
Diggin' the scene with a gangsta slouch, mmm, hmm
(And it don't stop, and it don't quit, it's like that and ah)
Now, now, now, nine in my hand, ounce in my crotch
Diggin' the scene with a gangsta slouch, mmm, hmm
(Like that now, like this, and it don't quit, and it don't stop)
Nine in my hand, ounce in my crotch
Diggin' the scene with a gangsta slouch, mmm, hmm
(And it don't stop, and it don't quit, it's like that and ah)
Now, now, now, nine in my hand, ounce in my crotch
Diggin' the scene with a gangsta slouch, mmm, hmm
(Like that now, like this, and it don't quit, and it don't stop)
Nine in my hand, ounce in my crotch
Diggin' the scene with a gangsta slouch, mmm, hmm
(And it don't stop, and it don't quit, it's like that and ah)
Hold on, I'm 'bout to call my girl
(I'm 'bout to see how weak yo 'game is?)
Shut up ol' sissy, you ain't even got one
Sissy? Who you callin' sissy?
shut up
Hello?
Wassup?
Wassup?
(Missy, get yo' ass in here)
I gotta go
Hold up, wait
Marcus- Marcus wanna know if he can get some cut-up
Some cut-up?
Ain't no cut-up going here
I'll cut y'all ass up
OutKast's "West Savannah" is a return to their roots, as the title implies. The song is a lyrical narration of André 3000's life in his hometown, Savannah, Georgia. The song begins with an introduction boasting about their roots, listing all the neighborhoods and the city of Savannah itself. André goes back in time to February 1st, 1975, the day he was born. He talks about his mom giving birth to him at 15, and his dad was selling drugs. His granny took him in, but he ended up serving drugs at Frazier Homes, trying to make ends meet.
André describes his neighborhood and his lifestyle, detailing his everyday life in the "hood," and his interactions with the locals, drug-dealing and "servicing" around the neighbourhood. He seems proud of his beginnings, his culture, and where he comes from. The chorus, "Nine in my hand, ounce in my crotch/Diggin' the scene with a gangsta slouch," reflects how rappers were perceived at the time, made of gold chains and gangsta postures. André asserts that the South has its unique culture, where people wear grills, gaudy jewelry, and furry Kangol hats. André ends the verse boasting of his prowess with women and his willingness to do whatever it takes.
Line by Line Meaning
Yeah, haha
An expression of confidence and familiarity, signaling that the artist is ready to engage with the audience.
I'm back off in this bitch
The artist reclaims his presence, re-entering the space with a sense of authority.
One more time, to drop this rhyme
He returns to deliver another impactful verse as part of his ongoing artistic expression.
'Bout where my roots at
He intends to speak about his origins, connecting with his identity and background.
Yeah, Westside is in the house
Affirming the pride of the West Side community, emphasizing a sense of belonging.
Frazier Homes is in the house
Highlighting a specific neighborhood, proud of his upbringing and the environment that shaped him.
Cloverdale is in the house
Extending the mention of neighborhoods, showcasing camaraderie among local communities.
And Savannah, GA is in the house, so check it
Stating the significance of Savannah, Georgia, as his birthplace, demanding attention to his narrative.
February 1st, 1975 it happened
Recalling his birthdate, marking the beginning of his life story.
Was born in West Savannah way before I started rappin'
He grew up in West Savannah, hinting that his roots predate his music career.
My mamma had a nigga at the age of fifteen
Revealing the challenges faced by his mother as a young parent, underscoring the difficulties in his childhood.
My daddy was sellin' that sack, now he's gots responsibilities
His father was involved in illegal activities, alluding to the complexities of family dynamics.
Stayed at me granny's while me mammy was at work
During his mother's absence, he was cared for by his grandmother, emphasizing family support.
And she couldn't watch my every move so shit I started servin'
With limited supervision, he turned to street life, illustrating the impact of his surroundings.
Around Frazier Home, down in the West Side projects
Describing his environment, reinforcing his connection to the local projects and the culture within.
Changin' over foodstamps, and hittin' a lick was next see
Engaging in petty crime, reflecting survival strategies in a financially constrained situation.
I'm just a playa like that, my jeans was sharply creased
He portrays himself as a confident individual, emphasizing style and self-presentation.
I got a fresh white t-shirt and my cap is slightly pointed East
Describing his fashionable attire, indicative of his identity and cultural affiliation.
So flyin', or floatin', a Brougham is what I'm sportin'
He drives a luxury vehicle, displaying a sense of success and appreciation for finer things.
Sade is in my tape deck, I'm movin' in slow motion boi
Referencing music preference while capturing a relaxed and laid-back mood.
So meet me deep in the streets that's where I learned the capers
Inviting the listener to understand the lessons learned from street experiences and encounters.
Us lickin' blunts, lickin' leaves, rollin' reefer papers
Sharing moments of camaraderie, bonding over recreational activities in his neighborhood.
I'm slightly slouched, in the seats off in my bucket
Describing his laid-back demeanor while casually riding in his less expensive car.
But the niggas around the ave. and the hoes, they love me
Acknowledging admiration from peers and the community due to his charisma and reputation.
They wanna be me and my family too
Indicating envy or aspiration among others towards his lifestyle and familial bonds.
Because the money that I make be puttin' cable off in every room
His financial success allows for comforts and luxuries at home, showcasing upward mobility.
So follow the fiends, follow my lead through the nooks and crannies
Inviting others to follow him through the complexity of his world and experiences.
It's everyday life off in my hood so come and holla at me
Encouraging engagement with his community and the realities of living in his environment.
But go 'head on, with that foolishness bitch
Dismissive of any nonsense that disrupts his vibe or lifestyle.
Let me get lovely with my swerve because I'm true to this shit
Stating his authenticity and commitment to his lifestyle and choices.
And if you comin' with eight dollars, you shit out of luck
Conveying that low financial offers won’t be accepted in his community, demonstrating assertiveness.
Because the West Side ain't takin no shorts on the dime
A warning that there are standards when it comes to business and financial exchanges.
So fire it up
Encouragement to enjoy the moment, possibly alluding to smoking or celebrating.
Now, now, now, nine in my hand, ounce in my crotch
A vivid image of him carrying a firearm and drugs, epitomizing the dangerous lifestyle.
Diggin' the scene with a gangsta slouch, mmm, hmm
Describing his confident demeanor while immersing himself in the environment around him.
(Like that now, like this, and it don't quit, and it don't stop)
A reminder of the unending nature of his lifestyle and the party vibe he embodies.
See, niggas in the South wear gold teeth and gold chains
Highlighting a cultural style that is prominent in Southern hip-hop communities.
Been doin it for years, so these niggas ain't gone change
Implying that these traditions and styles are enduring elements of the culture.
They comin' around the ghetto so you might call 'em soul
Describing the connection between the community and those who embody its spirit.
Been wearin' furry Kangol's, so that shit is old
Commenting on a fashion trend that has become outdated, yet remains part of identity.
You might slang a rock or two just to pay the rent
Suggesting that engaging in illegal activities is a means of survival for some in the community.
Five dollars for a table dance so now your money's spent
Indicating the pitfalls of nightlife expenditures that can drain financial resources.
You listen to that booty shake music in your trunk
Recognizing the importance of music in shaping the party atmosphere and lifestyle.
As long as there's that 'tic tic' followed by that bump
Describing the rhythmic essence of Southern music that resonates with the lifestyle.
I'm down to stick a ho if she got a G-string
Expressing a readiness to engage with women in a flirtatious manner, reflecting street culture.
‘Cause the niggas in the Point ain't changed, mane
Referencing a specific neighborhood while asserting that some aspects of lifestyle remain constant.
You might call us country, but we's only Southern
Rejecting stereotypes associated with being from the South while embracing regional pride.
And I don't give a fuck, P-Funk spot to spark another
Expressing indifference toward critics while celebrating the culture and music influences.
Now, now, now, nine in my hand, ounce in my crotch
Repeating the imagery of his dangerous lifestyle while highlighting the everyday reality.
Diggin' the scene with a gangsta slouch, mmm, hmm
Reinforcing his cool demeanor within his environment, instilling a sense of confidence.
(Like that now, like this, and it don't quit, and it don't stop)
Reminding that this lifestyle is continuous and unrelenting in its pace.
Hold on, I'm 'bout to call my girl
Switching focus to personal relationships, highlighting the importance of social connections.
(I'm 'bout to see how weak yo 'game is?)
Playfully challenging a friend’s social skills, emphasizing camaraderie and humor.
Shut up ol' sissy, you ain't even got one
Engaging in light-hearted banter, showcasing friendship dynamics.
Sissy? Who you callin' sissy?
Defensively reacting to a playful insult, underlining a friendly rivalry.
shut up
A casual dismissal meant to maintain the playful atmosphere of the conversation.
Hello?
Transitioning to a phone call, indicating an informal conversation.
Wassup?
Casual greeting, establishing familiarity in the conversation.
Wassup?
Reiterating the friendly tone, keeping the vibe light and casual.
(Missy, get yo' ass in here)
Calling out to a friend or acquaintance to join the conversation, fostering inclusivity.
I gotta go
Indicating that he must leave the conversation or meeting, highlighting the fast-paced lifestyle.
Hold up, wait
Pausing the conversation to address another issue or thought.
Marcus- Marcus wanna know if he can get some cut-up
Mentioning a friend’s request for drugs, underscoring the drug culture present in his environment.
Some cut-up?
Questioning the nature of the request, seeking clarification on the illegal substance.
Ain't no cut-up going here
Denying the request, indicating boundaries in his interactions.
I'll cut y'all ass up
Threatening to retaliate against those who might transgress boundaries, showcasing a tough persona.
Lyrics © BMG Rights Management
Written by: Andre Benjamin, Antwan Patton, Patrick Brown, Raymon Murray, Rico Renard Wade
Lyrics Licensed & Provided by LyricFind
la Son
on Mainstream
@23 references psalm 23
A healthy portion of this song on all verses spits on spiritual