baile funk
Funk, Favela Funk and, elsewhere in the world, Baile Funk, is a type of dan… Read Full Bio ↴Funk, Favela Funk and, elsewhere in the world, Baile Funk, is a type of dance music originally from Rio de Janeiro, later spread in different subgenres across other brazilians states. The music style is a fusion derived from Miami Bass and electronic music, mixed often with brazilian percussions (Tamborzão), samples and heavy bass, having explicit lyrics about social problems, sex and hustling. In Brazil it is most often simply known as Funk, although it is very different musically from what Funk means in most other places. That's why the "official" tag for this genre adds "Baile" before funk. "Baile Funk" refers to the parties on the favelas that only plays brazilian funk.
Funk is a direct derivative of Miami Bass and freestyle (another Miami-based genre) music from the United States. The reason why these genres, very localized in the USA, became popular and influential in Rio de Janeiro is due to proximity. Miami is a popular plane stop for Rio DJs to buy the latest American records.
The funk popularized in the 80s in Rio de Janeiro ghettos called favelas. From mid-90s it was a mainstream phenomenon in Brazil. Funk songs discuss topics as varying as poverty, human dignity, racial pride of black people, sex (breaking it's moral values), violence and social injustice. Social analysts believe that the funk is a genuine expression of the severe social issues falling on the poor and black people in Rio.
The rhythms of funk in its early days were mostly loops of electronic drums from Miami Bass or freestyle records, while a few artists composed them with actual drum machines. The most common drum beat was a loop of DJ Battery Brain's "808 volt", commonly referred to as "Voltmix", though Hassan's "Pump Up The Party" is also notable. Now, funk rhythms use tamborzão rhythms in addition to the older drum machine loops. Tamborzão beats use samples of Brazilian hand drums, particularly the atabaque, in arrangements that are close to the same as those used in Maculelê capoeira.
Melodies are usually sampled. Older songs typically chopped up freestyle samples for the melody, or had none at all. Modern funk uses a set of samples from various sources, notably horn and accordion stabs, as well as the horn intro to the "Rocky" theme. Funk music has always used a small catalog of rhythms and samples which almost all songs take from (commonly with several in the same song). Funk carioca songs can either be instrumental or include rapping, singing, or something in between the two.
In February 11, 2001, the first U.S. reference to the music itself was made by Neil Strauss in the New York Times newspaper, recognizing it as a distinct musical genre, and along with Kwaito music in South Africa, one of the first new genres of electronic, street dance music to have become important outside North America and Europe.
Funk is a direct derivative of Miami Bass and freestyle (another Miami-based genre) music from the United States. The reason why these genres, very localized in the USA, became popular and influential in Rio de Janeiro is due to proximity. Miami is a popular plane stop for Rio DJs to buy the latest American records.
The funk popularized in the 80s in Rio de Janeiro ghettos called favelas. From mid-90s it was a mainstream phenomenon in Brazil. Funk songs discuss topics as varying as poverty, human dignity, racial pride of black people, sex (breaking it's moral values), violence and social injustice. Social analysts believe that the funk is a genuine expression of the severe social issues falling on the poor and black people in Rio.
The rhythms of funk in its early days were mostly loops of electronic drums from Miami Bass or freestyle records, while a few artists composed them with actual drum machines. The most common drum beat was a loop of DJ Battery Brain's "808 volt", commonly referred to as "Voltmix", though Hassan's "Pump Up The Party" is also notable. Now, funk rhythms use tamborzão rhythms in addition to the older drum machine loops. Tamborzão beats use samples of Brazilian hand drums, particularly the atabaque, in arrangements that are close to the same as those used in Maculelê capoeira.
Melodies are usually sampled. Older songs typically chopped up freestyle samples for the melody, or had none at all. Modern funk uses a set of samples from various sources, notably horn and accordion stabs, as well as the horn intro to the "Rocky" theme. Funk music has always used a small catalog of rhythms and samples which almost all songs take from (commonly with several in the same song). Funk carioca songs can either be instrumental or include rapping, singing, or something in between the two.
In February 11, 2001, the first U.S. reference to the music itself was made by Neil Strauss in the New York Times newspaper, recognizing it as a distinct musical genre, and along with Kwaito music in South Africa, one of the first new genres of electronic, street dance music to have become important outside North America and Europe.
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like JENNIE
Jennie Lyrics
Ha, come on, it's gon' be fucking hard
Special edition and your AI couldn't copy
I'm leaving clues in the fittin' room and it's hot tea
No, I'm not thinking 'bout no exes, know they miss me
I got the whole room spinning like it's tipsy
Don't bore us, take it to the chorus
Who wanna rock with JENNIE?
Keep your hair done, nails done like JENNIE
Who else got 'em obsessed like JENNIE?
Like, like, like (JENNIE, JENNIE, JENNIE, JENNIE)
I think I really like (JENNIE, JENNIE, JENNIE)
Haters, they don't really like (JENNIE, JENNIE, JENNIE, JENNIE)
'Cause they could never ever be (JENNIE, JENNIE, JENNIE)
But have you ever met JENNIE, JENNIE, JENNIE, JENNIE?
JENNIE, JENNIE, JENNIE
It's JENNIE, JENNIE, JENNIE, JENNIE, JENNIE
But have you ever met?
But have you ever met?
But have you ever met?
얼말 줘도 못 해 서커스짓
포징 한 번에 만들어 mosh pit
They can't deal with me 'cause I'm priceless
여러 셀럽들 속에 내 DNA
Get, get outta my way
바비가 처키가 되기 전에
Name, shame, blame tryna burst my bubble
터트려봐 그럼 더 큰 홀에서 만나는 거야 제니를
Keep shading 예술 작품엔 필요해 frame이
I've slayed it, and I graved it
Yes, I'm guilty 잘난 게 죄니?
Who wanna rock with JENNIE?
Keep your hair done, nails done like JENNIE
Who else got 'em obsessed like JENNIE?
Like, like, like
I think I really like JENNIE
Haters, they don't really like JENNIE
'Cause they could never ever be JENNIE
But have you ever met JENNIE, JENNIE, JENNIE, JENNIE?
JENNIE, JENNIE, JENNIE
It's JENNIE, JENNIE, JENNIE, JENNIE, JENNIE, JENNIE, JENNIE
Like JENNIE, JENNIE, JENNIE, JENNIE, JENNIE
Rock with JENNIE
Keep your hair done, nails done like JENNIE
Who else got 'em obsessed, like
But have you ever met JENNIE?
But have you ever met?
JENNIE, JENNIE, JENNIE
It's JENNIE, JENNIE, JENNIE, JENNIE
Special edition and your AI couldn't copy
I'm leaving clues in the fittin' room and it's hot tea
No, I'm not thinking 'bout no exes, know they miss me
I got the whole room spinning like it's tipsy
Don't bore us, take it to the chorus
Who wanna rock with JENNIE?
Keep your hair done, nails done like JENNIE
Who else got 'em obsessed like JENNIE?
Like, like, like (JENNIE, JENNIE, JENNIE, JENNIE)
I think I really like (JENNIE, JENNIE, JENNIE)
Haters, they don't really like (JENNIE, JENNIE, JENNIE, JENNIE)
'Cause they could never ever be (JENNIE, JENNIE, JENNIE)
But have you ever met JENNIE, JENNIE, JENNIE, JENNIE?
JENNIE, JENNIE, JENNIE
It's JENNIE, JENNIE, JENNIE, JENNIE, JENNIE
But have you ever met?
But have you ever met?
But have you ever met?
얼말 줘도 못 해 서커스짓
포징 한 번에 만들어 mosh pit
They can't deal with me 'cause I'm priceless
여러 셀럽들 속에 내 DNA
Get, get outta my way
바비가 처키가 되기 전에
Name, shame, blame tryna burst my bubble
터트려봐 그럼 더 큰 홀에서 만나는 거야 제니를
Keep shading 예술 작품엔 필요해 frame이
I've slayed it, and I graved it
Yes, I'm guilty 잘난 게 죄니?
Who wanna rock with JENNIE?
Keep your hair done, nails done like JENNIE
Who else got 'em obsessed like JENNIE?
Like, like, like
I think I really like JENNIE
Haters, they don't really like JENNIE
'Cause they could never ever be JENNIE
But have you ever met JENNIE, JENNIE, JENNIE, JENNIE?
JENNIE, JENNIE, JENNIE
It's JENNIE, JENNIE, JENNIE, JENNIE, JENNIE, JENNIE, JENNIE
Like JENNIE, JENNIE, JENNIE, JENNIE, JENNIE
Rock with JENNIE
Keep your hair done, nails done like JENNIE
Who else got 'em obsessed, like
But have you ever met JENNIE?
But have you ever met?
JENNIE, JENNIE, JENNIE
It's JENNIE, JENNIE, JENNIE, JENNIE
Lyrics © Sony/ATV Music Publishing LLC
Written by: Jennie Kim, Woo Ji-ho, Taylor Parks, Amanda Renee Ibanez, Thomas Wesley Pentz, Jorge Antonio Alfonzo Sr.
Lyrics Licensed & Provided by LyricFind
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☝ we wanna rock with jennie
@rouaatv3617
Hi
@jennierubyshome
We are already rocking you wanna join us?
@torieshun
Like like 🔥🔥🔥🔥
@MaseeisoLetsie-qd2up
Join us, we already started✨️
@SameeptaAndNamita
Hi youtube ❤❤❤
@KylieRubyjane
that capybara being jennie at the end!!! ICONICCC!!!
@yenyee03
legit
@BPDRAW
FR THO, SHE LOVES THEM!!! <3
@MikedieONE
with the blue roses from her mom