dancehall
Dancehall is a type of Jamaican popular music which developed in the late 1970s, initially as a more sparse and less political and religious variant of reggae than the roots style that had dominated much of the 1970s.
In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms with little connection to earlier reggae rhythms. Modern dancehall is also known as bashment. Read Full BioDancehall is a type of Jamaican popular music which developed in the late 1970s, initially as a more sparse and less political and religious variant of reggae than the roots style that had dominated much of the 1970s.
In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms with little connection to earlier reggae rhythms. Modern dancehall is also known as bashment.
"Dancehall" now refers to the digitised version of raggamuffin reggae, which is itself an ancestor of hip-hop music, and has since been influenced and re-combined with that style.
Dancehall reggae traditionally features a vocalist (referred to as a "Deejay") reciting lyrics in thick Jamaican English over a "riddim". "Riddims" ("rhythm" in standard English) are themselves quite famous, and a common practice in the style is to release an album featuring the same riddim being voiced by a number of performers.
While most dancehall performers are male, a small number of female vocalists have appeared in recent years, often performing their lyrics from an expressly feminist point of view in counterpoint to the notoriously male-chauvinist style.
There are essentially two types of dancehall deejay. The more common is the rough-voiced male vocalist, often describing his sexual prowess and lyrical abilities. Vocalists of this type often engage in verbal warfare with their enemies, as can be seen in the feud between Beenie Man and Bounty Killer.
A second type is the smooth-voiced "singjay" (as they are sometimes known). Still performing over the traditional riddims, this male performer is more inspired by RnB music and in fact sings, rather than chants, his lyrics, such as Mr Vegas. Occasionally, as in the duo of Chaka Demus & Pliers, the two performer types combine.
In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms with little connection to earlier reggae rhythms. Modern dancehall is also known as bashment. Read Full BioDancehall is a type of Jamaican popular music which developed in the late 1970s, initially as a more sparse and less political and religious variant of reggae than the roots style that had dominated much of the 1970s.
In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms with little connection to earlier reggae rhythms. Modern dancehall is also known as bashment.
"Dancehall" now refers to the digitised version of raggamuffin reggae, which is itself an ancestor of hip-hop music, and has since been influenced and re-combined with that style.
Dancehall reggae traditionally features a vocalist (referred to as a "Deejay") reciting lyrics in thick Jamaican English over a "riddim". "Riddims" ("rhythm" in standard English) are themselves quite famous, and a common practice in the style is to release an album featuring the same riddim being voiced by a number of performers.
While most dancehall performers are male, a small number of female vocalists have appeared in recent years, often performing their lyrics from an expressly feminist point of view in counterpoint to the notoriously male-chauvinist style.
There are essentially two types of dancehall deejay. The more common is the rough-voiced male vocalist, often describing his sexual prowess and lyrical abilities. Vocalists of this type often engage in verbal warfare with their enemies, as can be seen in the feud between Beenie Man and Bounty Killer.
A second type is the smooth-voiced "singjay" (as they are sometimes known). Still performing over the traditional riddims, this male performer is more inspired by RnB music and in fact sings, rather than chants, his lyrics, such as Mr Vegas. Occasionally, as in the duo of Chaka Demus & Pliers, the two performer types combine.
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Lean On
by Major Lazer
Do you recall, not long ago
We would walk on the sidewalk
Innocent, remember?
All we did was care for each other
But the night was warm
We were bold and young
All around the wind blows
We would only hold on to let go
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
What will we do when we get old?
Will we walk down the same road?
Will you be there by my side?
Standing strong as the waves roll over
When the nights are long
Longing for you to come home
All around the wind blows
We would only hold on to let go
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
(All we need is someone to lean on)
All we need is somebody to lean on
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
Lyrics © BMG Rights Management, Kobalt Music Publishing Ltd., RESERVOIR MEDIA MANAGEMENT INC
Written by: Thomas Wesley Pentz, William Sami Etienne Grigahcine, Philip Meckseper, Karen Orsted, Martin Bresso, Steve Guess
Lyrics Licensed & Provided by LyricFind
by Major Lazer
Do you recall, not long ago
We would walk on the sidewalk
Innocent, remember?
All we did was care for each other
But the night was warm
We were bold and young
All around the wind blows
We would only hold on to let go
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
What will we do when we get old?
Will we walk down the same road?
Will you be there by my side?
Standing strong as the waves roll over
When the nights are long
Longing for you to come home
All around the wind blows
We would only hold on to let go
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
(All we need is someone to lean on)
All we need is somebody to lean on
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
Blow a kiss, fire a gun
We need someone to lean on
Blow a kiss, fire a gun
All we need is somebody to lean on
Lyrics © BMG Rights Management, Kobalt Music Publishing Ltd., RESERVOIR MEDIA MANAGEMENT INC
Written by: Thomas Wesley Pentz, William Sami Etienne Grigahcine, Philip Meckseper, Karen Orsted, Martin Bresso, Steve Guess
Lyrics Licensed & Provided by LyricFind
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Abigail Maliszewska
Lucía
Suni Yang Mi
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Yaşam Mame
holla
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Lionel Hampton
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ula
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nce
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wahoo
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DWWD
Saul Giron Pineda
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Saul Giron Pineda
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