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Oh Boy
Cam'ron Lyrics


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Just Blaze (oh baby) oh baby, uh, killa

All the girls see the (boy), look at his kicks (boy)
Look at his car (boy), all I say is (oh boy)
Look mami I'm no good I'm so hood
Clap at your soldiers sober, then leave after it's over
Killa, I'm not your companion, or your man stand-in (nope)
Hit me when you wanna get rammed in, I'll be scramblin' (that's right)
With lots of mobsters, shop for lobsters (uh)
Cops and robbers, listen every block is blaka (blaka)
But she like the way I diddy bop, you peep that? (Oh you peep that, right?)
Mink on, Mauri kicks plus Chanel ski hat
She want the (boy) so I give her the (boy)
Now she screamin' out (boy, boy, boy, boy)
Now she playin' with herself, Cam dig it out, lift her up
Ma it's just a fuck, girl, get it out, pick on up (shit)
They want the boy, Montana with guns with bandanas
Listen to my homeboy Santana

Y'all niggas can't fuck with the (boy), I'm tellin' ya (boy)
Put a shell in ya (boy) now he bleedin' (oh boy)
Get him, call his (boy), he wheezin' he need his (boy)
He screamin' (boy, boy, boy, boy)
Damn, shut up (boy) he's snitchin' (oh boy)
This nigga's bitchin (boy), he's twistin' (oh boy)
If feds was listenin' (boy)
Damn, whoa (whoa, c'mon)
I'm in trouble need bail money, shit
Where the fuck is my (boy)? I got trust for my (boy)
That's why I fuck with my (boy), that's my nigga (oh boy)
He gon' come get his (boy), he got love for his (boy)
That's my, uh huh, uh huh (boy, boy, boy, boy)

When he got caught with the (boy,) we went to court for the (boy)
Just me and my (boy) and we sayin' (oh boy)
Be on the block with my (boy) with the or the (boy)
When the cops come, "Squalie"
Yeah, this is for the sports cars, Bonita's, Jimmy's
Pj's, old school, eighteenth at the sports bar
Eight or nine on the (boy), holla at your boy
Killa, holla, listen
It's the D-I-P (boy) plus the R-O-C (boy)
You'll be D-O-A (boy) your moms will say (oh boy)
Shit, ain't no stoppin' 'em, guns we got a lot of 'em (shit)
Matter of fact, Guru start poppin' 'em
Then slap up his (boy), clap up his (boy)
Wrap up his (boy), get them gats (oh boy)
Diplomats are them (boy) for the girls and the (boy)
Say (boy, boy, boy, boy)

Now when they see Cam and his (boy) they say damn (oh boy)
Santana's that (boy) that squeeze hammers (oh boy)
Canons and bandanas blammers we don't brandish
Blam at your man's canvas then scram with your man's leaded
And I'm back with my (boy)

Until that man is vanished
Away in the Grand Canyon these kids are grand standin'
Niggas demand ransom over them grams scramblin' (boy, boy, boy, boy)
Well fuck it, Van Damme 'em, Cam'll blam blam 'em
Call up his (boy), I'm down South tannin (oh boy)
Mami I got the remedy, Tommy's I bet the enemy
Homi's and bodies but now my body your feelin' finicky
Killa and Capo we chill in Morocco for reela
We got dough, chinchilla dough and fill with them hollows, huh
It's the (boy), I said it's the (boy)
I'm the (boy, boy, boy, boy), Killa

Overall Meaning

The song "Oh Boy" by Cam'ron begins with the producer Just Blaze's signature introduction. The song's opening lines are expressed by Cam'ron, as he raps about his flashy lifestyle that is appealing to women. He boasts of his hood credentials and the ability to have his way with any lady he desires. The chorus "All the girls see the (boy), look at his kicks (boy)/ Look at his car (boy), all I say is (oh boy)/ Look mami I'm no good I'm so hood" explicitly illustrates his more problematic demeanor. Throughout the song, Cam'ron reiterates who he is and what he represents. However, the track shifts its focus from the rapper's self-aggrandizement to a more violent tone. He raps about adversaries and rivals that cannot compete with him, using violent rhetoric and street slang. Still, he stands by his crew, who he references as his "boys."


Line by Line Meaning

All the girls see the (boy), look at his kicks (boy)
People are impressed by the way the singer of the song looks and what he owns.


Look at his car (boy), all I say is (oh boy)
The singer is bragging about his car and how it impresses people.


Look mami I'm no good I'm so hood
The singer is warning his love interest that he is a bad boy from the street.


Clap at your soldiers sober, then leave after it's over
The artist boasts about winning battles without getting drunk and then disappearing once the battle is over.


Killa, I'm not your companion, or your man stand-in (nope)
The artist asserts that he is not a sidekick or a replacement for anyone.


Hit me when you wanna get rammed in, I'll be scramblin' (that's right)
The singer is telling his love interest to call when she wants to have sex, and he'll be ready, but he'll also be on the move.


With lots of mobsters, shop for lobsters (uh)
The singer boasts about being surrounded by dangerous people and going out to buy expensive seafood.


Cops and robbers, listen every block is blaka (blaka)
The artist warns that every block in his city is dangerous and filled with police and criminals.


But she like the way I diddy bop, you peep that? (Oh you peep that, right?)
The artist knows that his dance moves are impressive to his love interest and asks if the listener noticed.


Mink on, Mauri kicks plus Chanel ski hat
The artist is describing his luxury clothing and how he impresses people with it.


She want the (boy) so I give her the (boy)
The singer is bragging that his love interest wants him and he is happy to oblige.


Now she screamin' out (boy, boy, boy, boy)
The artist boasts that he is so good in bed that his love interest is screaming his name.


Now she playin' with herself, Cam dig it out, lift her up
The singer is describing how his love interest pleasures herself in anticipation of their next sexual encounter.


Ma it's just a fuck, girl, get it out, pick on up (shit)
The singer is saying that their relationship is strictly sexual, and the love interest should continue with her life after their encounter.


They want the boy, Montana with guns with bandanas
The singer is describing the way in which dangerous people want to be associated with him because of his reputation.


Y'all niggas can't fuck with the (boy), I'm tellin' ya (boy)
The artist is asserting his dominance over his rivals and warning them not to mess with him.


Put a shell in ya (boy) now he bleedin' (oh boy)
The artist is threatening to shoot his rivals and describes what will happen when they do.


Get him, call his (boy), he wheezin' he need his (boy)
The singer is describing how his rival is calling for help since he is injured and needs medical attention.


He screamin' (boy, boy, boy, boy)
The singer is saying that his rival is screaming for help.


Damn, shut up (boy) he's snitchin' (oh boy)
The artist is upset because his rival is a snitch.


This nigga's bitchin (boy), he's twistin' (oh boy)
The artist is saying that his rival acts like a coward and is not trustworthy.


If feds was listenin' (boy)
The artist is saying that his rival's behavior would be problematic if the police were monitoring the situation.


Damn, whoa (whoa, c'mon)
The singer is expressing surprise about how the situation is unfolding.


I'm in trouble need bail money, shit
The artist is saying that he needs money to post bail in order to get out of jail.


Where the fuck is my (boy)? I got trust for my (boy)
The singer is asking where his trusted friend is because he needs help with the bail money.


That's why I fuck with my (boy), that's my nigga (oh boy)
The singer is saying that his friend is loyal and trusted, which is why he values the friendship so much.


He gon' come get his (boy), he got love for his (boy)
The singer is saying that his friend will help him get out of jail because they are close and care for each other.


When he got caught with the (boy,) we went to court for the (boy)
The artist and his friend supported each other when they were both in legal trouble.


Be on the block with my (boy) with the or the (boy)
The artist and his friend are often seen together on their block.


When the cops come, "Squalie"
The singer is warning his friend to be careful when the police appear and might be watching them.


Yeah, this is for the sports cars, Bonita's, Jimmy's
The singer is referencing expensive cars and fashionable brands.


Pj's, old school, eighteenth at the sports bar
The artist is describing what he wears when he goes out to the sports bar.


Eight or nine on the (boy), holla at your boy
The artist is saying that he has a lot of money and people should ask him for help if they need it.


Killa, holla, listen
The artist is introducing himself and asking the listener to pay attention to what he is saying.


It's the D-I-P (boy) plus the R-O-C (boy)
The singer is referencing the groups he is associated with: Diplomats and Roc-A-Fella Records.


You'll be D-O-A (boy) your moms will say (oh boy)
The artist is threatening his rivals with death, and their mothers will be upset when they hear the news.


Shit, ain't no stoppin' 'em, guns we got a lot of 'em (shit)
The singer asserts that there is no way to stop him, and he owns many weapons.


Matter of fact, Guru start poppin' 'em
The singer is saying that he will start shooting his rivals with his friend Guru.


Then slap up his (boy), clap up his (boy)
The singer is describing how he and his friend will injure their rivals and their companions.


Wrap up his (boy), get them gats (oh boy)
The artist is saying that he and his friend will use weapons to hurt their rivals and their companions.


Diplomats are them (boy) for the girls and the (boy)
The artist is saying that he and his crew, Diplomats, attract a lot of female attention.


Now when they see Cam and his (boy) they say damn (oh boy)
The singer is saying that people are impressed when they see him and his friend Santana together.


Santana's that (boy) that squeeze hammers (oh boy)
The singer is praising his friend Santana's skills with guns and how he can protect them.


Canons and bandanas blammers we don't brandish
The artist is saying that they own many weapons such as canons and bandanas blammers that they don't show off.


Blam at your man's canvas then scram with your man's leaded
The artist is saying that he and his friend will shoot their rival's companions and quickly disappear.


And I'm back with my (boy)
The artist and his friend Santana are together again.


Until that man is vanished
The singer is saying that he will continue to work until his rival is defeated or disappeared.


Away in the Grand Canyon these kids are grand standin'
The artist is saying that his rivals are only pretending to be tough, but they will crumble when they face true danger.


Niggas demand ransom over them grams scramblin' (boy, boy, boy, boy)
The singer is saying that his rivals resort to extortion to make money by selling drugs.


Well fuck it, Van Damme 'em, Cam'll blam blam 'em
The singer is saying that he will violently defeat his rivals, much like the action movie star Jean-Claude Van Damme.


Call up his (boy), I'm down South tannin (oh boy)
The singer is saying that he will call his friend Santana to join him in the South where they will relax and tan.


Mami I got the remedy, Tommy's I bet the enemy
The artist is saying that he has a solution to any problem and is confident that his rivals will fear him.


Homi's and bodies but now my body your feelin' finicky
The artist is saying that he inflicts pain and injury on his opponents, but now he is feeling unwell, and they are feeling weak.


Killa and Capo we chill in Morocco for reela
The singer and his friend Capo are planning to relax in Morocco for a while.


We got dough, chinchilla dough and fill with them hollows, huh
The singer boasts about having a lot of money, owning a chinchilla coat, and packing his guns with ammunition.


It's the (boy), I said it's the (boy)
The artist is repeating that he is the best.


I'm the (boy, boy, boy, boy), Killa
The artist is saying that he is the best and known as Killa.




Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Downtown Music Publishing
Written by: Cameron Giles, Greg Green, Seon Thomas, Tyrone Fyffe

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@Rosaliadiosa

The flyest era in music ❤❤ juelz and cam really were fashion icons...

@deleqtronica8733

I use to wear a bandana exactly like Santana, they really influenced a whole generation

@jordandavis3867

There was no-one like Cam'ron at that time. His witty disrespectful twisted sense of humor coupled with his arrogance and flashy sense of style made him unique. Noone was doing it the way he did it, he was in a lane by himself that's why he's a legend.

@el34glo59

Was my favorite back then

@MelvinJ64

You perfectly described Cam'ron. You just have to laugh half the time you're listening to his songs because
"dawg, i'm not dissing you,
i'm dismissing you,
get the R.Kelly tape and see how we piss on you" 🤣🤣🤣

@elviscole2253

100% facts

@cmillo2010

The Diplomats were untouchable! I miss this era! Fly Flashy and iconic in hip hop. I work at the airport and I actually met Camron very humble man, down to earth! The women still say his name and I think they calling me cuz we have the same name 😂😂😅😅😅

@Suprheem90

Very good analysis

51 More Replies...

@PDotTheJournalistyoutube

I'm proud of my Era of hip hop, the feeling when you hear music like this is nostalgic 🙏🏿👑🎧

@shaniquemckay954

Ikr...I'm young but very old school

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