feminist
Women's music (or womyn's music or wimmin's music) is the music by women, for women, and about women. The genre emerged as a musical expression of the second-wave feminist movement as well as the labour, civil rights, and peace movements. The movement was started by lesbians such as Cris Williamson, Meg Christian, and Margie Adam, African-American women activists such as Bernice Johnson Reagon and her group Sweet Honey in the Rock, and peace activist Holly Near. Read Full BioWomen's music (or womyn's music or wimmin's music) is the music by women, for women, and about women. The genre emerged as a musical expression of the second-wave feminist movement as well as the labour, civil rights, and peace movements. The movement was started by lesbians such as Cris Williamson, Meg Christian, and Margie Adam, African-American women activists such as Bernice Johnson Reagon and her group Sweet Honey in the Rock, and peace activist Holly Near. Women's music also refers to the wider industry of women's music that goes beyond the performing artists to include studio musicians, producers, sound engineers, technicians, cover artists, distributors, promoters, and festival organizers who are also women. Riot grrrl is an underground feminist hardcore punk movement described in the cultural movements section of this article.
Feminism became a principal concern of musicologists in the 1980s as part of the New Musicology. Prior to this, in the 1970s, musicologists were beginning to discover women composers and performers, and had begun to review concepts of canon, genius, genre and periodization from a feminist perspective. In other words, the question of how women musicians fit into traditional music history was now being asked. Through the 1980s and 1990s, this trend continued as musicologists like Susan McClary, Marcia Citron and Ruth Solie began to consider the cultural reasons for the marginalizing of women from the received body of work. Concepts such as music as gendered discourse; professionalism; reception of women's music; examination of the sites of music production; relative wealth and education of women; popular music studies in relation to women's identity; patriarchal ideas in music analysis; and notions of gender and difference are among the themes examined during this time.
While the music industry has long been open to having women in performance or entertainment roles, women are much less likely to have positions of authority, such as being the leader of an orchestra. In popular music, while there are many women singers recording songs, there are very few women behind the audio console acting as music producers, the individuals who direct and manage the recording process.
Feminism became a principal concern of musicologists in the 1980s as part of the New Musicology. Prior to this, in the 1970s, musicologists were beginning to discover women composers and performers, and had begun to review concepts of canon, genius, genre and periodization from a feminist perspective. In other words, the question of how women musicians fit into traditional music history was now being asked. Through the 1980s and 1990s, this trend continued as musicologists like Susan McClary, Marcia Citron and Ruth Solie began to consider the cultural reasons for the marginalizing of women from the received body of work. Concepts such as music as gendered discourse; professionalism; reception of women's music; examination of the sites of music production; relative wealth and education of women; popular music studies in relation to women's identity; patriarchal ideas in music analysis; and notions of gender and difference are among the themes examined during this time.
While the music industry has long been open to having women in performance or entertainment roles, women are much less likely to have positions of authority, such as being the leader of an orchestra. In popular music, while there are many women singers recording songs, there are very few women behind the audio console acting as music producers, the individuals who direct and manage the recording process.
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Woman
Doja Cat Lyrics
Hey, woman
Hey, woman
Hey, woman
Let me be your woman
Woman, woman, woman (ayy)
I can be your woman
Woman, woman, woman (ayy)
Let me be your woman
Woman, woman, woman (ayy)
I can be your woman
Woman, woman, woman (ayy)
What you need?
She give tenfold, come here, papa, plant your seed
She can grow it from her womb, a family
Provide lovin' overlooked and unappreciated, you see (yeah)
You can reciprocate
I got delicious taste
You need a woman's touch in your place
Just protect her and keep her safe
Baby, worship my hips and waist
So feminine with grace
I touch your soul when you hear me say
"Boy, let me be your woman"
Let me be your woman
Woman, woman, woman (ayy)
I can be your woman
Woman, woman, woman (ayy)
Let me be your woman
Woman, woman, woman (ayy)
I can be your woman
Woman, woman, woman (ayy)
I can be your lady, I'm a woman
I'm a motherfucker but they got a problem
Put some babies in your life and take away the drama
Put that paper in a picture like a diorama
Gotta face a lot people that are opposite
'Cause the world told me, "We ain't got that common sense"
Gotta prove it to myself that I'm on top of shit
And you will never know a God without a Goddess
As honest as fuckin' honest get
And I could be on everything
I mean I could be the leader, head of all the states
I could smile and jiggle it 'til his pockets empty
I could be the CEO, just look at Robyn Fenty
And I'ma be there for you 'cause you on my team, girl
Don't ever think you ain't hella these niggas dream girl
They wanna pit us against each other when we succeedin' for no reasons
They wanna see us end up like we Regina on Mean Girls
Princess or queen, tomboy or king (yeah)
You've heard a lot, you've never seen (nah)
Mother Earth, Mother Mary rise to the top
Divine feminine, I'm feminine (why?)
Woman (daddy)
Let me be your woman (let me be your)
Woman, woman, woman (I need to be your) (daddy)
I can be your woman (I know)
Woman, woman, woman (daddy)
Let me be your woman (I know)
Woman, woman, woman (daddy)
I can be your woman (I know)
Woman, woman, woman
(Hey, woman)
(Hey, woman) Mm-mm
(Hey, woman) Mm-mm, mm
(Hey, woman)
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Aaron Thomas Horn, Amala Zandile Dlamini, David Sprecher, Jidenna Mobisson, Jones Aynzli, Linden Jay
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
John
Fiston mbuyi
moo
this song soo good and i like it she soo beaulftfully
ʟᴜᴄɪᴀɴᴏ ⳻ ̫⳺
Perfeição de música! 💜
ᴷⁱⁿᵈˡʸ ʰᵉˡᵖ ᵐᵉ ʳᵉᵃᶜʰ 5,24kˢᵘᵇˢᶜʳⁱᵇᵉʳˢ ʷⁱᵗʰ 5ⱽⁱᵈᵉᵒˢ
I'm going to leave this comment right here so that whenever someone likes it, I will get reminded to listen again to this cool song! 💜💚🖤
Its_maddy
Have a blessed day
Riccardo XD
You welcome
Em Vai
There u go😅...Ur welcome
Debosmita Sarkar
U just said this things to get manny likes and comment u think idk u? Hmph😌nice try dude can't trick me
Ali Julia Valentine
come back
Moon
Amazing video