folk-rock
Folk rock is a musical genre, combining elements of folk music and rock music.
In its earliest and narrowest sense, the term referred to a genre that arose in the United States and Canada around the mid-1960s. The sound was epitomized by tight vocal harmonies and a relatively "clean" (effects- and distortion-free) approach to electric instruments epitomized by the jangly twelve string sound of the Byrds' guitarist Roger McGuinn as used sparingly by George Harrison in 1964 and 1965. Read Full BioFolk rock is a musical genre, combining elements of folk music and rock music.
In its earliest and narrowest sense, the term referred to a genre that arose in the United States and Canada around the mid-1960s. The sound was epitomized by tight vocal harmonies and a relatively "clean" (effects- and distortion-free) approach to electric instruments epitomized by the jangly twelve string sound of the Byrds' guitarist Roger McGuinn as used sparingly by George Harrison in 1964 and 1965. The repertoire was drawn in part from folk sources, but even more from folk-influenced singer-songwriters such as Bob Dylan. Roger McGuinn of the Byrds has also stated the Beatles inspired him to mix folk with rock music. Allmusic also credits the Beatles for fusing folk with rock in 1964.
In its earliest and narrowest sense, the term referred to a genre that arose in the United States and Canada around the mid-1960s. The sound was epitomized by tight vocal harmonies and a relatively "clean" (effects- and distortion-free) approach to electric instruments epitomized by the jangly twelve string sound of the Byrds' guitarist Roger McGuinn as used sparingly by George Harrison in 1964 and 1965. Read Full BioFolk rock is a musical genre, combining elements of folk music and rock music.
In its earliest and narrowest sense, the term referred to a genre that arose in the United States and Canada around the mid-1960s. The sound was epitomized by tight vocal harmonies and a relatively "clean" (effects- and distortion-free) approach to electric instruments epitomized by the jangly twelve string sound of the Byrds' guitarist Roger McGuinn as used sparingly by George Harrison in 1964 and 1965. The repertoire was drawn in part from folk sources, but even more from folk-influenced singer-songwriters such as Bob Dylan. Roger McGuinn of the Byrds has also stated the Beatles inspired him to mix folk with rock music. Allmusic also credits the Beatles for fusing folk with rock in 1964.
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Ragged Wood
by Fleet Foxes
Come down from the mountain, you have been gone too long
The spring is upon us, follow my only song
Settle down with me by the fire of my yearning
You should come back home, back on your own now
The world is alive now, in and outside our home
You run through the forest, settle before the sun
Darling, I can barely remember you beside me
You should come back home, back on your own now
You should come back home, back on your own now
In the evening light, when the woman of the woods came by
To give to you the word of the old man
In the morning tide, when the sparrow and the seagull fly
And Johnathan and Evelyn get tired
Lie to me if you will
At the top of Beringer Hill
Tell me anything you want
Any old lie will do
Call me back to you
Back to you
Lie to me if you will
At the top of Beringer Hill
Tell me anything you want
Any old lie will do
Call me back to you
Back to you
Back to you
Back to you
Back to you
Back to you
Lyrics © Kobalt Music Publishing Ltd.
Written by: Robin Noel Pecknold
Lyrics Licensed & Provided by LyricFind
by Fleet Foxes
Come down from the mountain, you have been gone too long
The spring is upon us, follow my only song
Settle down with me by the fire of my yearning
You should come back home, back on your own now
The world is alive now, in and outside our home
You run through the forest, settle before the sun
Darling, I can barely remember you beside me
You should come back home, back on your own now
You should come back home, back on your own now
In the evening light, when the woman of the woods came by
To give to you the word of the old man
In the morning tide, when the sparrow and the seagull fly
And Johnathan and Evelyn get tired
Lie to me if you will
At the top of Beringer Hill
Tell me anything you want
Any old lie will do
Call me back to you
Back to you
Lie to me if you will
At the top of Beringer Hill
Tell me anything you want
Any old lie will do
Call me back to you
Back to you
Back to you
Back to you
Back to you
Back to you
Lyrics © Kobalt Music Publishing Ltd.
Written by: Robin Noel Pecknold
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Russian Bot8269
This song is about 10x better than any Toyota
Joshua Stephens
Facts
Bill Holder
I had no idea this was used in a Toyota commercial lmao! The lack of context made this comment 10x more insanely fucking hilarious. So thank you. Hahahahahaha
Joana Capili
Feel Good?
Whiterose
Come down from the mountain, you have been gone too long
The spring is upon us, follow my only song
Settle down with me by the fire of my yearning
You should come back home, back on your own now
The world is alive now, in and outside our home
You run through the forest, settle before the sun
Darling, I can barely remember you beside me
You should come back home, back on your own now
You should come back home, back on your own now
In the evening light, when the woman of the woods came by
To give to you the word of the old man
In the morning tide, when the sparrow and the seagull fly
And Johnathan and Evelyn get tired
Lie to me if you will
At the top of Beringer Hill
Tell me anything you want
Any old lie will do
Call me back to you
Back to you
Lie to me if you will
At the top of Beringer Hill
Tell me anything you want
Any old lie will do
Call me back to you
Back to you
Back to you
Back to you
Back to you
Back to you
Whiterose
dwr molly nah thank youuuuuuuu 🤠🤠🤠🤠❤️❤️❤️
dwr molly
thx for the lyrics!
Nicholas Bergmann
damn 2008 was a good year
Brian Nazario
It really was.
AmaraOlorin
Yep. Met my hubs. I lived in Louisiana 28 years just waiting for him. 2 years after that, we booked out to Washington.
So, yeah. 20-oh 8 was a damn fine year.