In its earliest and narrowest sense, the term referred to a genre that arose in the United States and Canada around the mid-1960s. The sound was epitomized by tight vocal harmonies and a relatively "clean" (effects- and distortion-free) approach to electric instruments epitomized by the jangly sound of The Byrds' guitarist Roger McGuinn. The repertoire was drawn in part from folk sources, but even more from folk-influenced singer-songwriters such as Bob Dylan. Roger McGuinn of the Byrds has also stated The Beatles inspired him to mix folk with rock music. All Music Guide also credits the Beatles for fusing folk with rock in 1964.
This original folk rock directly led to the distinct, eclectic style of electric folk (a.k.a. British folk rock) pioneered in the late 1960s by The Pentangle and Fairport Convention. Starting from a North-American style folk rock, Pentangle, Fairport and other related bands deliberately incorporated elements of traditional British folk music. At the same time, in Brittany, Alan Stivell began to mix his Breton roots with Irish and Scottish roots and with rock music. Very shortly afterwards, Fairport bassist Ashley Hutchings formed Steeleye Span in collaboration with traditionalist folk musicians who wished to incorporate electrical amplification, and later overt rock elements, into their music.
This, in turn, spawned several other variants: the self-consciously English folk rock of the Albion Band and some of Ronnie Lane's solo work, and the more prolific current of Celtic rock, incorporating traditional music of Ireland, Scotland, Cornwall, and Brittany. Through at least the first half of the 1970s, Celtic rock held close to folk roots, with its repertoire drawing heavily on traditional Celtic fiddle and harp tunes and even traditional vocal styles, but making use of rock band levels of amplification and percussion.
In a broader sense, folk rock includes later similarly-inspired musical genres and movements in the English-speaking world (and its Celtic fringes) and, to a lesser extent, elsewhere in Europe. As with any genre, the borders are difficult to define. Folk rock may lean more toward folk or toward rock in its instrumentation, its playing and vocal style, or its choice of material; while the original genre draws on music of Europe and North America, there is no clear delineation of which folk cultures music might be included as influences. Still, the term is not usually applied to rock music rooted in the blues-based or other African American music (except as mediated through folk revivalists), nor to rock music with Cajun roots, nor to music (especially after about 1980) with non-European folk roots, which is more typically classified as world music.
Ho Hey
The Lumineers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(Hey)
(Ho)
(Hey)
(Ho) I been tryin' to do it right
(Hey) I been livin' a lonely life
(Ho) I been sleepin' here instead
(Hey) I been sleepin' in my bed
(Ho) I been sleepin' in my bed
(Hey)
(Ho)
(Ho) so show me family
(Hey) all the blood that I will bleed
(Ho) I don't know where I belong
(Hey) I don't know where I went wrong
(Ho) but I can write a song
(Hey)
I belong with you, you belong with me
You're my sweetheart
I belong with you, you belong with me
You're my sweet
(Ho)
(Hey) come on, now
(Ho) hey
(Hey)
(Ho) I don't think you're right for him
(Hey) think of what it might've been if we
(Ho) took a bus to Chinatown
(Hey) I'd be standin' on Canal
(Ho) and Bowery
(Hey)
(Ho) she'd be standin' next to me
(Hey)
I belong with you, you belong with me
You're my sweetheart
I belong with you, you belong with me
You're my sweetheart
Love, we need it now
Let's hope for some
'Cause, oh, we're bleedin' out
I belong with you, you belong with me
You're my sweetheart
I belong with you, you belong with me
You're my sweet
(Ho)
(Hey)
(Ho)
(Hey)
The Lumineers' hit song Ho Hey is a heartfelt exploration of love, belonging, and loneliness. The lyrics themselves are simple and direct, but the emotion and passion behind them is clear from the opening lines. The song begins with the repetition of "ho" and "hey," providing a catchy and energetic rhythm that symbolizes the ups and downs of life.
The first verse speaks to the trials and tribulations of trying to live a good life, admitting to the loneliness that comes along with it. With the line "I been sleepin' here instead," we see an indication of physical and emotional disconnection. Despite this struggle, the singer longs for family, looking for the comfort of those who share his blood and would be willing to bleed alongside him. The line "I don't know where I belong, I don't know where I went wrong" suggest a sense of confusion and desperation, but the last line of the verse, "but I can write a song," is a hopeful and powerful statement that suggests art and expression can provide solace even in difficult times.
The chorus, "I belong with you, you belong with me, you're my sweetheart," is simple and impactful, indicating a sense of completion and companionship that the singer craves. The second verse continues this theme, with the singer expressing his belief that he and his love interest are meant to be together despite any external factors. The final lines of the song, "Love, we need it now, let's hope for some, 'cause oh, we're bleedin' out," suggest a sense of urgency and desperation, that love is the only answer when we're hurting and struggling.
Line by Line Meaning
(Ho) I been tryin' to do it right
I have been making an effort to be a better person.
(Hey) I been livin' a lonely life
Despite my efforts to be a better person, I've been feeling isolated and alone.
(Ho) I been sleepin' here instead
I've been sleeping in my present situation rather than making changes to better my life.
(Hey) I been sleepin' in my bed
I have been physically sleeping in my own bed, but feeling emotionally distant from others.
(Ho) so show me family
I am searching for a sense of belonging and acceptance from a group of people who accept me as family.
(Hey) all the blood that I will bleed
I am willing to give my all to this family and be a loyal member despite the challenges I may face.
(Ho) I don't know where I belong
I am puzzled and uncertain about where I fit in and where I should be in life.
(Hey) I don't know where I went wrong
I am not sure where I made mistakes that led me to my current uncertain state of being.
(Ho) but I can write a song
Despite my confusion, I can use music as an outlet to express how I feel and make sense of my situation.
(Hey)
This line is repeated, perhaps to signify that the artist is reflecting or pondering.
(Ho) I belong with you, you belong with me
The singer believes that they and their listener should be together, as they are meant to be soulmates.
(Hey) come on, now
This line is used to convey a sense of urgency or excitement, as if the artist is trying to persuade the listener to come with them.
(Ho) I don't think you're right for him
The singer believes that their listener's current partner is not the right fit for them.
(Hey) think of what it might've been if we
The singer is asking the listener to consider an alternate reality where they are together instead of the listener's current partner.
(Ho) took a bus to Chinatown
The singer imagines a scenario where they and the listener take a spontaneous adventure to a unique place like Chinatown.
(Hey) I'd be standin' on Canal
The listener would find themselves in a new environment, such as Canal Street in Chinatown, with the artist as their guide.
(Ho) and Bowery
Bowery is a street in Manhattan, suggesting that the artist is excited about another new and unique location.
(Hey)
Again, this repeated line seems to act as a moment of reflection, perhaps allowing the listener to consider the scenario.
(Ho) she'd be standin' next to me
In this imaginary scenario, the singer and the listener are standing close to each other, with the singer feeling closer to the listener than ever before.
(Hey)
This repeat line serves as a moment of excitement or anticipation, like the listener is getting ready to say yes to the artist's proposal.
Love, we need it now
The artist expresses a need for love in their life, indicating that love is a crucial aspect of human existence.
Let's hope for some
The artist suggests holding out hope for finding love and better circumstances.
'Cause, oh, we're bleedin' out
The sense of urgency and desperation is reinforced here, with the singer implying that they and the listener are emotionally hurting and in need of healing.
(Ho)
This repeated line acts as a bookend to the song, like bringing the story to a close after the artist has made their case to the listener.
(Hey)
Another repeated line, this one seems to act as a moment for reflection after the urgency and excitement of the chorus has abated.
Lyrics © Kobalt Music Publishing Ltd.
Written by: Jeremy Fraites, Wesley Schultz
Lyrics Licensed & Provided by LyricFind
@dimhus5923
Most nostalgic songs
ho hey- the Lumineers
Olw city- Fireflies
Avicci- Wake me up
Passenger- Let her go
Gym class heroes- Stereo hearts
American authors- best day of my life
Pibull- Timber
The black eyed peas- I’ve got a feeling
Avicii- Hey brother
Sam smith- Stay with me
Lukas graham- 7 years
Bastille- Pompeii
OneRepublic- Counting Stars
The wanted- Chasing the Sun
Foster the People- Pumped Up Kicks
Phillip Phillips- home
Hall of fame - the script
Radioactive - imagine dragon's
IZ over the rainbow
hall of fame - the script
Hey soul sister - Train
Fun - we are young
Safe and Sound and Geronimo
Somewhere only we know - keane
Smash mouth All Star
George Ezra - Budapest
somebody I used to love
Vance Joy- Riptide
Imagine dragons - It's Time
Kodaline- All I Want
Simple Life by Casey Abrams
Bluebells - young at heart
Stressed out
cheerleader
love me again
GANGNAM STYLE
Repy some nostalgic songs so i can add to the list
Feel Free to cry alittle if you need and or save some to your playlist
Enjoy your nostalgic moments 👍😄
@eji1789
Lyrics
I been tryin' to do it right
(Hey) I been livin' a lonely life
(Ho) I been sleepin' here instead
(Hey) I been sleepin' in my bed
(Ho) I been sleepin' in my bed
(Hey)
(Ho)
(Ho) so show me family
(Hey) all the blood that I will bleed
(Ho) I don't know where I belong
(Hey) I don't know where I went wrong
(Ho) but I can write a song
(Hey)
I belong with you, you belong with me
You're my sweetheart
I belong with you, you belong with me
You're my sweet
come on, now
(Ho) hey
(Hey)
I don't think you're right for him
(Hey) think of what it might've been if we
(Ho) took a bus to Chinatown
(Hey) I'd be standin' on Canal
(Ho) and Bowery
(Hey)
(Ho) she'd be standin' next to me
(Hey)
I belong with you, you belong with me
You're my sweetheart
I belong with you, you belong with me
You're my sweetheart
Love, we need it now
Let's hope for some
'Cause, oh, we're bleedin' out
I belong with you, you belong with me
You're my sweetheart
I belong with you, you belong with me
You're my sweet
(Ho)
(Hey)
(Ho)
(Hey)
@nourfarhat6743
Admit it. This song wasn't in your recommended, you searched for it
@dairhat
Well, Seth Everyman's video was recommended to me and that video brought me here, so... yeah.
@rinoffixzakalilytheeditor9879
I searched UnU
@modules_make_me_sad
Gotta love the ajr brothers for making a cover
@righteous_zombie
I searched 2012-2015 top songs and ended here lol
@Campacolachampagne
Actually, it did. I played the ballad of Ophelia for 7 hours. YouTube algorithms tried to intervene
@severedandi
It's extremely rare that a perfect song is created. I am almost 48 years old. I have discovered 7 of them. The Lumineers are 1 of the 7.
@paulomendez0927
share the 6 other
@oropasanchezjehuisai7153
Yeah man share with the rest of the world these songs.😢
@b3eleyyfavv267
What about here comes the Sun and feel it still