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Rhapsody in Blue
George Gershwin Lyrics


Instrumental
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@SheldonSchorer

I had occasion to discuss Bernstein with someone who had played under him in the Israel Philharmonic Orchestra. The stories he told of the depth of his understanding of each instrument and how he coaxed the best performance out of each player are amazing.

I had met him for lunch a day after Leonard Bernstein died. As my friend, (let's call him Cohen) played the double-bassoon in the Israel Philharmonic, I asked him to tell me some Leonard Bernstein stories. This is how he told it to me.

First of all, he said, Bernstein was an incredible musical genius. When rehearsing, he would always recognize any wrong notes and would both point it out and correct it. He was a wonderful teacher who knew each instrument and what the player would have to do to improve and get it right.

Did he ever correct you? I asked. He paused, took a long breath, and said - let me tell you what happened to me.

There is passage in a piece by Bruckner where the double-bassoon plays an exceptionally long passage. It's impossible to play the entire passage in one breath, so the question is whether you should take the breath near the beginnin or the end of the passage. I asked Bernstein which I should do. He said, "Cohen, I want you to do the entire passage in one breath." I protested that it was impossible, and he knew it and I renewed my request for instructions on when I should take my breath. He said, "One breath. Let's do the piece now, with one breath."
So the orchestra geared up for that piece, and when I reached the passage, I filled up with air, tried as hard as I could, but simply couldn't complete the passage. Bernstein said: "Don't worry. On the night of the performance you'll do it in one breath."

All of the time until the night of the performance, I was panicking out. What did this maniac want from me. If I try to do the whole piece in one breath, I will fail and the audience will know it. I'll embarrass myself. But if I take my regular breath, Bernstein will be disappointed in me.

I asked him, so what did you do?

On the night of the performance, I decided to try to do the passage in one breath. And I did it - in one breath!

I asked - did Bernstein stop the show to give you an applause?

No. But a bit later in the performance, he looked at me and briefly nodded his head. That was all, and that was plenty. When I went home, I was walking on air. I was floating. Bernstein knew how to motivate and get the best out of everybody.

He added a coda to the story. "Someone told me that when Bernstein returned to New York, he rehearsed the Philharmonic to do the same Bruckner piece. He also instructed Kelly, the double bassoonist to do the passage in one breath. Kelly complained: you know that that is impossible! Bernstein replied, "Why can't you do it? After all, Cohen in Israel did it."



@SheldonSchorer

I met a friend for lunch a day after Leonard Bernstein died. As my friend, (let's call him Cohen) played the double-bassoon in the Israel Philharmonic, I asked him to tell me some Leonard Bernstein stories. This is how he told it to me.

First of all, he said, Bernstein was an incredible musical genius. When rehearsing, he would always recognize any wrong notes and would both point it out and correct it. He was a wonderful teacher who knew each instrument and what the player would have to do to improve and get it right.

Did he ever correct you? I asked. He paused, took a long breath, and said - let me tell you what happened to me.

There is passage in a piece by Bruckner where the double-bassoon plays an exceptionally long passage. It's impossible to play the entire passage in one breath, so the question is whether you should take the breath near the beginnin or the end of the passage. I asked Bernstein which I should do. He said, "Cohen, I want you to do the entire passage in one breath." I protested that it was impossible, and he knew it and I renewed my request for instructions on when I should take my breath. He said, "One breath. Let's do the piece now, with one breath."
So the orchestra geared up for that piece, and when I reached the passage, I filled up with air, tried as hard as I could, but simply couldn't complete the passage. Bernstein said: "Don't worry. On the night of the performance you'll do it in one breath."

All of the time until the night of the performance, I was panicking out. What did this maniac want from me. If I try to do the whole piece in one breath, I will fail and the audience will know it. I'll embarrass myself. But if I take my regular breath, Bernstein will be disappointed in me.

I asked him, so what did you do?

On the night of the performance, I decided to try to do the passage in one breath. And I did it - in one breath!

I asked - did Bernstein stop the show to give you an applause?

No. But a bit later in the performance, he looked at me and briefly nodded his head. That was all, and that was plenty. When I went home, I was walking on air. I was floating. Bernstein knew how to motivate and get the best out of everybody.

He added a coda to the story. "Someone told me that when Bernstein returned to New York, he rehearsed the Philharmonic to do the same Bruckner piece. He also instructed Kelly, the double bassoonist to do the passage in one breath. Kelly complained: you know that that is impossible! Bernstein replied, "Why can't you do it? After all, Cohen in Israel did it."



All comments from YouTube:

@johnseriousmen9256

There’s a special place in hell for whoever put an ad smack in the middle of this

@poprockahead3924

Absolutely, straight to execution!

@Video7Rose

Amen to that!

@segmentsAndCurves

PAY.

@SpeegBJ

Thanks Tyler.

@hifijohn

cast the devil away with your savior called adblocker.

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@darthstarkiller1912

Just think, 2024 marks the centennial of "Rhapsody in Blue" which is still a masterpiece of modern music. Gershwin was a genius, and Bernstein's conducting and piano playing were out of this world. Incredible performance.

@johnscanlan9335

Amen!!!

@kevinmalone3210

I'll 2nd that!

@David-yw2lv

The Bret "Hitman"Hart of musical compositions,the best there is,the best there was,the best that ever will be.

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