kora
A kora is built from a large calabash cut in half and covered with cow skin to make a resonator, and has a notched bridge like a lute or guitar. It does not fit well into any one category of western instruments and would have to be described as a double bridge harp lute. The sound of a kora resembles that of a harp, though when played in the traditional style, it bears a closer resemblance to flamenco and delta blues guitar techniques. The player Read Full BioA kora is built from a large calabash cut in half and covered with cow skin to make a resonator, and has a notched bridge like a lute or guitar. It does not fit well into any one category of western instruments and would have to be described as a double bridge harp lute. The sound of a kora resembles that of a harp, though when played in the traditional style, it bears a closer resemblance to flamenco and delta blues guitar techniques. The player uses only the thumb and index finger of both hands to pluck the strings in polyrhythmic patterns (using the remaining fingers to secure the instrument by holding the hand posts on either side of the strings). Ostinato riffs ("Kumbengo") and improvised solo runs ("Birimintingo") are played at the same time by skilled players.
Kora players have traditionally come from griot families (also from the Mandinka nationalities) who are traditional historians, genealogists and storytellers who pass their skills on to their descendants. The instrument is played in Guinea, Guinea Bissau, Mali, Senegal, Burkina Faso and The Gambia. A traditional kora player is called a Jali, similar to a 'bard' or oral historian. Most West African musicians prefer the term 'jali' to 'griot', which is the French word.
Traditional koras feature 21 strings, eleven played by the left hand and ten by the right. Modern koras made in the Casamance region of southern Senegal sometimes feature additional bass strings, adding up to four strings to the traditional 21. Strings were traditionally made from thin strips of hide, for example antelope skin - now most strings are made from harp strings or nylon fishing line, sometimes plaited together to create thicker strings.
By moving leather tuning rings up and down the neck, a kora player can retune the instrument into one of four seven-note scales. These scales are close in tuning to western Major, Minor and Lydian modes.[2][3]
Kora players have traditionally come from griot families (also from the Mandinka nationalities) who are traditional historians, genealogists and storytellers who pass their skills on to their descendants. The instrument is played in Guinea, Guinea Bissau, Mali, Senegal, Burkina Faso and The Gambia. A traditional kora player is called a Jali, similar to a 'bard' or oral historian. Most West African musicians prefer the term 'jali' to 'griot', which is the French word.
Traditional koras feature 21 strings, eleven played by the left hand and ten by the right. Modern koras made in the Casamance region of southern Senegal sometimes feature additional bass strings, adding up to four strings to the traditional 21. Strings were traditionally made from thin strips of hide, for example antelope skin - now most strings are made from harp strings or nylon fishing line, sometimes plaited together to create thicker strings.
By moving leather tuning rings up and down the neck, a kora player can retune the instrument into one of four seven-note scales. These scales are close in tuning to western Major, Minor and Lydian modes.[2][3]
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Mr. Jones
Talking Heads Lyrics
Mr. Jones
Put a wiggle in your stride
Loosen up
I believe he'll be alright
Changing clothes
Now he's got ventilated slacks
Bouncing off the walls
Mr. Jones is back!
Bulge out
And wind your waist
Tight pants
Got curly hair
Drinking cold beer
From metal cans
Moonshine
And Handi-Wipes!
Mr. Jones is back in town
It's his lucky day
Hold up your hands and shout
Jones is on his way
Pitter pat
Mr. Jones is back in town
Aces high
Now his pants are falling down
He looks so fine
In those patent leather shoes
Mr. Jones, you look tired
I believe you'll be alright
Sales men
Conventioneers
Some rock stars
With tambourines
Short skirts
And skinny legs
Selling bibles
And real estate
It's a big day for Mr. Jones
He is not so square
Mr. Jones will stick around
He's everybody's friend
Fast cars
And motorbikes
I'm sure glad
He's on our side
The Jones Gang
Down at the bar
Watch out, this time
They've gone too far
They call for Mr. Jones
They put him in charge
Mr. Jones will help us out
He's a lucky guy
It is Mr. Jones' Birthday party
For another year
In his hotel room Party favors
It's a holiday
Lyrics © Warner Chappell Music, Inc.
Written by: ANGEL FERNANDEZ, CHRIS FRANTZ, DAVID BYRNE, JERRY HARRISON, TINA WEYMOUTH
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