mainstream
Mainstream music denotes music that is familiar and unthreatening to the masses, as for example popular music, pop music, middle of the road music, or soft rock; but it should be noted that older generations often dislike the mainstream taste of the youth, and may not agree as to what is or is not mainstream. Mainstream jazz is generally seen as an evolution of be-bop, which was originally regarded as radical.
Opposing mainstream music is the music of subcultures. Read Full BioMainstream music denotes music that is familiar and unthreatening to the masses, as for example popular music, pop music, middle of the road music, or soft rock; but it should be noted that older generations often dislike the mainstream taste of the youth, and may not agree as to what is or is not mainstream. Mainstream jazz is generally seen as an evolution of be-bop, which was originally regarded as radical.
Opposing mainstream music is the music of subcultures. This exists in virtually all genres of music and is found commonly in punk rock, indie rock, anti-folk and extreme metal, among others. In the 1960s this music was exemplified by the music of the hippie counterculture. In more recent years alternative rock, such as the music of Nirvana, has managed to express musical nonconformity while still working within the confines of the mainstream music market.
Punk rock has distinguished itself from other non-mainstream genres by self-asserting an active anti-mainstream social movement that resists commercialism and corporate control. The punk subculture generally frowns upon major label bands that play punk music that disavows the DIY punk ethic, and views them as synonymous with mainstream music. Punk has lent this stringent DIY ethic to the indie rock that surfaced in the early 1990s underground. Several anti-corporate and not-for-profit forms of alternative protest have surfaced in the punk underground, such as self-made publications know as zines, where there is greater freedom to discuss controversial (usually far left) political issues such as bigotry, LGBT community issues, feminism, militant atheism, and veganism. And though often viewed as a youthful expression of rebellion by the mainstream media, modern punk embodies a range of age groups who generally disagree with the perceived homogeneity of countercultural principals and it is not uncommon for middle-aged people to form punk houses and resistance movements in the face of what they view as the widespread, unfair exploitation of human and animal rights. This modern faction is dominantly voiced through the anarcho-punk and crust punk subcultures, in attempt to combat what is seen by those groups as a general devaluation of, and profitization from, life.
Opposing mainstream music is the music of subcultures. Read Full BioMainstream music denotes music that is familiar and unthreatening to the masses, as for example popular music, pop music, middle of the road music, or soft rock; but it should be noted that older generations often dislike the mainstream taste of the youth, and may not agree as to what is or is not mainstream. Mainstream jazz is generally seen as an evolution of be-bop, which was originally regarded as radical.
Opposing mainstream music is the music of subcultures. This exists in virtually all genres of music and is found commonly in punk rock, indie rock, anti-folk and extreme metal, among others. In the 1960s this music was exemplified by the music of the hippie counterculture. In more recent years alternative rock, such as the music of Nirvana, has managed to express musical nonconformity while still working within the confines of the mainstream music market.
Punk rock has distinguished itself from other non-mainstream genres by self-asserting an active anti-mainstream social movement that resists commercialism and corporate control. The punk subculture generally frowns upon major label bands that play punk music that disavows the DIY punk ethic, and views them as synonymous with mainstream music. Punk has lent this stringent DIY ethic to the indie rock that surfaced in the early 1990s underground. Several anti-corporate and not-for-profit forms of alternative protest have surfaced in the punk underground, such as self-made publications know as zines, where there is greater freedom to discuss controversial (usually far left) political issues such as bigotry, LGBT community issues, feminism, militant atheism, and veganism. And though often viewed as a youthful expression of rebellion by the mainstream media, modern punk embodies a range of age groups who generally disagree with the perceived homogeneity of countercultural principals and it is not uncommon for middle-aged people to form punk houses and resistance movements in the face of what they view as the widespread, unfair exploitation of human and animal rights. This modern faction is dominantly voiced through the anarcho-punk and crust punk subcultures, in attempt to combat what is seen by those groups as a general devaluation of, and profitization from, life.
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Bohemian Rhapsody
Queen Lyrics
Mama, just killed a man
Put a gun against his head
Pulled my trigger, now he's dead
Mama, life had just begun
But now I've gone and thrown it all away
Mama, ooh
Didn't mean to make you cry
If I'm not back again this time tomorrow
Carry on, carry on
As if nothing really matters
Too late, my time has come
Sends shivers down my spine
Body's aching all the time
Goodbye everybody, I've got to go
Gotta leave you all behind and face the truth
Mama, ooh
I don't want to die
I sometimes wish I'd never been born at all
Lyrics © Sony/ATV Music Publishing LLC
Written by: Freddie Mercury
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Marcos Castilho
Mamaaa,
Just killed a man,
Put a gun against his head, pulled my trigger,
Now he's dead
Mamaaa, life had just begun,
But now I've gone and thrown it all away
Mama, oooh,
Didn't mean to make you cry,
If I'm not back again this time tomorrow,
Carry on, carry on as if nothing really matters
Too late, my time has come,
Sends shivers down my spine, body's aching all
The time
Goodbye, everybody, I've got to go,
Gotta leave you all behind and face the truth
Mama, oooh
I don't want to die,
I sometimes wish I'd never been born at all.
I see a little silhouetto of a man,
Scaramouch, Scaramouch, will you do the Fandango!
Thunderbolts and lightning, very, very frightening me
Galileo, Galileo
Galileo, Galileo
Galileo, Figaro - magnificoo
I'm just a poor boy nobody loves me
He's just a poor boy from a poor family,
Spare him his life from this monstrosity
Easy come, easy go, will you let me go
Bismillah! No, we will not let you go
(Let him go!) Bismillah! We will not let you go
(Let him go!) Bismillah! We will not let you go
(Let me go) Will not let you go
(Let me go)(Never) Never let you go
(Let me go) (Never) let you go (Let me go) Ah
No, no, no, no, no, no, no
Oh mama mia, mama mia, mama mia, let me go
Beelzebub has a devil put aside for me, for me,
For meee
비정한세상
Is this the real life?
이것은 현실인가요?
Is this just fantasy?
아니면 단지 환상인가요?
Caught in a landslide
산사태에 묻힌듯
No escape from reality
현실로부터 달아날수 없네요.
Open your eyes look up to the skies and see
눈을 뜨고 하늘을 올려보세요.
I'm just a poor boy
나는 단지 불쌍한 아이예요.
I need no sympathy
동정 따윈 필요없어요.
Because I'm easy come, easy go
왜냐하면 나는 쉽게 왔다 쉽게 가고
Little high, little low.
고상하지도, 저급하지도 않거든요.
Any way the wind blows
어쨌든 바람은 불지만
Doesn't really matter to me, to me
나에겐 중요하지 않아요, 나에겐.
Mama, I just killed a man
엄마, 내가 사람을 죽였어요.
Put a gun against his head
그의 머리에 총을 대고
Pulled my trigger, now he's dead
방아쇠를 당겼고 이미 그는 죽었어요
Mama, life had just begun
엄마... 삶이 막 시작되었는데
But now I've gone and thrown it all away
나는 그 모두를 내팽겨친거예요
Mama, oh, I didn't mean to make you cry
엄마, 당신을 울게하려한 짓이 아니에요
If I'm not back again this time
만약 내일 이 시간에 다시 돌아오지 못해도
Tomorrow carry on, carry on
계속, 계속 살아나가세요
As if nothing really matters
마치 아무일도 일어나지 않은것처럼
Too late, my time has come
너무 늦었어요. 제 차례가 왔네요.
Sends shivers down my spine, body's aching all the time
등골이 오싹하고 온몸이 쑤셔옵니다.
Goodbye everybody I've got to go
모두들 안녕히... 나는 가야합니다.
Gotta leave you all behind
여러분과 모든것을 뒤로한 채
And face the truth
진실과 맞닥뜨려야 해요.
Mama oh no I don't want to die
엄마, 오, 나는 죽고싶지 않아요
I sometimes wish I'd never been born at all
난 가끔 내가 아예 태어나지 않았더라면 하고 바래요
I see a little silhouetto of a man
사람 그림자가 조그맣게 보이네
Scaramouche, scaramouche,
겁쟁아, 겁쟁아,
will you do the fandango?
그런 무모한 짓을 할 거냐?
Thunderbolts and lightning
천둥과 번개
very very frightening me
너무 너무 무서워
Galileo, Galileo, Galileo, Galileo,
갈릴레오, 갈릴레오, 갈릴레오, 갈릴레오,
Galileo, Figaro, Magnifico oh oh oh
갈릴레오, 피가로, 마니피코 오오오
I'm just a poor boy - nobody loves me
전 그저 불쌍한 아이일 뿐이에요, 절 사랑해 주는 사람도 없어요
He's just a poor boy from a poor family
"이 친구는 그저 가난한 집에서 태어난 불쌍한 소년일 뿐입니다."
Spare him his life from this monstrosity
"이 끔찍한 참상에서 목숨을 살려 주십시오!"
Easy come, easy go - Will you let me go?
쉽게 왔다가 쉽게 떠나는 놈이라고요, 절 풀어주시면 안 되나요?
Bismillah! No - we will not let you go - Let him go
"신의 이름으로! 안 돼, 우린 널 풀어주지 않을 거다" - "풀어주시오!"
Bismillah! We will not let you go - Let him go
"신의 이름으로! 우린 널 풀어주지 않을 거다" - "풀어주시오!"
Will not let you go - Let me go (never)
"널 풀어주지 않을 거다" - 풀어주세요!("안 돼")
Never let you go - Let me go
"결코 널 풀어주지 않을 거다" - 풀어주세요!
Never let me go oh oh oh
날 절대 풀어주지 않는다니, 오오오
No, no, no, no, no, no, no
안 돼, 안 돼, 안 돼, 안 돼, 안 돼, 안 돼, 안 돼
mamma mia, let me go
맙소사, 저 좀 풀어주세요
Beelzebub has the devil put aside for me
바알제붑이 나를 위해 마귀를 곁에 두는구나
So you think you can stone me and spit in my eye?
그래, 너희들이 내게 돌을 던지고 침을 뱉을 수 있다 이거지?
So you think you can love me and leave me to die?
그래, 너희들이 날 사랑하면서 죽게 할 수 있다 이거지?
Oh baby - can't do this to me, baby
아, 나한테 이럴 수는 없어
Just gotta get out - just gotta get right outta here
나가고 말 거야, 여기서 빠져나가고 말 거야
Ooh, ooh yeah, ooh yeah
Nothing really matters
아무 일도 없어요
Anyone can see
누구나 알 수 있는 거죠
Nothing really matters
아무 일도 없어요
Nothing really matters to me
아무 일도 없어요, 나에겐
Anyway the wind blows
어쨌거나 바람은 부니까...
Terry Kaye
Saw Queen for the ‘Night at the Opera’ tour at the Richfield Coliseum in Ohio. I still recall this at the concert. As well as much weed passing & smoking.!! •RIP Freddie•
Oxozanmanoxo R No. 2
@CosArtist u
CosArtist
@Oxozanmanoxo R No. 2 u
Oxozanmanoxo R No. 2
@CosArtist u
CosArtist
@Oxozanmanoxo R No. 2 what /gen
Oxozanmanoxo R No. 2
@CosArtist u
los Vlogs de Augusto
Así como el Himno de la alegría representa todo lo hermoso y triunfante de la humanidad también está canción y Were The Champions representan la genuina esencia del rock
Sc A
I'm not fan of Queen but in the other side, besides of what rollingstone magazine says, l consider this song one of the best songs in history (or modern history, besides classic music), easily in the top 3... And one of My favorites too
Nito De AliExpress
@RO BOXING FIGHTS what did they say about bohemian rhapsody?
RO BOXING FIGHTS
rolling stones magazine is a joke