The term has had other uses over time. It was first used in the USA during the early '80s. At the time, this New Beat music was a contemporary genre to Techno from Detroit and House from Chicago, although not intrinsically linked. The Americans at the time used the term to describe those music styles that they never heard before. It was the new beat of the time, the new sound, very different from Hi-NRG disco, New Wave, Synth Pop, Rap or whatever. The term was soon replaced by other terms, so virtually any USA hits once described as "New Beat" are today considered a part of another music style, most of the time simply House or Techno.
The second time that the term New Beat used, was in Europe. First, appeared in Belgium, around 1987, to describe a local music style that mainly developed out of 'Bodybeat' heralded by the early formation of Front 242. When MTV Europe began in the summer of 1987, it brought the term to the UK. In the UK, the term New Beat was used in 1987–1988 for various local Acid house / Techno Rave productions, to point out that this was a new sound of dance music and a less commercial alternative to UK's Eurobeat. Eurobeat was at the time used in the UK for the Stock Aitken Waterman productions. Eventually, the term became mainstream, especially between the summer of 1989 and the summer of 1990, but faded fast after Euro House took over. Because of the relation of the "New Beat" and Acid house in the UK during 1988, the later commercial "New Beat" European productions, sported the Smiley as symbol of love in the British related markets. Various British "New Beat" productions, eventually migrated to the 'Bacalao' scene in Valencia Spain.
Before the term New Beat began to fade (during 1990-1991), it was used one last time to describe many Belgium and German dance groups like Technotronic, Snap, Confetti's, The adventures of Stevie V, McSar & the Real McCoy and Twenty4Seven on the minor European (and related) markets (Greece, Spain, Italy, Turkey, Israel, Southern France). The term in this case used again like the way it used in USA almost a decade before to describe the overall "new" dance sound of the time and not so much a music style. It was generally used to fill the "gap" between 80s Euro disco and the 90s Euro-House).
USA fans of 90s Eurohouse (in the USA the term "90s Eurodance" is used), testify that the term New Beat was also used for a short while during the early 90s, to describe various early 90s imports on the USA market, like 2 Unlimited, Quadrophonia, T99, etc.
CLUB CLASSICS
Charli XCX Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Right now, right now
It's-it's-, it's like, it's like
When I go to the club (right now, right now)
I wanna hear those club classics (right now, right now)
Club classics (right now, right now)
Club, club classics (right now, right now)
When I go to the club (right now, right now)
I wanna hear those club classics (right now, right now)
Club classics (right now, right now)
Club, club classics (right now, right now)
When I go to the club (right now, right now)
I wanna hear those club classics (right now, right now)
Club classics (right now, right now)
Club, club classics (right now, right now)
Yeah, I wanna dance to me (right now, right now)
I wanna dance to A. G. (right now, right now)
I wanna dance with George (right now, right now)
I wanna dance to SOPHIE (right now, right now)
I wanna dance to HudMo (right now, right now)
Play the track fast, not slow (right now, right now)
Pull it back twice, let's go (right now, right now)
Sweat marks all on my clothes (right now, right now)
Tight like my kinda flow (right now, right now)
Yeah, I wanna be blinded by the lights, lights, lights (right now, right now)
Right now, right now, right now, right now
Right now, right now, right now, right now
Right now, right now, right now, right now
Right now, right now, right now, right now
Put your hands up and dance
Yeah, I'm gonna dance all night, that's right
All night
Never gonna stop 'til the morning light
Put your hands up and dance
Yeah, I'm gonna dance all night, that's right
All night
Never gonna stop, never gonna stop, oh
Yeah, I wanna dance to me, me, me, me, me
When I go to the club, club, club, fuck, fuck, fuck yeah
Yeah, I wanna dance to me, me, me, me, me
When I go to the club, club, club, fuck, fuck, fuck yeah
Yeah, I wanna dance to me, me, me, me, me (put your hands up and-, I'm gonna-)
When I go to the club, club, club, fuck, fuck, fuck yeah (like)
Yeah, I wanna dance to me, me, me, me, me (put your hands up and-, I'm gonna-)
When I go to the club, club, club, fuck, fuck, fuck yeah (like)
Put your hands up and dance
Yeah, I'm gonna dance all night, that's right
All night
Never gonna stop 'til the morning light
Put your hands up and dance
Yeah, I'm gonna dance all night, that's right
All night
Never gonna stop, never gonna stop, oh
(I, yeah, like, like, it's like, it's like, it's like
It's like, it's like, it's like)
I wanna dance to me
When I go to the club (like, like, it's like, it's like, it's like)
I wanna dance to me
When I go to the club (it's like, it's like, it's like)
(I, yeah, I, yeah, like, like, it's like, it's like, it's like)
When I go to the club (it's like, it's like, it's like)
The lyrics to Charli XCX's song "CLUB CLASSICS" convey a strong desire and enthusiasm for the experience of going out to the club and dancing to classic tracks. The repetition of "right now" emphasizes the immediacy and excitement of being in the moment and enjoying the vibrant atmosphere of a club. The mention of wanting to hear 'club classics' sets the tone for a nostalgic and celebratory vibe, as the singer yearns for the familiar tunes that hold a special place in their heart.
As the song progresses, Charli XCX name-drops various artists and producers she wants to dance to, suggesting a deep connection to the music scene and a desire to pay homage to those who have influenced her. References to A.G., George, Sophie, and Hudmo highlight a sense of unity and appreciation for the creativity and energy that these individuals bring to the music world. The lyrics also touch upon the physical aspects of dancing, with mentions of sweat marks on clothes and the pulsating beat that drives the need to move and groove.
The chorus's directive to 'put your hands up and dance" reinforces the idea of letting loose and surrendering to the music, promising a night filled with endless dancing and joy. The repetition of 'all night' and 'never gonna stop' underscores the unbridled passion for music and the intoxicating energy of the club scene, where time seems to stand still as the music takes over. The lyrics paint a vivid picture of a carefree and exhilarating night out, where the only focus is on losing oneself in the music and enjoying the moment to its fullest.
The closing lines of the song bring the narrative full circle, with Charli XCX expressing the desire to dance to herself, symbolizing a sense of self-empowerment and an internal journey of self-expression and liberation. The repetition of 'like' and 'it's like' adds a dreamlike quality to the lyrics, hinting at a surreal and almost transcendent experience on the dancefloor. Overall, "CLUB CLASSICS" is a pulsating anthem that celebrates the joy of music, the freedom of expression, and the power of connection through shared moments of dance and celebration in the club.
Line by Line Meaning
Right now, right now, right now, right now
In this moment, at this very instant, I am craving the energy and excitement of the club scene.
When I go to the club (right now, right now)
Every time I step into the club, I am immediately seeking out the familiar sound of classic club tracks.
I wanna hear those club classics (right now, right now)
I specifically desire to listen to those timeless hits that never fail to get the crowd moving when I'm in the club.
Yeah, I wanna dance to me (right now, right now)
I am eager to hit the dance floor and immerse myself in the music that resonates with my personal style and vibe.
Put your hands up and dance
Encouraging everyone around me to raise their hands and let loose to the rhythm of the music while dancing without inhibition.
Never gonna stop, never gonna stop, oh
Emphasizing that the dancing and enjoyment will continue without pause until the early hours of the morning.
Lyrics © CONCORD MUSIC PUBLISHING LLC, Sony/ATV Music Publishing LLC
Written by: Charlotte Emma Aitchison, George Bedford Daniel
Lyrics Licensed & Provided by LyricFind
@caminitterxcx
I went blind, but the vibe is still the same! I love you Charli <33333333
@nahuelvillalba4979
Hahaha same
@lillibrock-fo8lg
I was like my eyes😂😂😂
@lesliemorganking3283
I had a flash of light enter my eye. While watching.
@Phantasmarae
You really wanted to be blinded by the lights, huh
@69ngel
😂😂😂
@periwinkletinkle
Watch this be a club classic in 10 years
@KYLETISZAI
Or 1
@ZACKARDO
Realistically, if this even gets played after 3 months in any club it would be surprising.
@NathanRiveraMelo
Nah. Instant classic