Genre not found
Artist not found
Album not found
Song not found
Requiem
by Wolfgang Amadeus Mozart

1. Requiem
Requiem aeternam dona eis, Domine, et lux perpetua luceat eis
Te decet
Hymnus, Deus in Sion, et tibi reddetur votum in Jerusalem
Exaudi
Orationem meam, ad te omnis caro veniet
Requiem aeternam dona eis, Domine, et lux perpetua luceat eis
Kyrie eleison, Christe eleison, Kyrie eleison

2. Dies irae
Dies irae, dies illa solvet saeclum in favilla, teste David cum
Sybilla
Quantus tremor est futurus, quando judex est venturus, cuncta
Stricte
Discussurus

3. Tuba mirum
Tuba mirum spargens sonum per sepulchra regionum, coget omnes
Ante thronum
Mors stupebit et natura, cum resurget creatura, judicanti
Responsura
Liber scriptus proferetur, in quo totum continetur, unde mundus
Judicetur
Judex ergo cum sedebit, quidquid latet apparebit, nil inultum
Remanebit
Quid sum miser tunc dicturus? quem patronum rogaturus, cum vix
Justus
Sit securus?

4. Rex tremendae
Rex tremandae maiestatis, qui salvandos salvas gratis, salva me
Fons
Pietatis

5. Recordare
Recordare Jesu pie, quod sum causa tuae viae, ne me perdas illa
Die
Quaerens me sedisti lassus, redemisti crucem passus; tantus
Labor non
Sit cassus
Juste judex ultionis, donum fac remissionis ante diem rationis
Ingemisco tanquam reus, culpa rubet vultus meus; supplicanti
Parce Deus
Qui Mariam absolvisti, et latronem exaudisti, mihi quoque spem
Dedisti
Preces meae non sum dignae, sed tu, bonus, fac benigne, ne
Perenni
Cremer igne
Inter oves locum praesta, et ab hoedis me sequestra, statuens in
Parte
Dextra

6. Confutatis
Confutatis maledictis, flammis acribus addictis, voca me cum
Benedictis
Oro supplex et acclinis, cor contritum quasi cinis, gere curam
Mei finis

7. Lacrymosa
Lacrymosa dies illa, qua resurget ex favilla judicandus homo
Reus
Huic ergo parce Deus, pie Jesu Domine, dona eis requiem! Amen!

8. Domine Jesu
Domine Jesu Christe! Rex gloriae! Libera animas omnium fidelium
Defunctorum
De poenis inferni et de profundo lacu!
Libera eas de ore leonis, ne absorbeat eas Tartarus, ne cadant
In obscurum:
Sed signifer sanctus Michael repraesentet eas in lucem sanctam
Quam olim
Abrahae promisisti, et semini ejus

9. Hostias
Hostias et preces tibi, Domine, laudis offerimus
Tu suscipe pro animabus illis, quarum hodie memoriam facimus:
Fac eas
Domine, de morte transire ad vitam, quam olim Abrahae
Promisisti, et
Semini ejus

10. Sanctus
Sanctus, sanctus, sanctus Dominus Deus Sabaoth! pleni sunt coeli
Et terra
Gloria tua
Osanna in excelsis

11. Benedictis
Benedictis, qui venit in nomine Domini
Osanna in excelsis

12. Agnus Dei
Agnus Dei, qui tollis peccata mundi, dona eis requiem
Agnus Dei, qui tollis peccata mundi, dona eis requiem
Sempiternam
Lux aeterna luceat eis, Domine, cum sanctis in aeternum, quia
Pius es
Requiem aeternam dona eis, Domine, et lux perpetua luceat eis

Contributed by Grace W. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
Comments from YouTube:

Horacio Corchado

I cant stand all these mozart bandwagon fans! I was listening to him back in 1775 when he was not even famous yet.

Beethoven was a bad melodist. Bernstein said.

JOHANNES BRAHMS (1896): "I always find Beethoven's C Minor concerto (the Third Piano Concerto) much smaller and weaker than Mozart's. . . . I realize that Beethoven's new personality and his new vision, which people recognized in his works, made him the greater composer in their minds. But after fifty years, our views need more perspective. One must be able to distinguish between the charm that comes from newness and the value that is intrinsic to a work. I admit that Beethoven's concerto is more modern, but not more significant!
I also realize that Beethoven's First Symphony made a strong impression on people. That's the nature of a new vision. But the last three Mozart symphonies are far more significant. . . . Yes, the Rasumovsky quartets, the later symphonies—these inhabit a significant new world, one already hinted at in his Second Symphony. But what is much weaker in Beethoven compared to Mozart, and especially compared to Sebastian Bach, is the use of dissonance. Dissonance, true dissonance as Mozart used it, is not to be found in Beethoven. Look at Idomeneo. Not only is it a marvel, but as Mozart was still quite young and brash when he wrote it, it was a completely new thing. What marvelous dissonance! What harmony! You couldn't commission great music from Beethoven since he created only lesser works on commission—his more conventional pieces, his variations and the like. When Haydn or Mozart wrote on commission, it was the same as their other works."
( Composers On Music: Eight Centuries of Writings
, Josiah Fisk, Jeff Nichols, Technical Group Leader High Performance Computational Chemistry Group Jeff Nichols | p.134~135 )

YTM2k

Frfr

BlueTaiga X17

Okay loomer

JadedOne420

F'n Hipster.



<3

Zenitsu Agatsuma

You're an old hag

168 More Replies...

Obama Last name

1:00 when you make fun of the guy in the wheelchair but he stands up

Beethoven was a bad melodist. Bernstein said.

JOHANNES BRAHMS (1896): "I always find Beethoven's C Minor concerto (the Third Piano Concerto) much smaller and weaker than Mozart's. . . . I realize that Beethoven's new personality and his new vision, which people recognized in his works, made him the greater composer in their minds. But after fifty years, our views need more perspective. One must be able to distinguish between the charm that comes from newness and the value that is intrinsic to a work. I admit that Beethoven's concerto is more modern, but not more significant!
I also realize that Beethoven's First Symphony made a strong impression on people. That's the nature of a new vision. But the last three Mozart symphonies are far more significant. . . . Yes, the Rasumovsky quartets, the later symphonies—these inhabit a significant new world, one already hinted at in his Second Symphony. But what is much weaker in Beethoven compared to Mozart, and especially compared to Sebastian Bach, is the use of dissonance. Dissonance, true dissonance as Mozart used it, is not to be found in Beethoven. Look at Idomeneo. Not only is it a marvel, but as Mozart was still quite young and brash when he wrote it, it was a completely new thing. What marvelous dissonance! What harmony! You couldn't commission great music from Beethoven since he created only lesser works on commission—his more conventional pieces, his variations and the like. When Haydn or Mozart wrote on commission, it was the same as their other works."
( Composers On Music: Eight Centuries of Writings
, Josiah Fisk, Jeff Nichols, Technical Group Leader High Performance Computational Chemistry Group Jeff Nichols | p.134~135 )

JadedOne420

IM NOT LEBOWSKI



im the dude, man

sorrychangedmyusername

Fuck fuck fuck

More Comments

More Videos