synth
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms, through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators Read Full BioA synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms, through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI.
Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, is credited for pioneering concepts such as voltage-controlled oscillators, envelopes, noise generators, filters, and sequencers. In 1970, the smaller, cheaper Minimoog standardized synthesizers as self-contained instruments with built-in keyboards, unlike the larger modular synthesizers before it.
In 1978, Sequential Circuits released the Prophet-5, which used microprocessors to allow users to store sounds for the first time. 1982 saw the introduction of MIDI, a standardized means of synchronizing electronic instruments that remains an industry standard. The first mass-produced synthesizer, the Yamaha DX7, was launched in 1983, popularizing digital synthesis. Software synthesizers now can be run as plug-ins or embedded on microchips.
Synthesizers were initially viewed as avant-garde, valued by the 1960s psychedelic and counter-cultural scenes but with little perceived commercial potential. Switched-On Bach (1968), a bestselling album of Bach compositions arranged for synthesizer by Wendy Carlos, took synthesizers to the mainstream. They were adopted by electronic acts and pop and rock groups in the 1960s and 1970s, and widely used in 1980s rock. Sampling, introduced with the Fairlight synthesizer in 1979, has influenced all genres of music and had a major influence on the development of electronic and hip hop music. Today, the synthesizer is used in nearly every genre of music, and is considered one of the most important instruments in the music industry. According to Fact in 2016, "The synthesizer is as important, and as ubiquitous, in modern music today as the human voice."
Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, is credited for pioneering concepts such as voltage-controlled oscillators, envelopes, noise generators, filters, and sequencers. In 1970, the smaller, cheaper Minimoog standardized synthesizers as self-contained instruments with built-in keyboards, unlike the larger modular synthesizers before it.
In 1978, Sequential Circuits released the Prophet-5, which used microprocessors to allow users to store sounds for the first time. 1982 saw the introduction of MIDI, a standardized means of synchronizing electronic instruments that remains an industry standard. The first mass-produced synthesizer, the Yamaha DX7, was launched in 1983, popularizing digital synthesis. Software synthesizers now can be run as plug-ins or embedded on microchips.
Synthesizers were initially viewed as avant-garde, valued by the 1960s psychedelic and counter-cultural scenes but with little perceived commercial potential. Switched-On Bach (1968), a bestselling album of Bach compositions arranged for synthesizer by Wendy Carlos, took synthesizers to the mainstream. They were adopted by electronic acts and pop and rock groups in the 1960s and 1970s, and widely used in 1980s rock. Sampling, introduced with the Fairlight synthesizer in 1979, has influenced all genres of music and had a major influence on the development of electronic and hip hop music. Today, the synthesizer is used in nearly every genre of music, and is considered one of the most important instruments in the music industry. According to Fact in 2016, "The synthesizer is as important, and as ubiquitous, in modern music today as the human voice."
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Redbone
Childish Gambino Lyrics
Daylight
I wake up feeling like you won't play right
I used to know, but now that shit don't feel right
It made me put away my pride
So long
You made a nigga wait for some, so long
You make it hard for boy like that to go on
I'm wishing I could make this mine, oh
If you want it, yeah
You can have it, oh, oh, oh
If you need it, ooh
We can make it, oh
If you want it
You can have it
But stay woke
Niggas creepin'
They gon' find you
Gon' catch you sleepin' (oh)
Now stay woke
Niggas creepin'
Now don't you close your eyes
Too late
You wanna make it right, but now it's too late
My peanut butter chocolate cake with Kool-Aid
I'm trying not to waste my time
If you want it, oh
You can have it (you can have it)
If you need it (you better believe in something)
We can make it, oh
If you want it
You can have it, ah!
But stay woke (stay woke)
Niggas creepin' (they be creepin')
They gon' find you (they gon' find you)
Gon' catch you sleepin' (gon' catch you sleepin', put your hands up on me)
Now stay woke
Niggas creepin'
Now don't you close your eyes
But stay woke (ooh, ah)
Niggas creepin'
They gon' find you (they gon' find you)
Gon' catch you sleepin' (gon' catch you, gon' catch you, ooh)
Now stay woke
Niggas creepin'
Now don't you close your eyes
How'd it get so scandalous?
Oh, how'd it get so scandalous?
Oh, oh, how'd it get, how'd it get
How'd it get so scandalous?
How'd it get so scandalous?
How'd it get so scandalous?
But stay woke
But stay woke
Lyrics © A SIDE MUSIC LLC D/B/A MODERN WORKS MUSIC PUBLISHING, Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Bootsy Collins, Donald McKinley Glover II, Gary Cooper, George S. Clinton Jr., Ludwig Emil Tomas Goransson, William Earl Collins
Lyrics Licensed & Provided by LyricFind
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Toxic Link
Does anyone else feel like this song existed before it came out.
L onely Pennet
@Jewelof God thanks for telling! i was not aware of it
sa distic âžâ
me
Kourosh Behbehani
Bro Iâm glad Iâm not the only one
Jojo20
@iiTzIDC it almost is 7 years old sheesh!
heather turner
Yessss
RandomiCom
Eu amo home office
VinĂcius Brito
HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHHAAH
capitaine gaming 19
Ok ...
Peachy
Uhhh good for u ig