Die Aufführung des Liedes war wirklich aufregend! Das Werk ist äußerst komplex und schwierig, nicht nur am Klavier! Liszt übertraf sich selbst und erreichte in Technik und Emotion nahezu Perfektion!
L’interprétation de la chanson était vraiment excitante! Le travail est extrêmement complexe et difficile, pas seulement au piano! Liszt s’est dépassé et a atteint presque la perfection, dans la technique et l'émotion!
A execução da música foi deveras emocionante! A obra é extremamente complexa e difícil, não apenas no piano! Liszt se excedeu e chegou quase à perfeição, em técnica e emoção!
(Celso do Lago Paiva, Brasil)
All comments from YouTube:
@Sathrandur
That is how it is done. The piano part was well articulated, in fact it all was. This is one of the best performances of this that I have heard.
@arthurbaumberger936
I can not agree. See my today's comment.
@compositionbradley3915
@arthur baumberger doesn't compare at all to zimermans recording with ozawa, in my opinion.
@witsukyai1685
composition bradley Zimmerman version is my second favorite just a bit below Cziffra’s version. Overall Zimmerman is my favorite pianist
@agerberich
Listen to Alfred Brendel's recording. I had it on a record when I was a kid. I enjoyed it very much!
@Naegimaggu
Indeed, it is the sublime articulation of the piano part that also caught my ear, so to speak. Truly marvelous.
2 More Replies...
@dale8809
Probably my favorite classical piece of music. And this orchestra played it perfectly.
@liszt132
It's also my favorite
@dale8809
@@lowlightpiano7110 wow...you sound ..really god damn crazy.
@baldmista1907
Yeah this is the best Totentanz I’ve heard hands down. The pianist did it perfectly as well.
@tmckenmd2506
This is one of my favourite pieces of music. When Liszt first performed this piece he very likely demonstrated that he was there top pianist in the world at that time.Hats off to the most challenging instrument in Totentnz...the triangle player jeez he rocked! Great performance of a most technically challenging symphonic piece!
@Ludwig142
2:20 3:42 GLİSS GLİSS GLİSS 7:00 Fugato 7:41 climax 8:28 11:39 12:20 13:38 left hand :) 14:11 final
@ericcamarda3534
I can't but imagine how blown someone's mind from the 1850s would be hearing and seeing this performed.
@PopShoppekid
Franz Liszt just composed such brilliant pieces and of course might have been the greatest pianist of all time. Human beings can create such beauty ( but unfortunately can destroy)
@ronaldbwoodall2628
What a showpiece for a piano virtuoso! What an amazing set of variations! What a wonderful performance by all of this exciting work!
@chrismunson5120
4:28-6:45 may be the most beautiful two minutes or so of music Liszt ever wrote
@andrzejpawewooszyn7316
Amazing rendition and so very true to its origins: a romantic piece that really does make you feel like your very soul is physically rubbing against the raw reality
@martinkozjek4302
Neverjetno sem užival...čestitke solistu in orkestru. Ena najtežjih klavirskih skladb. Bravo!!!
@jazzfunkkonnection6582
Bravo Bertrand, je suis content d’avoir été dans ta classe à Lamartine et fier pour toi. C’est tellement difficile d’être reconnu que tu as dû bosser comme un dingue pour en arriver là ! Vraiment bravo.
@peckagender
the most epic version…so stirring…I may definitely cry if I'm the one on the spot
@mcuaderes
the balance is simply great! the orchestra glistens, the piano is robust!
@PaulbylPaulbyl
That audience is lame. I would have screamed my heart out in joy. This was absolutely phenomenal!
@lellymills
I thought the same! Such a fantastic, passionate, fun and emotional piece, but the audience might as well have come from the morgue! I mean why attend if you don't love the music? What a bunch of stuffed shirts!
@albertopinoblanco
maybe you didn't saw any classical concert live
@user-vt5sl4ih3d
Really awesome and so beautiful listening to it. Perfect performance of this masterpiece!
@victorgallardo6375
Impressive and wild composition by Liszt.
@robertwarwick3294
You're right, it's one of Liszt's very finest works. If you want to hear a totally wild interpretation of this wild composition, full of the terror, horror and beauty of the Day of Judgement, listen to the live solo version by John Ogdon from Butler University on YouTube, it's stunningly brilliant and truly equal to the original frescos by Orcagna.
@alwatsonpianist
Fantastic performance with intense beauty and excitement!!!! Bravissimo!!!!
@herrpohlenzgarbino7578
3:42 - 3:55 the only part that any person can play in a piano concerto! Hooray!! Thanks Liszt!
@herrpohlenzgarbino7578
@Enescu agree.
@baldmista1907
Not “any” person. It’s still hard to do and you can hurt your fingers if you don’t have the right technique or a good piano.
@graeme011
An absolutely extraordinary and totally phenomenal performance. In other words, I liked it!
@johannesnicolaas
Why are they not standing to applause him? It was magnificent.
@lellymills
They are without a soul. 🙄
@chazsutherland
They're making up for all the unwarranted standing ovations given at TED Talks.
@TheSchwartzable
The pianist is incredible.
@notaire2
The contrast between the initial grave sound of piano and the subsequent scintillating sound thereof is quite impressive. The soloist undoubtedly has the technique with which he can do almost everything. The well-restrained accompaniment by the excellent orchestra is also remarkable.
@_richi777
Wow, such great articulations. I can feel all the emotions such as urgent rush to beat the clock and sadness. I want to be able to show my emotions through music like Liszt and Rachmaninoff. Bravo
@davidjared3402
Amazing pianist, one of my favorite orchestras, and a fine young conductor. First French gentleman I've seen named (in English) Jeremiah. Well done!
@alexander_music_star
Esta interpretación es un milagro!!! Bravo!!!
@elliotpolanco159
Crisp, clear musical 'communication'. Great speed and tempo.
@macaw2000
How have I missed this piece for this long?
@m-gaspi
WOW, I did not expect it in such an extraordinary way. Excellent.
@helenaconstantine
I heard this play in the background of some video and couldn't quite remember what it was. When I went looking around for it I listened to works by composers like Stravinsky and Honegger. Incredible Liszt was already writing like this.
@Misteribel
Bravissimo!! 😍 It’s only today (after having heard this countless times) I realised that this is basically variations on Dies Irae and that Liszt also transcribed Symphonie Fantastique by Berlioz, containing a very similar sounding Dies Irae in the 5th movement.
@helenaconstantine
Similar, but still a world of difference.
@manzanillayquillay
Éxtasis de belleza 💕💕💕
@renaldtremblay8333
magnifique! Quelle technique!
@classic4ever780
waouh ! une interprétation magnifique ! à couper au couteau ! acérée comme c 'est pas possible , virtuose certes, mais avec en ligne de mire la musicalité. J 'ai écouté la version de Matsuev : aussi belle mais un poil en dessous de celle de Chamayou . Peut-être l 'orchestre en est -il en partie responsable ? L ' Orchestre de de la radio de Frankfurt a une rusticité ( écoutez les cors ! ) , qui sied parfaitement à la musique de Liszt.
@johannesnicolaas
I am hearing this in the first time of my life. Fireworks!!
@ohyes9604
Klassische Musik ist so wunderbar, sie macht stark festigt uns
@cjames0723
Wonderful playing across the board. Unfortunately it lacks the grit and existential anguish required by this particular piece. I might suggest the performance available on yt by Matsuev as comparison.
@djmotise
This is definitely the audience from hell. No doubt about it. Remind me of this next time I get any ideas of visiting Frankfurt. Just awful, the way they show no enthusiasm for that GREAT performance, without a single person standing up. Insane. And sad. Don't they realize they're in the presence of the greatest pianist possible?
@lellymills
@Tom 🤣
@mariajaworska5084
Very good performance
@user-bs3oh9mb1t
Die Aufführung des Liedes war wirklich aufregend! Das Werk ist äußerst komplex und schwierig, nicht nur am Klavier! Liszt übertraf sich selbst und erreichte in Technik und Emotion nahezu Perfektion!
L’interprétation de la chanson était vraiment excitante! Le travail est extrêmement complexe et difficile, pas seulement au piano! Liszt s’est dépassé et a atteint presque la perfection, dans la technique et l'émotion!
A execução da música foi deveras emocionante! A obra é extremamente complexa e difícil, não apenas no piano! Liszt se excedeu e chegou quase à perfeição, em técnica e emoção!
(Celso do Lago Paiva, Brasil)
@paulwinter9000
Very impressive!
@laurentco
That’s some of the most infuriating camera work ever! I want to see the pianist, not the guy playing the triangle! A great performance marred by bad production.
@dracopticon7788
Totentanz. From that famous fresco by Traini. Both image and music imagery are superb.
@chlidera75
Magnifique interprétation de Bertrand Chamayou, le meilleur pianiste depuis François-René Duchable.
@JeanHiron
Bien au dessus même !
@alainspiteri502
@Jean Hiron non enthousiasme ne veut pas dire supériorité j'ai les etudes de Chopin pat Duchable elles ne sont pas restées dans un tiroir
@jorgealbertobaron1
GRAN COMPOSITOR
@giusyparoni4873
Profondo e potente
@EmreSenSecrectOfMusic
Phenomenal!
@user-bh7qm5tx6z
怒りの日が伝わってくる。👏🏻👏🏻👏🏻👏🏻👏🏻
@WinrichNaujoks
Arpeggios. Doppeloktaven. Sequenzen. Dies irae. Laut.Toll!
@saararostami
This is everything I wished for.
@francoismagne5863
Excellent, but I prefer a slower tempo in the last measures for a more powerful (and menacing) effect. This interpretation is a bit too brilliant and not quite "diabolical" enough (for me).
@dodai8407
François Magné same with me.
@shantihealer
Indeed. Cool virtuosity but lacking in menace. More magisterial, dark and sinister please!
@francoismagne5863
@val I suggest Janis / Reiner
@royangles
Qué rolón
@yannsalvatore2201
bravissimo! only the zimerman's recording is on a par with this performance.
@Anto-cm4hc
Both of you have to listen Michelangeli's performance is for me even better
@funkycatglasses01
😮very tight ensemble
@stephenmessick6619
Oh my god he is good!
@DudaAS100
Start at 0:30. Dark and Sublime
@GeneralEisenhower
this is insane
@1kenodave1
I saw this performed by the Chicago Symphony Orchestra with Andre Watts as the pianist.
@alanrosenberg540
Very nice performance. Not so great camerawork. Would have liked to see more of the pianist's hands and also the triangle player.
@hidropoop472
7:00 essa melodia...
@JeanHiron
Grande Jugador
@nicolegallegos9145
The violinist at 7:47 might just be Schubert reincarnated
@arthurbaumberger936
Brilliant technique by Chamayou and very solid performance by this Radio-Orchestra. Unfortunately without any dynamics and emotions. A rather uninspiring interpretation. There are many better examples here on YouTube where you can literally feel death's grip on your neck. Totentanz is one of the gems of classical music, but in order to show it's true beauty it needs true artists just like a diamond needs gifted cutters.
@milalaba4033
Totentanz are Slovak dances, because from the defeat of Great Moravia in 907 until the creation of Czechoslovakia in 1918, the Hungarians called Slovaks Toth, because they subverted and destroyed their state of Great Moravia. That is why the state of Great Moravia was dead.
@ahmadnurokhim4168
Best performance
@helgedonath1524
WOW!!!
@petemacarthur
Yeah, it's OK but have you heard of Wagner? He was like a German guy or something . Man, those guys really know how to do a symphonic concerta or two.
@renaramadan4626
wow!!
@thysvanzyl2782
Woooow !!!
@carlottavaleri843
Quella di Mrvica è più macabra! Comunque bella esecuzione, bravo.
@giuseppemariaperego8937
È solo una proposta:"In quarantena A TEMPO INDETERMINATO Festival di Sanremo, derivati e affini!!!!!!! Spalanchiamo la TV 📺 a Liszt e alla Vera Musica 🎶. Un abbraccio al direttore, agli orchestrali e al Fantastico pianista Giuseppe Perego Monza 16.2.1962
@Audivision4U
This is like Toguro to my ears
@lionelrogg3937
Superbe ! Lionel Rogg
@bloopity4117
That man deserves a standing ovation that crowd was ass
@Arielson
♡
@MrTirat
Wouldnt it be more simple to call this work variations on the Dies Irae which is a latin hymn describing the judgement day, not a dance of the dead!!
@djmotise
MrTirat No it wouldn't. The name is perfect.
@WD_GX
I just feel disappointed that Liszt copied Alkan's theme from "3 morceaux dans Le genre pathétique" the 3rd piece called "Morte", you can find some similarities, for ex the opening part of Morte and the Opening part in this piece ;-;
@hauthot287
who else is here bc of liszt vs paganini
@Someone-zq3gj
Wer ist hier auch wegen der schule 🤠
@dr.titanotollpatsch1228
Ich grüße den Musikkurs
@arthurbaumberger936
Just compare it to Matsuev in st. Petersburg, Yashkin in Weimar, Lisitsa and the RAI or even Berrut in Berlin and then make your judgement.
@ericwillis898
Or Janis/Reiner in Chicago.
@aramisvanaquin827
holy fuck
@loganfruchtman953
This doesn’t sound very Liszt at all it sound like early 20th century and film music
@user-kx4hm3ye3d
リストは踊れたのww
@laurenth7187
It seems me a little bit too fast and so, less poetic than it could be...
@michaelware354
Ahhh Dies Irae
@PimpinBassie2
Dies Irae, La Follia
@fabiandavilao
1:25 dies irae
@JoseLLA-kr8yj
8:28
@user-rm4jy6dn4h
Holy shit
@christianweatherbroadcasti3491
Repent and trust in Jesus. We deserve Hell for our sin. Lying, lusting, etc, but God sent his son Jesus to die on the cross and ride from the grave to free us from sin. If you repent and trust in him youll be saved. Romans 3:23 John 3:16❤😊❤❤
@pianoman4979
0:30
@muslit
well articulated, but not terribly exciting
@muslit
@val one performance that I like: https://www.youtube.com/watch?v=JvwyUAwymNE&ab_channel=ClassicalVault1ClassicalVault1
@InvestingForTomorrow24
The climate change anthem
@djmotise
Horrible camera editing. Shame on the them. Showing the flute and oboe constantly, even when they aren't even playing!
@PierreSIBANARCO
Your review is totally useless and futile .. Open your ears (if you can..LOL!) and enjoy the Music, it will be better for you .. (I hope so)
@organboi
How did that conductor get this job? Or any job? He's BURIED in the score. He doesn't ONCE look up from the score. It's like he did ZERO preparation.
@kieranmclain9992
This is actually fairly common amongst conductors while conducting a concerto. In a symphony performance, for example, a conductor knows how the orchestra is going to play the piece, so he doesn't have to look at the score for much, however, when you play with a soloist, the soloist can take time in several places, making it important for the conductor to know exactly where the soloist is so he doesn't miss giving an important cue. Also, another common thing among pro orchestras is that they commonly won't prepare a concerto as long as they would prepare a symphony
@TheStockwell
You slam a conductor for keeping his eyes on a score? How about the members of the orchestra, then? You must be absolutely contemptuous of the whole filthy lot of them. Blimey! 😬
@TheStockwell
@Kieran McLain Well said. Conducting without a score is a relatively new development. When Artur Nikisch first did it, it was considered an attention-grabbing stunt.
@user-bs3oh9mb1t
Die Aufführung des Liedes war wirklich aufregend!
Das Werk ist äußerst komplex und schwierig, nicht nur am Klavier!
Liszt übertraf sich selbst und erreichte in Technik und Emotion nahezu Perfektion!
L’interprétation de la chanson était vraiment excitante!
Le travail est extrêmement complexe et difficile, pas seulement au piano!
Liszt s’est dépassé et a atteint presque la perfection, dans la technique et l'émotion!
A execução da música foi deveras emocionante!
A obra é extremamente complexa e difícil, não apenas no piano!
Liszt se excedeu e chegou quase à perfeição, em técnica e emoção!
(Celso do Lago Paiva, Brasil)
@Sathrandur
That is how it is done. The piano part was well articulated, in fact it all was. This is one of the best performances of this that I have heard.
@arthurbaumberger936
I can not agree. See my today's comment.
@compositionbradley3915
@arthur baumberger doesn't compare at all to zimermans recording with ozawa, in my opinion.
@witsukyai1685
composition bradley Zimmerman version is my second favorite just a bit below Cziffra’s version. Overall Zimmerman is my favorite pianist
@agerberich
Listen to Alfred Brendel's recording. I had it on a record when I was a kid. I enjoyed it very much!
@Naegimaggu
Indeed, it is the sublime articulation of the piano part that also caught my ear, so to speak. Truly marvelous.
@dale8809
Probably my favorite classical piece of music. And this orchestra played it perfectly.
@liszt132
It's also my favorite
@dale8809
@@lowlightpiano7110 wow...you sound ..really god damn crazy.
@baldmista1907
Yeah this is the best Totentanz I’ve heard hands down. The pianist did it perfectly as well.