Early life and career
Notis Sfakianakis and his family moved to the island of Kos when he was seven. Notis became a disc jockey in his early 20s. He supported himself by working as an electrician, plumber, waiter, and labourer. In 1985 he formed a band and played in clubs in Kos. Due to the lack of success, the band broke apart after less than year of being formed. In 1986 Notis moved back to Crete to start his solo singing career.
Notis began opening for national acts like Poly Panou. He was discovered by Bourmas, the general manager of Sony in Greece. Bourmas signed Sfakianakis to the label, and Notis recorded his debut album Proti Fora (First Time) which made it into the Greek top ten. He is one of the most successful singers of his era in Greece.
Notis is on top of his game more than ever before. He knows how to change his music style to make his listeners want more. In his new live cd Nihtes... Magikes (Magical Nights) he once again displays his magical voice and again proves why he is one of the greatest performing talents in Greece. His ability to shift between traditional Greek music, such as the Zeimbekiko and Hasapiko, and more modern variations, is unmatched in the contemporary Greek music scene.
Of his early works, his most notable release was "Opa Opa" which was written by Giorgos Alkaios and later covered by Despina Vandi and Antique. In 1994 he released the album Notioanatolika Tou Kosmou (Southeast of the World), which included "O Aetos" (The Eagle). It is widely agreed that this album was the catalyst for his achievement of superstardom in the Greek-speaking world. He followed this with high profile tracks such as "Den Se Hreiazome" (I Don't Need You), "Soma Mou" (My Body), "Gyftissa Mera" (Gypsy Day), "Na Hareis" (Cherish) and "Oi Skies" (Shadows).
One of the more popular of his 21st century tracks is "Genethlia" (or "Gennethleia" as it was spelled when it featured on later albums and compilations). This song (the title of which translates as 'Birthday') was originally performed by Cretan lyra player and singer Stelios Mpikakis.
In November 2007 Sfakianakis released a new album, Mnimes (Memories). The songs which have become hits are "Ta Klemmena" (The Stolen), a grim reflection on the hardships faced by Greeks in Asia Minor, and "Par' Ta" (Take Them). In late 2009 and early 2010, after more than two years break, Sfakianakis released Kinonikon, the first part in a proposed trilogy of 7 song discs called Matomeno Dakry. The most popular songs from Kinonikon are "Den Ypohoro", "Akou file" and "Mpogias". The second part, Erotikon was released in early 2010 and includes several successful songs, in particular "Kleinw tis kourtines", "Esti Ine O Erotas" and "Akouse Me Kala". The third part, Horeutikon, focusing on upbeat dance songs which released in December 2010. The most popular songs are "Ellinas" and "Den Yparxeis".
Sfakianakis is married and has two children; the family lives in Athens. In 2003, Sfakianakis had an operation on his vocal cords, leading to a two-year gap between his last album, As Milisoun Ta Tragoudia, and his next one, Me Agapi O,ti Kaneis.
The year 2004, in which Sfakianakis released the aforementioned album, was marred by the death of his brother Giorgos due to cancer.[3]
In November 2009, Sfakianakis had his first North American tour since 1999 when his popularity was soaring. It was on this tour that he performed in Atlantic City, NJ, Chicago, IL, and Canada. Many in the Greek community believe that this 10-year period between Sfakianakis' last US visit was due to politically oriented comments he made during a concert in his prior visit that caused some displeasure among Greek-Americans. However, during his 2009 concert in Atlantic City, Sfakianakis expressed his gratitude to the audience for their devotion and affection over the years and wished to give them a concert that "we will all remember after 10 years." Sfakianakis made good on his word, as the crowd gave him numerous ovations during the concert.
The rare interviews that Sfakianakis gives to the press are always memorable; he has a reputation for being very outspoken and uses the press to air his opinions on various matters. When he has appeared on live television, he has drawn praise and criticism in equal measure - on the one hand, some have praised his disarming honesty and applauded him for addressing hard-hitting issues. On the other hand, he has been heavily criticised for being argumentative and confrontational; some critics claim he lacks the capacity to be diplomatic.
In 2002 he released the song Provata (Sheep), which was in essence a barely concealed criticism of George W. Bush. Although the then-United States President was not mentioned by name, the lyrics make several implicit references to him - there are mentions of the resident of a white house. In the song he compares the peoples of the world to sheep, that must be wary of the threat of a wolf (implied to be Bush). Despite the implicit nature of the lyrics, Bush's image is used openly in the video accompanying the song. In an interview that was recorded for a special release of the album Ana...Genissis, Sfakianakis was more direct in his criticism of Bush:
"The word 'bush' in English is apt. A bush does not have the capacity to think - it is not an intelligent plant."
During a live performance in New York in 1999, Sfakianakis caused consternation amongst his audience after airing his critical opinions about America's foreign policies. As a result, certain members of the audience (composed mainly of Greek-Americans) attempted an unsuccessful boycott of Sfakianakis' concerts and productions.
In 2006, Sfakianakis released "To Systima" (The System), which was a scathing attack on the Greek music industry. In the song, Sfakianakis bemoaned the emergence of 'Tragoudistakia' - 'Little singers' - who are loosely defined in the lyrics as 'talentless kids with the same public image'. Since the release of the song Sfakianakis has also been critical of the emergence of TV talent shows such as The X-Factor, claiming that such shows trivialize the entire notion of music production. This stance has drawn criticism, with some claiming that Sfakianakis is afraid of facing competition. Fellow laiko singer Thanos Petrelis, who began his career after finishing third in the 2003 edition of Fame Story, gave his take on Sfakianakis' criticism:
"Everyone is entitled to their opinion. I have no problem with him doing so. He does make some valid points, and I agree with him to an extent. But [Sfakianakis] should acknowledge that these are exceptions - those who lack talent are in the minority. My mantra is that it is better to be envied than to be pitied."
In the late nineties, Sfakianakis appeared in a television interview, during which he argued that cannabis should be legalised in Greece. When asked if he had ever used the drug, Sfakianakis admitted that he had been habitually smoking cannabis for the last ten years.[6]
He has also used his position to improve awareness of music piracy.
Studio albums
Proti Fora (1991) (First time)
Eisai Ena Pistoli (1992) (You are a gun) (Platinum)
Me To N Kai Me To S (1993) (With the N to the S) (Platinum)
Notioanatolitika Tou Kosmou (1994) (Southeast of the world) (2× Platinum)[1]
5o Vima (1996) (Fifth step) (4× Platinum)[3]
I Notes Einai 7psyhes (1998) (The notes are immortal) (5× Platinum)[1][3]
Polihroma Kai Entona (2000) (Multi-coloured and intense) (2× Platinum)[3]
As Milisoun Ta Tragoudia (2002) (Let the songs speak) (Platinum)[3]
Me Agapi O,ti Kaneis (2004) (With love whatever you do) (Platinum)
Ana Gennisis (2005) (Rebirth) (2× Platinum)[3]
Mnimes (2007) (Memories) (Platinum)[2]
21+4 Matomena Dakrya (2011) (Bloody teardrops) (4× Platinum)[2]
Live albums
Empirion Sillektis (1997) (Collector of experiences) (2× Platinum)[1]
XXX Enthimion (1999) (XXX Keepsake) (7× Platinum)[1]
Nihtes... Magikes (2007) (Magical nights) (Platinum)[3]
Extended plays
Pro-Dia-Fimin (1997) (By reputation) (4× Platinum)[2]
Proangelos (1999) (Precursor) (5× Platinum)[3]
Around the World (1999) (Gold)[1]
Telos... Dihos Telos (2001) (An end... Without an end) (4× Platinum)[3]
Anixis (2002) (Springtime) (2× Platinum)[3]
Kinonia Ora... 07:00 (2006) (Social hour... 07:00) (Platinum)[2]
Matomeno Dakry: Kinonikon (2009) (Bloody teardrop: of society) (Platinum)[2]
Matomeno Dakry: Erotikon (2010) (Bloody teardrop: of love) (Platinum)[2]
Matomeno Dakry: Horeftikon (2010) (Bloody teardrop: of dance) (Platinum)[2]
Compilations
Ta Zeïbekika Tou Noti Stis 9/8 (2002) (Notis' zeibekika at 9/8)
32 Megales Epitihies (2002) (31 big hits)
Notis: Deka Me Tono (2003) (Notis: ten with an accent) (Gold)[2]
Evaisthites Notes (2004) (Sensitive notes)
I Oraioteres Balantes (2005) (The most beautiful ballads)
14 Megala Tragoudia (2007) (14 big songs)
The Collection: The EMI Years (2007)
Opa Opa...Ta Horeftika (2010) (Opa Opa...the dance songs)
25 Hronia (2010) (25 years)
Video albums;
'Hits on DVD: Notis Sfakianakis — 1992–2001 (2004)
Ta Horeftika Tou Noti (2005) (Notis' dance songs)
My Body
Νότης Σφακιανάκης Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Και την καρδιά μου λύγισες.
Καυτό σκοτάδι μέσα μου η μοναξιά.
Σώμα μου καημένο, δε σε ορίζω πια.
Σώμα μου,
σώμα μου φτιαγμένο απο πηλό,
σώμα μου,
Σώμα μου, απόψε επαναστάτησες,
χώρις ψυχή με άφησες.
Οι Ερινύες θά 'ρθουνε όπου και αν πας.
Σώμα μου, βουλιάζεις στο δρόμο που πατάς.
Σώμα μου,
σώμα μου φτιαγμένο απο πηλό,
σώμα μου,
κάνεις οτι θέλεις το μυαλό.
The lyrics to “My Body” by Notis Sfakianakis describe the singer’s struggle with his own physical desires and the way they are overpowering his emotional needs. In the first verse, he acknowledges that his body has once again won and left his heart broken. He refers to the loneliness within him as a “hot darkness” and no longer allows his body to dictate his actions. In the second verse, he speaks directly to his own body, describing it as being made of clay and having control over his mind. He is frustrated with how his body is able to rebel against him and leave him without a soul. He even goes so far as to warn his body that the Furies (goddesses of vengeance) will come for it wherever it goes. The chorus reaffirms that the body is made of clay and has control over the mind.
Overall, the song speaks to the internal battle of physical desire versus emotional needs. Sfakianakis acknowledges that his body has won in the past but is determined to regain control and bring balance to his life.
Line by Line Meaning
Σώμα μου, απόψε πάλι νίκησες
Tonight, my body, you once again triumphed over me and left my heart broken.
Και την καρδιά μου λύγισες.
You weakened my heart and left me feeling vulnerable.
Καυτό σκοτάδι μέσα μου η μοναξιά.
Loneliness burns like a hot darkness inside of me.
Σώμα μου καημένο, δε σε ορίζω πια.
My wretched body, I no longer control you.
Σώμα μου, σώμα μου φτιαγμένο απο πηλό,
My body, my body made of clay,
σώμα μου, κάνεις οτι θέλεις το μυαλό.
my body, doing whatever it wants, controlling my mind.
Σώμα μου, απόψε επαναστάτησες,
Tonight, my body, you rebelled against me,
χώρις ψυχή με άφησες.
leaving me soulless and hollow.
Οι Ερινύες θά 'ρθουνε όπου και αν πας.
The Furies will come for you, wherever you go.
Σώμα μου, βουλιάζεις στο δρόμο που πατάς.
My body, sinking deeper into the path it follows.
Contributed by Ellie W. Suggest a correction in the comments below.