АукцЫон (Auktyon) is a Russian avant-garde rock band. The band draws its in… Read Full Bio ↴АукцЫон (Auktyon) is a Russian avant-garde rock band. The band draws its inspiration from such remote sources as ska, reggae, new-jazz, ethnic music of North Africa and Middle East, beat- and pop-music of the 1960s.
In different forms and under different names, the group exists approximately since 1978, however, its current name, Auktyon received only in May of 1983, when it was granted a membership in the Leningrad Rock Club, and its present appearance, style, and core musicians were formed in spring of 1986, when the group was triumphant on the stage of the 4th Leningrad Rock Club Festival in the following line up: Leonid Fedorov (guitar, vocal), Oleg Garkusha (dance, vocal), Sergei Rogozhin (vocal), Victor Bondarik (bass), Dmitriy Ozerskiy (keyboards, vocal), Nikolai Rubanov (saxophone, flutes), Nikolai Fedorovich (saxophone), and Igor Cheridnik (drums). In one year, Auktyon was repeatedly successful in the 5th festival, after which Sergei Rogozhin left the group for the pop-band FORUM, while the percussionist Pavel Litvinov strengthened the rhythm section. The second guitarist - Dmitriy Matkovksiy from the cult band of the early 80's MANUFAKTURA - joined Auktyon that fall. During that period, the group attained acknowledgement on the scale of the whole country, performing at the rock-festivals in Kiev, Ekaterinburg, Vilnyus ("Lituanika-8"), and taking part in the cultural program of Moscow International Film Festival.
In 1988 Auktyon recorded an album "Return to Sorrento", which has not been professionally released until now; Igor Cherednik, who left for IGRY, was replaced by a hard-rock drummer Boris Shaveinikov; and the visual image of the group had acquired a new quality, when a gifted dancer Vladimir Veselkin joined the group. A significant role in formation of the image of Auktyon during this period was played by a famous avant-garde artist from St. Petersburg Kirill Miller, who was responsible for the covers of the first albums: in particular "How I Became a Traitor" (1989), released in France by Voyla Productions, and "All Quiet in Baghdad" (1990), recorded in Russia at "Melodiya".
In 1990 Auktyon took part in grandiose ecological action "Rock of Clear Water", and along with other participants went down the river Volga, giving concerts in Volga cities.
From the late 80's Auktyon began to regularly travel to Europe: in the last ten years they have had several hundred concerts in France, Germany, Denmark, Switzerland, Austria, Holland, and Czech Republic. In the 90's new work continues to appear: "Asshole" (Erio, 1990), "Hangover" (SNC, 1991), "Bird" (Dyadyushka Records, 1994), "Best Of" (SNC, 1996). Furthermore, Auktyon discography also contains two collaborations with the Parisian artist, poet, and bard Aleksey Khvostenko: "Teapot of Wine" (1992) and "Mountaintop Dweller" (SNC, 1995 - based on the verses of the poet and language reformer Velemir Khlebnikov).
After the period of relative stability, in May of 1992, Vladimir Veselkin left Auktyon, who began a relatively successful solo career (in 1991 his album "Impossible Love" was released by FeeLee), and in November of 1995, Dmitriy Matkovskiy has played his last concert with the group. Almost at the same time Auktyon has invited a tuba player Mikhail Kolovskiy. The main creative force of the group - guitarist and singer Leonid Fedorov. His songs (which are usually written to the lyrics of the colleagues - Dmitriy Ozerskiy and Oleg Garkusha) have a characteristic melodic language, in which jazz and ethnic intonations neighbor with a straightforward "hit"-like key phrases, and where the rhythm allows you to stretch the most "unfit for the voice" phases.
In 2007 an Auktyon's album "Devushki Poyut" (released in English language countries as "Girls Sing") of was released. It was recorded just in a few days in USA with participation of Marc Ribot (worked with John Zorn, Marianne Faithfull, Tom Waits and more) on guitar, John Medeski on keyboards, Frank London on trumpet, Ned Rothenberg on sax, Vladimir Volkov (Владимир Волков) on contrabass.
For the extent of its biography, the group appeared in various films and documentaries: "Burglar" (Lenfilm, 1986), "Half-Official"(Germany, 1987), "Rock" (LSDF, 1987), "Let's rock-n-roll!"(Germany, 1988). The main movie star of Auktyon is Oleg Garkusha, who played in "Presumption of Innocence" (1998), and "Khrustalev! Get the car!" (1996). He regularly appears and reads his poetry and is an author of two collections of poems.
The many-sided and experienced musicians, the members of Auktyon regularly participate in recordings and multiple projects - Rubanov and Litvinov together and separately played in JUNGLE, ADDIS-ABEBA, MARKSCHEIDER KUNST; Rubanov played in BEES AND THE HELICOPTER, TIME TO LOVE, and METAMORPHOSIS; Kolovskiy and Rubanov play in Z-ENSEMBLE and UNION OF COMMERCIAL AVANTGARDE; Fedorov played and recorded with Nizhniy-Novgorod bard Aleksey "Colonel" Khrynov; Shaveinikov played with Yuri Naumov, TIME TO LOVE, and METAMORPHOSIS; Matkovskiy recorded a series of albums of his minimalist experiments called "Hunting of …"
In different forms and under different names, the group exists approximately since 1978, however, its current name, Auktyon received only in May of 1983, when it was granted a membership in the Leningrad Rock Club, and its present appearance, style, and core musicians were formed in spring of 1986, when the group was triumphant on the stage of the 4th Leningrad Rock Club Festival in the following line up: Leonid Fedorov (guitar, vocal), Oleg Garkusha (dance, vocal), Sergei Rogozhin (vocal), Victor Bondarik (bass), Dmitriy Ozerskiy (keyboards, vocal), Nikolai Rubanov (saxophone, flutes), Nikolai Fedorovich (saxophone), and Igor Cheridnik (drums). In one year, Auktyon was repeatedly successful in the 5th festival, after which Sergei Rogozhin left the group for the pop-band FORUM, while the percussionist Pavel Litvinov strengthened the rhythm section. The second guitarist - Dmitriy Matkovksiy from the cult band of the early 80's MANUFAKTURA - joined Auktyon that fall. During that period, the group attained acknowledgement on the scale of the whole country, performing at the rock-festivals in Kiev, Ekaterinburg, Vilnyus ("Lituanika-8"), and taking part in the cultural program of Moscow International Film Festival.
In 1988 Auktyon recorded an album "Return to Sorrento", which has not been professionally released until now; Igor Cherednik, who left for IGRY, was replaced by a hard-rock drummer Boris Shaveinikov; and the visual image of the group had acquired a new quality, when a gifted dancer Vladimir Veselkin joined the group. A significant role in formation of the image of Auktyon during this period was played by a famous avant-garde artist from St. Petersburg Kirill Miller, who was responsible for the covers of the first albums: in particular "How I Became a Traitor" (1989), released in France by Voyla Productions, and "All Quiet in Baghdad" (1990), recorded in Russia at "Melodiya".
In 1990 Auktyon took part in grandiose ecological action "Rock of Clear Water", and along with other participants went down the river Volga, giving concerts in Volga cities.
From the late 80's Auktyon began to regularly travel to Europe: in the last ten years they have had several hundred concerts in France, Germany, Denmark, Switzerland, Austria, Holland, and Czech Republic. In the 90's new work continues to appear: "Asshole" (Erio, 1990), "Hangover" (SNC, 1991), "Bird" (Dyadyushka Records, 1994), "Best Of" (SNC, 1996). Furthermore, Auktyon discography also contains two collaborations with the Parisian artist, poet, and bard Aleksey Khvostenko: "Teapot of Wine" (1992) and "Mountaintop Dweller" (SNC, 1995 - based on the verses of the poet and language reformer Velemir Khlebnikov).
After the period of relative stability, in May of 1992, Vladimir Veselkin left Auktyon, who began a relatively successful solo career (in 1991 his album "Impossible Love" was released by FeeLee), and in November of 1995, Dmitriy Matkovskiy has played his last concert with the group. Almost at the same time Auktyon has invited a tuba player Mikhail Kolovskiy. The main creative force of the group - guitarist and singer Leonid Fedorov. His songs (which are usually written to the lyrics of the colleagues - Dmitriy Ozerskiy and Oleg Garkusha) have a characteristic melodic language, in which jazz and ethnic intonations neighbor with a straightforward "hit"-like key phrases, and where the rhythm allows you to stretch the most "unfit for the voice" phases.
In 2007 an Auktyon's album "Devushki Poyut" (released in English language countries as "Girls Sing") of was released. It was recorded just in a few days in USA with participation of Marc Ribot (worked with John Zorn, Marianne Faithfull, Tom Waits and more) on guitar, John Medeski on keyboards, Frank London on trumpet, Ned Rothenberg on sax, Vladimir Volkov (Владимир Волков) on contrabass.
For the extent of its biography, the group appeared in various films and documentaries: "Burglar" (Lenfilm, 1986), "Half-Official"(Germany, 1987), "Rock" (LSDF, 1987), "Let's rock-n-roll!"(Germany, 1988). The main movie star of Auktyon is Oleg Garkusha, who played in "Presumption of Innocence" (1998), and "Khrustalev! Get the car!" (1996). He regularly appears and reads his poetry and is an author of two collections of poems.
The many-sided and experienced musicians, the members of Auktyon regularly participate in recordings and multiple projects - Rubanov and Litvinov together and separately played in JUNGLE, ADDIS-ABEBA, MARKSCHEIDER KUNST; Rubanov played in BEES AND THE HELICOPTER, TIME TO LOVE, and METAMORPHOSIS; Kolovskiy and Rubanov play in Z-ENSEMBLE and UNION OF COMMERCIAL AVANTGARDE; Fedorov played and recorded with Nizhniy-Novgorod bard Aleksey "Colonel" Khrynov; Shaveinikov played with Yuri Naumov, TIME TO LOVE, and METAMORPHOSIS; Matkovskiy recorded a series of albums of his minimalist experiments called "Hunting of …"
Хомба
Аукцыон Lyrics
We have lyrics for these tracks by Аукцыон:
Warum? Ну и зачем, зачем меня сделал-то? Ну и пошто, пошто да…
В нелюди От меня до тебя сны От меня у тебя сын Отними у…
Вечер мой Пробудись, проснись скорее, вечер мой Рассыпается над снегом…
Волчица Твой сон еще похож на дом, В котором можно жить, а…
Вру Холод моих глаз, как кинжал. Это только знак, злобный оскал…
Всё вертится Солнце ночь проводит Там, где месяц бродит Мертвый жил у лес…
Глаза Ночь. Видимо ,пыль в глаза, И длинная, как вокзал, Малинов…
День победы Кто это я Много ли я возьму? На груди меня День Победы! С…
Дети Дети Дети детей Дети деток детей Де-ети Дети Дети Деток дети…
Ещё не поздно Еще не поздно, день уже прожит Войди, прохожий, я тебе верю …
Зима То ли солнце мне не светит, То ли дети, то ли…
Колдун Долина предков. Где выход - я не знаю. Кто запер клетку? …
Конь унес любимого Спой мне, лебедь, птица белая, как его я люблю Спой мне,…
Летучая В железный лес, В тот день и час, Как сон небес Войдём, с…
Моя любовь На мне луна рисует белым Болотный лебедь с нежным телом Меня…
Новогодняя Дети в сугробах шумно играют в Афганистан Я через двор не…
Нэпман Меня теперь не обижают, Любой чужой отныне свой, Меня не т…
Осколки Сон, приснилось мне, Что я воюю в чужой стране. Враг, неравн…
Отлюбил Отлюбил - и бегу Отлетал - сплю на снегу Отхотел - снова…
Песня про столбы В ожидании тюрьмы Забастовок и чумы В состоянии рубля С волк…
Пионер Мне нашептали, мне нагадали - Жить мне недолго. Что-то вр…
Полька Сижу один, гляжу в окно И вижу сумерки давно Выходят дамы из…
Птица Ненужный кто-то за окном Стоял и требовал любви. Я все ост…
Радиодиверсия В моей квартире злобный враг, Он слышит каждый вздох и кажд…
С днём рождения И колени , и дороги, И подорожником, и по дороге, и-и-и... …
Седьмой Седьмой, седьмой, отвечай, седьмой Я тебя не слышу, почему м…
Сирота Сколько должен капитан внучке ямщика - Так уж бывает, так у…
Слова Слова, слова Едва, едва И там, и всем Совсем, совсем. Сам пр…
Слон И сон не сон, и жизнь как слон И быт как…
Спи солдат Добрые люди не понимают Правды не любят Жизни не знают Минны…
Тоска Город на песке, город из песка. На песчаннике своя тоска. …
Уши Пропали уши у меня Средь бела дня И стал я грустный Как индю…
Ушла Нет меня - и не надо, Падаю - и не больно, Думаю…
Фа-фа Я нервный, я верный, пока... Я нежный. Фа-фа, фа-фа, фа-фа, …
Чудный вечер Чудный вечер, бессонная ночь. Я очень молод, у меня уже доч…
Шишки Беды-победы, Пушки на опушке, Тушки-путушки, Суета, Душк…
Юла Как юла, как юла, Как гроза, как гроза, Эх гора, эх гора, …
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