Georgy Vasilyevich Sviridov (Russian: Георгий Васильевич Свиридов, Ge'orgy … Read Full Bio ↴Georgy Vasilyevich Sviridov (Russian: Георгий Васильевич Свиридов, Ge'orgy Vasil'jevič Svirídov; (December 16, 1915 – January 5, 1998), also transliterated Georgy Vasil'yevich Sviridov, Georgy Vasilievich Sviridov, Georgy Vasil'evich Sviridov, Georgii Sviridov or Gyorgy Sviridov, was a Russian and Soviet neoromantic composer.
Georgy Vasilyevich Sviridov was born in 1915 in the town of Fatezh in the Kursk guberniya of the Russian Empire. His father, Vasily Sviridov, a sympathizer of the Bolshevik cause during the Russian Civil War that followed the Russian Revolution, was killed when Georgy was four. The family moved to Kursk, where Sviridov, still in elementary school, learned to play his first instrument, the balalaika. Learning to play by ear, he demonstrated such talent and ability that he was accepted into the local orchestra of Russian folk instruments.
He enrolled in a music school in 1929, and following the advice of his teacher, M. Krutinsky, came to Leningrad in 1932, where he studied piano at the Leningrad Central Music College, graduating in 1936. From 1936 to 1941, Sviridov studied at the Leningrad Conservatory under P.B. Ryazanov and Dmitri Shostakovich. Mobilized into the Soviet armed forces in 1941, just days after his graduation from the conservatory, Sviridov was sent to a military academy in Ufa, but was discharged by the end of the year due to poor health.
In 1935 Sviridov's composed a cycle of lyrical romances based on the poetry of Alexander Pushkin which brought him first critical acclaim. During his studies in Leningrad Conservatory, 1936 – 1941, Sviridov experimented with different genres and different types of musical composition. He completed Piano Concerto No. 1 (1936 – 1939), Symphony No. 1 and the Chamber Symphony for Strings (1940). Later Sviridov would turn to the rich Russian musical heritage, including the folk songs, for inspiration.
Among Sviridov's most popular orchestral pieces are the Romance and the Waltz from his Snowstorm, musical illustrations after Pushkin (1975), that were originally written for the eponymous 1964 TV film (Метель) based on the short story from Pushkin's "Belkin's tales" (Повести Белкина). A short segment from his score for the 1967 film Forward, Time! (Время, вперед!) was selected as the opening theme for the main evening TV news program Vremya (Программа "Время"; "Время" means Time) and became the staple of Soviet life for several generations.
Poetry always occupied an important place in Sviridov's artistic universe. He wrote songs and romances to the lyrics of Mikhail Lermontov (1938, 1957), Alexander Blok (1941), William Shakespeare (1944 – 1960), Robert Burns (in Russian translation, 1955). Despite the popularity of Sviridov's instrumental works, both the composer himself and the music critics regarded vocal and choral music to be his main strengths. Pathetic Oratorio(1959) after Vladimir Mayakovsky has been called a masterful musical rendering of one of the most popular Soviet poets. Sviridov's prolific vocal chamber and vocal symphonic output includes Oratorio To the memory of Sergei Yesenin (1956), Little Cantata Wooden Russia (1964) after Yesenin, Cantata Songs of Kursk (1964), Spring Cantata (1972) after Nikolai Nekrasov, songs, romances, and cantatas after Fyodor Tyutchev, Sergei Yesenin, Alexander Blok, Boris Pasternak, Alexander Prokofiev, Robert Rozhdestvensky.
While Sviridov's music remains little known in the West, his works received high praise in his homeland for their memorable lyrical melodies and national flavor.
In 1946 Sviridov was awarded the State Stalin Prize for his Piano Trio, heavily influenced by Tchaikovsky. Lenin Prize of 1960 was bestowed on the composer for his Pathetic Oratorio. Georgy Sviridov was awarded the USSR State Prize in 1968 and 1980 and honored with the title People's Artist of the USSR. He became a Hero of Socialist Labor (1975) and was twice awarded the Order of Lenin.
Asteroid 4075 Sviridov, discovered by the Russian astronomer Lyudmila Georgievna Karachkina in 1982, was named in honor of Georgy Sviridov.
The composer died of a heart attack in Moscow, January 5, 1998, where he had lived since 1956.
Georgy Vasilyevich Sviridov was born in 1915 in the town of Fatezh in the Kursk guberniya of the Russian Empire. His father, Vasily Sviridov, a sympathizer of the Bolshevik cause during the Russian Civil War that followed the Russian Revolution, was killed when Georgy was four. The family moved to Kursk, where Sviridov, still in elementary school, learned to play his first instrument, the balalaika. Learning to play by ear, he demonstrated such talent and ability that he was accepted into the local orchestra of Russian folk instruments.
He enrolled in a music school in 1929, and following the advice of his teacher, M. Krutinsky, came to Leningrad in 1932, where he studied piano at the Leningrad Central Music College, graduating in 1936. From 1936 to 1941, Sviridov studied at the Leningrad Conservatory under P.B. Ryazanov and Dmitri Shostakovich. Mobilized into the Soviet armed forces in 1941, just days after his graduation from the conservatory, Sviridov was sent to a military academy in Ufa, but was discharged by the end of the year due to poor health.
In 1935 Sviridov's composed a cycle of lyrical romances based on the poetry of Alexander Pushkin which brought him first critical acclaim. During his studies in Leningrad Conservatory, 1936 – 1941, Sviridov experimented with different genres and different types of musical composition. He completed Piano Concerto No. 1 (1936 – 1939), Symphony No. 1 and the Chamber Symphony for Strings (1940). Later Sviridov would turn to the rich Russian musical heritage, including the folk songs, for inspiration.
Among Sviridov's most popular orchestral pieces are the Romance and the Waltz from his Snowstorm, musical illustrations after Pushkin (1975), that were originally written for the eponymous 1964 TV film (Метель) based on the short story from Pushkin's "Belkin's tales" (Повести Белкина). A short segment from his score for the 1967 film Forward, Time! (Время, вперед!) was selected as the opening theme for the main evening TV news program Vremya (Программа "Время"; "Время" means Time) and became the staple of Soviet life for several generations.
Poetry always occupied an important place in Sviridov's artistic universe. He wrote songs and romances to the lyrics of Mikhail Lermontov (1938, 1957), Alexander Blok (1941), William Shakespeare (1944 – 1960), Robert Burns (in Russian translation, 1955). Despite the popularity of Sviridov's instrumental works, both the composer himself and the music critics regarded vocal and choral music to be his main strengths. Pathetic Oratorio(1959) after Vladimir Mayakovsky has been called a masterful musical rendering of one of the most popular Soviet poets. Sviridov's prolific vocal chamber and vocal symphonic output includes Oratorio To the memory of Sergei Yesenin (1956), Little Cantata Wooden Russia (1964) after Yesenin, Cantata Songs of Kursk (1964), Spring Cantata (1972) after Nikolai Nekrasov, songs, romances, and cantatas after Fyodor Tyutchev, Sergei Yesenin, Alexander Blok, Boris Pasternak, Alexander Prokofiev, Robert Rozhdestvensky.
While Sviridov's music remains little known in the West, his works received high praise in his homeland for their memorable lyrical melodies and national flavor.
In 1946 Sviridov was awarded the State Stalin Prize for his Piano Trio, heavily influenced by Tchaikovsky. Lenin Prize of 1960 was bestowed on the composer for his Pathetic Oratorio. Georgy Sviridov was awarded the USSR State Prize in 1968 and 1980 and honored with the title People's Artist of the USSR. He became a Hero of Socialist Labor (1975) and was twice awarded the Order of Lenin.
Asteroid 4075 Sviridov, discovered by the Russian astronomer Lyudmila Georgievna Karachkina in 1982, was named in honor of Georgy Sviridov.
The composer died of a heart attack in Moscow, January 5, 1998, where he had lived since 1956.
Метель
Георгий Васильевич Свиридов Lyrics
We have lyrics for 'Метель' by these artists:
@kkinchevzona Постой, не уходи, Мне нужно больше слов, Чтоб отпустила э…
Brandon Stone & Вахтанг На обложку глянца я смотрю. И знакомый, нежный взгляд ловлю…
FM154 А листья кружат здесь чуть выше головы И постоянно поет вете…
Horus Белый-белый-белый снег Белый снег лег, как во сне Нам до это…
Horus feat. Mnogoznaal Снова на берег вынесут метели Сугробов холодной белизны отте…
pinkglasses Я растаяю на губах твоих, словно снег Где ты? Не…
RAM kommo Снимки, мы на них счастливые До всей этой хуйни с…
Xassa А за окном метель Гуляет моя вьюга Спела бы колыбель Мама сп…
А.ПУГАЧЕВА И К.ОРБАКАЙТЕ За тобой не закрывая дверь Я живу уже который год, И с…
Александр Буйнов А снег летел и ветер над ночной Москвой кружил свою…
Алла Пугачёва & Кристина Орбакайте За тобой не закрывая дверь Я живу уже который год, И с…
Анастасия Спиридонова Небо прячет на крышах тайны Город улиц зажег огни Морщась от…
Блэки с Банги Замети меня метель, за мной бежит моя тень Мы прячемся в…
Буйнов Александр А снег летел и ветер над ночной Москвой кружил свою…
вахтанг На обложку глянца я смотрю. И знакомый, нежный взгляд ловлю…
ДДТ Коронована луной, Как начало - высока, Как победа - не со …
ДДТ - Мир Номер Ноль Коронована луной, как начало - высока, Как победа - не со…
Джанго Непроглядная метель, Одинокая постель, Сны играют душами Н…
ЕК-96 Тихо и беззаботно Ложатся на землю хлопья Белою…
Ирина Круг Белый снег устроил в небе канитель, Метель, такая сильная ме…
Май Искариот Между нами тысячи полей Между нами миллионы речек …
Мумий Тролль Метель Невозможного хочу Закипел Выливаюсь, но молчу Зан…
Ночью в парке Снег за окном Шепчет нам о том, что будет потом И пусть…
Олег Винник Метель спустилась на ее постель, И холод жгучий, холод до ко…
Писатель Единственный источник света это окна квартир, Всю мою жизнь …
С. Фед Замети меня метель, за мной бежит моя тень Мы прячемся в…
Стас Михайлов Я боюсь ночи очень. Я боюсь дня, как огня. Потому что…
Туманность Андромеды Вдаль в страну предков мир зовет Просто пришла пора Вдаль С…
Чёрная Гитара Снова пришёл февраль и метели принес за собой. И некуда не…
Эрнесто Заткнитесь Начинается утро густыми мазками И судьба над шоссе наблюдае…
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Елена Назарова
Обратите внимание : музыканты ЖИВУТ тем , что творят !
Всё написано на их лицах , в каждом жесте , в ритме дыхания !
Они ПОЮТ саму жизнь Александра Пушкина :
"Мне было б грустно мир оставить.
Живу , пишу не для похвал;
Но я бы , кажется , желал
Печальный жребий свой прославить,
Чтоб обо мне , как верный друг ,
Напомнил ХОТЬ ЕДИНЫЙ ЗВУК .
И чьё-нибудь он сердце тронет;
И , сохранённая судьбой ,
Быть может , в Лете не потонет
Строфа , слагаемая мной.."
Татьяна Думсеаа
Опять слушаю эту прекрасную музыку и восхищаюсь исполнительским превосходством. Ничто не сравниться с живым исполнением. Дирижёр высочайший профессионал!!! Браво!!!
100klass
Почему же не указаны замечательные музыканты-исполнители? Это Государственный академический Большой симфонический оркестр имени П. И. Чайковского.ХУДОЖЕСТВЕННЫЙ РУКОВОДИТЕЛЬ И ГЛАВНЫЙ ДИРИЖЕР | НАРОДНЫЙ АРТИСТ СССР ВЛАДИМИР ФЕДОСЕЕВ. Не каждому понятно,что такое TchaikovskyOrchestra
Ilya Konovalov
Первая скрипка
Михаил Шестаков к сожалению ушедший
Виолончель
Виктор Симон тоже к сожалению ушедший
Мой канал
@Калинин Алексей Я полностью с Вами согласна!! Я в свои 37 только осознаю,насколько прекрасна Музыка!!!
алекс гадицкий
Потомушто,это работа !!!
Ирина Васильева
@100klass Спасибо Вам и светлая память замечательному Музыканту. Хорошо, что техника позволяет оставлять такую память о человеке! Его нет, а созданная им красота живет и будет спасать души.
100klass
@Ирина Васильева это Михаил Шестаков, концертмейстер Большого симфонического оркестра им. П.И. Чайковского, народный артист России. К огромному сожалению, недавно его не стало...
Tatjana Heidt
Смотрю на музыкантов, я плачу вместе с ними!! Федосеев, гениально!! Великий русский Свиридов!! Душа на разрыв!! Непревзойденно!! Пересматриваю в апреле 2020.Свиридов был каким-то провидцем!! Как актуально именно сейчас!! Такая боль в душе!! Так хочется заорать на всю планету-любите друг друга!! Только она спасёт нас!! Брависсимо оркестру!! Солистам!!
Юрий Малько
@Hajate rejden Так точно, и Чайковский, и Мусоргский, и Бородин творили именно при Советской Власти..)
Наум Бкрштейн
Сенодня день рождения моего сына.Чем еще как не этой прекрасной музыкой я могу передать ему и ено семье,моему внуку свою любовь,которая будет жить со мной до последнего вздоха.Спасибо!!@