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Концерт для фортепиано с оркестром № 2 c-moll. С.Рахманинов. Святослав Рихтер Warsaw Philharmonic Or Lyrics
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You just can't mold me
I'll be what I wanna be
And I'll see what I wanna see
Even if two plus two you means three you can't hold me
You know my name
You got my number
I'm just a somethin
When I'm a walkin
Down the empty street
You put up a barrier
That I have to meet
You send me a message
You want me to stop
The things I'm takin
From what you got
Your talk-talk-a-talkin
Bout what I do
But ya better stop pushin
Or it'll be all over for you
You just can't mold me
My identity is not dependent on anyone's perception or attempt to shape me.
I'll be what I wanna be
I have the freedom to choose and become whoever or whatever I want.
And I'll see what I wanna see
I have the ability to perceive and interpret things according to my own perspective.
Even if two plus two you means three you can't hold me
Even if your beliefs or worldview contradict mine, it doesn't mean you can control or limit me.
You know my name
You are aware of my existence and identity.
You got my number
You have some information or knowledge about me.
I'm just a somethin
I am a person who has value and significance, not just an object or thing.
You wanna put under
You want to suppress or subdue me.
When I'm a walkin
When I am moving forward and making progress.
Down the empty street
In a place or situation where there is no one else around.
You put up a barrier
You create an obstacle or impediment that hinders or stops me.
That I have to meet
That I have no choice but to confront or overcome.
You send me a message
You communicate with me, possibly conveying a demand or warning.
You want me to stop
You desire me to halt or discontinue something I am doing.
The things I'm takin
The things I am acquiring, gaining or achieving.
From what you got
From the resources, opportunities, or benefits available to you.
Your talk-talk-a-talkin
Your consistent and/or repetitive talking or chatter about me or my actions.
Bout what I do
About my behavior or actions that you observe and comment on.
But ya better stop pushin
You should cease pressuring or trying to control me.
Or it'll be all over for you
Otherwise, there will be negative consequences or repercussions for you.
Lyrics © BMG RIGHTS MANAGEMENT US, LLC
Written by: JOSEPH KEITHLEY
Lyrics Licensed & Provided by LyricFind
@rome8180
Moderato 0:00
Adagio 11:10
Allegro 23:05
@cescllopis
Very kind of You to give the time (or time-line)to each movement.
@theodorfishler6111
@Ace-dv5ce
20:11 CAT
@ninosharashidze9762
@@cescllopisქქ22ქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქქა
@andibonnington
The tempo at the concerto entrance chosen by Richter, slower than the written score, evokes a nostalgia without falling into the catastrophic, but rather into the healthy melancholy of introspection, which carries a deep sort of mysticism and spirituality full of delight. At the same time, the other phrases evoke romanticism, then absolute passion, the "allargando" fragments are deep, full of joy... and at the same time the speed in the dynamics, the phrasing and clarity are impeccable. It is the best version that I have ever heard of this concerto, even above by the composer himself.
@JoshuaSobel
I've often considered this to be the single greatest recording of a piano ever made.
@a.d.devries4923
I quite agree!!!
@steadyheartbeats2061
I highly agree, Yuja's was also astonishing, but Richter's just simply pierces my heart each time.
@christophbader3713
Easily. Everything fits. Richter definitely, but also the orchestra and conductor and how the recording is done.