カネコアヤノ -Kaneko Ayano- ( born 30/01/1993 ) is a musician, actress and model.… Read Full Bio ↴カネコアヤノ -Kaneko Ayano- ( born 30/01/1993 ) is a musician, actress and model. She was raised in Yokohama City , Kanagawa Prefecture, Japan, the younger of two sisters by six years.
She started playing guitar in third grade of junior high school after not having success in learning the piano. The idea to play the guitar came because she was a fan of Chatmonchy. She played at home but hated practising and studying. According to her she was really bad at guitar, just playing G and C all the time. The band she liked the most was Happy End, but she also liked Tama, Ko Machida and INU, Masamune Kusano (Spitz), POLYSICS, Tokyo Karankoron, Kegawa No Maries, SEBASTIAN X, Siamese Cats and Jun Togawa. In her high-school years she had been in a band for a short while, and mostly she frequented a lot of live houses in the Shinjuku and Shimokitazawa area since her second year. She started writing songs around third year highschool but without showing it to anyone.
In 2012 while she was a second-year student at Wako University after a period of writing less she went back to singing and making music again because "all of her friends seemed to be making music at the time" but she continued to keep it for herself. It was until one of her friends, Natsuya Hamano, -who would be become her guitarist next- eventually heard some songs and showed it to his father, Yasumasa Hamano, who was a music engineer. He proposed her to record -he would become the drummer and music engineer- and that's how the the self-released mini-album 印税生活 came to be. It was an album released before doing any lives.
For the first formation, they called themselves カネコアヤノと印税生活 (Kaneko Ayano & Royalties Life) which is how the name for the mini-album came to be.
Next she would be contacted by a manager from Kitty Entertainment, after hearing the song はっぴいえんどを聴かせておくれよ(仮). This was the manager for the band Scandal, which is how she got to open for them in their Zepp-Tokyo Tour that same year.
In 2013 Takuma Motomura joined as a bassist.
In 2014 she released "来世はアイドル". Kaneko was a fan of the idol group Hello!Project at the time but she recognised she was too old to be one of them. Apart from them, Kaneko especially liked the 70's idol-group Candies, Pink Lady and the 70's idol Asaoka Megumi. She explains the song S・O・S by Pink Lady was used by an animation she watched when she was little. In her teens she remembered it and searched the original and that's how she got hooked up with this music.
In 2015 with the same backing band she released a new album 恋する惑星
In 2016, she cancelled her contract with Kitty Entertainment and self-released the mini-album, "hug". After this she got contracted to "we are" with a new manager. Hirotoshi Hayashi became the new guitarist. Later that year she released the EP さよーならあなた
In April 2017, she released an EP ひかれあい and later that year she released the album 群れたち
2018 saw Bob as the new drummer, and later the release of the album 祝祭 ひとりでに. Yasumasa Hamano continued as a recording engineer. The end of 2018 saw her changing record label, now 1994.
In late 2019 she released the album 燦々
In 2021 she released the album よすが
She started playing guitar in third grade of junior high school after not having success in learning the piano. The idea to play the guitar came because she was a fan of Chatmonchy. She played at home but hated practising and studying. According to her she was really bad at guitar, just playing G and C all the time. The band she liked the most was Happy End, but she also liked Tama, Ko Machida and INU, Masamune Kusano (Spitz), POLYSICS, Tokyo Karankoron, Kegawa No Maries, SEBASTIAN X, Siamese Cats and Jun Togawa. In her high-school years she had been in a band for a short while, and mostly she frequented a lot of live houses in the Shinjuku and Shimokitazawa area since her second year. She started writing songs around third year highschool but without showing it to anyone.
In 2012 while she was a second-year student at Wako University after a period of writing less she went back to singing and making music again because "all of her friends seemed to be making music at the time" but she continued to keep it for herself. It was until one of her friends, Natsuya Hamano, -who would be become her guitarist next- eventually heard some songs and showed it to his father, Yasumasa Hamano, who was a music engineer. He proposed her to record -he would become the drummer and music engineer- and that's how the the self-released mini-album 印税生活 came to be. It was an album released before doing any lives.
For the first formation, they called themselves カネコアヤノと印税生活 (Kaneko Ayano & Royalties Life) which is how the name for the mini-album came to be.
Next she would be contacted by a manager from Kitty Entertainment, after hearing the song はっぴいえんどを聴かせておくれよ(仮). This was the manager for the band Scandal, which is how she got to open for them in their Zepp-Tokyo Tour that same year.
In 2013 Takuma Motomura joined as a bassist.
In 2014 she released "来世はアイドル". Kaneko was a fan of the idol group Hello!Project at the time but she recognised she was too old to be one of them. Apart from them, Kaneko especially liked the 70's idol-group Candies, Pink Lady and the 70's idol Asaoka Megumi. She explains the song S・O・S by Pink Lady was used by an animation she watched when she was little. In her teens she remembered it and searched the original and that's how she got hooked up with this music.
In 2015 with the same backing band she released a new album 恋する惑星
In 2016, she cancelled her contract with Kitty Entertainment and self-released the mini-album, "hug". After this she got contracted to "we are" with a new manager. Hirotoshi Hayashi became the new guitarist. Later that year she released the EP さよーならあなた
In April 2017, she released an EP ひかれあい and later that year she released the album 群れたち
2018 saw Bob as the new drummer, and later the release of the album 祝祭 ひとりでに. Yasumasa Hamano continued as a recording engineer. The end of 2018 saw her changing record label, now 1994.
In late 2019 she released the album 燦々
In 2021 she released the album よすが
さよーならあなた
カネコアヤノ Lyrics
We have lyrics for these tracks by カネコアヤノ:
かみつきたい かみつきたい散らかしたい 君のそういう態度が嫌い だけど今日は帰らなくちゃ 帰らなきゃいけない かみつきたい散らかしたい…
ごめんね 君との思い出 レコード 悔しくって聴けないなぁ 外は雨降り あしたがあるからがまんした シングルベットの中で夜が明ける…
さかな 僕は魚 水の中は僕の家 自慢のエラでエラ呼吸 ふやけることを知らない僕の体 今日も平和に泳ぐのさ 子供は100匹当然さ …
はっぴいえんどを聴かせておくれよ 欲しい服とか靴とか本とか 猫も欲しいしギターも欲しいな いろんな所に行ったりしたいし あぁ お金持ちになりたい 代官山 …
ぼくら花束みたいに寄り添って 音楽が終わるのと同時に 晴れてた空が曇ってしまって 明るい部屋が翳りゆく 最近悲しいニュースが多いねと呟く君の横顔 失…
もしも 空の色がもしも違う色だったら こんな気持ちになるだろうか どこかの大地じゃ 小さな悩みさ 小さな悩みさ 玄関の前で立ち…
りぼんのてほどき 目の前を過ぎてゆく車のボディに私が映っている さっきまで泣きじゃくってた パーティのクラッカーみたいに なんとか生き抜…
わたしたちへ あの子は誰よりも退屈に慣れている こちらを見て泣いたりはしない 真夏の日差しに育てられた 母よりも怖いぐらい わたしで…
アイスキャンディ 溶けてなくなる前に 私の気持ちを固めてちょうだい なんてね くさい事をいうけど でも簡単に言うとそういうこと 男は何もわ…
カウボーイ 走る蹄の音 止まらぬ速さで恋は進む 君はまるで草原に吹く風 風 青い空に囲まれて これからどこに行こうか? どこまでも …
スイミング じりじり夏の始まり セミの鳴き声が響く午後 額に流れる汗と 揺れる陽炎が不思議だね 張り切って今年は水着を買った 誰に…
セゾン いろんな話をしてきたね 二人 落ち着いてきたよ やっといま ミモザが揺れる 何も起こらない一部屋に響く 換気扇の音 や…
予感 予感はいつも通り過ぎてゆく 風の中 ah 君といるこの日々は可愛くない顔で 写真に映るのも良いと知った 天使を抱えてる…
光の方へ あぁ 視界で揺れる髪の毛先が好き あぁ 茶色く透けてる 綺麗だね あぁ 言葉が反射する こころの底に あぁ 言葉じゃ足り…
季節の果物 特に好きでもない人が夢に出てきた Ah ah 愛犬と恋人を紹介された 冬 今に気づいたことじゃないけれど ぼくは ah…
孤独と祈り 今日もなにも進んでない 退屈なんだ この街のせいにしてる 待っているのは 本日着予定の荷物 映画を見た 最後は死んだ彼…
家族について 家族の輪はぐるぐる回る 2人は出会い 恋をして 愛が生まれ 私が生まれ 手を繋ぎ ひとつ屋根の下 まだ知らない 明日から…
布と皮膚 いろんなところがドキドキしてる Tシャツの襟ぐりと首の境を 行ったり来たりバレないように 指先でそっと縫い目をなぞった …
愛のままを ばかみたいだなあ めんどくさいって そういうときもあるよ シラケたふりして小石を蹴った みんなには恥ずかしくて言えはし…
手紙 目を閉じて耳をすませば ページをめくる音だけが響いてる あぁ あぁ 明日は手紙を書こう 消えたい夜のこと きら きら …
抱擁 星が降りてくる夜の話 君と作った電車のレールは途中で止まってるね 水が溢れてしまった 悲しい きっとこれは誰も悪くはな…
明け方 不安なまま朝を迎えてしまった だからギターを ギターを弾くしかないんだ 君が例えば知らないところで 誰にどんな どんな喋…
星占いと朝 いけしゃあしゃあと 平気なふりをしたい 冷たい紅茶を一気に飲み干して yeah, ah-ah 君が僕の街の灯り 一緒の…
春の夜へ 昼過ぎ起床の今日の朝へ インスタントコーヒーをいれるために 熱いお湯を沸かす やかんが震える部屋の空気 気まぐれに歩く…
月明かり 風邪をひいて独りになった日には 今日この町で一番可哀想なのは僕だ 僕だと思う Ah 救われてく僕の psykhe あの…
栄えた街の 今年はもうきっと何処へも行けない 憎らしい暑い夏も 今では恋しく思えるよ 庭には皮肉にも 皮肉にも花が咲く いつかは此…
気分 曇りの日が続く 瞼が 瞼が重くて 野生にかえることはもう今更無理さ 堕落は悪くない こころを守るんだ うさぎの瞳で 何を…
湯船 たくさん泣いた たくさん泣いた理由はない ただ ただ なんとなく 「なんで?」とかは聞かないで ああ 今日はもうお風呂に…
燦々 日に焼けたぬいぐるみたち この暮らしの事情を誰よりも知ってる 出窓から見える向かいの家のこどもがひとり バスケの練習して…
爛漫 こないだ夜道をあるいていた 発光してる 赤いみのり 熱でうなされて見た夢は 東京の空 ピノキオの星 枕元で女神が抱き寄せ…
眠れない 今夜は頭が痛い 大きく息を吸って 肺へ酸素を送る 心地よいだろう 瞼を休め集中 時に鼓動は 大きすぎて身体を揺らして気づ…
窓辺 例えば甘やかしてくれるなら それはもう ダメにしてくれ もしくは隠してるナイフを突き立ててくれ あなたが賢い人ならば …
腕の中でしか眠れない猫のように 眠りが浅い 唯一見た夢は 君と喧嘩する夢 私は決して良い人じゃない 夜の帳が下りる頃には 猫のようさ 帰りを待っている…
花ひらくまで 秋口みたいな春のはじめ 曇ってばかり 今夜も一歩 踏み出すには星が足りない 君の帰りをいつもの椅子に 腰掛けて待つので…
車窓より 新幹線でおにぎりひとつ 君からもらったチョコレート2枚 包装紙で折り紙したよ 君からもらったチョコレート苦い スポッ…
追憶 昨日は最悪だった わたしなにもわるいことしてない 本棚に積み重なってる あれは夢も希望もないぜ 君はいつも死にたがった…
閃きは彼方 僕らの日々へ僕らが誠実であれよ 世界が一度終わりを迎える やりなおせるよ 元通りじゃない 僕は閃いた 雷光のように 気…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@clyde3273
English translation. Sorry for any mistakes.
The people that pass by
Walk carefully on white lines
Like stray cats
On a summer morning that looks down
I can’t help wanting to bother someone
Everyday different feelings
Are born, kiss me
I love those joking words
Hey baby, it’s fine once in a while
When suddenly noticed
My fluttering speech becomes a memory
It’s lonely but...
So only now, just now please
Let’s love until the magic lifts
A promise to forget tomorrow
Let’s do a lot
Until the birds sing
Hey baby, it’s fine once in a while
Ah, even just one flower’s name
It would be nice if I could give it to you
@68COSSY
曲が頭に残らないくらいインパクトあるPV
@user-dv5xr2py6w
テンポがゆったりになるの大好き
@kitchen88
役者全員演技力がハンパない
@oimokeoimoyan
ほかの方が仰っているように、カネコアヤノ含め役者全員の迫真の演技に飲み込まれて、映像ばっかり見ているとマスターみたいに目を瞑りたくなる…うますぎて…
@user-cp8xt3bj6w
ライブと、歌詞見ただけじゃ
こんなmvだとは思わなかった
@myrrhman6088
Absolutely wonderful. Catchy production, and an uptempo but poignant vocal performance with just the right amount of emotion and power. Song comes together beautifully, and the music video is also well directed and acted in a way that seems to fit the tone perfectly.
@user-bi1qn4so4t
4:38
誰彼構わず愛想振り撒いて本心の見えないカネコアヤノが最後、誰に見られてるわけでもないところで嬉しそうな顔するのめちゃめちゃ良い
@user-br9vx9gj5h
グロテスクすぎる
生々しい欲演技で出せるのすごい。
@user-go5xw6uo9j
何これ、カネコアヤノさんの全体の雰囲気が可愛いすぎる、役がハマり過ぎてる
ドラマティックなMVのエモーショナルがやばすぎる
度を越す鬼リピート
@auzouku
決して批判じゃないのですが、この頃のカネコアヤノの歌い方がすごく好きです。
祝祭は名盤ですが、この時の方が歌い方が優しく感じます。