Ryuichi Sakamoto (坂本 龍一, Sakamoto Ryūichi, born January 17, 1952 - 28 March… Read Full Bio ↴Ryuichi Sakamoto (坂本 龍一, Sakamoto Ryūichi, born January 17, 1952 - 28 March 2023) was a Japanese composer, pianist, singer, record producer and actor who had pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres.
Sakamoto began his career while at university in the 1970s as a session musician, producer, and arranger. His first major success came in 1978 as co-founder of YMO. He concurrently pursued a solo career, releasing the experimental electronic fusion album Thousand Knives in 1978. Two years later, he released the album B-2 Unit. It included the track "Riot in Lagos", which was significant in the development of electro and hip hop music. He went on to produce more solo records, and collaborate with many international artists, David Sylvian, Carsten Nicolai, Youssou N'Dour, and Fennesz among them. Sakamoto composed music for the opening ceremony of the 1992 Barcelona Olympics, and his composition "Energy Flow" (1999) was the first instrumental number-one single in Japan's Oricon charts history.
As a film-score composer, Sakamoto had won an Oscar, a BAFTA, a Grammy, and 2 Golden Globe Awards. Merry Christmas, Mr. Lawrence (1983) marked his debut as both an actor and a film-score composer; its main theme was adapted into the single "Forbidden Colours" which became an international hit. His most successful work as a film composer was The Last Emperor (1987), after which he continued earning accolades composing for films such as The Sheltering Sky (1990), Little Buddha (1993), and The Revenant (2015). On occasion, Sakamoto has also worked as a composer and a scenario writer on anime and video games. In 2009, he was awarded the Ordre des Arts et des Lettres from the Ministry of Culture of France for his contributions to music.
Sakamoto entered the Tokyo National University of Fine Arts and Music in 1970, earning a B.A. in music composition and an M.A. with special emphasis on both electronic and ethnic music. He studied ethnomusicology there with the intention of becoming a researcher in the field, due to his interest in various world music traditions, particularly the Japanese (especially Okinawan), Indian and African musical traditions. He was also trained in classical music and began experimenting with the electronic music equipment available at the university, including synthesizers such as the Buchla, Moog, and ARP. One of Sakamoto's classical influences was Claude Debussy, who he described as his "hero" and stated that "Asian music heavily influenced Debussy, and Debussy heavily influenced me. So, the music goes around the world and comes full circle."
Sakamoto released his first solo album Thousand Knives of Ryūichi Sakamoto in mid-1978 with the help of Hideki Matsutake—Hosono also contributed to the song "Thousand Knives". The album experimented with different styles, such as "Thousand Knives" and "The End of Asia"—in which electronic music was fused with traditional Japanese music—while "Grasshoppers" is a more minimalistic piano song. The album was recorded from April to July 1978 with a variety of electronic musical instruments, including various synthesizers, such as the KORG PS-3100, a polyphonic synthesizer; the Oberheim Eight-Voice; the Moog III-C; the Polymoog, the Minimoog; the Micromoog; the Korg VC-10, which is a vocoder; the KORG SQ-10, which is an analog sequencer; the Syn-Drums, an electronic drum kit; and the microprocessor-based Roland MC-8 Microcomposer, which is a music sequencer that was programmed by Matsutake and played by Sakamoto. A version of the song "Thousand Knives" was released on the Yellow Magic Orchestra's 1981 album BGM. This version was one of the earliest uses of the Roland TR-808 drum machine, for YMO's live performance of "1000 Knives" in 1980 and their BGM album release in 1981.
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rosé, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. In 1996, Sakamoto produced "Mind Circus", the first single from actress Miki Nakatani, leading to a collaboration period spanning 9 singles and 7 albums though 2001.
Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of "Dreamland" that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom.
Sakamoto began working in films, as a composer and actor, in Nagisa Oshima's Merry Christmas Mr. Lawrence (1983), for which he composed the score, title theme, and the duet "Forbidden Colours" with David Sylvian. Sakamoto later composed Bernardo Bertolucci's The Last Emperor (1987), which earned him the Academy Award with fellow composers David Byrne and Cong Su. In that same year, he composed the score to the cult-classic anime film Royal Space Force: The Wings of Honnêamise. Sakamoto also went on to compose the score of the opening ceremony for the 1992 Summer Olympics in Barcelona, Spain, telecast live to an audience of over a billion viewers.
Other films scored by Sakamoto include Pedro Almodóvar's Tacones lejanos (High Heels) (1991); Bertolucci's The Little Buddha (1993); Oliver Stone's Wild Palms (1993); John Maybury's Love Is the Devil: Study for a Portrait of Francis Bacon (1998); Brian De Palma's Snake Eyes (1998) and Femme Fatale (2002); Oshima's Gohatto (1999); and Jun Ichikawa's (director of the Mitsui ReHouse commercial from 1997 to 1999 starring Chizuru Ikewaki and Mao Inoue) Tony Takitani (2005).
Several tracks from Sakamoto's earlier solo albums have also appeared in film soundtracks. In particular, variations of "Chinsagu No Hana" (from Beauty) and "Bibo No Aozora" (from 1996) provide the poignant closing pieces for Sue Brooks's Japanese Story (2003) and Alejandro González Iñárritu's Babel (2006), respectively. In 2015, Sakamoto teamed up with Iñárritu to score his film, The Revenant starring Leonardo DiCaprio and Tom Hardy.
Sakamoto also acted in several films: perhaps his most notable performance was as the conflicted Captain Yonoi in Merry Christmas Mr Lawrence, alongside Takeshi Kitano and British rock singer David Bowie. He also played roles in The Last Emperor (as Masahiko Amakasu) and Madonna's "Rain" music video.
In 1994, Japan Football Association asked Sakamoto to compose the instrumental song "Japanese Soccer Anthem". This instrumental song played at the beginning of Japan Football Association-sponsored events, such as Emperor's Cup matches.
In 2006 Sakamoto, in collaboration with Japanese music company Avex Group, founded Commmons (コモンズ, Komonzu), a record label seeking to change the manner in which music is produced. Sakamoto has explained that Commmons is not his label, but is a platform for all aspiring artists to join as equal collaborators to share the benefits of the music industry. On the initiative's "About" page, the label is described as a project that "aims to find new possibilities for music, while making meaningful contribution to culture and society". The name "Commmons" is spelt with three "m"s because the third "m" stands for music.
Sakamoto's first of three marriages occurred in 1972, but ended in divorce two years later—Sakamoto has a daughter from this relationship. Sakamoto then married popular Japanese pianist and singer Akiko Yano in 1982, following several musical collaborations with her, including touring work with the Yellow Magic Orchestra. Sakamoto's second marriage ended in August 2006, 14 years after a mutual decision to live separately—Yano and Sakamoto raised one daughter, J-pop singer Miu Sakamoto. He has lived with his manager and wife Norika Sora since around 1990 and has two children with her.
Beginning in June 2014, Sakamoto took a year-long hiatus after he was diagnosed with oropharyngeal cancer. In 2015, he returned, stating: "Right now I'm good. I feel better. Much, much better. I feel energy inside, but you never know. The cancer might come back in three years, five years, maybe 10 years. Also the radiation makes your immune system really low. It means I'm very susceptible to another cancer in my body."
On June 14, 2018, a documentary about the life and work of Sakamoto, entitled Coda, was released. The film follows Sakamoto as he recovers from cancer and resumes creating music, protests nuclear power plants following the Fukushima Daiichi Nuclear Disaster, and creates field recordings in a variety of locales. Directed by Stephen Nomura Schible, the documentary was met with critical praise.
On January 21, 2021, Sakamoto shared a link on his official pages, which contained a letter announcing that though his throat cancer went into remission, he was now diagnosed with rectal cancer, and that was currently undergoing treatment after a successful surgery. He wrote: "From now on, I will be living alongside cancer. But, I am hoping to make music for a little while longer".
Sakamoto began his career while at university in the 1970s as a session musician, producer, and arranger. His first major success came in 1978 as co-founder of YMO. He concurrently pursued a solo career, releasing the experimental electronic fusion album Thousand Knives in 1978. Two years later, he released the album B-2 Unit. It included the track "Riot in Lagos", which was significant in the development of electro and hip hop music. He went on to produce more solo records, and collaborate with many international artists, David Sylvian, Carsten Nicolai, Youssou N'Dour, and Fennesz among them. Sakamoto composed music for the opening ceremony of the 1992 Barcelona Olympics, and his composition "Energy Flow" (1999) was the first instrumental number-one single in Japan's Oricon charts history.
As a film-score composer, Sakamoto had won an Oscar, a BAFTA, a Grammy, and 2 Golden Globe Awards. Merry Christmas, Mr. Lawrence (1983) marked his debut as both an actor and a film-score composer; its main theme was adapted into the single "Forbidden Colours" which became an international hit. His most successful work as a film composer was The Last Emperor (1987), after which he continued earning accolades composing for films such as The Sheltering Sky (1990), Little Buddha (1993), and The Revenant (2015). On occasion, Sakamoto has also worked as a composer and a scenario writer on anime and video games. In 2009, he was awarded the Ordre des Arts et des Lettres from the Ministry of Culture of France for his contributions to music.
Sakamoto entered the Tokyo National University of Fine Arts and Music in 1970, earning a B.A. in music composition and an M.A. with special emphasis on both electronic and ethnic music. He studied ethnomusicology there with the intention of becoming a researcher in the field, due to his interest in various world music traditions, particularly the Japanese (especially Okinawan), Indian and African musical traditions. He was also trained in classical music and began experimenting with the electronic music equipment available at the university, including synthesizers such as the Buchla, Moog, and ARP. One of Sakamoto's classical influences was Claude Debussy, who he described as his "hero" and stated that "Asian music heavily influenced Debussy, and Debussy heavily influenced me. So, the music goes around the world and comes full circle."
Sakamoto released his first solo album Thousand Knives of Ryūichi Sakamoto in mid-1978 with the help of Hideki Matsutake—Hosono also contributed to the song "Thousand Knives". The album experimented with different styles, such as "Thousand Knives" and "The End of Asia"—in which electronic music was fused with traditional Japanese music—while "Grasshoppers" is a more minimalistic piano song. The album was recorded from April to July 1978 with a variety of electronic musical instruments, including various synthesizers, such as the KORG PS-3100, a polyphonic synthesizer; the Oberheim Eight-Voice; the Moog III-C; the Polymoog, the Minimoog; the Micromoog; the Korg VC-10, which is a vocoder; the KORG SQ-10, which is an analog sequencer; the Syn-Drums, an electronic drum kit; and the microprocessor-based Roland MC-8 Microcomposer, which is a music sequencer that was programmed by Matsutake and played by Sakamoto. A version of the song "Thousand Knives" was released on the Yellow Magic Orchestra's 1981 album BGM. This version was one of the earliest uses of the Roland TR-808 drum machine, for YMO's live performance of "1000 Knives" in 1980 and their BGM album release in 1981.
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rosé, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. In 1996, Sakamoto produced "Mind Circus", the first single from actress Miki Nakatani, leading to a collaboration period spanning 9 singles and 7 albums though 2001.
Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of "Dreamland" that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom.
Sakamoto began working in films, as a composer and actor, in Nagisa Oshima's Merry Christmas Mr. Lawrence (1983), for which he composed the score, title theme, and the duet "Forbidden Colours" with David Sylvian. Sakamoto later composed Bernardo Bertolucci's The Last Emperor (1987), which earned him the Academy Award with fellow composers David Byrne and Cong Su. In that same year, he composed the score to the cult-classic anime film Royal Space Force: The Wings of Honnêamise. Sakamoto also went on to compose the score of the opening ceremony for the 1992 Summer Olympics in Barcelona, Spain, telecast live to an audience of over a billion viewers.
Other films scored by Sakamoto include Pedro Almodóvar's Tacones lejanos (High Heels) (1991); Bertolucci's The Little Buddha (1993); Oliver Stone's Wild Palms (1993); John Maybury's Love Is the Devil: Study for a Portrait of Francis Bacon (1998); Brian De Palma's Snake Eyes (1998) and Femme Fatale (2002); Oshima's Gohatto (1999); and Jun Ichikawa's (director of the Mitsui ReHouse commercial from 1997 to 1999 starring Chizuru Ikewaki and Mao Inoue) Tony Takitani (2005).
Several tracks from Sakamoto's earlier solo albums have also appeared in film soundtracks. In particular, variations of "Chinsagu No Hana" (from Beauty) and "Bibo No Aozora" (from 1996) provide the poignant closing pieces for Sue Brooks's Japanese Story (2003) and Alejandro González Iñárritu's Babel (2006), respectively. In 2015, Sakamoto teamed up with Iñárritu to score his film, The Revenant starring Leonardo DiCaprio and Tom Hardy.
Sakamoto also acted in several films: perhaps his most notable performance was as the conflicted Captain Yonoi in Merry Christmas Mr Lawrence, alongside Takeshi Kitano and British rock singer David Bowie. He also played roles in The Last Emperor (as Masahiko Amakasu) and Madonna's "Rain" music video.
In 1994, Japan Football Association asked Sakamoto to compose the instrumental song "Japanese Soccer Anthem". This instrumental song played at the beginning of Japan Football Association-sponsored events, such as Emperor's Cup matches.
In 2006 Sakamoto, in collaboration with Japanese music company Avex Group, founded Commmons (コモンズ, Komonzu), a record label seeking to change the manner in which music is produced. Sakamoto has explained that Commmons is not his label, but is a platform for all aspiring artists to join as equal collaborators to share the benefits of the music industry. On the initiative's "About" page, the label is described as a project that "aims to find new possibilities for music, while making meaningful contribution to culture and society". The name "Commmons" is spelt with three "m"s because the third "m" stands for music.
Sakamoto's first of three marriages occurred in 1972, but ended in divorce two years later—Sakamoto has a daughter from this relationship. Sakamoto then married popular Japanese pianist and singer Akiko Yano in 1982, following several musical collaborations with her, including touring work with the Yellow Magic Orchestra. Sakamoto's second marriage ended in August 2006, 14 years after a mutual decision to live separately—Yano and Sakamoto raised one daughter, J-pop singer Miu Sakamoto. He has lived with his manager and wife Norika Sora since around 1990 and has two children with her.
Beginning in June 2014, Sakamoto took a year-long hiatus after he was diagnosed with oropharyngeal cancer. In 2015, he returned, stating: "Right now I'm good. I feel better. Much, much better. I feel energy inside, but you never know. The cancer might come back in three years, five years, maybe 10 years. Also the radiation makes your immune system really low. It means I'm very susceptible to another cancer in my body."
On June 14, 2018, a documentary about the life and work of Sakamoto, entitled Coda, was released. The film follows Sakamoto as he recovers from cancer and resumes creating music, protests nuclear power plants following the Fukushima Daiichi Nuclear Disaster, and creates field recordings in a variety of locales. Directed by Stephen Nomura Schible, the documentary was met with critical praise.
On January 21, 2021, Sakamoto shared a link on his official pages, which contained a letter announcing that though his throat cancer went into remission, he was now diagnosed with rectal cancer, and that was currently undergoing treatment after a successful surgery. He wrote: "From now on, I will be living alongside cancer. But, I am hoping to make music for a little while longer".
O Grande Amor
坂本龍一 Lyrics
We have lyrics for 'O Grande Amor' by these artists:
- Stan Getz Haja o que houver Há sempre um homem Para uma mulher E há…
Antônio Carlos Jobim Haja o que houver ha sempre um homem para uma mulher E…
Antonio Carlos Jobim & Friends/Gonzalo Rubalcaba/Joe Henderson Haja o que houver Há sempre um homem, para uma mulher E…
Antonio Carlos Jobim / João Gilberto / Stan Getz Haja o que houver Há sempre um homem, para uma mulher E…
Antonio Carlos Jobim Astrud Gilberto Joao Gilberto & Stan Getz Haja o que houver Há sempre um homem Para uma mulher E há…
Antonio Carlos Jobim Joao Gilberto Stan Getz Haja o que houver Há sempre um homem, para uma mulher E…
Antonio Carlos Jobim/Antonio Carlos Jobim/Antonio Carlos Jobim Haja o que houver Há sempre um homem Para uma mulher E há…
Antonio Carlos Jobim/João Gilberto/Stan Getz Haja o que houver Há sempre um homem, para uma mulher E…
Antonio Carlos Jobim/Stan Getz/João Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Bossa J.N.K O Grande Amor da Minha Vida (Convite de Casamento) A gente…
Butch Miles Haja o que houver Há sempre um homem, para uma mulher E…
Carminho Haja o que houver Há sempre um homem para uma mulher E…
Chet Baker / Stan Getz Haja o que houver Há sempre um homem Para uma mulher E há…
De Moraes Lalalaiá, lalalaiá Lalalaiá, lalalaiá Lalalaiá, lalalaiá Qu…
Dorival AMOR CLANDESTINO Quando a porta se abrir Você vai sair e pe…
Frank Tate Harry Allen Howard Alden Dave McKenna Butch Miles Haja o que houver Há sempre um homem, para uma mulher E…
Getz Haja o que houver Há sempre um homem Para uma mulher E há…
Getz & Gilberto & Jobim Haja o que houver Há sempre um homem, para uma mulher E…
Getz - Giberto Haja o que houver Há sempre um homem Para uma mulher E há…
Getz - Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
getz gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Getz Stan Haja o que houver Há sempre um homem, para uma mulher E…
Gilberto Getz Haja o que houver Há sempre um homem, para uma mulher E…
Gilberto Jobim Getz Haja o que houver Há sempre um homem, para uma mulher E…
Joao & Astrud Gilberto MEU GRANDE AMOR Todo mundo precisa de alguém Alguém sozinho…
Joao Gilberto Haja o que houver Há sempre um homem Para uma mulher E …
João Gilberto & Antonio Carlos Jobim & Stan Getz Haja o que houver Há sempre um homem, para uma mulher E…
João Gilberto / Stan Getz Haja o que houver Há sempre um homem, para uma mulher E…
João Gilberto Antônio Carlos Jobim Stan Getz Haja o que houver Há sempre um homem, para uma mulher E…
Joao Gilberto feat. Stan Getz Haja o que houver Há sempre um homem, para uma mulher E…
João Gilberto Quintet Haja o que houver Há sempre um homem, para uma mulher E…
João Gilberto Quintet and Stan Getz Haja o que houver Há sempre um homem, para uma mulher E…
João Gilberto Stan Getz Haja o que houver Há sempre um homem, para uma mulher E…
João Gilberto / Stan Getz Haja o que houver Há sempre um homem Para uma mulher E há…
Jobim A.C. Haja o que houver Há sempre um homem, para uma mulher E…
Joгo Gilberto/Stan Getz Haja o que houver Há sempre um homem Para uma mulher E há…
Jo縊 Gilberto; Stan Getz Haja o que houver Há sempre um homem, para uma mulher E…
Morelenbaum O nosso amor O nosso amor vai ser assim Eu prá você,…
Nara Leão Haja o que houver Há sempre um homem Para uma mulher E há…
Pierre-Stephane Michel O amor; quando se revela, Não; não se sabe revelar. Sabe bem…
Ryuichi Sakamoto Jacques & Paula Morelenbaum O nosso amor O nosso amor vai ser assim Eu prá você,…
Stan Getz Haja o que houver Há sempre um homem Para uma mulher E há…
Stan Getz / Joao Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz Joao Gilberto feat. Antonio Carlos Jobim Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz & Chick Corea Haja o que houver Há sempre um homem Para uma mulher E há…
Stan Getz & João Gilberto Haja o que houver, H sempre um homem, para uma mulher E h…
Stan Getz & João Gilberto & Antonio Carlos Jobim Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz & João Gilberto (feat. Antonio Carlos Jobim) Haja o que houver Há sempre um homem Para uma mulher E há…
Stan Getz & Joao Gilberto (ft. Antonio Carlos Jobim) Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz & João Gilberto Feat Antonio Carlos Jobim Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz & João Gilberto Quintet [feat. Antonio Carlos Jobim] Haja o que houver Há sempre um homem Para uma mulher E há…
Stan Getz & João Gilberto Featuring Antonio Carlos Jobim Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz & Joćo Gilberto Featuring Antonio Carlos Jobim Haja o que houver Há sempre um homem Para uma mulher E há…
Stan Getz & Joo Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz & Joгo Gilberto Featuring Antonio Carlos Jobim Haja o que houver Há sempre um homem Para uma mulher E há…
Stan Getz & Jo„o Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz - Joao Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
STAN GETZ / ASTRUD GILBERTO / JOAO GILBERTO Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz / Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
stan getz / joao gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz / João Gilberto featuring Antonio Carlos Jobim Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz / João Gilberto Quintet Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz Antônio Carlos Jobim & João Gilberto Haja o que houver Há sempre um homem Para uma mulher E há…
Stan Getz feat. Joao Gilberto Antonio Carlos Jobim Astrud Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz João Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz Joao Gilberto and Antonio Carlos Jobim Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz Joao Gilberto Quintet Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz João Gilberto Quintet Antônio Carlos Jobim Haja que houver há sempre um homem para uma mulher E há de…
Stan Getz João Gilberto Tom Jobim Astrud Gilberto/João Gilberto/Tom Jobim/Astrud Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz&Joao Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz(스탄 게츠) Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz-João Gilberto Quintet Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz/J Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz/Joăo Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz/Joao Gilberto/Antonio Carlos Jobim Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz/Joćo Gilberto Haja o que houver Há sempre um homem Para uma mulher E há…
Stan Getz/Joгo Gilberto Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz; João Gilberto Quintet; Antônio Carlos Jobim Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz; João Gilberto; Astrud Gilberto; Antonio Carlos Jobim Haja o que houver Há sempre um homem, para uma mulher E…
V. Amigo Como ter algo em que confiar Em quem posso depositar os…
Vinicius Lalalaiá, lalalaiá Lalalaiá, lalalaiá Lalalaiá, lalalaiá Qu…
スタン・ゲッツ & João Gilberto Quintet Haja o que houver Há sempre um homem, para uma mulher E…
Stan Getz Haja o que houver Há sempre um homem Para uma mulher E há…
We have lyrics for these tracks by 坂本龍一:
1919 Well, there was this movie I seen one time About a…
A Day In The Park STOP, BABY LOOK, BABY DON'T GO I AM THE ONE WHO'S THINKING…
Asadoya Yunta Sa kimi we nonaka no ibara no hana ka (sa…
Bibo no Aozora/04 眼差しの不実さと 気高さに溺れていた 狂おしい夏だった 青空も 声も 小さな死のように これ以上 愛さない 禁じる愛…
Field Work Brush up on my field work Better brush up on my…
Forbidden Colors The wounds on your hands never seem to heal I…
Forbidden Colours The wounds on your hands never seem to heal I thought…
Hemisphere 消し炭色の年月 そっと残る熱が未来 辿り着いた地図の裏側 最果ての町 オリーブ色の歳月 その苦い味が追憶 戻りかけた汽船…
Insensatez Ah, insensatez que você fez Coração mais sem cuidado Fez cho…
Risky Born in a corporate dungeon Where people are cheated of life…
Tainai Kaiki Ⅱ- Returning to the Womb I see the lines in the palm of its hand…
Tango Once I thought that I was in control But that was…
Thatness and Thereness Slow-motion repeat of breaking glass Fear Creeping up from b…
The Other Side Of Love in my heart, I know I must be right darkest shadows will som…
Undercooled 空虚な胸には 銃声だけが響く 風は悲嘆にくれ 大地は揺れる オレはまだここにいるのに キミの姿はない 歌を忘れたカナリア…
You Do Me You do me anyone with eyes can see I do you…
愛してる、愛してない 愛してる、愛してない 愛さずにいられない 優しくしないで 私はうそつきなの 愛してる、愛してない 愛さずにいられない あ…
美貌の青空 眼差しの不実さと 気高さに溺れていた 狂おしい夏だった 青空も 声も 小さな死のように これ以上愛さない 禁じる愛お…
電脳戯話 僕らは意識の旅に出る あの海を渡り波に乗る 音もなく場所も時間もない 光の速さで泳ぐ旅 We're surfin' on…
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Paula Priscila
Emocionante, quem conhece a história desse álbum, sabe o que significa essas filmagens. A admiração que o Sakamoto tinha pelo Jobim, a Paula sempre acompanhou o Jobim, o Jaques da mesma forma. São histórias de várias vidas... estou encantada, pena que alguns vídeos não estão disponíveis no Brasil..
Mariana Melero
cuanta belleza!!
Rafael Garcia C.
Lindissima interpretaçao e tambem uma linda cançao da dupla Tom-Vinicius. É para escutar a vida inteira com amor e devoçao. <3
Matthew Gonzales
The recordings Sakamoto made with morlenbaum^2 for their two records together are in my opinion some of the best renditions of the jobim songbook ever put to tape. Such wonderful performances of some of the finest compositions of all time
77hodag
Probably my all-time favorite album Nobody speaks the language of love like Jobim.
larry urbon
Nakamoto makes EVERYTHING he does sound new, fresh... great musician...
lijuanis
The whole CD is great RYUICHI in the piano sounds sometimes sad and sometimes just marvelous,JACQUES in the cello gives another sound so beautiful and so woderful,PAULA with her voice just so incredible floats around you that you wanna hear more,her voice is so perfect with this songs.Thank you for an amazing music.
Ronaldo Godin
Haja o que houver, há sempre um homem para uma mulher...
Seja como for, há de vencer o grande amor...
Lindo demais isso!
Arq Rachel Gusmão
Vim ouvir depois da live maravilhosa de Teresa Cristina na quarentena sem fim de 2020, em homenagem ao Jobim.
HenriqueCar
......sim, tive a sorte de poder ve-los no Porto (Portugal),,,,bom de mais. esta e provavelmente a melhor interpretação desta música. que arranjos.....perfeita! salve Jobom, para sempre..