He was the national singing champion in Hong Kong 1984 with the song Fatherland, ousting more than ten thousand other contestants. He was signed by the then Polygram Records, now Universal Music Group. Although encouraged by a bright start, he was not yet able to achieve immediate supremacy in Cantopop, then dominated by 譚詠麟, 梅艷芳, Leslie Cheung and 陳百強. Cheung suffered a nosedive in his career in 1988 after a best-selling first two albums. That year he did not have a single song awarded in the annual TVB JSG. His subsequent sales record dipped and one of his albums in the late 1980s managed just around ten thousand in sales. The reason for the fall in his CD sales was partially attributed to his alcohol problem - he could get drunk 5 times a week. After disrupting his friend's birthday party while being drunk, Cheung vowed in public that he would not consume alcohol again till he was 40. He kept that promise.
His recording career subsequently returned to its track. Then, in 1991, with the song 每天愛你多一些 (Loving You More Everyday), his career took a massive upturn. The album, 真情流露True Love Expression in 1992, as well as the succeeding release, 愛火花Love Sparks in 1992, became the two most successful albums in Hong Kong history, achieving audited sales of over 400,000 copies in Hong Kong alone and turned Cheung into a superstar, paving the way for himself and his contemporaries, Andy Lau, Leon Lai and Aaron Kwok, to take Cantopop to even greater heights. Subsequent albums continue to be a hit like 我與你True Love Expression 1993, 餓狼傳說 Wolf Tale 1994 etc. Since then his career has grown from strength to strength, and Cheung has managed to garner thousands of fans overseas as well as numerous music awards both in Hong Kong and elsewhere, including the best-selling Chinese singer in the Worlds Music Awards. Cheung has also been elected one of the world's Ten Outstanding Young Persons.
Among his most famous songs are Amour, 只想一生跟你走 (Only Thinking of Going Through Life With You) and the everlasting 吻别 (Goodbye Kiss) which confirms his status as one, and many consider the pre-eminent member, of the Four Heavenly Kings of Cantopop. Goodbye Kiss, a Mandarin number, was also one of the best-selling albums of all time, achieving more sales in Hong Kong, Taiwan and Southeast Asia such as not attained before, with an astounding 5 million copies sold in 1993 alone, a record that has remained yet unbroken. Goodbye Kiss was also instrumental in helping Cheung to break into the mando-pop market, and it also prompted other Hong Kong singers who wanted to gain a wider market to follow suit, even though, to this very day, very few indeed have been able to approach Cheung's level of success.
His work on the ground-breaking cantonese musical, Snow, Wolf, Lake musical (1997), was also enthusiastically received by both audiences and critics. Cheung not only played the male lead, but was also the artistic director for this production. The female lead was played by Sandy Lam and they achieved 43 full-house performances at the gigantic Hong Kong Coliseum. In November 2004, Jacky and his concert manager, Florence Chan Suk-Fan, worked on a revised Mandarin version of Snow, Wolf, Lake so as to bring it to a wider audience. The estimated budget for this revised production was HK$100 million and the show premiered on 24 December 2004 in Beijing. The production subsequently toured China and other Asian destinations to huge acclaim.
Cheung won, for the umpteenth time, the Best Selling Cantonese Album Award in the Hong Kong IFPI Awards of 2005 with his live album, Jacky Live Performance. In the fast-changing scene of canto-pop, Cheung is able to maintain his popularity and sales power for more than 20 years after his debut, which is unparalleled in the history of Hong Kong pop music.
Cheung acted in many films, although singing has always been his priority. His versatility and acting skills have enabled him to play a lot of diverse parts. He received the Best Supporting Actor Golden Horse Award for his work in Swordsman (1990). He also received the Best Actor Award at the New Dehli Film Festival for his portrayal of the protagonist in July Rhapsody. His song Perhaps Love, which serves as the theme song for the multi-award-winning film Perhaps Love, also won the Best Song Award at the 2005 Hong Kong Film Awards.
He is married to May Lo with two daughters.
Cheung was named spokesperson for Hong Kong Disneyland in 2004. As the theme park's spokesperson, Cheung took part in a number of large-scale marketing events organized by The Walt Disney Company and Walt Disney Parks and Resorts, beginning by hosting a TV program, Magical World of Disneyland. [1] He also recorded a song for Hong Kong Disneyland, a multi-lingual song entitled One. The music video for One was filmed at Hong Kong Disneyland.
你冷得像风
張學友 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
假裝流淚吧 多給些謊話 讓我被放棄不需要掙扎
夜長夢多 容易有想回頭的衝動
日以繼夜 我為你不自由
你狂得像風 愛恨都匆匆 留只是感動 離開也從容
冰與火相遇 註定沒結果 醒得早也好 反正都是空
夜長夢多 容易有想回頭的衝動
日以繼夜 我為你不自由
我的心被偷走 你卻不肯收 讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落 等我想要尋找 又找不到線索
你狂得像風 愛恨都匆匆 留只是感動 離開也從容
冰與火相遇 註定沒結果 醒得早也好 反正都是空
夜長夢多 容易有想回頭的衝動
日以繼夜 我為你不自由
我的心被偷走 你卻不肯收 讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落 等我想要尋找 又找不到線索
我的心被偷走 你卻不肯收 讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落 等我想要尋找 又找不到線索
間奏 請耐心等候……
我的心被偷走 你卻不肯收 讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落 等我想要尋找 又找不到線索
我的心被偷走 你卻不肯收 讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落 等我想要尋找 又找不到線索
The lyrics to 張學友's song 你冷得像风 describe a relationship where one person is cold and distant like the wind, while the other person is desperately trying to hold on despite feeling trapped and not free. The first verse talks about how the coldness of the other person feels like a constant force, almost like the wind. Despite this, even when rejecting the singer's advances, the other person does so with a smile, which speaks to the complicated nature of their relationship.
The second verse continues in a similar vein, describing the conflicting feelings of the singer as they struggle with their love for the other person, while feeling trapped and not free. The line "you crazily love and hate, leaving only emotion and departing with ease" speaks to the idea that the other person feels everything intensely, but is also able to leave just as easily. The chorus repeats the same lines and describes a sense of longing and searching for something that can never be found, exemplified by the line "my heart was stolen, but you chose not to keep it."
Overall, the song speaks to the complicated nature of relationships, especially those where one person feels trapped and not free, while the other is able to leave with ease. The idea of love and loss permeate throughout the song, with the use of imagery like the wind and searching for something that can never be found.
Line by Line Meaning
你冷得像風 愛永遠不夠 就連說拒絕都帶著笑容
You are as cold as the wind. Love will never be enough for you, as even when you reject someone, you do it with a smile.
假裝流淚吧 多給些謊話 讓我被放棄不需要掙扎
Pretend to shed tears, and tell me more lies, so that I can be abandoned without struggle.
夜長夢多 容易有想回頭的衝動 日以繼夜 我為你不自由
Long nights with many dreams, makes it easy to have an impulse to turn back. Day and night, I am not free because of you.
你狂得像風 愛恨都匆匆 留只是感動 離開也從容
You are as wild as the wind. Love and hate both rush through your heart. You only leave a feeling of emotion, and are just as cool when you depart as when you arrived.
冰與火相遇 註定沒結果 醒得早也好 反正都是空
When ice meets fire, fate has predetermined there won't be a result. Whether one wakes up early or not, it is futile.
我的心被偷走 你卻不肯收 讓它獨自冷風中 越冷越脆弱
You stole my heart, but you are unwilling to keep it. You let it remain alone in the chilly wind, making it more and more fragile.
卻被你遺落 等我想要尋找 又找不到線索
But now, you have carelessly lost it. Even if I seek it, I can't find any clues.
間奏 請耐心等候……
Interlude, please be patient...
Contributed by Dylan L. Suggest a correction in the comments below.
鄭宇
你冷得像風 愛永遠不夠
就連說拒絕都帶著笑容
假裝流淚吧 多給些謊話
讓我被放棄不需要掙扎
夜長夢多 容易有想回頭的衝動
日以繼夜 我為你不自由
你狂得像風 愛恨都匆匆
留只是感動 離開也從容
冰與火相遇 註定沒結果
醒得早也好 反正都是空
夜長夢多 容易有想回頭的衝動
日以繼夜 我為你不自由
我的心被偷走 你卻不肯收
讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落
等我想要尋找 又找不到線索
你狂得像風 愛恨都匆匆
留只是感動 離開也從容
冰與火相遇 註定沒結果
醒得早也好 反正都是空
夜長夢多 容易有想回頭的衝動
日以繼夜 我為你不自由
我的心被偷走 你卻不肯收
讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落
等我想要尋找 又找不到線索
我的心被偷走 你卻不肯收
讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落
等我想要尋找 又找不到線索
間 奏
我的心被偷走 你卻不肯收
讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落
等我想要尋找 又找不到線索
我的心被偷走 你卻不肯收
讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落
等我想要尋找 又找不到線索
yong Ann
很师很师 舞蹈跳得很美很美 真好听👍华语版的太好听了 歌神就是歌神 歌舞蹈台风一流 没人能够代替的偶像 我永远爱你💕张学友
楊志嘉
好聽
Wei Li Tan
老实说虽然粤语版的是原版，不过这首歌我本人还是比较喜欢国语版。
廖榮信
2021年还在聽的人请按赞👍
涂鳳琴
跳舞跳的很帥
游美琪
真的
楊志嘉
張學友很帥
雪龍
歌神。
Philip DXer Channel 飛力浦DX廣播情報頻道
餓狼傳說比較好聽
鄭宇
你冷得像風 愛永遠不夠
就連說拒絕都帶著笑容
假裝流淚吧 多給些謊話
讓我被放棄不需要掙扎
夜長夢多 容易有想回頭的衝動
日以繼夜 我為你不自由
你狂得像風 愛恨都匆匆
留只是感動 離開也從容
冰與火相遇 註定沒結果
醒得早也好 反正都是空
夜長夢多 容易有想回頭的衝動
日以繼夜 我為你不自由
我的心被偷走 你卻不肯收
讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落
等我想要尋找 又找不到線索
你狂得像風 愛恨都匆匆
留只是感動 離開也從容
冰與火相遇 註定沒結果
醒得早也好 反正都是空
夜長夢多 容易有想回頭的衝動
日以繼夜 我為你不自由
我的心被偷走 你卻不肯收
讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落
等我想要尋找 又找不到線索
我的心被偷走 你卻不肯收
讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落
等我想要尋找 又找不到線索
間 奏
我的心被偷走 你卻不肯收
讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落
等我想要尋找 又找不到線索
我的心被偷走 你卻不肯收
讓它獨自冷風中 越冷越脆弱
我的心被偷走 卻被你遺落
等我想要尋找 又找不到線索